Evilspeak

 

Evilspeak Poster

Evilspeak

Release Date: February 26, 1982

Genre: Horror, Drama

Director: Eric Weston

Writers: Eric Weston (Screenplay) and Joseph Garofalo (Screenplay and Story)

Starring: Clint Howard, R.G. Armstrong, Joe Cortese, Don Stark

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 

Happy 2019 dead readers! Here’s to another year! The first year of “Guilty Pleasure Cinema Review” has been a success! I again want to thank all of you for supporting the site. Hopefully we can continue to grow and expand our viewing audience. I’ve got plenty of movies to review and I’m looking to find some rare movies that perhaps the reading audiences aren’t familiar with. There will be full of surprises. If you have the following social media accounts, please make sure you follow my pages below:

Facebook – Guilty Pleasure Cinema Review

Twitter – @GPCRMovies

Now that we got that out of the way, let’s kick off the new year by reviewing a movie in my favorite genre. If you haven’t guessed by the numerous reviews including an October special, my favorite genre of movies is Horror. I stumbled upon this movie searching for some rare and unique Horror movies that I haven’t seen yet. It had an appealing cover, but you know what they say, “You can’t judge a book by its cover!” Would it live it up to the cover? Let’s find out. Here is the first “Guilty Pleasure Cinema Review” of 2019, the 1982 demonic horror flick “Evilspeak!”

Starring Clint Howard (brother of Ron Howard) in a rare leading role, the film focuses on Stanley Coopersmith, who is enrolled at military school due to the unfortunate deaths of his mother and father. Coopersmith is an outcast at the school. He is constantly bullied by the other cadets, gets berated by the senior personnel and laughed at by the women. The only compassion he receives is from the school chef and a little puppy that he adopts from the chef when he originally planned on letting it die because it is a runt. Stanley is forced to clean the church cellar at the school as punishment (for no clear reason). As he is cleaning the cellar, Stanley stumbles upon a room belonging to Father Esteban, a priest from the Dark Ages who had been banished from his church in Spain due to dabbling in black magic and refusing to renounce Satan. In his room is a book of black magic along with Esteban’s diary. Using a computer, Stanley translates the book from Latin to English where it contains instructions for a ritual called the “Black Mass.” The “Black Mass” would allow the soul of Esteban to return and possess the human being that performs the ritual, in this case Stanley. Stanley calls upon him to exact revenge on those who have mistreated him.

evilspeak2

Directed by Eric Weston (also co-wrote the screenplay) the film also stars R.G. Armstrong as ‘Sarge’, Joe Cortese as ‘Reverend Jameson’ and Don Stark of “That’s 70s Show” fame as ‘Bubba Caldwell’, the lead bully of the gang that torments Stanley throughout the movie. “Evilspeak” was released in only three countries which were the United States, United Kingdom and Japan. The film was banned in the United Kingdom due to its climax and Satanic Themes. It was cited as a ‘Video Nasty’, which was a collection of movies under the UK Video Recordings Act of 1984 that are banned due to its graphic nature or subject matter. It would later be reclassified and re-released in 1987 with three minutes cut from the original release and the text images of the “Black Mass” ritual removed on the computer screen. The film has a cult following (pun intended) and is the favorite film of Anton LaVey, the late founder and High Priest of the Church of Satan.

Throughout his career, Clint Howard has always been a character actor. You will likely see him in every movie his brother Ron Howard has directed. You’ve also seen him in the “Austin Powers Trilogy” as a military radar operator or as Paco in the Adam Sandler comedy “The Waterboy.” He has that distinct look that sticks out like a sore thumb. In this rare starring role for Howard he takes advantage of this by creating a lovable and sympathetic character. I couldn’t help but feel sorry for him. He tries his best going through the rigorous routines of military school only to be harassed by the fellow cadets and the teachers showing disdain for his tardiness and his inability to comply with the rules of the institution. His only sanctuary is the computer lab where he is building a class project with the aid of technology. His only friends are the chef and puppy dog that he keeps hidden from everyone in the church cellar as he spends more time studying the book and being fascinated with Father Esteban’s words. Although we shouldn’t seek revenge in real life, I was cheering for Stanley to get back at the bullies once his soul was possessed by Esteban. The antagonists in the movie were truly the lowest forms of life.

Speaking of the antagonists, there’s plenty of them in this film. Veteran actor R.G. Armstrong was a nice fit as ‘Sarge’ and Don Stark embellished the bully role of pack leader Bubba Caldwell with glee and delight. From Sarge to Reverend Jameson to Bubba Caldwell and his gang, all these people are despicable and nasty. I understand that you need to instill discipline on those who act out or misbehave, but some of the punishments in the film could be considered excessive in today’s world. They embarrass and humiliate Stanley every chance they get throughout the film. As a big believer in karma, they get theirs in the end.

