Out For Justice

 

 

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Out For Justice

Release Date: April 12, 1991

Genre: Action, Crime, Drama

Director: John Flynn

Writer: R. Lance Hill (as David Lee Henry)

Starring: Steven Seagal, William Forsythe, Jerry Orbach, Jo Champa, Shareen Mitchell

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 

Whether you like Steven Seagal or your hate him, you can’t deny his accomplishments. He is a seventh degree black belt in Aikido and became the first American to teach the martial art in Japan. He’s been a Deputy Sheriff for Jefferson Parish in New Orleans for more than twenty years.  Lately, he’s been in the press as a Russian liaison to the United States and Japan working on improving relations between the countries. Of course, most of us will know Steven Seagal as an action star. Since he appeared in his first film “Above The Law” in the late 80s, Seagal has become a recognizable face in the action cinema world. He rose to fame in the early to mid-90s as a man who would always be asked who would win in a fight between him and his action peers such as Sylvester Stallone, Arnold Schwarzenegger or Jean Claude Van Damme. I haven’t reviewed an action movie in a while and looking through my movie collection, I noticed a bunch of Steven Seagal movies. I decided to review one but didn’t know which one I should review.  I took up an online poll to see which Steven Seagal movie I should write about. After a 24-hour survey, the overwhelming majority of votes went to his 1991 crime thriller “Out For Justice.” So, with that ladies and gentlemen, here is the review for “Out For Justice”.

Seagal plays Gino Fellino, a NYPD detective from Brooklyn where he has close connections with his neighborhood. After he and his partner Bobby Lupo are involved in a botched drug raid which leads to Gino intervening in an incident across the street where a pimp is assaulting one of his girls, Bobby is gunned down shortly after by Richie Madano, a mobster who grew up with Gino and Bobby. Richie is addicted to crack which has made him psychotic and act out on his homicidal urges which includes killing a woman at a traffic stop all because she asks him to move his car. After receiving clearance from his boss to track down and apprehend Richie, Gino uses his connections within the mob to find out where Gino is. The mob warns Gino not to get in their way, as they plan to take out Richie themselves. Gino is now in a race to find Richie and get to the truth about why he killed his partner before the mob can get his hands on him.

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The movie received mixed to negative reviews when it was first released. Despite those reviews, “Out For Justice” debut at Number 1 at the Box office and grossed a little over $40 million. As time has gone by since its initial release “Out For Justice” has developed a cult following.

The film takes place in Brooklyn and there’s plenty of moments in the film where Seagal is cruising around town talking to various citizens. Brooklyn is not like Manhattan with its giant skyscrapers, lights and exciting atmosphere. It’s a quiet and close-knit community. The movie gives it a neighborly feel as everyone seems to know each other by name. It’s a great montage to the ethnic diversity and history of Brooklyn.

Seagal is decent in his lead role as Gino, a cop with connections all over the neighborhood and uses those connections to track down Richie’s whereabouts. He also struggles with the duality of his job and his family. He has numerous “families” throughout the film. First, he has his own family in which he and his wife are going through a divorce and splitting custody of their son. Their relationship is strained in the beginning of the film but as the story progresses, they rekindle that love they have for each other and that whatever problems have been going on they can work it out and come out even stronger. The other family is his mob family. He is well known by the mob family led by Don Vittorio. Gino can easily come to him for information and have a mutual respect. The middle man between Vittorio and Gino is a man named Frank, whom also grew up with Gino in the neighborhood and become close friends. Frank keeps his eye on Gino not because his boss tells him to, but to also save him from making any mistakes that could trigger a retaliatory response.  The last families of Gino include consoling both his partner’s family and Richie’s parents. There is a powerful scene where Gino confronts Richie’s parents trying to squeeze any information they have on their son. His father, played by Dominic Chianese (Junior of “Sopranos” fame) tells the story of how he came to America with nothing and worked to provide for his family and give them a roof over their head and that Richie has been taken away from him by drugs. It gives you sympathy for the parents for what they are going through.

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The award for Best Performance in this movie I give to William Forsythe as Richie Madano. As I mentioned in the synopsis, Richie is a mafia enforcer who has become psychotic due to his addiction to crack. He is paranoid, suspicious of people and reckless. Forsythe portrays Richie as someone who has succumbed to his addictions that he can’t see straight. His crew is trapped with him and no amount of reasoning can convince Richie to control his impulses. People are fearful of Richie that they surrender to his will, especially when he shows up uninvited to the home of a girl who was once his hooker. He kills a woman in broad daylight in front of everyone when she honks the horn at him telling him to move his car and kills a friend of his in a wheelchair when he is questioned why he killed Gino’s partner and believing that he called the cops on him. His own family are fearful for their lives as you see in many instances throughout the movie. Richie Madano is a relentless character who the audience can easily despise and hopes that his day of retribution is coming.

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There’s plenty of action and violence to salivate the typical action movie fan. You can’t go wrong with shoot outs and hand to hand combat courtesy of Mr. Seagal. Seagal demonstrates his masterful Aikido skills in perhaps the best scene of the whole movie is when he interrogates Richie’s brother who owns a joint run by Richie, a bartender and its patrons. It’s amazing to see how fast Seagal’s hands move when taking down those who wish to do harm on him. Seagal is also a master sharpshooter in real life and you see that in several instances in the film including when he defends his family when members of Richie’s crew break into Gino’s apartment looking to terrorize his wife and son.

