I apologize for not posting reviews lately. I’ve been busy with a lot of things: work, vacation, other personal matters.
I wanted to give you a heads up that I’m going to take a small hiatus from posting reviews. I have some personal events coming up in September that need my attention.
However, I will be returning in October to do a month long review special review in lieu of the Halloween season. I’m going to be reviewing my “Most Guiltiest Pleasure Horror Movies”. I will be dedicating the spare time I have in September to watch and review five horror movies that fit this category. I will post one a week up until Halloween. I’ll be spending the time next month watching, researching, analyzing and of course picking out some hilarious clips.
I want to say Thank you to all you viewers out there. I appreciate all of you who have supported this blog. I hope you have enjoyed reading these blogs as much as I’ve enjoyed writing them.
Writers: Neal Israel, Pat Proft (Story & Screenplay) & Hugh Wilson (Screenplay)
Starring: Steve Guttenberg, G.W. Bailey, Kim Cattral, George Gaynes, Bubba Smith, Donovan Scott, David Graf, Andrew Rubin, Michael Winslow, Marion Ramsey, Leslie Easterbrook
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
The eighties brought us a diverse range of Comedy films. The subjects ranged from Teen Comedies, Raunchy Comedies, Supernatural Comedies and the Parody/Spoof Comedies. Some of the films that came out during this period were so successful that not just sequels were made, but an entire franchise. One of the Comedy series that would be born in this era was the “Police Academy” movies.
The idea to make a film about a bunch of outsiders joining the police force in the pursuit of being an officer of the law came from producer Paul Maslansky. Maslansky was producing “The Right Stuff” at the time. There was a group of police cades that arrived to help with crowd control during the filming of a street scene. When the cadets arrived to take their post, they were of many diversities and physicality. They were terrible at the job Maslansky found it humorous. He approached the Sergeant and asked him, “Are these all going to be future San Francisco’s finest?” The Sergeant explained that a new policy came out where the academy had to accept new applicants regardless of race, gender, education, physical stature, etc. The Sergeant went into further detail that the cadets could flunk the course and not become police officers. That was the moment a light bulb appeared and Maslansky wrote a two page treatment that night. He gave it to Executive Producer Alan Ladd Jr., who loved the idea and agreed to develop the movie. They hired Neal Israel, Pat Proft and the eventual director of the movie, Hugh Wilson to write the screenplay and before you know it “Police Academy” was born.
Exactly as it was versioned, “Police Academy” is a comedic look at everyday people joining the force and hoping to have a fulfilling career. There are a handful of characters that are shown in the film. First you have the super aggressive ex military man, Tackleberry (David Graf), you have the privileged Thompson (Kim Cattral), the quiet but towering Hightower (Bubba Smith), the bumbling Barbara (Donovan Scott), The shy and reserved Hooks (Marion Ramsey), the ladies man Martin (Andrew Rubin), the human beat box Jones (Michael Winslow) and the smart ass Mahoney (Steve Guttenberg). All are joining the force either through volunteer or ultimatums. Against the new policy of the Mayor, the police Chief instructs Commandant Eric Lassard (George Gaynes) and Lieutenant Thaddeus Harris (G.W. Bailey) to push the cadets beyond their limits so they will quit. The cadets go through a rigorous fourteen week period of physical training, self defense, firearm training and understanding the law.
The film focuses primarily on Mahoney. After another arrest regarding an incident at his current job, Captain Reed, a former partner of Mahoney’s father, tired of Mahoney’s antics puts his foot down and gives him an ultimatum. Enroll in the Police Academy and complete it or you will be sent to jail. There is a loophole that Mahoney intends to exploit, which is to be kicked out of the academy and not go to jail. As soon as he arrives, he starts to flirt with Thompson and becomes the ire of Harris. After numerous pranks and episodes of insubordination, Mahoney gets his wish to be kicked out. While Harris is on the phone with Captain Reed, Mahoney looks out the window and sees Thompson flirting with him. He starts to reconsider his request to be kicked out and decides to stay through the course and complete it. During his time, he strikes up a friendship with Martin and helps Hightower succeed in completing the driving course which if he doesn’t pass, he will flunk. Hightower eventually gets kicked out after flipping a car over with a cadet inside after he insulted Hooks with a racial epitaph after she accidentally drove over his feet. Bummed about his friend, Mahoney gets picked on by Blanks (Brant von Hoffman) and Copeland (Scott Thomson), two cadets Harris made Squad Leaders to wither out the bad apples in the group and when one threatens to punch him, he is attacked by Barbara in which a fight ensues. Blanks and Mahoney are in Harris’ office explaining what happened. Mahoney stands up for Barbara and claims he threw the first punch which gets him expelled from the academy. Before he could leave, a riot breaks out downtown which causes the cadets to be mobilized as backup for the rest of the force. Mahoney puts on riot gear and joins the group unbeknownst to Harris. As the riots get worse and the cadets scramble, one of the rioters manages to claim the guns of Blanks and Copeland. He takes Harris hostage on a rooftop and wildly shoots at Thompson. Mahoney races to the top to save Harris, but ends up surrendering his gun as the rioter points his gun at Harris’ head. As Harris and Mahoney are sitting on the roof top, Hightower appears and asks the shooter if he could watch him “kill these pigs!” The shooter agrees and as he is about to squeeze the trigger, Hightower punches him in the face and sends his rolling down a flight of stairs. Hightower saves Mahoney and Harris’ lives. In return for their heroism, Mahoney and Hightower are reinstated to the force with honors.