FF_Evilspeak

“Evilspeak” is not an original concept. Many have compared it to “Carrie” even calling it the male version of the horror classic. There are numerous similarities between the two films. There’s a lot of holes in the screenplay leaving many questions unanswered. The overall theme of the movie is how far does one get pushed to the point where they seek revenge? It’s a humanitarian struggle for Stanley. As he dives more into the book and translates the passages, the more intrigued and curious he becomes. He continues down a dark path where there is no return. His view of redemption is by killing those that have made his life miserable.

The pacing is slow as it spends ninety percent of the movie building up the characters until the climax where everything is moving fast as if the filmmakers were given a time limit to complete the last act. The makeup and effects are dated for its time. And if you pay attention closely, you could see a dummy or two during Despite these flaws, I think it’s a technically good film that gets as much out as it could on its reported $1M budget. It’s not a slasher film in any sense so don’t expect to see a high body count, but there’s just the right amount of gore to appease the fans.

Evilspeak21

What makes “Evilspeak” work is how relatable it is today. Bullying continues to be a problem in schools today and with social media being a regular outlet for impressionable young people, it makes it worse when they post pictures or say mean comments about someone they like for reasons known only to them. The kids that are bullied end up taking dramatic and consequential actions such as hurting people or hurting themselves. No kid should have to go through life feeling miserable, sad or wishing they were never born. They should be enjoying their youth by having fun. Although this isn’t a movie to show kids about the effects bullying has, but it puts things in retrospect since we all have been a bully or have been bullied sometime in our lives.

If you enjoy low budget horror films that are simple and straight to the point, “Evilspeak” may be right up your alley.  Even if it’s the same old story told, and you are seething with anger over the characters, there is enough cheese going on that it can brighten your mood. Sometimes that’s all you need in a horror movie to prevent it from being all doom and gloom.

TRIVIA (Per IMDB)

  • According to Clint Howard, one night after shooting a scene he drove home while still wearing his bloody cadet outfit. He stopped at a light and noticed a woman staring at him from a nearby car, so he turned and smiled at her, and she responded by immediately locking all of her car’s doors.
  • Clint Howard and Don Stark agreed not to socialize during filming so that they could maintain the hostility that existed between their characters.
  • Previously banned in the UK as part of the infamous “Video Nasty” list during the 1980s.
  • The title “Evilspeak” was derived from the phrase “computer-speak”, a term used to describe the shorthand used by computer specialists for the otherwise complex. In the film the protagonist uses computers to summon evil spirits.
  • One of the prosthetic heads was accidentally made too tough for the decapitation scene it was intended for, and when Clint Howard struck it with the sword to his embarrassment it merely bounced off. Frustrated, he found a large sledge hammer then took some time to practice swinging it around until the added weight made wielding the sword seem easy by comparison, and when the scene was shot again he finally took the head off.
  • According to Clint Howard and director Eric Weston, the original cut of the film which he submitted to the ratings board contained even more footage than the uncut DVD release, including more special effects, as well as extensions of the bathtub death scene and the cadet having his heart ripped out. But their labored efforts to find a copy of this version have proven futile, and they believe it is likely gone forever.
  • Actor R.G. Armstrong was offered a choice between playing Sarge and Colonel Kincaid before assuming the role of Sarge.
  • The computer used by Stanley in the film is an Apple II, which was a very popular brand of computer at the time the film was made.
  • Richard Moll plays Father Esteban, the priest sentenced to exile for practicing the occult, and is seen performing the Black Mass in the beginning of the movie, two years before making a name for himself as Bull Shannon in Night Court (1984).
  • The production did some filming in a South Central church that had been condemned and scheduled to be torn down. When the aged minister saw that the crew were refurbishing the church, he didn’t understand that this was “show business refurbishing” and that the church would ultimately be burned down, dropping down on his knees and thanking God. Nobody had the heart to tell him the truth.

AUDIO CLIPS

Advertisements

Pawn Sacrifice

 

595x

Pawn Sacrifice

Release Date: September 25, 2015

Genre: Biography, Drama, Sport

Director: Edward Zwick

Writers: Steven Knight (Screenplay), Stephen J. Rivele, Christopher Wilkinson and Steven Knight (Story)

Starring: Tobey Maguire, Live Schreiber, Peter Sarsgaard, Michael Stuhlbarg

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

First off I wish to thank everyone for their continued support of the site. I have reached Review #30. For this review of “Guilty Pleasure Cinema Review” I decided to go with a genre that I’ve not done a review for. I went with a Biopic film. I enjoy Biopic films as they give you a cinematic view of a person or a historical event. I went with an individual biopic. This biopic is based on a person that is arguably the best at what he did. What he did was play Chess. He not only became the first (and only) American to win the World Championship, but he unlocked centuries of secrets that were contained in the game. I’m referring to Bobby Fischer.