The only gripes I have with the movie is the lack of plot and character development, especially with Seagal’s family. You really don’t know what caused them to start going through divorce proceedings other than Gino’s job on the force has taken away from spending time with them. You don’t know much about Gino’s son except for his name. I also believe the title of the movie is misleading. There are also some small continuity errors due in part to the poor re-editing. Apparently this movie was even longer that dealt more with Richie and how he got into drugs, but Seagal had the Editor take a big chunk out because he felt that Forsythe was “overshadowing his great performance”. That’s why during the music montage you see a scene where Gino is talking to Frank and you don’t know what they’re saying because the audio has been drowned out by the music. The last gripe I have is with the theme of the movie. The title is “Out For Justice” but this is more of a revenge movie. Except for telling Richie’s parents that if they see him, he needs to turn himself in, his goal is to kill him, not arrest him and stand trial for the murder of his partner and other crimes he has committed. Yes, Gino is dealing with a personal tragedy, but in the real world the cops need to ascertain the suspect alive. You only kill the suspect is if he is engaged in attacking the officer.

As Steven Seagal movies go (before they went downhill starting in the late 90s), “Out For Justice” is up there among the best of his movies. This is in my Top Five Favorite Steven Seagal movies. It’s a fast-paced movie with plenty of action, violence, a balanced widescreen framing and a good cast to give it lasting appeal. It’s a movie that is relatable to the audience with its close community feel. This is perhaps the last movie where Steven Seagal is in prime form.

 

TRIVIA

  • Gino fights a character called Sticks in the bar, played by veteran martial artist Dan Inosanto. He was one of Bruce Lee’s best friends and one of the three people Bruce let train others in Jeet Kune Do. He is also a master stick fighter and has studied multiple disciplines like Escrima and Silat and was the person who taught Bruce Lee to use nunchaku.
  • According to William Forsythe, Steven Seagal told Forsythe, “You really need to work on your Brooklyn accent.” Forsythe, a Brooklyn native, replied, “Trust me, YOU do.”
  • The only Steven Seagal movie between 1988 and 1998 to not feature a single explosion.
  • Steven Seagal declared in an interview that the movie’s bar brawl was his personal favorite among all fight scenes he’s done.
  • Whilst on the production set, Steven Seagal claimed that due to his Aikido training, he was ‘immune’ to being choked unconscious. It has been alleged that at some point Gene LeBell (who was a stunt coordinator for the movie) heard about the claim and gave Seagal the opportunity to prove it. LeBell is said to have placed his arms around Seagal’s neck, and once Seagal said “go”, proceeded to choke him unconscious. After refusing to comment for many years, LeBell confirmed the story in 2012 and said that after Seagal fell unconscious, he proceeded to defecate and urinate himself. Whenever Seagal has been asked about the incident, he has constantly denied the allegations.
  • Julianna Marguiles was cast specifically by Steven Seagal for her role in this film, but she didn’t enjoy working with him at all. She later said in an interview that she used to see Seagal working on projects for Warner Brothers while she was a regular on “ER”, and he would always say “Marguiles, come over here and show me some respect”. She bluntly said, “He’s not someone I keep in contact with.”
  • The movie was originally over 30 minutes longer, which included some more plot details and character development. Steven Seagal cut some of William Forsythe’s scenes because he felt that Forsythe was upstaging him. Also, editor Michael Eliot re-edited the original cut of the movie. He did the same job with some other Warner Bros movies. Some scenes were deleted and some others were cut down for pacing. This is why there are two montage scenes with no dialogue in the finished film. Re-editing also caused some minor continuity mistakes.
  • During the filming of the showdown between Gino and Richie, Steven Seagal broke William Forsythe’s front tooth when he shoved his face into a brick wall.
  • To date, this is the only Steven Seagal movie shot in New York.
  • Steven Seagal was difficult to work with during filming. At one point, he was driven to tears on set when a light went out in his trailer. He attempted to blame the mishap on a Teamster and have him fired, but was unsuccessful.

 

AUDIO CLIPS

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Hiatus

Hello everyone!

I apologize for not posting reviews lately.  I’ve been busy with a lot of things: work, vacation, other personal matters.

I wanted to give you a heads up that I’m going to take a small hiatus from posting reviews. I have some personal events coming up in September that need my attention.

However, I will be returning in October to do a month long review special review in lieu of the Halloween season. I’m going to be reviewing my “Most Guiltiest Pleasure Horror Movies”.  I will be dedicating the spare time I have in September to watch and review five horror movies that fit this category. I will post one a week up until Halloween. I’ll be spending the time next month watching, researching, analyzing and of course picking out some hilarious clips.

I want to say Thank you to all you viewers out there. I appreciate all of you who have supported this blog. I hope you have enjoyed reading these blogs as much as I’ve enjoyed writing them.

I’ll see you soon.

Leviathan

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Leviathan

Release Date: March 17, 1989

Genre: Adventure, Horror, Mystery

Director: George P. Cosmatos

Writers: David Peoples (Story & Screenplay), Jeb Stuart (Screenplay)

Starring: Peter Weller, Richard Crenna, Amanda Pays, Daniel Stern, Ernie Hudson, Michael Carmine, Lisa Eilbacher, Meg Foster, Hector Elizondo

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 1989 was the year of the underwater Sci-Fi films. First, you had the highly anticipated “The Abyss”, namely because it was a James Cameron movie and the special effects were the most advanced effects at the time which would evolve in Cameron’s follow up film, “Terminator 2”.The second film was the obscure “Deep Star Six”, directed by famed “Friday the 13th” creator Sean S. Cunningham. Finally you had “Leviathan” directed by George P. Cosmatos who was known at the time for directing two Sylvester Stallone movies, “First Blood Part II” and “Cobra” (the latter was my very first review for this blog still available for your reading pleasure!) All three movies did not do well at the box office. “The Abyss” made $90 million, but it had a budget of over $50 million so while it made a teeny profit, it was very underwhelming considering the magnitude of the film. “Deep Star Six” sank as fast as the Titanic. “Leviathan”debut at #2, but quickly drowned the following week. While underwater Sci-Fi films were nothing new, it seemed the audience wasn’t all that invested into those concepts. As we approach the 30thyear landmarks for these films, I decided to re-watch “Leviathan” again.