“Police Academy” was an instant success grossing $8 million on its opening weekend and finished the year grossing $81 million. Reviews were mixed with Roger Ebert giving it zero stars. It was successful that they made a sequel that came out the very next year. The sequel was also a success which triggered another movie and then another movie. The series ended with seven movies, a short lived TV show and a possible reboot which Steve Guttenberg is spearheading.
To say that “Police Academy” is a cult movie is an understatement. It’s one of the funniest comedies in my opinion. Not only that, but it provides moments of morality, decency and dedication. The characters that are supposed to be likeable in the film are likeable and the characters that are supposed to be the bad guys are the bad guys. That’s credit to the writing. The movie has plenty of physical gags, situations and witty dialogue to keep you laughing to keep you going through the film’s 96 minute run time. It’s completely relatable to the real world. You’ll have average Joes that end up joining the force for reasons that are of their understanding.
As I mentioned all the characters are likeable and the credit goes to the cast. Most of the cast were relatively unknown (not sure if Guttenberg was known during this time) and they played their roles with heart and passion. They had great chemistry on screen. Guttenberg being the top billing and the focal point of the story delivers a funny performance as Mahoney. He is witty, a bit of a smart ass and someone who likes to have fun at the expense of others. As you tag along to Mahoney’s journey you see the character evolve as he goes from wanting desperately to be kicked out of the academy to taking the opportunity of doing something meaningful with his life. It shows through his good deeds towards other cadets to his heroism at the climax of the film. He is equally matched by G.W. Bailey’s Harris, the next great performance. Bailey plays Harris in a manner similar to R. Lee Ermey in “Full Metal Jacket” but with very little vulgarity. He immediately draws a disliking to Mahoney tries to push him past his physical limitations. George Gaynes portrays Commandant Lassard as a buffoon in a manner to Leslie Nielsen. His best scene involves a situation he gets in when making a presentation and his reaction afterwards. It will be implanted in your memory for a long time. David Graf’s portrayal as Tackleberry is another highlight of the film. Tackleberry is aggressive and sometimes unstable as you will see during his training especially around firearms. It’s funny to see him sleep with a revolver in his hand and spends his free time sharpening his hunting knife. Michael Winslow plays Jones who rarely talks, but rather speaks through sound effects. He plays pranks on some of the instructors such as making the sound of leaves crunching when an instructor is walking to acting like he is talking on the PA and telling Harris to report to the Firing Range. He has some memorable scenes including playing a video game shooter when there is no TV or console and shaving with a plastic blade and making effects to sound like it’s an electric razor. Finally, my other favorite performance is Hightower, played by NFL great, Bubba Smith. He is a man who is quiet, but provides brute physical strength such as knocking down a brick wall during a course where cadets have to jump over it to pulling on a rope only to have the ceiling come crashing down. He forms a bond with Mahoney when Mahoney helps him learn how to drive since he hadn’t driven a car since he was twelve years old. When Hightower gets kicked out for coming to Hooks’ defense, you could see the devastation in his eyes and you feel bad for him because you know he did the right thing.
If you’ve never seen “Police Academy” before I highly recommend you watch it and see what you think. A lot of people will say that this is nothing original or not as funny as perhaps some other cop comedies that have come out, but I think you will thoroughly enjoy it. If you like this film, I would recommend watching the next two sequels, maybe three. I would skip the last two sequels as they seem to have run out of ideas. You’ll laugh, you may shed a tear, or you’ll shed a tear while laughing.
Director Hugh Wilson stated that when it came time to film the driving scene with Hightower at 4:30 a.m., the actor originally cast as the angry driver was found passed out drunk in the trailer, so Hugh himself ended up playing the role of the angry driver, into whom Hightower crashes.
