The Ambulance

 

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The Ambulance

Release Date: March 31, 1990

Genre: Action, Comedy, Horror

Director: Larry Cohen

Writer: Larry Cohen

Starring: Eric Roberts, James Earl Jones, Megan Gallagher, Red Buttons, Janine Turner

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Sadly, we’ve reached the final movie review in the Larry Cohen Tribute Special. I want to thank all you readers out there for the support and spending time reading these reviews. If you’re a Larry Cohen fan, I hope I reviewed some of your favorites. If you’re not familiar with his work, hopefully I’ve given you enough for you to find one of his movies and watch it. For the last movie, we are going to look at Larry’s first feature film of the 90s. It’s a Mystery and Suspense film that has you at the edge of your seat. It’s also a movie where a vehicle is treated like a full-fledged character. The last movie in our Larry Cohen Tribute Special is 1990’s ‘The Ambulance!’

‘The Ambulance’ stars Eric Roberts as Joshua Baker, a comic book artist who is currently working on a project for none other than Marvel Comics (featuring a cameo from the late great Stan Lee) who meets a young woman on a New York City street named Cheryl (Janine Turner). Suddenly, Cheryl collapses on the street and within a matter of minutes, an ambulance arrives to take Cheryl to the hospital. Josh heads to the nearest hospital to check up on her. When he arrives at the front desk to find out what room Cheryl is in, the staff tell him that she was not admitted to the hospital. He then goes to another local hospital where they state she was not admitted here. Josh passes a sketch of Cheryl to people walking the streets hoping someone would recognize her and find out what happened to her. Cheryl’s roommate notices the picture and speaks with Josh. She takes him to what she believed to be Cheryl’s last location only for the same ambulance to arrive and kidnap her. Now Josh is convinced there is something going on with the ambulance and the people who are associated with it. After asking for help from the local police department, specifically Lt. Frank Spencer (James Earl Jones) who is not convinced of his story, Josh continues his investigation hoping to find Cheryl before it’s too late.

Larry Cohen came up with this concept after his own personal experience involving an ambulance. He talked about some of the horrors he dealt with when he was being driven to the hospital, which he says in his documentary ‘King Cohen.’ The experience made him think about medical services. Ambulances are supposed to pick up someone and rush them to the hospital. It’s a service where it means life or death for people. What if an ambulance went rogue and didn’t take the person to the nearest hospital? It’s a scary thought that Cohen tries to capitalize in this movie.

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The first thing that I noticed right away when watching this movie was the cinematography. Compared to Cohen’s grainy looking pictures of the 80s, the picture is bright sharp looking and relative to how movies were starting to look as the 90s began. Once again the movie takes place in New York City as it has been in the majority of Cohen’s films. You have scenes all over the city from the busy downtown to the rough outskirts and the shady areas. You see many sides of the city.

‘The Ambulance’ is a mystery/thriller, with Cohen throwing in his macabre sense of humor to not make it too dark. Like all his films Cohen rounds up an experience cast with Eric Roberts taking the lead role. I’m not familiar with a lot of Eric Roberts’ work, but he is someone I never thought of being a protagonist. He plays Joshua Baker as an arrogant smooth talking character who’s not afraid of going up to random women, in this case Cheryl to introduce himself and perhaps get to know them on a personal level. When Cheryl disappears, Roberts goes into detective mode trying to figure out what happened to her and tries to be the hero despite the fact he is trying to save someone he doesn’t know at all. His illustration skills come in handy with the investigation when he draws both Cheryl and the ambulance and gives it to not only the police but regular passerby’s hoping someone would recognize her and have information. Along the way, Baker comes across some unique and over the top partners to aid in his quest. James Earl Jones’ Lt. Spencer is boisterous and unconvinced of Baker’s story and has his own suspicions about him thinking that he may have something to do with Cheryl’s disappearance. Megan Gallagher plays Sandra Malloy, a spunky police officer who believes Baker’s story and uses her position of authority to find leads. Finally comic legend Red Buttons plays Elias Zacharai, who (you guess it) provides the comic relief of the movie. He meets Baker during a scene in a hospital room. Buttons’ provides his traditional zingers and one liners to help ease the tension of the movie. Lastly you have the antagonist of the movie played by soap opera legend Eric Braden who is behind the kidnapping of Cheryl. He is cunning, sadistic and has a purpose for Cheryl which is revealed in the film.

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We can’t forget the character of the ambulance itself. It’s an old ambulance, painted in red with a glowing green inside. It gives it a ghostly feel to it. The ambulance reminds me of the Stephen King novel turned John Carpenter movie ‘Christine’. Although it’s not a car that comes to life, but it is alive from the look and the people who are driving it. Whenever the ambulance appears on screen, you know something is about to go down and not for good intentions.

The movie is fast paced and keeps you on the edge of your seat. The movie teases the audience every time Josh stumbles upon a place that Cheryl is last scene thinking that she is there only for The Doctor and the ambulance to be one step ahead of him. Scenes like this keep your heart racing and you may let out a pounding on the table moment in some cases.

The movie is without its flaws. First was the climax. In my best attempt to avoid any spoilers all I can say is that the climax does not give Josh redeeming quality. It makes him look selfish at the end when things don’t go the way he had hope for. You’ve been cheering this guy on throughout the movie and then all of a sudden there’s a one eighty. I don’t know what Cohen was thinking with that. The other flaw I found was there was no real character development with the antagonist. You don’t know if he’s a real doctor, a mad scientist, a crazy man pretending to be a doctor or a doctor who had his medical license revoked. You don’t know his true name, his background. Given Cohen’ reputation as creating memorable and colorful characters it seems like he didn’t put in the work to develop the bad guy.

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‘The Ambulance’ is a non-stop thriller that not only gets your heart pounding, but gives you a chuckle or two. While the kidnapping story is nothing new, but giving the twist of medical personnel who are not all that they claim to be gives it a unique style that only Larry Cohen could come up with.

We now have reached the conclusion of the ‘Larry Cohen Tribute Special’. Hopefully you enjoyed these five reviews that I’ve presented. It’s the most ambitious work I’ve done since I’ve started this blog. Larry Cohen has been an inspiration to me and re-watching his films have given me a new desire to write some scripts that are original and creative. If I can convert one person into a Larry Cohen fan, then I have done my job. Hopefully you, the reader are that person.

Thank you for taking the time this month to check out these movies, readers!

TRIVIA
– The ambulance used is a 1973 Cadillac commercial chassis with coach work by Miller Meteor. It is a Lifeliner model with 54 inches of rear headroom. The actual movie car is now owned by a collector in California.

– The role of the villain was originally played by Wesley Addy. However Cohen was unhappy with his performance and recast the role with Eric Braeden

– John Travolta was originally considered for the lead role before Eric Roberts was cast.

– A young Jim Carrey was also considered for the role of Josh.

– Jamie Lee Curtis was originally considered for the role of Officer Malloy.