The first time I watched it, I reacted in a way most people did when it first came out: mortified (and not in a good way). When I decided to watch this movie again in hopes of it appearing on this very blog, I went into it with no expectations and erased all those feelings I had the first time around. After watching it the second time, I thoroughly enjoyed it. Even though it’s a blatant rip-off of “The Abyss” along with two other iconic Sci-Fi Horror films “Alien” and “The Thing”, it was entertaining. I liked it so much; I began playing it several times. As a matter of fact, I have it playing in the background as I’m typing up this review. Before I get into the nitty gritty of the film, I’ll brief you on the plot.

“Leviathan” tells the story of a group of underwater miners who work for Tri-Oceanic Corp. They’re finishing their last days of a three month operation mining for silver in the Atlantic Ocean. The team consists of eight members, Glen ‘Doc’ Thompson (Richard Crenna), Elizabeth ‘Willie’ Williams (Amanda Pays), Buzz ‘Sixpack’ Parrish (Daniel Stern), Justin Jones (Ernie Hudson), Tony ‘DeJesus’ Rodero (Michael Carmine), Bridget ‘Bow’ Bowman (Lisa Eilbacher) and G.P. Cobb (Hector Elizondo). They are lead by Geologist Steven Beck (Peter Weller) who reports to the CEO of Tri-Oceanic Corp, Martin (Meg Foster). During a mining operation involving Sixpack and Willie (who are working as punishment for an altercation), Sixpack falls of a ravine and goes missing. Willie searches for him and discovers a sunken Russian ship named ‘Leviathan’ with Sixpack inside with some sunken treasure. As the crew looks through what was lost in the ship, Doc uncovers a video tape. It’s a tape containing a warning by the Capitan of the ‘Leviathan’. Beck and Doc aren’t sure what the Captain is referring too. The rest of the crew prepares to take a shot of vodka found in the ‘Leviathan’ only to finding out after tasting it that Beck had switched the bottles and they have water instead of vodka. Unbeknowst to the crew, Sixpack hid a separate canteen filled with the vodka that was recovered and he and Bowman have a drink. Few hours later, Sixpack starts to feel sick with chills and flaky skin. He succumbs to his illness several hours later which triggers the doc to perform tests on the rest of the crew. When Bowman sees Sixpack, she decides to take her own life rather than succumb to the illness. As the crew tries to throw the bodies away, the mutation fuses together and attacks the crew. A part of the creature manages to sever itself from the body and develop into a whole new being which goes on to attack the crew and grow by consuming human blood. The crew declare an emergency but Martin tells them there is a hurricane approaching them and their rescue is delayed by twelve hours. The crew has no choice but to find a way to destroy the monster.
I’ll start with the cast. Peter Weller is the lead in the film as Beck. He is in charge of the crew and its mission. He is very commanding and by the book when it comes to company rules. In the beginning of the film, he feels out of place and senses he doesn’t have the respect of the crew. You see his leadership and command develop throughout the movie. I love Peter Weller. He is a person who is dedicated in every role he does and this role was no exception. His iconic performance in “Robocop” groomed him for this part. Richard Crenna who plays Doc is a loner and disliked by the entire crew especially in the beginning of the film. They feel he has something to hide and as the film progresses, he does what he can to not reveal what is happening to the crew with the exception of Beck. Crenna is another actor I’ve enjoyed for a long time. I think all the performances were good with the exception of Meg Foster. I know she is supposed to play the disconcerted corporate executive, but she comes off as wooden and monotone. I’ve seen her play this part before in “They Live”. I don’t know if that’s her style, but I didn’t care for it.

The film is well paced when you compare it to the other two movies I mentioned. None of the scenes drag out too long which keeps your attention focused. There’s plenty of jump scares and tense confrontations between the crew. Legendary composer Jerry Goldsmith provides the music and it sounds eerily familiar to his composition in “Alien”. Wouldn’t surprise me if he was influenced by that film since this film takes several elements from it.  The special effects were solid. There is a ton of blood, but not too much gore. Any gore that appeared in the movie was either off camera or was in spurts such as in the reveal of the monster in the middle of film or near the end.

Speaking of the monster, that was without a doubt the biggest disappointment of the movie. The movie does a good job taking the old sci-fi horror concept of not revealing too much of the monster and letting the audience until the second half of the movie. The concept of the creature is supposed to be a genetic alteration of a sea creature, but fuses with people it has either come into contact with or has the same genetic mutation in their bodies. One shot you see this gigantic blob with tentacles and faces of the crew members it has merged with. It reminds me of the pillar with all the faces from the “Hellraiser” movies. And when the monster emerges at the very end, you can see how fake the head is. It was reminiscent of a monster in a Japanese Monster Movie. What boggles my mind is that the creature design and the effects were done by legendary effects man, Stan Winston. This was the guy that created the Terminator, the dinosaurs in “Jurassic Park” and the Alien Queen in “Aliens”. What the hell happened here? Did he not have the budget to make something unique and terrifying? Did he run out of ideas? It’s a damn shame. The creature could’ve been something unique and give the film a better lasting impression.

Out of the three movies I mentioned in 1989, I would put “Leviathan” second behind “The Abyss”. The problem the movie had as I mentioned in the beginning was that it borrows too much from the other iconic movies I mentioned. It’s not original in terms of concept. I do give it creative points for the source of the disease and the effects that it causes.  Don’t let all that take away from the fact that it is an enjoyable B-Movie and it’s a movie I’ve found myself watching over and over again. That’s always been the strength of George P. Cosmatos’ films. He doesn’t follow a strict genre. He’s willing to take chances and his movies come about as being fun and entertaining.