When attending his audition, Steve Guttenberg wore an old police shirt belonging to his father Stanley Guttenberg, who was a New York City police officer.
The location used as the Academy campus was known as the Mimico Lunatic Asylum or variations thereof until 1911, and Lakeshore Psychiatric Hospital from 1964 to 1979. It was acquired by Humber College in 1991, after being mainly used as a site for filmmaking between 1979 and 1991. It is now a renovated and active educational institution.
Michael Winslow (Jones), David Graf (Tackleberry), and George Gaynes (Commandant Lassard) are the only actors who appeared in all seven Police Academy movies. Winslow even goes a step beyond this, as he is the only actor who not only appeared in all seven Police Academy movies, but also had a regular role on Police Academy: The Series (1997).
Marion Ramsey was asked to wear a fat suit for her role as Hooks, with the idea that Hooks’ boot camp training would have rendered her slim by the end of the film. Due to time constraints, the scene showing Hooks after her weight loss was removed from the final cut. By the time work on the sequel began, producers changed their minds, opting instead to have Marion remain wearing the fat suit, in order to garner audience sympathy for her character. A brief shot of “slim” Hooks remains in the film, however, as a close-up of Marion without the fat suit is seen during the graduates’ march at the end of the film.
Billy Crystal, Tom Hanks, Michael Keaton, Bill Murray, Judge Reinhold, Jerry Seinfeld, Robin Williams, and Bruce Willis were considered for Mahoney.
The only Police Academy movie that was given an R-rating.
This movie was the most successful film of 1984 in West Germany.
Steve Guttenberg mentions in his biography, “The Guttenberg Bible”, that Donovan Scott filmed home-movies during filming. According to Guttenberg, there is a “very funny, touching, and unreleased documentary that he made of the shoot.”
Robert Conrad was offered the role of Commandant Eric Lassard, but turned down the part, which he regretted later on, to the point that he took the part of the Police Chief in Moving Violations (1985) which was co-written and directed by Neal Israel, who also co-wrote this film.
In the party scene, Tackleberry is seen to play the saxophone. In real-life, David Graf actually was an accomplished saxophone player.
After early test audiences responded the most positively to Hightower, out of all the characters, Bubba Smith was moved to second place billing, just behind Steve Guttenberg.
Was filmed in forty days.
David Graf had to choose between working on this film or Richard Benjamin’s more critically acclaimed Racing with the Moon (1984). When David initially read the Police Academy script, he thought, “What trash”. For three days, he sat and looked at the two scripts. Then, when Warner Brothers made him the offer, Graf said he knew which film was going to make money.
The Blue Oyster bar used in this movie, is actually called the Silver Dollar Room, located on Spadina Avenue in Toronto. Coincidentally, Spadina Avenue is also home to Protocol Entertainment, the company that produced Police Academy: The Series (1997).
Starring: Keanu Reeves, Alex Winter, William Sadler, George Carlin, Joss Acklund
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
In 1989 movie audiences were treated to a new original concept adventure movie about the fate of the future lying in the balance of two high school musicians passing their history exam. That movie was called “Bill & Ted’s Excellent Adventure”. It was a surprise success that not only launched Keanu Reeves into a mainstream star, but it also spawned a cartoon show and a sequel. Recently, both stars Reeves and Alex Winter appeared on the cover of Entertainment Weekly and announced that a third movie was officially in production. It would be the first time in twenty-seven years since we last saw the two rockers from San Dimas. With the news I decided to go back and watch the second film in the series, which was 1991’s “Bill & Ted’s Bogus Journey”.
The movie takes place five years after the events of the first movie. A man from the future by the name of DeNomolos has created two evil robot versions of Bill & Ted and sends them back to their time to disrupt the next phase in their destiny, which is winning the Battle of the Bands and being one step closer to the Wild Stalyns changing the world with their music. The present day Bill & Ted continue to struggle at being good musicians, even with the help of their other band members, their girlfriends they rescued from 15th Century England. They encounter their evil doppelgangers when they arrive at their apartment and tell them that they are here to help solve their problems. Instead they take Bill & Ted to a desert and throw them off a cliff killing them. Now in a state of limbo, Bill & Ted must figure out a way to come back to life and stop the evil robots from accomplishing their mission. After two failed attempts at warning their parents about what happened, they are banished to Hell where they go through trials from their childhood until they are confronted by the Grim Reaper who states they can return to the physical world if they beat him in a contest. After defeating Death in a contest……or in the case several contests, they go to Heaven and ask God for assistance in beating the evil robots. They are directed to a creature named ‘Station’ who is considered the most brilliant scientific mind in the universe. With Station’s help, they create two good Bill & Ted robots to counter the evil robots. They return to earth just as the Battle of the Bands begin and engage in a confrontation with the evil robots and DeNomolos for the fate of the future.