I’ve been an amateur Chess player for over a year and I’ve been fascinated with Bobby Fischer as an individual. I’ve read many books on him as well as the award-winning HBO documentary “Bobby Fischer Against The World.” He is a man shrouded in mystery and lived in his own world which consists of 64 squares and 16 pieces. At age fifteen he became the youngest United States Chess Champion. By the time he was twenty-nine, he won the 1972 World Championship against Soviet Champion Boris Spassky. The match is hailed as the only “physical” battle of the Cold War between the United States and the Soviet Union. The match soared Chess into mainstream popularity. Fischer became a rock star. Right as he won the title, he went into seclusion never playing another professional game until twenty years later. In 2015, a biopic about Fischer and the ’72 Championship was released in limited theaters called “Pawn Sacrifice!”

“Pawn Sacrifice” chronicles Fischer’s interest in Chess as a young boy to winning his first United States Chess Championship to his preparation for the World Championship against Spassky. His frosty relationship with his mother, his early signs of paranoia and his all-out desire to be the best in the world weave into the plot.  Directed by Edward Zwick whose credits include numerous critically acclaimed films including “Glory,” “Legends of the Fall,” “Courage Under Fire,” and “The Last Samurai” the cast includes Tobey Magurie as Bobby Fischer, Liev Schreiber as Boris Spassky, Peter Sarsgaard as Father Bill Lombardy, Fischer’s assistant and backup player and Michael Stuhlbarg as Paul Marshall who becomes Fischer’s lawyer.

Let me go ahead and get the negatives out of this movie first before going into the reasons why I enjoy this film. It’s a flawed historical account of Fischer’s rise to Chess immortality. There are a lot of inaccuracies during the timeline of events. I won’t document all the inaccuracies I found out due to not giving out spoilers (although I warn about potential spoilers). I understand that biopic films can’t reveal a full narrative unless you plan on having a four plus hour movie. I think the film trims the fat in the wrong places.

Instead what “Pawn Sacrifice” does is gives you a psychological story. Throughout the film you watch Fischer slowly deteriorate mentally from his constant studying of the game, to his heightened senses which breaks his concentration to his ever growing distrust for those around him to tearing up telephones and breaking any equipment he thinks the Russians can use to spy on him. Yes, the film focuses on Fischer, but it also focuses on his opponent Spassky. Both are considered the best Chess players by their respective homelands. Both are used as pawns to their countries to show off the superiority of each ideological concept. Each play their own psychological games. For Fischer its constant demands on the rules, setting and prize money. For Spassky it’s doing things like standing up and slowly pacing causing noises to interrupt Fischer’s train of thought.  There are moments in the film where Spassky is suspicious of his assistant’s motives and reasonings. All Spassky wants to do is play Fischer in a battle of wits and skill.

pawn-sacrifice-still-04

As far as the story, the film starts out with Bobby as a young boy garnering an interest in Chess to his quick rise to being the youngest Chess Grandmaster in history to his legendary match with Boris Spassky for the World Championship. The third act of the movie is the dramatization of the Championship match. The original match consisted of twenty four games with Fischer needing to get to twelve and half points to win the title. What director Edward Zwick does is not bore you with highlights from all twenty four games, but rather shows you the important matches in the game along with some of the issues that arise during the match.

The cast of the movie is small which is fine since it centralizes on the two figures. Tobey Maguire is not the ideal actor to play Fischer, but I think he did a good job with the performance. Maguire is short is height compared to the real Bobby Fischer who was tall and lanky. I give the makeup department an ‘A+’ for getting Fischer’s hair and facial features. Maguire gets Fischer’s unique walk down to a science. The voice was hard to nail down since Fischer spoke with a soft Brooklyn accent, but it came out in many scenes where Fischer would be fired up about the Russian’s tactics in Chess and complaints about competitive disadvantage and some tense moments between him, Bill Lombardi and Paul Marshall.  Maguire commanded the screen throughout the film with his tactics which were humorous at times including waiting to the last second to make his first move against a Russian opponent and stopping the clock with one second to spare.

While Tobey Maguire may have the full look of Bobby Fischer, the opposite could be said of Liev Schreiber as Boris Spassky. Schreiber was the perfect choice for Spassky. If you put a photo of Schreiber and Spassky together you wouldn’t be able to notice the difference. Schreiber speaks Russian throughout the entire movie with the exception of a few tiny moments where he speaks English. Schreiber portrays Spassky like a quiet rock star making entrances with his sunglasses on surrounded by his entourage. Even though he comes from the Soviet Union, we see moments in the film where Spassky is enjoying American culture from listening to music, to playing pinball to taking a swim in the ocean. This does not please his manager who is trying to keep a tight leash on him throughout the movie.

Pawn-Sacrifice-Liev-Schreiber

Finally the two remaining cast members, Peter Sarsgaard, Michael Stuhlbarg play their parts respectively. Sarsgaard plays Bill Lombardi, Fischer’s coach and second and Stuhlbarg plays Paul Marshall, Fischer’s pro bono lawyer who has his work cut out trying to satisfy all of Bobby’s demands. Lombardi is essentially the middle man between Fischer and Marshall. He does his best to keep both on even footing. Sarsgaard plays Lombardi as calm, wise and observational as he can tell right away that Fischer is falling into the same madness that has taken so many Chess prodigies in the past. Stuhlbarg portrays Marshall as somewhat of a weasel as he goes behind Bobby’s back to stay in touch with his sister, Joan who expresses the same concerns that Lombardi has and being a go to contact for people high up in the United States government who have taken a strong interest in Fischer and would like to exploit him to be a shining symbol of American freedom and idealism.