 

TRIVIA (Per IMDB)

  • 50 to 60 spec drawings of the potential look for the creature were submitted to director George P. Cosmatos. All the drawings were combined for the final definitive look for Leviathan which was a huge, fish-headed beast with dagger like teeth with the ability to absorb recognizable characteristics from its victims.

 

  • There are very few scenes in the film that were actually shot underwater, as production went for the “dry for wet” look. With most of the scenes inside the Shack taking place on sound stages and a tank measuring 130ft x 270ft.

 

  • Audio from this film is sampled in the song “Reptile” featured in the Nine Inch Nails album “The Downward Spiral.”

 

  • According to the sleeve notes on the DVD, a dry for wet lighting test by Alex Thomson used an old army tank for the wreck of the Leviathan,and some make shift diving suits were made using

 

  • Chicken feathers were used at one point of shooting the underwater sequences to suggest things were floating around in the water. According to Alex Thomson this did not work because the feathers floating side to side instead of up and down and the idea had to be scrapped altogether.

 

  • Hector Elizondo’s character of Cobb is named after the film’s production designer, Ron Cobb. Also, Michael Carmine’s character of Tony ‘DeJesus’ Rodero, shares the same last name of the film’s first assistant director, ‘Kuki Lopez Rodero’.

 

AUDIO CLIPS

 

 

My Name Is Bruce

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My Name Is Bruce

Release Date: April 13, 2007

Genre: Comedy, Fantasy, Horror

Director: Bruce Campbell

Writer: Mark Verheiden

Starring: Bruce Campbell, Grace Thorsen, Taylor Sharpe, Ted Raimi

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Bruce Campbell is undeniably the King of B-Movies. He’s catapulted to the top of the genre in large part to his recurring portrayal as chainsaw wielding, boomstick carrying, demon killer Ashley Williams from the ‘Evil Dead’ movies. His career has spanned for over thirty years. In the last ten years he’s had more mainstream appeal largely in part to his role in the Espionage series ‘Burn Notice’ and his return to the Evil Dead world as Ash once again in the Starz TV Series ‘Ash vs. Evil Dead’ (which sadly has been cancelled). Bruce Campbell portrays characters that make the audience feel like they are a part of the ride. He is not afraid of getting downright goofy as much of his acting was influenced by ‘The Three Stooges’. In 2007, he came out with a movie that pokes fun at not only himself, but his career. That movie was called ‘My Name Is Bruce’.

As the title suggests, ‘My Name Is Bruce’ is a tongue in cheek film about Bruce Campbell, his popularity and the blurred line between fiction and reality. The film is about a Goth teenager named Jeff, who happens to be a huge Bruce Campbell fan. Him and his friend meet up with two girls at an abandoned gravesite in the small mining town of Goldlick, Oregon. Jeff finds a circular object placed in front of what looks like to be a collapsed tunnel. Removing the object, Jeff accidentally summons the spirit of Guan-Di, who is the Chinese God War and an early settler of the town. With Guan-Di unleashed and killing it townsfolk one by one, Jeff decides to track down the one person he believes could defeat the evil spirit…..yep, you guessed it. Bruce Campbell.

While the events in Goldlick are happening, Bruce is in a movie studio shooting a sequel to the B-Movie Sci-Fi film ‘Cave Alien’.  Frustrated by the lack of quality roles, being turned down by women and crushed over a divorce, Bruce threatens to fire his agent, Mills Toddner (played by Tem Raimi in one of three roles he plays in the film). Mills tells him that he has a surprise for him on his birthday. Bruce shrugs it off and heads back to his trailer for a night of drinking and calling his ex wife. Bruce hears a knock on his door and Jeff appears. He asks him to come with him, but Bruce refuses. Jeff resorts to knocking him out and putting him in the trunk of his car. Jeff drives back to Goldlick and lets Bruce out. After Bruce gives a lecture to the townsfolk about kidnapping a movie star, he is informed by Jeff that he called his agent and was told he was free. Bruce believes that this is the surprise Mills was talking about and believes he’s part of a new movie. Bruce plays along with it unbeknownst that the townspeople are serious.

After a hero’s welcome that is filled with food and drink, Bruce leads the townspeople to the cemetery. There he encounters Guan-Di. Realizing that this is not a movie, Bruce tells the people to retreat. From there he cowardly escapes from the town to let the townspeople deal with Guan-Di. The next morning Bruce receives a call from Jeff saying that he is going to fight Guan-Di himself since he is ultimately responsible for releasing him. Now Bruce must decide if he wishes to help Jeff or let him deal with the spirit himself.

This film is hilarious. While this will appeal to the most diehard Bruce Campbell fans, I think viewers who aren’t familiar with him or his work will get a kick out of this. There’s plenty of jokes that will keep the average comedy movie fan in their seats.

You can tell throughout the film that Bruce Campbell enjoys parodying himself. The fact that he depicts himself as an arrogant, cocky, selfish, womanizing and drunken actor who lives in a trailer and is getting burned by horrible acting parts. It’s the polar opposite of the typical Hollywood actor. You get into his head of what he deals with on a daily basis from crazed fans to slimy agents. He doesn’t skip a beat with his line delivery, his physical expressions and his candor. He does show a moral compass during the film as he gets to know Jeff and his mother, Kelly whom he immediately has an attraction for despite her shunning his advances and thinking he’s nothing more than a phony.