The sequel was as successful as the first movie, but fans are divided as to which of the two movies was better. Some fans believe “Excellent Adventure” was the superior of the two. Other fans believe “Bogus Journey” was the better film. After watching the film, I think “Bogus Journey” is on an equal peddle to “Excellent Adventure”. I would use the analogy in another Keanu Reeves movie, “The Matrix” to describe the two. They are two radically different films, but when they are put together they equal out. It’s a great idea to go from Bill & Ted having a positive and “Excellent” adventure to having a negative and “Bogus” journey, hence the equal concept.
The story is good although I think the script could’ve been fleshed out a little more and could’ve used a better third act. Reading the Behind the Scenes of this movie, writers Chris Matheson and Ed Solomon admit that the original third act was ripped up and they were struggling to come up with an act that would satisfy viewers and bring the story of Bill & Ted full circle. I’m not sure what the original third act entailed with the exception of a trivia note at the bottom. With the exception of a few returning characters the only other reminiscence of the first film that are shown in the second are the phone booth which is found in only a few scenes and you get a glimpse at the future where is a harmonious utopia thanks to the protagonist and their music.
The only returning characters in the second film are Bill, Ted, Ted’s father, Missy and George Carlin, who reprises his role as Rufus, although his role has shrunk from the first film. All the other characters are new. Keanu Reeves and Alex Winter play dual roles as not only the dim-witted heroes, but the evil robot versions of them. The evil robots are stronger and smarter, but they are programmed to speak and act just like their human counterparts which I found funny. Their master DeNomolos, played by legendary character actor Joss Acklund I found to be a very weak villain as he appears only in the opening scenes, a few scenes where he is checking up on the robots’ statuses and the final confrontation. Not much is known about DeNomolos other than the fact he was Rufus’ old teacher and that he despises the society that Bill & Ted have created and goes on a crusade to destroy them so he can reshape the future into his ideals, which could be perceived is having a Marxist ideology. Acklund didn’t have much to work with and his acting and body language gave me the impression that he didn’t want to be in this movie, which is a shame. I’m sure he was thinking to himself, “How do I go from playing an evil South African diplomat in “Lethal Weapon 2” to playing a villain having to babysit two robots in “Bill & Ted’s Bogus Journey?” I guess we’ll never know what his mindset was.
The real star of the film and without question the best performance goes to William Sadler who plays the Grim Reaper. His portrayal of Death starts out serious and then goes completely one-eighty when he spends more time with the heroes. When Death first encounters them just as they died, he is prepared to take them into the afterlife, but they distract him and give him a “Melvin” in order to escape. It’s only when they are in Hell that they summon Death and accept his challenge of playing him in a game to return to Earth (I won’t tell you what game or games they play, but they were my favorite scenes of the film). When Death joins Bill & Ted he becomes more of a nuisance rather than a helper. He’s always looking attention and feels left out when Bill & Ted don’t give him credit for things that he supposedly did. The accent Sadler uses is Slovakian which gives him range and power, but also makes it funny especially when during his angry outburst moments in the film.
As far as the rest of the film in terms of special effects and settings, it’s interesting to see the film’s vision of the future where everyone wears highlighter colored clothing which reflects well with the lighting in their classrooms. You see a small glimpse of Evil Bill and Evil Ted pulling their skin off to reveal their robot form which is colorful and high-tech for the time and the vision of Hell in the film is depicted as a never-ending industrial corridor with infinite doors and the Devil instructing the damned to “Choose their Eternity”.
“Bill & Ted’s Bogus Journey” is one of the few sequels out there that matches up to its predecessor. Matheson and Solomon rolled the dice and took their chances of not repeating the same concept of the first movie and it paid off. Watching it again after all these years, it holds up strongly in comparison to other sequels that came out in the early 90s. I’m looking forward to seeing what the third film has to offer. Hopefully it will be a great finale and send off Bill & Ted into movie immortality.
The guitar solo before KISS’ “God Gave Rock And Roll To You”, is performed by guitar legend Steve Vai. The footage had already been shot, and the world premiere was a week away, when he was asked to do it. He also contributed various music in the film, including “The Reaper Rap”, which features on the end credits.
When Bill and Ted go to Missy’s séance, you can see Chris Matheson and Ed Solomon, the creators and writers of Bill and Ted. They’re the only men that are attending the séance. (Chris is the guy with the white shirt, and Ed is the guy with the glasses.) They also say “Ed and Chris rule the world” backwards
The original title was “Bill and Ted go to Hell” but was changed because of American objections to the use of the word “hell”.