As far as the technical aspects of the film, the visual locations are beautiful and breathtaking as you see the sunny beaches of California to the cold and vast landscape of Iceland with New York being sandwiched in between the two. The film is very bright due to the digital film that was used although it makes up by setting the right lighting and mood during some of Fischer’s darkest moments including his vast breakdown in between games of the World Chess Championship. The music heightens the scenes throughout the movie and add a touch of classic rock and roll music during numerous scenes of Fischer’s dominance of the game when he destroys his opponents left and right.

hero_PawnSacrifice_2015_1

“Pawn Sacrifice” is the first film I can think of that focuses on a person from the Chess world. I’ve heard of the movie “Searching For Bobby Fischer,” but that film was never about Fischer. It was a catchy title. If you’re not familiar with Bobby Fischer and would like to learn more about him I would recommend watching this movie. In addition I would watch the documentary I mentioned earlier “Bobby Fischer Against The World” and read numerous books about him. Fischer is an interesting character study. Who knows? Maybe it will spark your interest in Chess if you haven’t been interested in it already.

 

TRIVIA (Per IMDB)

  • A “Pawn Sacrifice” is a move in chess in which a player sacrifices his pawn for a soft advantage such as more space for his pieces or positioning them in better squares in order to develop an attack subsequently. It aims to create unbalanced positions so if the player who is committed to the pawn sacrifice did not capitalize on his temporary advantage, he would lose the game at the end due to his inferiority in material.
  • The narrator of the conspiracy theory audio that Bobby Fischer (Tobey Maguire) is listening to is Liev Schreiber, who plays Boris Spassky.
  • In preparing to write the movie’s script, screenwriter Steven Knight read many of the books that have been written about Bobby Fischer and the “Match of the Century”, as well as speaking with people who knew him. “The most useful material was archival footage of him being interviewed,” said screenwriter Knight. “Bobby spoke and moved oddly, and to see that was helpful. If you noticed him walking down the street, you’d think, ‘there is a curious person’. He might have ended up just another homeless person, but he was just so good at chess that he was saved by it. And, of course, cursed by it as well.”
  • The screenplay for this film was featured in the 2009 Blacklist, a list of the most liked unmade scripts of the year.
  • Of the movie’s title, the film’s director Edward Zwick said: “You have Henry Kissinger and Richard Nixon calling Bobby Fischer; you have [Leonid] Brezhnev [Leonid Brezhnev] and the KGB agents following Boris Spassky. Both of these men were pawns of their nations”.
  • Bobby Fischer passed away at the age of 64, which is coincidentally the same number of fields on a chessboard.
  • David Fincher was linked to the project for several years.

 

AUDIO CLIPS

 

 

 

 

Prison

MV5BMTk1MDRiZjktNGExOS00ZTg0LWE3MzMtMDZhOWJmZDlmYzFhXkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_UX182_CR0,0,182,268_AL_

Prison

Release Date: December 8, 1987 (UK)

Genre: Horror, Crime, Drama

Director: Renny Harlin

Writers: Irwin Yablans (Story), C. Courtney Joyner (Screenplay)

Starring: Viggo Mortensen, Lane Smith, Chelsea Field, Lincoln Kirkpatrick, Tom Everett

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Happy Halloween! We’ve reached the final review in the “Guiltiest Pleasure Horror Movies” special. Hope you enjoyed reading them up to this point. If you’ve been keeping up with each review this week, you may have realized that I picked a movie based on a genre of Horror Movies. The movies I reviewed included a cannibal comedy, a deformed sibling monster film, a camp slasher and a slug infested zombie homage. You may have also noticed that all these movies came out in the 80s. For the final film, I decided to go with the old-fashioned ghost story and yes it was released in the 80s. It was a limited release movie and the directing debut of Renny Harlin, the man who would go on to make blockbuster action movies such as “Die Hard 2” and “Cliffhanger” as well as the third highest grossing “Nightmare on Elm Street” movie in the franchise in “Nightmare on Elm Street 4: The Dream Master.” It was this film that got Harlin hired to do Nightmare 4. Buckle up because the last film in our special is 1988’s “Prison”!

The plot is simple and straight to the point. Due to a suspension of funding for a new state of the art prison in Wyoming, the Board of Prisons is left no choice but to re-open the Creedmore Prison, a prison that was shut down twenty years ago. The prison will be run by Ethan Sharpe (Lane Smith), who knows the prison well as he was a corrections officer when it was open. Inmates from all over the state are transferred to this prison and are used as workers to restore the prison to full working capacity.  Two inmates Burke (Viggo Mortensen) and Sandos (Andre DeShields) are assigned to break open the Execution Chamber that has been sealed off. As they break through with pickaxes a flash of blue light appears and starts to suck Burke in. Suddenly, there’s flashes of electricity, glass breaking and boilers flaming. The inmates have released a spirit believed to have been the last person executed at the prison and looks to seek his revenge on not only the prison but the man who helped send him to the electric chair, Sharpe.