The rest of the cast is pretty small as it primarily centers around Bruce and the relationship he builds with Jeff and Kelly. Grace Thorsen plays Kelly. She turns in a decent performance although it didn’t find her convincing that she immediately felt an attraction for Bruce especially after berating him about he thinks the situation is a joke to him, but to the townspeople it’s not. Jeff is played by a kid named Taylor Sharpe. This is his only acting performance to date (according to IMDB). I can see why it’s his only performance. He definitely plays his role like a newcomer.  He sounds dull and not too concerned about what has happened. The character of Jeff itself is strange. One minute he is all dressed up as a Goth kid and then the next he’s a regular kid blending in with the town. Eventually his Goth persona would become his hero alter ego when he makes the decision to battle Guan-Di.  I will give him props for knowing his Bruce Campbell trivia and his collection of Bruce Campbell memorabilia in his room. Other than Campbell, the other best performance of the film goes to Ted Raimi who plays three different characters. Besides Mills Toddner, he plays the town painter who gripes about having to change the population number of the town and uses lazy methods to change it and he also plays Wing, the last descendent of the original Chinese immigrants that founded the town. Radical leftists will more than likely cry that his performance stereotypes Asians, but I didn’t see it that way. I found it funny that he warns the people about Guan-Di and begins to taunt them. He only appears in a couple scenes, but he would provide something that will help them in the battle with the Chinese God of War.

Speaking of Guan-Di, I think it was an interesting monster that Bruce had to deal with. He looked like a giant puppet that dangled on strings. I’m pretty sure it was the film’s intention to make the monster look cheap as it fits in with the B-Movie concept. Nevertheless it was good to see a little innovation in the bad guy and not make him another vampire or zombie.

After watching this film again, I would easily place this in my Top 10 Bruce Campbell movies. Yes, this film will largely appeal to his fan base, but there are those out there that will enjoy it if they are a fan of B-Movies. If you can show this movie to someone who has never seen a Bruce Campbell movie, you might be able to turn them into an immediate fan. If you’re able to do that, then it will be a testament to the power that this film really has.

TRIVIA (According to IMDB)

  • The exteriors for the town of “Goldlick” were actually shot on Bruce Campbell’s property where a back lot was built with the exteriors of all of the buildings. The interior shots were all done on a sound stage.
  • According to the DVD commentary, most of the Bruce Campbell memorabilia in Jeff’s room was real, including a spare Brisco County Jr. costume that Campbell owned. A few fake items, such as a poster for “The Stoogitive,” were made to fill up space.
  • There are many mentions and references to Bruce Campbell’s other films. Examples are phrases ‘sugar baby’, ‘groovy’ and ‘boomstick’ along with name checking of people like Sam Raimi (director of the ‘Evil Dead’ trilogy).
  • The rude man in the wheelchair was based on a real person Bruce Campbell met

 

AUDIO CLIPS

The Rookie

 

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The Rookie

Release Date: December 7, 1990

Genre: Action, Comedy, Crime

Director: Clint Eastwood

Writers: Boaz Yakin, Scott Spiegel

Starring: Clint Eastwood, Charlie Sheen, Raul Julia, Tom Skerritt, Lara Flynn Boyle

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

While Buddy Cop movies have been around since the dawn of film, they didn’t start becoming commercially successful until around the seventies. Some of the more memorable duos include Richard Pryor/Gene Wilder, Mel Gibson/Danny Glover and in today’s Buddy films, you could argue Kevin Hart/Ice Cube or Jonah Hill/Channing Tatum. Then there are those that didn’t pair well like Chevy Chase/Jack Palance, Jay Leno/Pat Morita, Burt Reynolds/an eight year old boy. As the nineties began, you saw more offbeat pairings. One of those offbeat pairings included Hollywood legend Clint Eastwood and Hollywood Bad Boy Charlie Sheen (Yeah never in a million years did I think that would be possible). Both appeared in the 1990 film “The Rookie”.

Like all Buddy Cop movies this movie focuses on two cops with very different and conflicting personalities who are forced to work together to solve a major crime. Sheen plays David Ackerman, a rookie cop who is assigned to the LAPD’s Robbery and Auto Theft Division. He is partnered with Eastwood’s Nick Pulovski, a rough wisecracking Sergeant Detective who uses tactics against police procedures to get what he needs to put the bad guys away. David gets thrust into Nick’s case involving a car theft ring that is run by a man named Strom, played by the late great Raul Julia. In addition, Strom is responsible for killing Eastwood’s original partner. Throughout the film, David gets cold feet when it comes to helping Nick. It’s attributed to not only his family background, which he comes from money and power as portrayed in a dinner party scene, but also a post traumatic episode involving the accidental death of his brother when they were children and feeling responsible for it. During a tip from an illegal wiretap, Nick and David head to a local casino where Strom is attempting to steal $2 million dollars to pay his creditors due to Nick constantly disrupting his business. During a search, Strom’s right hand woman slowly walks towards David. David has his gun pointed at her threatening her to stop or he will shoot. He hesitates and allows himself to be shot and Nick being taken hostage by Strom. David is put on leave from the department due to his cowardice and allowing his partner to be taken. Strom demands the money within twenty four hours otherwise he will kill Nick. David, feeling guilt and tired of being afraid hunts down Strom’s associates in order to find where Nick is in time before the police decide to pay up.

I first encountered this movie during a night flipping through channels with my father several years ago. It appeared on one of the major film channels you can get on cable or satellite. The film was already playing, but we decide to check it out. We turned it on and the first scene we see is Eastwood giving a local news interview on a junkyard search and seizure. In typical Eastwood humor, he begins a profanity laced taunt at the criminal he is after. My dad I instantly cracked up and continued to watch the film all the way through. After the movie, we both agreed that it was a fun flick with loads of action and humor. Recently, I shopped at the place where I do all my movie shopping and found “The Rookie” on DVD for a mere two dollars. I instantly picked it up. I watched it in full for the first time over the weekend and I enjoyed it as much as I did the first time around.

Clint Eastwood’s performance in this movie is a carbon copy of Dirty Harry, not like that’s a bad thing. From the physical gruffness and aggressive tactics to the smart ass comments, Eastwood doesn’t skip a beat. When Eastwood gets paired up with Sheen, he’s not amused to the fact that he has to “babysit” this rookie. He keeps his pursuit of Strom close to his chest, not revealing too much information to his new partner.