The “Riddance of Evil” book that Missy uses to send Bill and Ted to Hell, is actually a re-dressed copy of the Stephen King short-story collection “Four Past Midnight.” She opens it to a page in the story “Secret Window, Secret Garden,” which can be read clearly in a few frames of the film.
During the séance scene, the chant to send Bill’s and Ted’s spirits, can be read backwards as “Ed and Chris will rule the world.” Ed Solomon and Chris Matheson being the movie’s scriptwriters.
The mountain, to which Bill and Ted are brought to be killed by the evil robots, is the same mountain Captain Kirk climbs in Star Trek: Arena (1967), which Bill and Ted watched in their apartment.
Joss Ackland said in a Radio Times interview, he only did this project, because of a bet between him and a family member
In a deleted sequence, the Evil Robots use devices to re-create Bill’s and Ted’s’ personal Hells (Granny Preston, the Easter Bunny, and Colonel Oats) and send them after the heroes. Bill and Ted end up having to face their fears to get rid of them. Bill gives Granny her kiss on the cheek, Ted calls his brother and apologizes for stealing his Easter candy, and both boys treat Oats with kindness and friendship rather than terror.
Director Peter Hewitt has a cameo in the film. He plays the smoker in the Builder’s Emporium to whom Death says, “I’ll see you soon.” In the cast credits The Smoker is credited as “Max Magenta”.
Starring: Clint Eastwood, Charlie Sheen, Raul Julia, Tom Skerritt, Lara Flynn Boyle
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
While Buddy Cop movies have been around since the dawn of film, they didn’t start becoming commercially successful until around the seventies. Some of the more memorable duos include Richard Pryor/Gene Wilder, Mel Gibson/Danny Glover and in today’s Buddy films, you could argue Kevin Hart/Ice Cube or Jonah Hill/Channing Tatum. Then there are those that didn’t pair well like Chevy Chase/Jack Palance, Jay Leno/Pat Morita, Burt Reynolds/an eight year old boy. As the nineties began, you saw more offbeat pairings. One of those offbeat pairings included Hollywood legend Clint Eastwood and Hollywood Bad Boy Charlie Sheen (Yeah never in a million years did I think that would be possible). Both appeared in the 1990 film “The Rookie”.
Like all Buddy Cop movies this movie focuses on two cops with very different and conflicting personalities who are forced to work together to solve a major crime. Sheen plays David Ackerman, a rookie cop who is assigned to the LAPD’s Robbery and Auto Theft Division. He is partnered with Eastwood’s Nick Pulovski, a rough wisecracking Sergeant Detective who uses tactics against police procedures to get what he needs to put the bad guys away. David gets thrust into Nick’s case involving a car theft ring that is run by a man named Strom, played by the late great Raul Julia. In addition, Strom is responsible for killing Eastwood’s original partner. Throughout the film, David gets cold feet when it comes to helping Nick. It’s attributed to not only his family background, which he comes from money and power as portrayed in a dinner party scene, but also a post traumatic episode involving the accidental death of his brother when they were children and feeling responsible for it. During a tip from an illegal wiretap, Nick and David head to a local casino where Strom is attempting to steal $2 million dollars to pay his creditors due to Nick constantly disrupting his business. During a search, Strom’s right hand woman slowly walks towards David. David has his gun pointed at her threatening her to stop or he will shoot. He hesitates and allows himself to be shot and Nick being taken hostage by Strom. David is put on leave from the department due to his cowardice and allowing his partner to be taken. Strom demands the money within twenty four hours otherwise he will kill Nick. David, feeling guilt and tired of being afraid hunts down Strom’s associates in order to find where Nick is in time before the police decide to pay up.
I first encountered this movie during a night flipping through channels with my father several years ago. It appeared on one of the major film channels you can get on cable or satellite. The film was already playing, but we decide to check it out. We turned it on and the first scene we see is Eastwood giving a local news interview on a junkyard search and seizure. In typical Eastwood humor, he begins a profanity laced taunt at the criminal he is after. My dad I instantly cracked up and continued to watch the film all the way through. After the movie, we both agreed that it was a fun flick with loads of action and humor. Recently, I shopped at the place where I do all my movie shopping and found “The Rookie” on DVD for a mere two dollars. I instantly picked it up. I watched it in full for the first time over the weekend and I enjoyed it as much as I did the first time around.
Clint Eastwood’s performance in this movie is a carbon copy of Dirty Harry, not like that’s a bad thing. From the physical gruffness and aggressive tactics to the smart ass comments, Eastwood doesn’t skip a beat. When Eastwood gets paired up with Sheen, he’s not amused to the fact that he has to “babysit” this rookie. He keeps his pursuit of Strom close to his chest, not revealing too much information to his new partner.