I heard of this film during Renny Harlin’s interview in the “Nightmare on Elm Street” documentary “Never Sleep Again.” He talked about this film as his first film and that he used household effects and tricks to make the movie look good. The movie was a limited theatrical release in the United States and the United Kingdom. Its total gross was a little over $300,000 on a reported budget of $1.5 million. It was released on VHS in 1988. The movie was never released on DVD or Blu Ray until 2013 when Shout Factory acquired the distribution rights and made it available. I purchased the movie last December.

Prison (1988)

My first reaction when watching this movie was mixed. I thought it felt shallow and bare feeling that there needed to be a lot more meat to the bones. While researching movies to review for this special, I saw “Prison” in my library of movies and decided to give it another chance to see if this was something worth reviewing. I watched it again and enjoyed it for its atmosphere, use of special effects and creative death scenes. I watched it a third time and I convinced myself that this is a great movie for this special. There’s a certain quality to this movie that I feel has not been replicated when it comes to making a supernatural film.

The mood is everything in “Prison”. An air of confinement overtakes the film as soon the buses roll into the yard to drop the work crew off at their new home. The look, sound and smell of penitentiary life hangs all over the place. If you’ve watched any of Renny Harlin’s movies he really loves mood when it comes to people and the situations they get themselves involved in.

Lane Smith is billed as the lead in this movie as he is the veteran and recognized actor at the time (Vigo Mortensen was not well known). His performance of Sharpe is a troupe of wardens in movies.  He is a hard nose, bug eyed, short tempered warden who is haunted by memories of the executed prisoner who spirit is alive and wreaking havoc on him. It takes a toll on him and his ability to manage the prison and keep things under his control. His paranoia deepens to where he starts to behave irrationally and barks orders that even draw concern looks on the guard captains. Smith has played various characters of authority throughout his career and this is no exception.

MV5BOTY2YTE4MWQtNTZmNS00N2U3LWFhYjYtOTcwYTJiMzFlNGI5XkEyXkFqcGdeQXVyNzU1NzE3NTg@._V1_CR0,45,480,270_AL_UX477_CR0,0,477,268_AL_

Vigo Mortensen plays the prisoner who is followed throughout the movie, Burke. Not much is known about Burke only that he is famous for stealing cars and is seen as a sort of “celebrity” within the prison. Mortensen plays Burke as a quiet inmate who keeps to himself in the beginning. He befriends two inmates, his cell mate Cresus (Lincoln Kirkpatrick) and Lasagna (Ivan Kane). During the movie, he becomes a hero when he saves the life of an inmate in solitary confinement from burning alive from the evil spirit when the cowardly guards refused to do so. He is the polar opposite of Sharpe. It’s the perfect role reversal of the criminal being the hero and the law enforcement officer being the villain.

The other lead in the movie is Chelsea Field who plays Katherine Walker who works internally at the Bureau of Prisons and is overseeing the re-opening. She doesn’t like the fact that the board put Sharpe in charge of the prison referring to him as an “Old Dinosaur.”  While she has attempted to work with Sharpe, she quickly realizes that she is being shut down by him at every turn especially when the prisoner body count starts to accumulate. She takes it upon herself to find out everything she can about the prisons history and Sharpe’s role in it. Field pops up in the movie from time to time, but I think gives a decent performance.

I love physical special effects and there is plenty of that in “Prison”. The lightning looks homemade, but authentic and the death scenes are innovative and make great use of the surroundings the impending victims are in. I could tell that the kill scenes in “Nightmare on Elm Street 4” drew inspiration from “Prison”.  The only death scene I had a gripe on was the smoking prisoner being burned alive. While it was indeed creative and intense, there were a few shots where you could see a dummy head just rotating its head from side to side.

As I do in most of my reviews, I try not to spoil the ending. I will say that the ending has been done before in a couple ghost themed movies I’ve seen, but I feel is satisfying. It brings a sense of closure to the story. Harlin seems to wrap up his movies by bringing closure or a sense of relief that things are over.

prison-0

Overall, I would check out “Prison”. It’s a fine horror movie that doesn’t have all the bells and whistles of a blockbuster horror movie. I’ve watched a lot of Renny Harlin’s movies and if you were to ask me to give a list of his five best movies, this would be on the list. His introductory film showcases his talent for vision and atmosphere that would be seen throughout his film making career. Some good, some bad.

That concludes my “Guiltiest Pleasure Horror Movies” special. I hope you enjoyed these reviews. It took a lot of time and effort to watch, write and record these pieces, but I have to say that this was fun to do. The big accomplishment I hope to achieve from these is that you go out and watch these movies and see what you think.

Happy Halloween!