Charlie Sheen’s performance was pretty mellow, but I think he nailed the character of David Ackerman, a rookie cop who is getting more than what he bargained for when joining the force. He becomes a burden to Eastwood due to his inexperience and the fact that Eastwood has to bail him out on several occasions. Besides the things I mentioned about Ackerman in the beginning of the review, he also has to deal with his girlfriend (played by Lara Flynn Boyle) who is finishing law school. He feels his job is beneath to what she will become. He does gain Eastwood’s admiration in the film when he helps him fix his motorcycle. You will see in a couple scenes how good Sheen is at fixing things. This is in part to Ackerman’s degrees in Engineering and Economics as mentioned during the party scene. Other than that he struggles to build Eastwood’s trust in him. The botched arrest of Strom along with the kidnapping of Eastwood becomes Sheen’s turning point. When he faces his fears and stops blaming himself for the tragic events of his childhood, he learns from his subordinate and does what he can to find his partner even going as far as breaking up his dad’s meeting to confront him.

The last great performance goes to Raul Julia playing Strom. He is cunning at first when things go as planned. As the movie progresses and Eastwood thwarts his criminal business, Strom becomes angry and determined.  When he kidnaps Eastwood, he gains leverage over the cops and devises a way to get his money and take out his enemy at the same time. The only gripe I have about Julia’s character is that he is supposed to be German. Raul Julia is Puerto Rican. It would’ve made more sense to change the character of Strom to a different nationality, but that shouldn’t take away from his performance.

A Buddy Cop film wouldn’t be complete without loads of action. There’s not a lot of shootouts in this film, but there are quite a few chase sequences. There’s one shortly after the beginning of the film, a chase scene involving Sheen and a motorcycle and a chase scene at the climax. The film does a good job of changing the chases so that they’re not repetitive as in car chase after car chase after car chase. All these chases were performed by stuntmen at the physical shooting locations. The explosion effects were also done on location without the use of any blue or green screens which brings a sense of authenticity. One particular scene was done in one take due to the fact they did not have the means to keep doing take after take. It’s incredible what these stuntmen put themselves through to create an entertaining picture. They are the real heroes in the movie industry.

The film does have its flaws. The film doesn’t divulge into Sheen and Boyle’s relationship. She appears in only a handful of shots and one important scene of the film. The same goes with Sheen’s parents. While you know he comes from luxury, you really don’t know much about his dad’s business. One of the more controversial moments in the film is when Strom’s right hand woman is toying with a tied up Eastwood. As she speaks to him and slashes his forehead with a razor, she turns on a video camera and begins to rape him. Was it something she did with all her male victims? Did she see something in Eastwood she found attractive such as his boldness or the fact when she gave him a drink of water he proceeded to spit it at her face? I didn’t think it was necessary especially since you didn’t know anything about her other than she’s a trusted accomplice.

The movie’s run time is two hours on the dot, but it doesn’t feel like a two hour movie. It’s pretty fast paced with everything going on. You get immersed with what is going on in each scene that time doesn’t exist.

Overall “The Rookie” is a good Buddy Cop flick. It may not stand out like the “Lethal Weapon” movies, but it is better than most of the recent movies of this genre that have been released. The pairing of Clint Eastwood and Charlie Sheen is still baffling, but it works in this concept if these two could work great together in a Buddy Cop film, who knows what the next great pairing will be? I could see Tom Hardy and Michael Cera in a Buddy Cop flick……..or maybe not.

TRIVIA

  • According to the book “Clint Eastwood A Cultural Production” by Paul Smith, during the early stages of principal photography, actor Charlie Sheen had substance abuse problems. Eastwood reportedly took on a father-figure role in disciplining Sheen into responsible behavior.
  • The film featured over twice as many stuntmen as it did actors. Held the world record for the biggest ratio of stuntmen/actors. Reportedly, over eighty stuntmen worked on the movie.
  • Clint Eastwood agreed to do this movie in exchange for Warner Brothers letting him make his personal film project, White Hunter Black Heart (1990).
  • The movie was to be directed by Craig R. Baxley starring Matthew Modine and Gene Hackman in 1988 but the production was stopped by the Screen Actors Guild strike
  • The make and model of the car that Clint Eastwood took a disliking to its color was a lime green Type 85 Lotus Esprit SE. The Lotus Esprit was the car that had become famous for appearing in the James Bond movie The Spy Who Loved Me (1977) and later used again in For Your Eyes Only (1981). In the movie, Eastwood gets to drive the famous James Bond car.
  • According to the article ‘Slam, Bang, Crash, Boom for The Rookie” published in American Cinematographer in January 1991, the movie’s stunt scenes were mostly shot at night with no use of blue screens and with no use of miniatures.

AUDIO CLIPS

Critters

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Critters

Release Date: April 11, 1986

Genre: Sci-Fi, Horror

Director: Stephen Herek

Writers: Stephen Herek (Screenplay), Domonic Muir (Story & Screenplay), Don Opper (Additional Scenes)

Starring: Dee Wallace, M. Emmet Walsh, Scott Grimes, Billy Green Bush, Nadine Van Der Velde, Don Opper, Terrance Mann

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Movies that came out in the 80s contained a diverse range of genres. We had horror movies, teen comedies, action packed film and the occasional monster movie. With the success of “Gremlins” in 1984, fledgling production company New Line Cinema looked to creating a movie similar in nature. With the box office success of “A Nightmare on Elm Street 2”, New Line Cinema got out of the red in their financial operation and had some money to invest in more projects. One of the projects that was green lit to be a “sister” film to “Gremlins” was the movie, “Critters”.