– Donald Trump made a small cameo in a deleted scene.

– First movie role for Nick Chinlund, best known for playing Billy Bedlam in the 90s action packed thriller ‘Con Air’.

 

AUDIO CLIPS

I Need To Be Left Alone

I Like Mine Healthy

Like To Touch Skin Wearing A Surgical Glove

Vernoica From Archie

They Always Turn Up

All You See Is The Uniform

Why Do I Always Get The Strange Ones?

What Are You In For?

Out Screwing Some Intern

Saying Thanks Is Cheap

You Know What’s In That Ambulance?

Kill Myself

Everybody Likes Me

He Looks Exactly Like Jughead

I Need Help

First I Write, Then I Rest

So Die

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The Stuff

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The Stuff

Release Date: June 14, 1985

Genre: Comedy, Horror, Sci-Fi

Director: Larry Cohen

Writer: Larry Cohen

Starring: Michael Moriarty, Andrea Marcovicci, Garrett Morris, Paul Sorvino, Scott Bloom

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

I’ve been waiting to post this review. Now is a perfect time. It’s movie #4 in the Larry Cohen Tribute Special. This is perhaps the most popular film in Larry Cohen’s filmography. It is a movie that is still fresh and relatable almost thirty-five years since its release. The concept may be goofy, but you will enjoy the ride this movie provides once you push the Play button on your remote control. If you ask most movie fans to name one Larry Cohen movie off the top of their heads, the majority will say this title, ‘The Stuff!’. So, without further ado, here is the review to the 1985 horror cult classic ‘The Stuff!’

The movie starts with a railroad worker noticing a white bubbly substance coming from the snowy ground. He takes a taste of it to see what it is. To his delight it tastes very sweet with the texture of yogurt. Soon the substance is being marketed to consumers as “The Stuff” which becomes a phenomenon. “The Stuff” is marketed as being creamy, filling and with no calories. You can find “The Stuff” at supermarkets, small vendor carts and even a Dairy Queen style drive thru. While people are going crazy over “The Stuff” there are people highly suspicious of this addictive edible food. First there’s a young boy named Jason who wakes up in the middle of the night looking for a snack. He opens the refrigerator door to see a container of “The Stuff” moving. He tries to convince his family that there is something alive within it, but they are dismissive of his claims. Jason gets paranoid that he vandalizes a supermarket by destroying the massive amounts of “The Stuff” that is being sold. The other person who is skeptical of “The Stuff” is a former FBI agent turned industrial saboteur named David “Mo” Rutherford (who tells people that he got the nickname from whenever people gave him money, he always wanted mo!). He is hired by numerous corporate executives of the ice cream industry to find out what is in “The Stuff” and destroy it. He befriends the head marketer of “The Stuff” Nicole and they set out to investigate the contents. Mo’s efforts reveal that “The Stuff” is a living parasite that takes over people’s brains and then mutates the host into zombies. Mo encounters Jason and the three of them are determined to destroy “The Stuff” before it consumes more and more people.

As I’ve said in my opening statement, “The Stuff” is still my favorite movie in Larry Cohen’s filmography. It took me a long time to find interest in checking it out. When I first saw the cover art, it didn’t appeal to me. Mainly because I wasn’t familiar with Larry Cohen’s work nor was, I interested in low budget horror movies. After seeing the movie pop up on several streaming services, I decided to give it a chance and boy did I not regret it. I enjoyed every frame, scene, characters and effects. It made me wish I had seen this movie a lot sooner than I did.

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Michael Moriarty once again returns in a Larry Cohen picture. He follows up his astounding performance in ‘Q: The Winged Serpent” with another memorable performance. I loved his portrayal of Mo Rutherford. He has the smarts of a detective and the tongue of a salesman. He’s smooth talking, confident and keeps his eye on the ball. What starts as a simple job to expose “The Stuff” to his employers turns into a national crisis that he must find a way to put an end. The rest of the cast is convincing in their roles. Andrea Marcovicci plays Nicole, the attractive and smart marketer of “The Stuff” who joins Mo in his investigation and become lovers. Garrett Morris plays ‘Chocolate Chip’ Charlie W. Hobbs, the junk food magnet that Mo befriends while visiting a town that has been desolated by relocation of jobs and the great Paul Sorvino as Colonel Malcolm Grommett Spears who leads the operation into destroying “The Stuff” and warning the public about the dangers of consuming it. Sorvino chews up the scenery all throughout the climax of the movie.

Like most of Cohen’s films, “The Stuff” is not just a horror movie, but a social commentary. Cohen made this movie at a time in the eighties where people consumed everything. The eighties were the birth of many electronics such as video game consoles, Walkman’s, VCRs, etc. It wasn’t just electronics people were craving, it was the current fashion trends, fast food restaurants popping up at every street corner. With these new products came heavy advertising and marketing. This was during Reaganomics where the American economy was booming, and people were spending their hard-earned money of anything they can get their hands on. Cohen based “The Stuff” off the yogurt craze going on at the time. People were obsessed with yogurt because it was advertised as being healthy, filling and tasty. Add heavy advertising to that and you have people become hooked on it turning them into consumer zombies. They consume and consume while the companies that make it rake in the profits.

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The movie is a pure 80s movie in terms of look, music, effects and overall style. You have the bright neon lights of “The Stuff” logo along with its catchy music and commercials. There’s even an appearance from the old lady in the Wendy’s commercials where instead of screaming, “Where’s the beef?” she cries, “Where’s the Stuff?” The effects of The Stuff creature vary throughout the film. In some parts of the film, it looks like a mix between frozen yogurt and marshmallow. In scenes where it bursts through walls, it milky and watery. Cohen does a great job showing that the creature doesn’t take on a basic form, rather it can come in multiple forms and textures.

‘The Stuff’ is not without its flaws and there’s plenty of them. There’s no main antagonist to the movie only that the product itself and the corporate executives. I think there was a missed opportunity there. If they had a main antagonist who could perhaps be a rival saboteur to Mo or a person who wants to manipulate the infected people and make them servants of his, it would have made for a more interesting confrontation. The color of The Stuff is white. It’s not a scary color or a color that is associated with blobs or goo. If it were green or blue, I think it would’ve been a more organic look. Also, I did not enjoy the performance of the kid, Jason. If I had to create a list of the ‘Most Annoying Characters in Horror Movies’ he would be on that list. He is constantly whining about telling his family not to eat The Stuff. He also complains to Mo that he had to eat shaving cream to convince his parents that he is now under the power of The Stuff. I also didn’t like how he was portrayed at the end of the movie. It didn’t give him any redeeming quality or likeability. Finally, there could’ve been a lot more romantic development between Mo and Nicole. It’s like they meet and then all of a sudden Nicole is in love with him. My viewing experience of characters falling in love tends to build up from the beginning of the movie to the mid-way point and there was none of that here. You may notice these flaws as you watch it, but because there is so much going on in terms of the action and the horror of the movie that you will more than likely shrug it off.