 

TRIVIA

  • Most of the inmate extras in the film were portrayed by real-life inmates from a nearby prison to add realism to their performances. The armed guards on the towers were, of course, armed with live ammo at the time. Stephen E. Little (Rhino) was a former Hollywood stuntman, who was still a member of SAG, who happened to be serving time for manslaughter that he committed during a bar-room brawl.
  • The prison where the movie was shot, the former Wyoming State Prison located in Rawlins, Wyoming, has daily tours and much of the set remains intact from when crews filmed there in 1987.
  • The electric chair (which was never used in Wyoming) was built into the actual gas chamber of the Wyoming Prison and the death scenes were filmed there. The original chair, was carefully removed and an electric chair was built in its place. During the shooting, Viggo Mortensen’s convulsions were so violent the arms of the chair were broken and needed to be repaired.
  • Chelsea Field was supposed to do a scene in a bathtub but refused to do it.
  • Viggo Mortensen did the bulk of his own stunts. Moreover, stunt coordinator Kane Hodder gave Mortensen an honorary stuntman’s shirt at the completion of the shooting for this film.
  • The high-altitude sun in Wyoming caused shooting issues in the scene where the prisoners are stripped to their underwear and forced to stand outside all day. Due to technical issues, the scene was shot over and over and the prisoners in the background become sunburned on one side of their bodies only as extras were not provided sunblock.
  • The water that Viggo Mortensen runs through in his underwear was real. That part of the prison had been flooded for years, the temperature in the room was below 50F and the water temperature was 46F. Mortensen’s shivering is real. He insisted on shooting the scenes without a double, and only at being forced to relented for some close-up scenes.
  • Before casting Viggo Mortensen, Thom Matthews auditioned and was being considered for the part of Burke.
  • Lane Smith remained in character as Warden Sharpe throughout the duration of filming.

 

AUDIO CLIPS

 

 

Basket Case

basket_case_movieposter_1381962150

Basket Case

Release Date: April 2, 1982

Genre: Horror, Comedy

Director: Frank Henenlotter

Writer: Frank Henenlotter

Starring: Kevin Van Hentenryck, Terri Susan Smith, Beverly Bonner, Robert Vogel, Diana Browne

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Hello readers! Welcome to the second week of my “Guiltiest Pleasure Horror Movies” special. I’m reviewing five films in the Horror genre every week until Halloween. This next movie review is a movie I’ve been dying to watch for a long time but could never find a copy of it. It was out of print on VHS and was released on Blu-Ray a few years back. I ended up watching it on a streaming service and it exceeded my expectations. This week’s review is the 1982 underground flick, “Basket Case”.

Released in 1982, “Basket Case” is the story of a twenty-year-old boy named Duane Bradley who arrives in New York City with a backpack on his pack and holding a big wicker basket. Inside the basket is brother Belial who is Duane’s deformed brother. It turns out they are Siamese twins separated against both their wishes. Duane and Belial seek out the doctors who separated them and plan to kill them in revenge. During his stay at a cheap sleazy hotel, he befriends his fellow tenant, Casey, who is a prostitute and develops a love interest with a receptionist named Sharon who works at the office of one of the doctors that performed the separation on them. Duane and Sharon spend a day together getting to know each other. After a moment of embrace, Duane begins to have severe headaches. This is the result of him being telepathically linked to Belial (they talk to each other using their mind). Belial can sense Duane and when he realizes what he is doing, he goes into a screaming frenzy destroying everything in their room. Belial is not only afraid that Duane will leave him, but he is also angry at the fact that he cannot enjoy the pleasures of being with a woman due to his deformed state. The brothers start a tug of war with each other that carries on through the remainder of the film and it would not only jeopardize their objectives but jeopardizes their relationship.

hqdefault

The movie wasn’t a huge hit in mainstream theaters, however it obtained its success through midnight showings at Drive-In Theaters (remember those?). The film was enjoyed by the audience that it was played as a midnight movie for the next several years. It has become a cult classic and one of the best B-Movie Horror films ever made.

The film was written and directed by Frank Henenlotter. He’s made several horror movies in his career including the three “Basket Case” movies, but he never considered himself a Horror movie filmmaker. Rather, he prefers to be known as an “exploitation” filmmaker. He loved exploitation movies because they “have an attitude more than anything, an attitude that you don’t find with mainstream Hollywood productions. They’re a little ruder, a little raunchier, they deal with material people don’t usually touch on, whether it’s sex or drugs or rock and roll.” (1) “Basket Case” was filmed with a budget of around $35,000 which was extremely low for any exploitation movie at the time. Despite the low budget, Henenlotter was able to make a special film that dealt with human biology, science, family and social interaction with humans topped with insatiable mounts of blood and gore.