Released in 1986 “Critters” is about a group of intergalactic hairball like creatures known by their species name “Krites” that escape from a prison asteroid and use a stolen spaceship to travel to the closest planet that contained the most life for them to feed their bellies, which is Earth. Desperate to stop the Krites from invading Earth and consuming all of its resources, the warden of the prison asteroid dispatches two bounty hunters to track them down and eradicate them. The Krites land in a field in a small town in Kansas called Grover’s Bend. The people of Grover’s Bend are their own characters. You have the Brown family who live on a farm, Charlie McFadden, the town drunk and Harv who is the easily annoyed Sheriff.  Jay Brown and his mischief son Bradley (Brad) head out to the field where they spot the ship crashing. They appear to find some of the herd dead with nothing left of them but their bones. Heading back to the house they encounter one of the Krites who bites several wounds into Jay as well as a poison needle that shoots from their backs, like a porcupine. The Browns become trapped in their home defending themselves against the Critters. Brad risks to find help and comes across the bounty hunters who have taken human forms. He directs the bounty hunters to his home where they see the Krites and begin a melee of destruction in order to kill them all.

“Critters” was a modest hit at the box office generating more that $13 million against a $2 million dollar budget. It would spawn three sequels, which one of them became the acting debut of an unknown kid would become an A- list actor named Leonardo DiCaprio (“Critters 3). It was another franchise New Line Cinema had under their belt with their first being “Nightmare on Elm Street”. There have been talks of a remake, but I’m not a fan of remakes nor would I encourage a remake of this film. The films may look dated and silly, but they’re packed with enough gore and humor to keep your interests high.

The cast is a mixed of veteran character actors and some that are up and coming. The two popular names on the bill are Dee Wallace, who was the mother in “ET” plays the mother in this film and M. Emmett Walsh who has over two hundred credits to his name, is best known for playing a psycho in “The Jerk” and Harrison Ford’s boss in “Blade Runner”. Dee Wallace doesn’t do much except scream and cry through most of the film. Walsh plays Sheriff Harv as a short tempered man who feels the town is becoming a zoo. The film revolves around the performances of Scott Grimes who plays Bradley Brown, the younger of the two Brown children. He is mischievous and always getting into fights with his sister, April. He becomes the hero by risking his neck to escape his house surrounded by the Krites to find help.  Don Opper plays Charlie McFadden, the town drunk and close friend to Brad and believes alien life-forces are trying to communicate with him through his teeth fillings. Opper ends up playing a dual role in this film which he does a good job at. I’ll get to the dual part in a moment. Rounding out the central cast are the bounty hunters. They add just as much humor as the Krites do. The bounty hunters are named Ug and Lee (Ugly, get it?). They are faceless aliens and have transforming abilities. To “blend” in with the earthlings they may encounter, both of them look through a video of Earth and its history. Ug notices rock start Johnny Steele in a music video and transforms into him. Ug and Steele are played by Terrance Mann. Lee struggles to find a form to change into.  A recurring gag in the film is Lee changing into multiple people he encounters. He eventually settles on transforming into Charlie after an encounter with him in a bar. They carry giant cannon guns to blow up the Krites, but instead cause destruction at every location they step in. Even their boss pleads with them about being less destructive.  The bounty hunters would become staple characters of the eventual franchise as Mann and Opper are the only two actors to appear in all four movies. “Critters” includes small appearances from Billy Zane, who plays April’s new boyfriend, a city boy with a nice car and Lin Shaye of “Insidious” fame playing Sal the dispatcher.

The real stars of the film are the Krites. They were created by the Chiodo Brothers (Stephen and Charles) who were known for Claymation, creature creation and puppeteer work. They did a great job designing and moving the Krites. They’re described throughout the film series as “man eating hairballs”, which is true. However, they are very intelligent despite their limitations. They have red eyes, razor sharp teeth and needles that can shoot poison at their prey. They move with the speed and velocity of a cannonball. They crash land on Earth after escaping from a prison asteroid. While they repair the ship, they go off to look for food. They eat anything they come into contact with. The more they feed, the more they grow. You will see one of them in the film turn into a giant with the ability to walk upright like a human being. They come into contact with the Brown family and surround their home causing a “Rio Bravo” like standoff. The Krites are both scary and funny. There are some Three Stooges like moments they get into. One scene shows the Krites tearing up Brad’s room. One of the Krites is trying to communicate with a stuffed ET doll and when it doesn’t answer its questions, the Krite gets angry and bites his head off. Another funny moment is a Krite getting burnt by a small torch Dee Wallace uses and runs to the bathroom and jumps into the toilet.

This was the directorial debut of Stephen Herek who would go on to direct “Bill and Ted’s Excellent Adventure”, “The Mighty Ducks” and “Mr. Holland’s Opus”.  I think this is a solid debut and one of his best films in his short filmography.  He does some good things technically. For example, most of the film takes place at night, so Herek uses natural lighting from the moon and flashlights to create a dark tense atmosphere for the Browns as they investigate what is going on. He also makes good use of the first person view for the Krites. The camera is hovered above the ground and moves stealthily when they’re in hunting mode and then in a racing mode when they’re attacking or trying to reach their prey. The film has its slow moments, but once the Krites appear, the action and the horror pick up and doesn’t end until the final explosion.

As I mentioned in the beginning this film is very similar in nature to “Gremlins”. I used the term “sister” film because that’s what it feels like. It doesn’t have Steven Spielberg’s name attached to it, but it’s still a fun monster movie flick. It’s simple so you don’t have to worry about trying to compound narratives or hidden messages or symbolism. It’s a movie where you can lay on the couch and absorb what is taking place. The sequels that followed this film have their good moments and bad moments (mainly due to the budget going way down and the distribution being limited). I would put this movie in my Top 100 80s Films of All Time.