Charlie Sheen’s performance was pretty mellow, but I think he nailed the character of David Ackerman, a rookie cop who is getting more than what he bargained for when joining the force. He becomes a burden to Eastwood due to his inexperience and the fact that Eastwood has to bail him out on several occasions. Besides the things I mentioned about Ackerman in the beginning of the review, he also has to deal with his girlfriend (played by Lara Flynn Boyle) who is finishing law school. He feels his job is beneath to what she will become. He does gain Eastwood’s admiration in the film when he helps him fix his motorcycle. You will see in a couple scenes how good Sheen is at fixing things. This is in part to Ackerman’s degrees in Engineering and Economics as mentioned during the party scene. Other than that he struggles to build Eastwood’s trust in him. The botched arrest of Strom along with the kidnapping of Eastwood becomes Sheen’s turning point. When he faces his fears and stops blaming himself for the tragic events of his childhood, he learns from his subordinate and does what he can to find his partner even going as far as breaking up his dad’s meeting to confront him.
The last great performance goes to Raul Julia playing Strom. He is cunning at first when things go as planned. As the movie progresses and Eastwood thwarts his criminal business, Strom becomes angry and determined. When he kidnaps Eastwood, he gains leverage over the cops and devises a way to get his money and take out his enemy at the same time. The only gripe I have about Julia’s character is that he is supposed to be German. Raul Julia is Puerto Rican. It would’ve made more sense to change the character of Strom to a different nationality, but that shouldn’t take away from his performance.
A Buddy Cop film wouldn’t be complete without loads of action. There’s not a lot of shootouts in this film, but there are quite a few chase sequences. There’s one shortly after the beginning of the film, a chase scene involving Sheen and a motorcycle and a chase scene at the climax. The film does a good job of changing the chases so that they’re not repetitive as in car chase after car chase after car chase. All these chases were performed by stuntmen at the physical shooting locations. The explosion effects were also done on location without the use of any blue or green screens which brings a sense of authenticity. One particular scene was done in one take due to the fact they did not have the means to keep doing take after take. It’s incredible what these stuntmen put themselves through to create an entertaining picture. They are the real heroes in the movie industry.
The film does have its flaws. The film doesn’t divulge into Sheen and Boyle’s relationship. She appears in only a handful of shots and one important scene of the film. The same goes with Sheen’s parents. While you know he comes from luxury, you really don’t know much about his dad’s business. One of the more controversial moments in the film is when Strom’s right hand woman is toying with a tied up Eastwood. As she speaks to him and slashes his forehead with a razor, she turns on a video camera and begins to rape him. Was it something she did with all her male victims? Did she see something in Eastwood she found attractive such as his boldness or the fact when she gave him a drink of water he proceeded to spit it at her face? I didn’t think it was necessary especially since you didn’t know anything about her other than she’s a trusted accomplice.
The movie’s run time is two hours on the dot, but it doesn’t feel like a two hour movie. It’s pretty fast paced with everything going on. You get immersed with what is going on in each scene that time doesn’t exist.
Overall “The Rookie” is a good Buddy Cop flick. It may not stand out like the “Lethal Weapon” movies, but it is better than most of the recent movies of this genre that have been released. The pairing of Clint Eastwood and Charlie Sheen is still baffling, but it works in this concept if these two could work great together in a Buddy Cop film, who knows what the next great pairing will be? I could see Tom Hardy and Michael Cera in a Buddy Cop flick……..or maybe not.
According to the book “Clint Eastwood A Cultural Production” by Paul Smith, during the early stages of principal photography, actor Charlie Sheen had substance abuse problems. Eastwood reportedly took on a father-figure role in disciplining Sheen into responsible behavior.
The film featured over twice as many stuntmen as it did actors. Held the world record for the biggest ratio of stuntmen/actors. Reportedly, over eighty stuntmen worked on the movie.
Clint Eastwood agreed to do this movie in exchange for Warner Brothers letting him make his personal film project, White Hunter Black Heart (1990).
The movie was to be directed by Craig R. Baxley starring Matthew Modine and Gene Hackman in 1988 but the production was stopped by the Screen Actors Guild strike
The make and model of the car that Clint Eastwood took a disliking to its color was a lime green Type 85 Lotus Esprit SE. The Lotus Esprit was the car that had become famous for appearing in the James Bond movie The Spy Who Loved Me (1977) and later used again in For Your Eyes Only (1981). In the movie, Eastwood gets to drive the famous James Bond car.