The movie was shot on 16MM film, however there were problems with the post production which resulted in the film being very dark in light and having a murky look. Because of this, the film had to be converted to a different aspect ratio. This was something Henenlotter did not have control over. Nevertheless, the lack of lighting and the graininess of the film gives it a more unsettling look. When you add that with the spacey music, it heightens the atmosphere and tension as you tremble in anticipation as to what is about to happen on screen. There’s no skimping of blood or gore in this movie including a kill scene that seems to use every item in the room. There is an origin scene through the middle of the film which gives the audience more insight on Duane and Belial’s relationship and how dismissive their father is of Belial and how no one seemed to love them expect each other and their aunt.  The origin scene shows the separation of the boys and is filled with sounds of Velcro and duct tape to mimic the sounds to cutting tools. The use of sound effects and visceral blood during that sequence including the uneasiness of Duane makes it the most squeamish scene in my opinion. I couldn’t get through watching it without closing my eyes which is something I haven’t done in a very long time (extra award for that).

basketcase9

The acting is decent for an uber low budget movie. Kevin Van Hentenryck plays Duane as a person who keeps to himself and has little interaction with others. He is very protective of his brother and is willingly going along with Belial’s plan of seeking revenge on the doctors. When Belial gets into grouse some situations with his victims, Duane does what he can to cover up so that no suspicion falls on him. He is very protective of his brother, yet he can’t seem to separate himself from him even when he pleads with Belial to let him have time for himself. Terri Susan Smith, who plays the love interest Sharon, plays it as a naive ditzy woman with a weird hairdo (obviously a wig due to the fact her head was shaved in real life because she was in a punk rock group. Frank Henenlotter was not happy about this because she had full hair when she was brought in to audition for the role). She quickly grows interest in Duane and develops feelings for him. She gets concerned for him when they go back to the hotel he is staying at and starts to freak out when the police arrive after reports of screaming and a dead body found at the hotel (thanks to Belial). The other performances I enjoyed include Robert Vogel who plays the hotel manager, Diana Browne who plays Dr. Kutter, one of the doctors that separated Duane and Belial (she looks like Sigourney Weaver’s doppelganger) and Lloyd Pace who plays the goofy looking and paranoid Dr. Needleman.

And now we get to discussing the star of the movie, Belial. If you were to describe him today, he looks the Pokémon, Geodude. He is a blob of flesh with eyes, razor sharp teeth and arms. As I mentioned before, he talks to Duane via telepathy. He’s like a spider as he can crawl from one room to the next using windows and can grip on walls in part due to his large fingers. Despite his stature he is physically strong as he can throw dresser drawers and papers across the room and lift the leg of a bed as shown through a well done stop motion sequence. He’s the mastermind behind the plot to kill the doctors for good reasons. In addition to vengeance, Belial is growing frustrated with the inability to experience sexual pleasure with a woman and the fear of Duane leaving him for Sharon. The only way he can experience the desires he craves is through immoral ways as is depicted near the end of the movie. Belial keeps Duane in check and his presence is a reminder to Duane that they’re with each other until the end.

Bcase_shot11l

It sure did take a long time for me to watch “Basket Case”, but it was a great viewing experience. It’s a movie that I’ve put on constant rotation these last few weeks in preparation for this review. I’m contemplating watching the sequels, but I’m sure those will be as big of a challenge as the first movie in obtaining copies for my viewing pleasure. This movie cemented Frank Henelotter as a great exploitation filmmaker as he desired to become. If you enjoyed this movie, check out his other films “Brain Damage” and “Frankenhooker” in addition to the two sequels to this film as I mentioned.

See you readers next week with the third film in the “Guiltiest Horror Movies” review special.

(1) “In Search of Hotel Broslin”. Basket Case DVD special features.

TRIVIA (Per IMDB)

  • Most of the credits that appear at the end of the film are fake. The crew was very small and, rather than repeat the same names repeatedly, they decided to just make up names.
  • To try to make the film appeal to a comedy crowd, the original distributor cut all the gore scenes out of the film. They were eventually put back in and re-released in theaters with the subtitle “The Full Uncut Version!”
  • In addition to providing a face cast for the Belial puppet, Kevin Van Hentenryck also performed the mutant twin’s voice effects.
  • When Duane checks into the Hotel Broslin, he takes out a wad of cash. According to director Frank Henenlotter, that money was the film’s entire budget.
  • Duane’s streaking scene was shot without permits on a cold winter’s night. To shoot the scene, the crew would first clear the sidewalks of any objects that might hurt Kevin Van Hentenryck if he stepped on them. He was then let out of a heated van on one side of the block and met on the other side by another heated van. Once picked up, the van would drive him to another block. This was repeated until they got the desired amount of shots.
  • Film critic Rex Reed’s quotation to describe the movie, “This is the sickest movie ever made!” was used in the film’s promotion despite not appearing in a printed review. Reed had sought out the film after hearing negative reviews and was asked his opinion after emerging from the cinema. Unbeknownst to Reed, the person who asked him was director Frank Henelotter. Initially furious that his comment was used to promote the film, Reed eventually relented and granted permission to allow Henelotter to use it to promote the film.