 

TRIVIA

  • Corey Burton, who voices the Critters, also came up with their language, which he described in interviews as combining elements of French and Japanese.
  • Terrence Mann performs the song “Power of the Night” as Johnny Steele especially for this movie.
  • This is the second movie (the other being E.T. the Extra-Terrestrial [1982]) with Dee Wallace in which her on-screen son heats up an oral thermometer in order to appear sick to avoid going to school. In E.T. she is fooled, but doesn’t buy it at all second time around in Critters [1986]
  • Don Opper and Terrence Mann are the only actors to appear in all four Critters films. Their characters, Charlie McFadden and Ug, respectively, appear in all four Critters movies.

 

AUDIO CLIPS

The Perfect Host

 

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The Perfect Host

Release Date: January 10, 2010 (Sundance Premiere)

Genre: Comedy, Crime, Thriller

Director: Nick Tom nay

Writers: Nick Tomnay, Krishna Jones

Starring: David Hyde Pierce, Cloyne Crawford, Nathaniel Parker, Megahn Perry

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Do you ever flip around the movie titles on Netflix and find a movie that you’ve never heard of? Does the title and the cover give you a curious interest as to what the movie is about? While Netflix has devoted the majority of its programming to original series, they do turn out a bunch of independent movies that were only screened at film festivals and other small venues. One movie I recently came across looked appealing and therefore I was enticed to watch. The movie was titled, “The Perfect Host”.

Released at the Sundance Film Festival in 2010, the movie is about a man named John Taylor who is on the run after pulling off a bank heist and collecting over $300,000. His car breaks down in a plush Los Angeles neighborhood. After a failed attempt to convince a neighbor to let him use the phone, he is able to use some cunning skills to convince a man named Warwick Wilson to let him in. Warwick is in the middle of cooking dinner as he is throwing a dinner party and has invited several of his friends to join. Warwick offers John some red wine and helps him trying to get into contact with his cousin so they could meet up (which is a ruse). A news bulletin goes off on the radio describing John and the heist. John grabs Warwick’s butcher knife and holds him hostage. His plan is to lay low until the next morning and leave. However, John begins to feel dizzy and collapses on the floor. Unbeknownst to John, Warwick drugged the wine. The tables turn as John is tied up in a chair and is sitting at the head of the dinner table. He is now the guest of honor in what is to be a very bizarre party.

Written and Directed by Nick Tom nay, which is his first feature film according to records, “The Perfect Host” is reminiscent of an Albert Hitchcock film. It’s filled with tension, suspense, surprises and shocks. The reversal of roles between predator and prey slither slow and steady transition. It’s almost like watching a Chess game where each player is strategically plan their moves. Ironically, the two main characters engage in a game of Chess where each has their own stake in the winnings.

The film is shot on digital video. I’m not a huge fan of digital video for numerous reasons, but it works within the context of the film. There’s a lot of bright lighting throughout the film. I also enjoy the constant back and forth first person views of the two main characters as you see what they’re interpreting in their own mind of the scenario that is playing around them.

This is the first starring role for David Hyde Pierce. If you’re not familiar with his work, he is best known as his portrayal of Niles Crane in the sitcom “Frasier”. His portrayal of Warwick is not much different from his portrayal of Niles. He’s articulate, eccentric, excited and knowledgeable. Warwick comes off as a gracious generous host. He plays the victim role early in the film. When he is in control of the situation, his deep desires and fantasies come out while having fun and entertaining his “guest”.  He slowly morphs into a character that is a combination of Norman Bates, Hannibal Lecter and Patrick Bateman. From there comes the final phase of his character where he is grounded and determined (I’ll get to that later in the review). Pierce provides plenty of laughs while at the same time provides creepy and unsettled moments that make you anxious as to what is he planning with John.

Speaking of John Taylor, he is portrayed by Cloyne Crawford. I’m not familiar with any of his other film roles, so this was an introductory role for me. John is determined to get out of Los Angeles with the money he steals. He is cunning and manipulative at first and then becomes aggressive and violent especially when he tells Warwick to “shut up” when a radio bulletin comes on the air regarding his robbery. He holds Warwick hostage in his own home while he lays low. His control over the situation is short lived as he collapses from drinking red wine that was drugged by Warwick. He becomes the hostage and is powerless to regain control. He is at the mercy of Warwick and does his best to resist compliance from Warwick. Throughout the film there are flashbacks involving John and an unidentified woman. These pieces would reveal who the woman is and what is her relation to John.

While the film focuses primarily on John and Warwick, there are a few minor characters. As I’ve stated there is a woman who is involved with John and then there are two police detectives who are looking into the heist and John’s background and there is a concerned neighbor when she sees John floating in a pool and yell.  While these characters add to the layer of the story, they are used minimally. You don’t see the woman or the police detectives until the climax of the film.

The only thing I didn’t like about this film was the climax. It felt rushed and didn’t flow with the rest of the film.  You find out what Warwick does for a living and this triggers another personality trait in him. It’s strange since the film doesn’t give clues about who he really is. It does have a somewhat comical ending to it as it would set up another event that I’m sure we’ll never see unless they decide to make a sequel.

While “The Perfect Host” cant’ be described as a perfect film, but it’s a clever spin on a classic genre of films. As I mentioned early in the review, it’s got the look and feel of an Alfred Hitchcock movie. It’s about as close of a Hitchcockian film you’re going to see in recent years. It makes you appreciate independent films and what they’re trying to make. If I found this film on Netflix, there’s no telling where other sleeper indie hits may be out there. I’ll just have to find them.

 

TRIVIA

  • First starring film role for David Hyde Pierce.
  • Shot in seventeen days with a budget just under $500,000
  • The tattoo on John’s hand contains 3 Hebrew letters, which are the initials for “Uri Riva Yariv” – a kabbalah term that means absolute certainty and is supposed to enhance confidence and belief.

 

AUDIO CLIPS