According to the article ‘Slam, Bang, Crash, Boom for The Rookie” published in American Cinematographer in January 1991, the movie’s stunt scenes were mostly shot at night with no use of blue screens and with no use of miniatures.
Writers: Stephen Herek (Screenplay), Domonic Muir (Story & Screenplay), Don Opper (Additional Scenes)
Starring: Dee Wallace, M. Emmet Walsh, Scott Grimes, Billy Green Bush, Nadine Van Der Velde, Don Opper, Terrance Mann
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
Movies that came out in the 80s contained a diverse range of genres. We had horror movies, teen comedies, action packed film and the occasional monster movie. With the success of “Gremlins” in 1984, fledgling production company New Line Cinema looked to creating a movie similar in nature. With the box office success of “A Nightmare on Elm Street 2”, New Line Cinema got out of the red in their financial operation and had some money to invest in more projects. One of the projects that was green lit to be a “sister” film to “Gremlins” was the movie, “Critters”.
Released in 1986 “Critters” is about a group of intergalactic hairball like creatures known by their species name “Krites” that escape from a prison asteroid and use a stolen spaceship to travel to the closest planet that contained the most life for them to feed their bellies, which is Earth. Desperate to stop the Krites from invading Earth and consuming all of its resources, the warden of the prison asteroid dispatches two bounty hunters to track them down and eradicate them. The Krites land in a field in a small town in Kansas called Grover’s Bend. The people of Grover’s Bend are their own characters. You have the Brown family who live on a farm, Charlie McFadden, the town drunk and Harv who is the easily annoyed Sheriff. Jay Brown and his mischief son Bradley (Brad) head out to the field where they spot the ship crashing. They appear to find some of the herd dead with nothing left of them but their bones. Heading back to the house they encounter one of the Krites who bites several wounds into Jay as well as a poison needle that shoots from their backs, like a porcupine. The Browns become trapped in their home defending themselves against the Critters. Brad risks to find help and comes across the bounty hunters who have taken human forms. He directs the bounty hunters to his home where they see the Krites and begin a melee of destruction in order to kill them all.
“Critters” was a modest hit at the box office generating more that $13 million against a $2 million dollar budget. It would spawn three sequels, which one of them became the acting debut of an unknown kid would become an A- list actor named Leonardo DiCaprio (“Critters 3). It was another franchise New Line Cinema had under their belt with their first being “Nightmare on Elm Street”. There have been talks of a remake, but I’m not a fan of remakes nor would I encourage a remake of this film. The films may look dated and silly, but they’re packed with enough gore and humor to keep your interests high.
The cast is a mixed of veteran character actors and some that are up and coming. The two popular names on the bill are Dee Wallace, who was the mother in “ET” plays the mother in this film and M. Emmett Walsh who has over two hundred credits to his name, is best known for playing a psycho in “The Jerk” and Harrison Ford’s boss in “Blade Runner”. Dee Wallace doesn’t do much except scream and cry through most of the film. Walsh plays Sheriff Harv as a short tempered man who feels the town is becoming a zoo. The film revolves around the performances of Scott Grimes who plays Bradley Brown, the younger of the two Brown children. He is mischievous and always getting into fights with his sister, April. He becomes the hero by risking his neck to escape his house surrounded by the Krites to find help. Don Opper plays Charlie McFadden, the town drunk and close friend to Brad and believes alien life-forces are trying to communicate with him through his teeth fillings. Opper ends up playing a dual role in this film which he does a good job at. I’ll get to the dual part in a moment. Rounding out the central cast are the bounty hunters. They add just as much humor as the Krites do. The bounty hunters are named Ug and Lee (Ugly, get it?). They are faceless aliens and have transforming abilities. To “blend” in with the earthlings they may encounter, both of them look through a video of Earth and its history. Ug notices rock start Johnny Steele in a music video and transforms into him. Ug and Steele are played by Terrance Mann. Lee struggles to find a form to change into. A recurring gag in the film is Lee changing into multiple people he encounters. He eventually settles on transforming into Charlie after an encounter with him in a bar. They carry giant cannon guns to blow up the Krites, but instead cause destruction at every location they step in. Even their boss pleads with them about being less destructive. The bounty hunters would become staple characters of the eventual franchise as Mann and Opper are the only two actors to appear in all four movies. “Critters” includes small appearances from Billy Zane, who plays April’s new boyfriend, a city boy with a nice car and Lin Shaye of “Insidious” fame playing Sal the dispatcher.