AUDIO CLIPS

 

 

 

The Perfect Host

 

916gBHAmZxL._SY445_

The Perfect Host

Release Date: January 10, 2010 (Sundance Premiere)

Genre: Comedy, Crime, Thriller

Director: Nick Tom nay

Writers: Nick Tomnay, Krishna Jones

Starring: David Hyde Pierce, Cloyne Crawford, Nathaniel Parker, Megahn Perry

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Do you ever flip around the movie titles on Netflix and find a movie that you’ve never heard of? Does the title and the cover give you a curious interest as to what the movie is about? While Netflix has devoted the majority of its programming to original series, they do turn out a bunch of independent movies that were only screened at film festivals and other small venues. One movie I recently came across looked appealing and therefore I was enticed to watch. The movie was titled, “The Perfect Host”.

Released at the Sundance Film Festival in 2010, the movie is about a man named John Taylor who is on the run after pulling off a bank heist and collecting over $300,000. His car breaks down in a plush Los Angeles neighborhood. After a failed attempt to convince a neighbor to let him use the phone, he is able to use some cunning skills to convince a man named Warwick Wilson to let him in. Warwick is in the middle of cooking dinner as he is throwing a dinner party and has invited several of his friends to join. Warwick offers John some red wine and helps him trying to get into contact with his cousin so they could meet up (which is a ruse). A news bulletin goes off on the radio describing John and the heist. John grabs Warwick’s butcher knife and holds him hostage. His plan is to lay low until the next morning and leave. However, John begins to feel dizzy and collapses on the floor. Unbeknownst to John, Warwick drugged the wine. The tables turn as John is tied up in a chair and is sitting at the head of the dinner table. He is now the guest of honor in what is to be a very bizarre party.

Written and Directed by Nick Tom nay, which is his first feature film according to records, “The Perfect Host” is reminiscent of an Albert Hitchcock film. It’s filled with tension, suspense, surprises and shocks. The reversal of roles between predator and prey slither slow and steady transition. It’s almost like watching a Chess game where each player is strategically plan their moves. Ironically, the two main characters engage in a game of Chess where each has their own stake in the winnings.

The film is shot on digital video. I’m not a huge fan of digital video for numerous reasons, but it works within the context of the film. There’s a lot of bright lighting throughout the film. I also enjoy the constant back and forth first person views of the two main characters as you see what they’re interpreting in their own mind of the scenario that is playing around them.

This is the first starring role for David Hyde Pierce. If you’re not familiar with his work, he is best known as his portrayal of Niles Crane in the sitcom “Frasier”. His portrayal of Warwick is not much different from his portrayal of Niles. He’s articulate, eccentric, excited and knowledgeable. Warwick comes off as a gracious generous host. He plays the victim role early in the film. When he is in control of the situation, his deep desires and fantasies come out while having fun and entertaining his “guest”.  He slowly morphs into a character that is a combination of Norman Bates, Hannibal Lecter and Patrick Bateman. From there comes the final phase of his character where he is grounded and determined (I’ll get to that later in the review). Pierce provides plenty of laughs while at the same time provides creepy and unsettled moments that make you anxious as to what is he planning with John.

Speaking of John Taylor, he is portrayed by Cloyne Crawford. I’m not familiar with any of his other film roles, so this was an introductory role for me. John is determined to get out of Los Angeles with the money he steals. He is cunning and manipulative at first and then becomes aggressive and violent especially when he tells Warwick to “shut up” when a radio bulletin comes on the air regarding his robbery. He holds Warwick hostage in his own home while he lays low. His control over the situation is short lived as he collapses from drinking red wine that was drugged by Warwick. He becomes the hostage and is powerless to regain control. He is at the mercy of Warwick and does his best to resist compliance from Warwick. Throughout the film there are flashbacks involving John and an unidentified woman. These pieces would reveal who the woman is and what is her relation to John.

While the film focuses primarily on John and Warwick, there are a few minor characters. As I’ve stated there is a woman who is involved with John and then there are two police detectives who are looking into the heist and John’s background and there is a concerned neighbor when she sees John floating in a pool and yell.  While these characters add to the layer of the story, they are used minimally. You don’t see the woman or the police detectives until the climax of the film.

The only thing I didn’t like about this film was the climax. It felt rushed and didn’t flow with the rest of the film.  You find out what Warwick does for a living and this triggers another personality trait in him. It’s strange since the film doesn’t give clues about who he really is. It does have a somewhat comical ending to it as it would set up another event that I’m sure we’ll never see unless they decide to make a sequel.

While “The Perfect Host” cant’ be described as a perfect film, but it’s a clever spin on a classic genre of films. As I mentioned early in the review, it’s got the look and feel of an Alfred Hitchcock movie. It’s about as close of a Hitchcockian film you’re going to see in recent years. It makes you appreciate independent films and what they’re trying to make. If I found this film on Netflix, there’s no telling where other sleeper indie hits may be out there. I’ll just have to find them.

 

TRIVIA

  • First starring film role for David Hyde Pierce.
  • Shot in seventeen days with a budget just under $500,000
  • The tattoo on John’s hand contains 3 Hebrew letters, which are the initials for “Uri Riva Yariv” – a kabbalah term that means absolute certainty and is supposed to enhance confidence and belief.

 

AUDIO CLIPS