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‘The Stuff’ is a rare find. It should’ve been a much more mainstream film considering the subject matter. This is a movie that still holds up after all this time. You can relate this movie to everything that is going on in our world today as consumerism and Capitalism hasn’t slowed down. It’s an iconic B-Movie that stacks right up there with many of the underrated greats. This is the most recognizable film of Larry Cohen’s work and the one movie that people associate Cohen with.

Next week we present the final review of the Larry Cohen Tribute Special. Make sure you check back next week. Same time, same place, same website.

 

TRIVIA

– According to audio commentary on the 2000 Anchor Bay DVD, the scene in the motel where the Stuff comes out of the mattress and pillows and attacks the man on the wall and ceiling was shot in a room that could turn upside down, allowing the Stuff to move up and down the wall. It was exactly the same room used in A Nightmare on Elm Street (1984) when Johnny Depp’s character Glen is sucked into his bed and his blood is regurgitated back out onto the ceiling.

– According to Larry Cohen himself, in some scenes in which the Stuff chases characters, a foam made of blended fish bones was used. It stank so much that, as soon as the shots were done, the actors ran to a river in order to bathe and get rid of the stench.

– Garrett Morris was asked about this film when he participated in AV Club’s “Random Roles” interview series. He said the production was “crazy,” and when the interviewer noted Larry Cohen’s history as “a character,” and asked Morris what he was like, Morris said that “I was taught growing up that if you don’t have something nice to say about someone, don’t say anything at all,” with no further comment about Cohen.

– Arsenio Hall was considered for the role of “Chocolate Chip” Charlie W. Hobbs.

– David ‘Mo’ Rutherford tells ‘Chocolate Chip’ Charlie W. Hobbs to contact agent Frank Herbert from the FBI. Frank Herbert was an American science fiction writer best known for the novel Dune and its five sequels.

– Michael Moriarty (David ‘Mo’ Rutherford) and Paul Sorvino (Colonel Malcolm Grommett Spears) went on to appear in 31 episodes of Law & Order (1990) together from 1991 to 1992 as Executive A.D.A. Ben Stone and Sergeant Phil Cerreta, respectively.

– The original cut of the film was said to be much longer and described by Director Larry Cohen as more “dense and sophisticated”. Feeling that the film was too long, it was cut to increase the pace of the film. There was a romantic scene between Moriarty and Marcovicci that took place in a hotel room in the original cut.

– The Executive’s Office at the End is strangely similar to Mr Burns’ Office from The Simpsons, particularly the Stuffed Polar Bear.

 

AUDIO CLIPS 

Tasty and Sweet

Enough Is Never Enough

Sweaty Palm

Mo Rutherford

No, Don’t Eat It

Can’t Wait In Line

The Stuff Commercial #1

You Feed The Dog

Chocolate Chip Charlie

Low Tech Solutions

I Could Always Kill You

They’re Good For Us

I Just Ate Shaving Cream

The Stuff Commercial #2

Pillow Tried To Kill Us

They’re All Stuffies

You’ll Probably Be A Casulty

We’ve Never Lost A War

Get That Shit Off My Station

Mr. Stitch

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Mr. Stitch

Release Date: August 17, 1996

Genre: Sci-Fi

Director: Roger Avary

Writer: Roger Avary

Starring: Wil Wheaton, Rutger Hauer, Nia Peeples, Ron Perlman, Michael Harris

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

For those that have followed this blog from the beginning, you might recall a review I did for a Sci-Fi Channel original movie entitled “Evolver!” If you haven’t seen the post before, don’t worry you still can. All my posts are archived 😊 It’s one of my favorite made for television movies. The movie represented a time in the 90s when the Sci-Fi Channel was really coming up in the cable world and its popularity would spawn its own original movies. Another movie I recall seeing when it first came out that I discovered again was a movie called “Mr. Stitch!” I remember seeing the trailer for it where it was just a man all wrapped up in giant bandages in front of an all-white screen. As an impressionable pre-teen during the day I was overwhelmingly excited to see this. I don’t recall watching it when it premiered, but I remember I was quite fond of the idea, concept and execution. Watching it again not too long ago I double down on my comments. For a movie that is twenty-three years old, it still holds up despite some moments of outdatedness. With that let’s get to the synopsis of “Mr. Stitch!”

“Mr. Stitch” stars Wil Wheaton, best known for playing Ensign Wesley Crusher in “Star Trek: The Next Generation” as an androgynous human made from body parts and skin from various donors and chooses to be a man despite not having the sexual organs of one. He was created by a group of scientists led by Dr. Rue Wakeman (Rutger Hauer). He’s referred to only as ‘Subject 3.’ Later he chooses a name for himself. He is now ‘Lazarus’ after the biblical character.  At first, Lazarus is obedient and follows commands and performs his tests.  As Lazarus learns more about himself he begins having memories and nightmares from the lives of his donors. They offer clues as to the identities of those who inhabit his body while simultaneously torture him. This creates a rift between his relationship with Wakeman. Wakeman realizes he is losing control over Lazarus as he is developing independent logic and feeling. Lazarus realizes that Wakeman is hiding secrets from him causing him to no longer want to work with him. Psychologist Dr. Elizabeth English (Nia Peeples) is assigned to help Lazarus deal with his tension between Wakeman and deal with his nightmares and with it develop a sense of trust with other humans. They start to get close until Lazarus mentions a phrase that triggers English as it is a phrase that said to her from her deceased science partner and lover Dr. Frederick Texarian (Ron Perlman). Lazarus starts to be overwhelmed by being trapped in the ward and requests to see the outside world which is immediately rejected by Wakeman. He sneaks out and investigates Wakeman’s true intentions with him. Lazarus understands what his purpose is and must find a way to stop Wakeman’s plans as well as make amends with English.

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Written and directed by Roger Avary, “Mr. Stitch” is essentially a modern day retelling of “Frankenstein.” You have the Scientist who is looking to create a human being from dead (in this case created by tissue and organs of deceased humans) and you have the monster, which in this case is aware, functional and intelligent compared to the monster of the classic tale. It has the same elements in terms of the scientist creating this new life and teaching it how to interact with others and how to function with the purpose that is only known to them. You have the monster that is trying to learn, but starts to become resilient and unbalanced. The two will clash into this tug of war over power and control.

About ninety percent of the film takes place in this ward where everything is white. The scientists wear white suits and Lazarus is bandaged in all white. To me it represents both the first light we see when we are born as well as a state of purgatory where we are trapped in this area and are waiting to get to the outside of what lies ahead (for Lazarus this would be the outside world). We don’t see the outside of the ward until the near climax of the movie and several flashback scenes that Lazarus experiences as nightmares. Only other color we see in the movie is a black couch similar to a top hat that acts as Lazarus’ bed and the snot colored goo that comes out from a giant eyeball called the Observation Eye that watches Lazarus’ every move and from a device that measures and records his brain wave pattern when he is asleep (both are destroyed by Lazarus in a fit of anger).

Rutger

The look of Lazarus is comprised of numerous pieces of skin from all different colors of humans (Black, White, and Brown). His eyes have different pigments of color. His hair is long and frazzled, almost like a witch. Although he is androgynous, he identifies himself as man due to his strength and anger that is to be more in common with a man than a woman. I give the makeup department credit for creating a creature like this to represent that we are all human begins regardless of race, color, sex and creed.  I think that was Avary’s intention as well.

“Mr. Stitch” has some unique shots and visuals. What stood out to me are the choice of lenses that were used in certain scenes. For example, the “think tank” office of the scientists is shot like they are working inside a bubble. To me, the bubble represents the inner circle of those who are in it as to their research and their plans as to what to do with the research they are developing. The climax scene is deep underground and has a glossy watery effect that surrounds the confronting characters. Based on your impressions it gives you either a dream like effect or an effect if someone where high on drugs.

The pacing is a little uneven, but it doesn’t take away from the plot. Music is incorporated in practically every scene and it’s appropriate for what is happening in the scene. There is heavy metal during Lazarus’ bouts of anger or paranoia. There is a dreamy soft guitar sound during a hypnosis scene. Each piece of music sets the tone for what is happening.

The movie contains a very small cast with the majority of screen time belonging to Wil Wheaton and Rutger Hauer. Both of them I felt did a good job with their performances despite some flaws in the script. Wheaton starts out as very calm and compliant as he performs the tests that Hauer has him do. He’s quite intelligent by quickly developing his self-awareness and heightened sensibility. He is hostile to the scientists, but finds a soft and calming nature when he is around Dr. English. He develops a deep sense of trust and in some cases, love when they are together. Wheaton is able to channel his emotions of the character in the appropriate scenes throughout the film.   Hauer portrays Dr. Wakeman as a teacher and somewhat of a father figure to Lazarus. He is cautious with his responses to Lazarus’ questions and steers him away from anything he sees as a threat to his control of him. Hauer was very unhappy with the writing of the movie that he disregarded the script and began to improvise his scenes to match what he felt was more logical of his character and the story. I honestly can’t tell you that I was able to pick out which scenes he improvised, but that’s what makes him a great established actor was that he knew more about the character than what Avary had on paper.

Nia

The rest of the cast includes Nia Peeples as Dr. Elizabeth English who is brought in to help Lazarus deal with his dreams and nightmares. She builds a rapport with Lazarus during their sessions together. As they get to know each other, she becomes slightly distraught at what she discovers about him. Her feelings for him come full circle in the climax of the film. Peeples is very attractive and gives a soft touch to the films constant hostility between the two main characters. The other main performance comes from Michael Harris as General Hardcastle, who is the head of a secret government organization called ‘The Outfit’ and is in charge of the project. He shovels billions of taxpayers’ dollars to Wakeman and his team with the goal of creating a superior human being that could be used not only in warfare but to take down the bureaucrats in Washington so he can remodel the government in his own vision. He is the real antagonist of the movie. This was perhaps the weakest and most laughable performance of the movie. His dialogue reminds me of something a professional wrestler would say, but he gets what’s coming to him and it’s very satisfying. There is also small appearances from Ron Perlman as Dr. Texarian, the original team leader of the Stitch Project, Taylor Negron as Dr. Alan Jacobs who replaces Dr. English and gets a not so warm welcome by Lazarus and Make Up Effects Guru Tom Savini as a scientist.

“Mr. Stitch is available to watch on YouTube since it’s hard to find any video copies. I think you would enjoy watching this made for television movie. It’s a creative take on an original monster story. It doesn’t drag and keeps your attention with every scene. I wish the Sci-Fi Channel would make more of these compelling films than cheap monster movies involving five headed sharks or a yeti with the speed of a greyhound dog. Really makes you miss the 90s.

 

TRIVIA

  • Part way through production, Rutger Hauer completely discarded the script and refused to do any scenes from it. The majority of his scenes were improvised by the actor. Later, Roger Avary was forced to rewrite the remaining script to match up with Rutger’s footage.
  • This movie was the first “original” aired by The Sci-Fi Channel (now Syfy). It would be a few more years before they started advertising their made-for-TV movies as “Sci-Fi Originals”, but they did advertise this quite a bit as new and never-before-seen.
  • Was meant to be a pilot for a proposed television series. After Rutger Hauer gave up on the movie, the series was sunk.

AUDIO CLIPS

Story of Frankenstein

Do We Have Any More Weights?

Reference To A Word I Have No Meaning

I Do Seem To Have A Knack For Fisticuffs

An Improvement of Nature

I’ve Chosen A Name

Residue Thought

Feet First

Classified Territory

I Dream About An Elephant

Happy To See You

I Will Skin You Alive

I Want To See The Outside

Should Be Teaching Preschool In Florida

Jacobs Tortured

Get Out Of The Car

General Hardcastle’s Speech

Evilspeak

 

Evilspeak Poster

Evilspeak

Release Date: February 26, 1982

Genre: Horror, Drama

Director: Eric Weston

Writers: Eric Weston (Screenplay) and Joseph Garofalo (Screenplay and Story)

Starring: Clint Howard, R.G. Armstrong, Joe Cortese, Don Stark

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 

Happy 2019 dead readers! Here’s to another year! The first year of “Guilty Pleasure Cinema Review” has been a success! I again want to thank all of you for supporting the site. Hopefully we can continue to grow and expand our viewing audience. I’ve got plenty of movies to review and I’m looking to find some rare movies that perhaps the reading audiences aren’t familiar with. There will be full of surprises. If you have the following social media accounts, please make sure you follow my pages below:

Facebook – Guilty Pleasure Cinema Review

Twitter – @GPCRMovies

Now that we got that out of the way, let’s kick off the new year by reviewing a movie in my favorite genre. If you haven’t guessed by the numerous reviews including an October special, my favorite genre of movies is Horror. I stumbled upon this movie searching for some rare and unique Horror movies that I haven’t seen yet. It had an appealing cover, but you know what they say, “You can’t judge a book by its cover!” Would it live it up to the cover? Let’s find out. Here is the first “Guilty Pleasure Cinema Review” of 2019, the 1982 demonic horror flick “Evilspeak!”

Starring Clint Howard (brother of Ron Howard) in a rare leading role, the film focuses on Stanley Coopersmith, who is enrolled at military school due to the unfortunate deaths of his mother and father. Coopersmith is an outcast at the school. He is constantly bullied by the other cadets, gets berated by the senior personnel and laughed at by the women. The only compassion he receives is from the school chef and a little puppy that he adopts from the chef when he originally planned on letting it die because it is a runt. Stanley is forced to clean the church cellar at the school as punishment (for no clear reason). As he is cleaning the cellar, Stanley stumbles upon a room belonging to Father Esteban, a priest from the Dark Ages who had been banished from his church in Spain due to dabbling in black magic and refusing to renounce Satan. In his room is a book of black magic along with Esteban’s diary. Using a computer, Stanley translates the book from Latin to English where it contains instructions for a ritual called the “Black Mass.” The “Black Mass” would allow the soul of Esteban to return and possess the human being that performs the ritual, in this case Stanley. Stanley calls upon him to exact revenge on those who have mistreated him.

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Directed by Eric Weston (also co-wrote the screenplay) the film also stars R.G. Armstrong as ‘Sarge’, Joe Cortese as ‘Reverend Jameson’ and Don Stark of “That’s 70s Show” fame as ‘Bubba Caldwell’, the lead bully of the gang that torments Stanley throughout the movie. “Evilspeak” was released in only three countries which were the United States, United Kingdom and Japan. The film was banned in the United Kingdom due to its climax and Satanic Themes. It was cited as a ‘Video Nasty’, which was a collection of movies under the UK Video Recordings Act of 1984 that are banned due to its graphic nature or subject matter. It would later be reclassified and re-released in 1987 with three minutes cut from the original release and the text images of the “Black Mass” ritual removed on the computer screen. The film has a cult following (pun intended) and is the favorite film of Anton LaVey, the late founder and High Priest of the Church of Satan.

Throughout his career, Clint Howard has always been a character actor. You will likely see him in every movie his brother Ron Howard has directed. You’ve also seen him in the “Austin Powers Trilogy” as a military radar operator or as Paco in the Adam Sandler comedy “The Waterboy.” He has that distinct look that sticks out like a sore thumb. In this rare starring role for Howard he takes advantage of this by creating a lovable and sympathetic character. I couldn’t help but feel sorry for him. He tries his best going through the rigorous routines of military school only to be harassed by the fellow cadets and the teachers showing disdain for his tardiness and his inability to comply with the rules of the institution. His only sanctuary is the computer lab where he is building a class project with the aid of technology. His only friends are the chef and puppy dog that he keeps hidden from everyone in the church cellar as he spends more time studying the book and being fascinated with Father Esteban’s words. Although we shouldn’t seek revenge in real life, I was cheering for Stanley to get back at the bullies once his soul was possessed by Esteban. The antagonists in the movie were truly the lowest forms of life.

Speaking of the antagonists, there’s plenty of them in this film. Veteran actor R.G. Armstrong was a nice fit as ‘Sarge’ and Don Stark embellished the bully role of pack leader Bubba Caldwell with glee and delight. From Sarge to Reverend Jameson to Bubba Caldwell and his gang, all these people are despicable and nasty. I understand that you need to instill discipline on those who act out or misbehave, but some of the punishments in the film could be considered excessive in today’s world. They embarrass and humiliate Stanley every chance they get throughout the film. As a big believer in karma, they get theirs in the end.

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“Evilspeak” is not an original concept. Many have compared it to “Carrie” even calling it the male version of the horror classic. There are numerous similarities between the two films. There’s a lot of holes in the screenplay leaving many questions unanswered. The overall theme of the movie is how far does one get pushed to the point where they seek revenge? It’s a humanitarian struggle for Stanley. As he dives more into the book and translates the passages, the more intrigued and curious he becomes. He continues down a dark path where there is no return. His view of redemption is by killing those that have made his life miserable.

The pacing is slow as it spends ninety percent of the movie building up the characters until the climax where everything is moving fast as if the filmmakers were given a time limit to complete the last act. The makeup and effects are dated for its time. And if you pay attention closely, you could see a dummy or two during Despite these flaws, I think it’s a technically good film that gets as much out as it could on its reported $1M budget. It’s not a slasher film in any sense so don’t expect to see a high body count, but there’s just the right amount of gore to appease the fans.

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What makes “Evilspeak” work is how relatable it is today. Bullying continues to be a problem in schools today and with social media being a regular outlet for impressionable young people, it makes it worse when they post pictures or say mean comments about someone they like for reasons known only to them. The kids that are bullied end up taking dramatic and consequential actions such as hurting people or hurting themselves. No kid should have to go through life feeling miserable, sad or wishing they were never born. They should be enjoying their youth by having fun. Although this isn’t a movie to show kids about the effects bullying has, but it puts things in retrospect since we all have been a bully or have been bullied sometime in our lives.

If you enjoy low budget horror films that are simple and straight to the point, “Evilspeak” may be right up your alley.  Even if it’s the same old story told, and you are seething with anger over the characters, there is enough cheese going on that it can brighten your mood. Sometimes that’s all you need in a horror movie to prevent it from being all doom and gloom.

TRIVIA (Per IMDB)

  • According to Clint Howard, one night after shooting a scene he drove home while still wearing his bloody cadet outfit. He stopped at a light and noticed a woman staring at him from a nearby car, so he turned and smiled at her, and she responded by immediately locking all of her car’s doors.
  • Clint Howard and Don Stark agreed not to socialize during filming so that they could maintain the hostility that existed between their characters.
  • Previously banned in the UK as part of the infamous “Video Nasty” list during the 1980s.
  • The title “Evilspeak” was derived from the phrase “computer-speak”, a term used to describe the shorthand used by computer specialists for the otherwise complex. In the film the protagonist uses computers to summon evil spirits.
  • One of the prosthetic heads was accidentally made too tough for the decapitation scene it was intended for, and when Clint Howard struck it with the sword to his embarrassment it merely bounced off. Frustrated, he found a large sledge hammer then took some time to practice swinging it around until the added weight made wielding the sword seem easy by comparison, and when the scene was shot again he finally took the head off.
  • According to Clint Howard and director Eric Weston, the original cut of the film which he submitted to the ratings board contained even more footage than the uncut DVD release, including more special effects, as well as extensions of the bathtub death scene and the cadet having his heart ripped out. But their labored efforts to find a copy of this version have proven futile, and they believe it is likely gone forever.
  • Actor R.G. Armstrong was offered a choice between playing Sarge and Colonel Kincaid before assuming the role of Sarge.
  • The computer used by Stanley in the film is an Apple II, which was a very popular brand of computer at the time the film was made.
  • Richard Moll plays Father Esteban, the priest sentenced to exile for practicing the occult, and is seen performing the Black Mass in the beginning of the movie, two years before making a name for himself as Bull Shannon in Night Court (1984).
  • The production did some filming in a South Central church that had been condemned and scheduled to be torn down. When the aged minister saw that the crew were refurbishing the church, he didn’t understand that this was “show business refurbishing” and that the church would ultimately be burned down, dropping down on his knees and thanking God. Nobody had the heart to tell him the truth.

AUDIO CLIPS

Prison

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Prison

Release Date: December 8, 1987 (UK)

Genre: Horror, Crime, Drama

Director: Renny Harlin

Writers: Irwin Yablans (Story), C. Courtney Joyner (Screenplay)

Starring: Viggo Mortensen, Lane Smith, Chelsea Field, Lincoln Kirkpatrick, Tom Everett

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Happy Halloween! We’ve reached the final review in the “Guiltiest Pleasure Horror Movies” special. Hope you enjoyed reading them up to this point. If you’ve been keeping up with each review this week, you may have realized that I picked a movie based on a genre of Horror Movies. The movies I reviewed included a cannibal comedy, a deformed sibling monster film, a camp slasher and a slug infested zombie homage. You may have also noticed that all these movies came out in the 80s. For the final film, I decided to go with the old-fashioned ghost story and yes it was released in the 80s. It was a limited release movie and the directing debut of Renny Harlin, the man who would go on to make blockbuster action movies such as “Die Hard 2” and “Cliffhanger” as well as the third highest grossing “Nightmare on Elm Street” movie in the franchise in “Nightmare on Elm Street 4: The Dream Master.” It was this film that got Harlin hired to do Nightmare 4. Buckle up because the last film in our special is 1988’s “Prison”!

The plot is simple and straight to the point. Due to a suspension of funding for a new state of the art prison in Wyoming, the Board of Prisons is left no choice but to re-open the Creedmore Prison, a prison that was shut down twenty years ago. The prison will be run by Ethan Sharpe (Lane Smith), who knows the prison well as he was a corrections officer when it was open. Inmates from all over the state are transferred to this prison and are used as workers to restore the prison to full working capacity.  Two inmates Burke (Viggo Mortensen) and Sandos (Andre DeShields) are assigned to break open the Execution Chamber that has been sealed off. As they break through with pickaxes a flash of blue light appears and starts to suck Burke in. Suddenly, there’s flashes of electricity, glass breaking and boilers flaming. The inmates have released a spirit believed to have been the last person executed at the prison and looks to seek his revenge on not only the prison but the man who helped send him to the electric chair, Sharpe.

I heard of this film during Renny Harlin’s interview in the “Nightmare on Elm Street” documentary “Never Sleep Again.” He talked about this film as his first film and that he used household effects and tricks to make the movie look good. The movie was a limited theatrical release in the United States and the United Kingdom. Its total gross was a little over $300,000 on a reported budget of $1.5 million. It was released on VHS in 1988. The movie was never released on DVD or Blu Ray until 2013 when Shout Factory acquired the distribution rights and made it available. I purchased the movie last December.

Prison (1988)

My first reaction when watching this movie was mixed. I thought it felt shallow and bare feeling that there needed to be a lot more meat to the bones. While researching movies to review for this special, I saw “Prison” in my library of movies and decided to give it another chance to see if this was something worth reviewing. I watched it again and enjoyed it for its atmosphere, use of special effects and creative death scenes. I watched it a third time and I convinced myself that this is a great movie for this special. There’s a certain quality to this movie that I feel has not been replicated when it comes to making a supernatural film.

The mood is everything in “Prison”. An air of confinement overtakes the film as soon the buses roll into the yard to drop the work crew off at their new home. The look, sound and smell of penitentiary life hangs all over the place. If you’ve watched any of Renny Harlin’s movies he really loves mood when it comes to people and the situations they get themselves involved in.

Lane Smith is billed as the lead in this movie as he is the veteran and recognized actor at the time (Vigo Mortensen was not well known). His performance of Sharpe is a troupe of wardens in movies.  He is a hard nose, bug eyed, short tempered warden who is haunted by memories of the executed prisoner who spirit is alive and wreaking havoc on him. It takes a toll on him and his ability to manage the prison and keep things under his control. His paranoia deepens to where he starts to behave irrationally and barks orders that even draw concern looks on the guard captains. Smith has played various characters of authority throughout his career and this is no exception.

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Vigo Mortensen plays the prisoner who is followed throughout the movie, Burke. Not much is known about Burke only that he is famous for stealing cars and is seen as a sort of “celebrity” within the prison. Mortensen plays Burke as a quiet inmate who keeps to himself in the beginning. He befriends two inmates, his cell mate Cresus (Lincoln Kirkpatrick) and Lasagna (Ivan Kane). During the movie, he becomes a hero when he saves the life of an inmate in solitary confinement from burning alive from the evil spirit when the cowardly guards refused to do so. He is the polar opposite of Sharpe. It’s the perfect role reversal of the criminal being the hero and the law enforcement officer being the villain.

The other lead in the movie is Chelsea Field who plays Katherine Walker who works internally at the Bureau of Prisons and is overseeing the re-opening. She doesn’t like the fact that the board put Sharpe in charge of the prison referring to him as an “Old Dinosaur.”  While she has attempted to work with Sharpe, she quickly realizes that she is being shut down by him at every turn especially when the prisoner body count starts to accumulate. She takes it upon herself to find out everything she can about the prisons history and Sharpe’s role in it. Field pops up in the movie from time to time, but I think gives a decent performance.

I love physical special effects and there is plenty of that in “Prison”. The lightning looks homemade, but authentic and the death scenes are innovative and make great use of the surroundings the impending victims are in. I could tell that the kill scenes in “Nightmare on Elm Street 4” drew inspiration from “Prison”.  The only death scene I had a gripe on was the smoking prisoner being burned alive. While it was indeed creative and intense, there were a few shots where you could see a dummy head just rotating its head from side to side.

As I do in most of my reviews, I try not to spoil the ending. I will say that the ending has been done before in a couple ghost themed movies I’ve seen, but I feel is satisfying. It brings a sense of closure to the story. Harlin seems to wrap up his movies by bringing closure or a sense of relief that things are over.

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Overall, I would check out “Prison”. It’s a fine horror movie that doesn’t have all the bells and whistles of a blockbuster horror movie. I’ve watched a lot of Renny Harlin’s movies and if you were to ask me to give a list of his five best movies, this would be on the list. His introductory film showcases his talent for vision and atmosphere that would be seen throughout his film making career. Some good, some bad.

That concludes my “Guiltiest Pleasure Horror Movies” special. I hope you enjoyed these reviews. It took a lot of time and effort to watch, write and record these pieces, but I have to say that this was fun to do. The big accomplishment I hope to achieve from these is that you go out and watch these movies and see what you think.

Happy Halloween!

 

TRIVIA

  • Most of the inmate extras in the film were portrayed by real-life inmates from a nearby prison to add realism to their performances. The armed guards on the towers were, of course, armed with live ammo at the time. Stephen E. Little (Rhino) was a former Hollywood stuntman, who was still a member of SAG, who happened to be serving time for manslaughter that he committed during a bar-room brawl.
  • The prison where the movie was shot, the former Wyoming State Prison located in Rawlins, Wyoming, has daily tours and much of the set remains intact from when crews filmed there in 1987.
  • The electric chair (which was never used in Wyoming) was built into the actual gas chamber of the Wyoming Prison and the death scenes were filmed there. The original chair, was carefully removed and an electric chair was built in its place. During the shooting, Viggo Mortensen’s convulsions were so violent the arms of the chair were broken and needed to be repaired.
  • Chelsea Field was supposed to do a scene in a bathtub but refused to do it.
  • Viggo Mortensen did the bulk of his own stunts. Moreover, stunt coordinator Kane Hodder gave Mortensen an honorary stuntman’s shirt at the completion of the shooting for this film.
  • The high-altitude sun in Wyoming caused shooting issues in the scene where the prisoners are stripped to their underwear and forced to stand outside all day. Due to technical issues, the scene was shot over and over and the prisoners in the background become sunburned on one side of their bodies only as extras were not provided sunblock.
  • The water that Viggo Mortensen runs through in his underwear was real. That part of the prison had been flooded for years, the temperature in the room was below 50F and the water temperature was 46F. Mortensen’s shivering is real. He insisted on shooting the scenes without a double, and only at being forced to relented for some close-up scenes.
  • Before casting Viggo Mortensen, Thom Matthews auditioned and was being considered for the part of Burke.
  • Lane Smith remained in character as Warden Sharpe throughout the duration of filming.

 

AUDIO CLIPS

 

 

Night of the Creeps

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Night of the Creeps

Release Date: August 22, 1986

Genre: Horror, Comedy, Sci-Fi

Director: Fred Dekker

Writer: Fred Dekker

Starring: Jason Lively, Tom Atkins, Steve Marshall, Jill Whitlow

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

We’re near the home stretch in the “Guiltiest Pleasure Horror Movies” special. I’m reviewing five films in the Horror genre every week until Halloween. We’re at Movie #4 for this special. This next film is a homage to the goofy science fiction/horror films of the 50s that is set in the 80s. This was the debut film of Fred Dekker, a man who was rejected into USC and UCLA’s film school program and settled as an English major. He would develop screenplays along with his friend and roommate, Shane Black (best known for writing the Lethal Weapon movies, appearing in the first “Predator” movie and more recently writing and directing the new “Predator” movie with Dekker). After this movie, he would go on to write several episodes of “Tales From The Crypt” in addition to writing and directing two more movies, one was the cult following “The Monster Squad” and the utter failure “Robocop 3”. Today Dekker focuses more on writing than he does actual filmmaking. His debut film is still the best of his three and one that I continue to enjoy on a frequent basis. Tonight’s review is “Night of the Creeps”!

“Night of the Creeps” starts out in 1959 when a college fraternity member takes his sweetheart out for a romantic night out sitting in his car looking at the stars. Suddenly, something from the sky crashes down and he goes to investigate it. When he looks closer, a slug jumps out and enters his mouth and he collapses. The film flashes forward to 1985. It is rush week at Corman University. Two outcasts, Chris Romero (Jason Lively) and his friend J.C. Hooper (Steve Marshall) are looking to get into a fraternity in the hopes of meeting girls, particularly one that catches Chris’ eye, Cynthia Cronenberg (Jill Whitlow). They have a sit down with Brad, who is the president of the Beta Epsilon house. He gives them a quest to steal a cadaver from the medical school morgue and dump it in front of a sorority house. They reluctantly agree. As Chris and J.C. sneak into the medical school after hours, they come across a laboratory. Inside they see a frozen corpse. The corpse is that of the man from the introductory scene.  They decided that he would be the body they would deposit to the sorority house. Little do they realize the body is still alive and the boys run off in terror. Meanwhile the body attacks one of the med students and heads to one of the sorority houses only for his head to explode and slugs shriveling their way out of the body. The investigation is led by Detective Ray Cameron (Tom Atkins), a long-time cop who is burnt out. When he interviews Chris and J.C., they admit to the prank and the case is closed. Little do they all realize that the college is in danger as one by one people are turning into zombies thanks to the parasitic slugs that possess them. Now it’s up to the three of them to stop the epidemic before it gets worse.

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I can’t remember the first time I viewed this movie, but I enjoyed it on so many levels. It had the look and feel of both a 50s Science Fiction movie and an 80s Horror Movie which was Fred Dekker’s intention. While the concept is nothing original as it takes from “Invasion of the Body Snatchers,” it is still refreshing to see a take on how the zombies were created. This movie was released in 1986 so prior to that you had “Day of the Dead” and “Return of the Living Dead” which had similar concepts. I like the fact that it is a parasite that turns the living into the dead.

The performances are decent. Jason Lively plays Chris as a shy, low self-esteemed kid who can’t seem to find his place in the college world. Steve Marshall plays J.C. as a wiseass, always cracking jokes at the most inappropriate times. Despite that, he is very concerned over his friend and does his best to get him out of his comfort zone and build up some confidence. The real star of this movie is Tom Atkins. Atkins is no stranger to horror films given his performances in “The Fog”, “Creepshow” and his most memorable role as the protagonist in “Halloween III”. Atkins plays Detective Ray Cameron as a drunk, don’t give a shit attitude police officer. He gave us a new phrase to say when answering the telephone. Instead of saying “Hello” when the phone rings, he says, “Thrill Me!” This would become the iconic line of the movie. In addition to his indifferent personality, he is traumatized by the events that happened in 1959. His girlfriend at the time was killed by an escape mental patient during his second week on the force. He comes close to taking his own life but realizes that to find a sense of closure, he needs to help stop the zombie outbreak. I’ve referred to Tom Atkins as “The Pimp of Horror Movies” because he always seems to be getting in bed with a woman he just met. That’s not the case in this movie, but it still doesn’t diminish his title. He has called “Night of the Creeps” his favorite film that he has done, and I echo that sediment.

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The only performance I didn’t care for was Jill Whitlow as Cynthia.  With her soft voice, she is completely wooden with her delivery. There are also times during the movie where she looks like she is in a complete fog or has that look that she is thinking of something else rather than concentration on the situation that she was in. I think she needed to put a lot more life into her.

The effects are cheap and dated by today’s standards, but again I think that was Fred Dekker’s intention. There is an ample amount of gore that is ramped up at the very end during the big battle. I do have to give props to the makeup department for giving each zombie a bit of variety and some personality. The slugs were long and beefy, and they slithered quickly going into basements and hiding in bushes as they prepare to infect their next victim. The music is pure 80s synth that weaves in and out of the frames that it is featured in.

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Out of the three movies Fred Dekker has done, this is my absolute favorite. This is one that I have on rotation during the Halloween season. I enjoy it for that it doesn’t take itself too seriously and it has enough scares, violence, gore and humor to keep your attention. It’s a great movie that has truly earned its cult status.

Next week ladies and gentlemen is the final review in the “Guiltiest Pleasure Horror Movies” special, so you don’t want to miss it. Check back on here Halloween night!

 

TRIVIA

  • All the last names of the main characters are based on famous horror and sci-fi directors: George A. Romero (Chris Romero), John Carpenter and Tobe Hooper (James Carpenter Hooper), David Cronenberg (Cynthia Cronenberg), James Cameron (Det. Ray Cameron), John Landis (Det. Landis), Sam Raimi (Sgt. Raimi) and Steve Miner (Mr. Miner – The Janitor).
  • Graffiti on the wall of the men’s room where J.C. is trying to escape a number of slugs reads, “Go Monster Squad!”. The Monster Squad (1987) was also directed by Fred Dekker.
  • Tom Atkins’s favorite movie of his own.
  • “Corman University” is a reference to director/producer Roger Corman.
  • The tool shed sequence was filmed after principal shooting on the movie had wrapped. After a rough cut was shown to a test audience, several people thought that the picture needed more action so this sequence was added to the movie.
  • Fred Dekker’s roommate, Shane Black, worked on the script. The next year, Tom Atkins starred in Lethal Weapon (1987), Black’s first produced screenplay.

 

AUDIO CLIPS

Sleepaway Camp

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Sleepaway Camp

Release Date: November 18, 1983

Genre: Horror

Director: Robert Hiltzik

Writer: Robert Hiltzik

Starring: Felissa Rose, Jonathan Tiersten, Karen Fields, Christopher Collet, Mike Kellin

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Alright, we are at the halfway point in the “Guiltiest Pleasure Horror Movies” special. I’m reviewing five films in the Horror genre every week until Halloween. Time for Movie #3.  This next movie review is one of the more controversial underground horror movies to come out of this list. This movie came out in 1983, but I wasn’t aware of the film until about 2014. It was this past summer where I watched it for the first time at a local discount theater where they were playing “Summer Themed” horror movies. It’s a movie like the previous two films in the special where I’ve watched repeatedly and enjoyed it on so many levels. The next film on this list is the summer camp slasher film “Sleepaway Camp!”

“Sleepaway Camp” is the story of two cousins, Rickey and Angela who are about to spend their summer at Camp Arawak. Rickey is a seasoned veteran at the camp while this will be Angela’s first time. Angela is quiet and shy. She is also suffering from a post traumatic event involving her father and brother being killed in a boating accident. Angela is disliked by the other campers for obvious reasons and only seems to talk to Rickey. She does strike up a conversation with Rickey’s friend Paul and become close throughout the movie. As the summer camp begins its annual season, a series of murders start to happen that has everyone on edge. Who is committing these murders and what is the motive?

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“Sleepaway Camp” was a surprise hit at the box office. It grossed over $11 million dollars with a reported $300,000 budget. It has a huge following and Felissa Rose became a member of the “Scream Queen Sorority”. The movie is known for its infamous and controversial ending that still shocks the viewing audience today (It sure did shock me). People like to debate which was the better slasher film, this or “Friday the 13th”.

Right off the bat, “Sleepaway Camp” gets your emotions charged. You see the traumatic event that will shape the story and the character of Angela throughout the film. When you see Felissa Rose appear on screen for the first time she is quiet and reserved. She barely makes eye contact with her aunt and stays close to her cousin Rickey. The camp counselors (well…most of them) are aware that this is the first time Angela will be away from home and they give her sympathy and comfort to make sure she enjoys her time. Her unwillingness to socialize with her roommates nor participate in any camp activities draws the ire of Judy (Karen Fields), the supposed popular girl at the camp and Meg (Katherine Kamhi). Rose gives a cold frightening performance with her constant stare downs. It’s a very intimidating look although the rest of the counselors don’t feel intimidated by her. She doesn’t utter her first words until she is confronted by Paul, Rickey’s fried who attempts to engage in conversation with her. From there you see her shyness melt away as she spends more time with Paul.

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Besides Rose’s iconic performance, the other performances were good. Each actor and actress played their character as they were written. Jonathan Tiersten’s performance as Rickey was hilarious. He loves to stir up trouble through his trash talking and constant profanity. He does a great job protecting Angela. He’s like a big brother to her rather than a cousin. My other favorite performance is the camp owner, Mel played by veteran actor Mike Kellin, who sadly passed away before the film’s release. Mel does his best to keep his reputation by trying to spin what is happening to the people that are dying in the film. He has a hilarious scene where he appears wearing lime green pants and a yellow jacket in anticipation for a hot date. There’s also a small appearance from Robert Earl Jones as the chef, Ben. He is the father of legendary actor James Earl Jones.

The gore is minimal in comparison to “Friday the 13th”. The killer uses the surrounding environments to take out its victims one by one. You’ll notice a pattern of whom the victims are. You may think to yourself you already know who the killer is, but the movie uses a bit of trickery to throw off your assumptions. There is a small body count throughout the movie until the very end where the volume doubles.

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“Sleepaway Camp” balances the kills with some humor. There are plenty of hilarious moments throughout the movie including Rickey and his bunk mates playing tricks on one of their own, the male campers going skinny dipping and some funny mustache miscues. The cop in the movie has a mustache in his first appearance, but when he appears near the end, you can tell the mustache is fake and uneven. The reason for that being is the actor that played the cop had shaved his mustache off after he was done shooting his part but was called back due to additional shooting. Since he couldn’t grow one quickly in time, they had to improvise.

This is the only film writer and director Robert Hiltzik made. He made a career change and today he is an attorney in New York. For what it’s worth, he made a really good slasher film. It’s a movie with a ton of replay value that you can watch repeatedly. You don’t need to be watching it in the summer to enjoy it as it is a film you can watch in any season.

With that the third film in the “Guiltiest Pleasure Horror Movies” special has concluded. Stay tuned next week for the fourth review!

 

TRIVIA (Per IMDB)

  • The original artwork for the Sleepaway Camp Survival Kit boxed set, which included the unauthorized sequels, was recalled after complaints were made by the American Red Cross.
  • Some of the campers seen getting off the buses at the beginning of the film are relatives of the cast and crew.
  • Jane Krakowski, who played Cousin Vicky in ‘National Lampoon’s Vacation’ was originally cast to play Judy.
  • Mike Kellin’s final film. He was sick during filming but did his best to conceal it from everyone and passed away in August 1983 from lung cancer, three months before the film’s release.
  • Willy Kuskin who plays the character of Mozart, one of the bullied camp boys, was genuinely bullied during filming. Frank Trent Saladino who played Gene, Mozart’s camp counselor, had to step in to protect Willy at times when the other members would take it too far.
  • Felissa Rose and Jonathan Tiersten developed a puppy love type romance during filming but broke up soon after.
  • Jonathan Tiersten was given the role of Ricky after an unusual audition where the writer/director, Robert Hiltzik, asked Jonathan to cuss him out.
  • As a child, writer/director Robert Hiltzik actually went to the camp which was used in the film.
  • One of the inspirations for ‘Weird Al’ Yankovic’s “Nature Trail to Hell,” along with Friday the 13th Part III (1982), referencing the cutting up of Cub Scouts and an ending you have to see to believe.

AUDIO CLIPS