The real stars of the film are the Krites. They were created by the Chiodo Brothers (Stephen and Charles) who were known for Claymation, creature creation and puppeteer work. They did a great job designing and moving the Krites. They’re described throughout the film series as “man eating hairballs”, which is true. However, they are very intelligent despite their limitations. They have red eyes, razor sharp teeth and needles that can shoot poison at their prey. They move with the speed and velocity of a cannonball. They crash land on Earth after escaping from a prison asteroid. While they repair the ship, they go off to look for food. They eat anything they come into contact with. The more they feed, the more they grow. You will see one of them in the film turn into a giant with the ability to walk upright like a human being. They come into contact with the Brown family and surround their home causing a “Rio Bravo” like standoff. The Krites are both scary and funny. There are some Three Stooges like moments they get into. One scene shows the Krites tearing up Brad’s room. One of the Krites is trying to communicate with a stuffed ET doll and when it doesn’t answer its questions, the Krite gets angry and bites his head off. Another funny moment is a Krite getting burnt by a small torch Dee Wallace uses and runs to the bathroom and jumps into the toilet.
This was the directorial debut of Stephen Herek who would go on to direct “Bill and Ted’s Excellent Adventure”, “The Mighty Ducks” and “Mr. Holland’s Opus”. I think this is a solid debut and one of his best films in his short filmography. He does some good things technically. For example, most of the film takes place at night, so Herek uses natural lighting from the moon and flashlights to create a dark tense atmosphere for the Browns as they investigate what is going on. He also makes good use of the first person view for the Krites. The camera is hovered above the ground and moves stealthily when they’re in hunting mode and then in a racing mode when they’re attacking or trying to reach their prey. The film has its slow moments, but once the Krites appear, the action and the horror pick up and doesn’t end until the final explosion.
As I mentioned in the beginning this film is very similar in nature to “Gremlins”. I used the term “sister” film because that’s what it feels like. It doesn’t have Steven Spielberg’s name attached to it, but it’s still a fun monster movie flick. It’s simple so you don’t have to worry about trying to compound narratives or hidden messages or symbolism. It’s a movie where you can lay on the couch and absorb what is taking place. The sequels that followed this film have their good moments and bad moments (mainly due to the budget going way down and the distribution being limited). I would put this movie in my Top 100 80s Films of All Time.
Corey Burton, who voices the Critters, also came up with their language, which he described in interviews as combining elements of French and Japanese.
Terrence Mann performs the song “Power of the Night” as Johnny Steele especially for this movie.
This is the second movie (the other being E.T. the Extra-Terrestrial ) with Dee Wallace in which her on-screen son heats up an oral thermometer in order to appear sick to avoid going to school. In E.T. she is fooled, but doesn’t buy it at all second time around in Critters 
Don Opper and Terrence Mann are the only actors to appear in all four Critters films. Their characters, Charlie McFadden and Ug, respectively, appear in all four Critters movies.
Writers; David DuBos (Story), Mark Jones (Characters)
Starring: Warwick Davis, John Gatins, Lee Armstrong, John DeMita, Caroline Williams, Michael Callan
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
In 1993 movie audiences were introduced to “Leprechaun”, a horror movie in which a Leprechaun searches for his lost gold and kills anyone in his way. The film was a box office success and launched the career of Jennifer Aniston and showed Warwick Davis’ diverse range of acting after only being known as playing Wicket the Ewok in “Return of the Jedi” and playing Willow in the film of the same name. A sequel was rushed to theaters in 1994 and was just as successful as the first film. It launched a new horror franchise that spawned six films and are played regularly on St. Patrick’s Day on the Sci-Fi Channel. One of the films that is a favorite of the fans (and mine) is 1995’s “Leprechaun 3”.
“Leprechaun 3” continues the tale of the Leprechaun searching for his gold. The first film he searched in North Dakota. The second film he searched in California. For the third film, he searches where else but…..Las Vegas. The film chronicles an eighteen year old kid named Scott who is on his way to college and happens to drive through Vegas. He stumbles upon a buxom blonde named Tammy whose car has broken down and needs to get to her job at the Lucky Shamrock casino. In exchange for his kindness, Tammy agrees to sneak Scott into the casino under the condition that he doesn’t gamble. Scott, the impressionable college boy that he is decides to gamble by cashing in a $23,000 check from his parents to cover his first year. And of course, he loses it all playing Roulette. He heads to a pawn shop across the street looking to sell his watch to get some extra cash. As he walks into the Pawn Shop, he sees the shop owner dead and finds a single gold schilling on the table. There is a video on leprechaun folklore playing on the computer and Scott watches the part where the narrator states that you can have one wish if you have the leprechaun’s gold. With the gold schilling he wishes that he were back at the casino on a winning streak. Sure enough his wish comes true. However, it begins a chain reaction of events to come as the characters in the film each get their hands on the gold coin and the Leprechaun is right on their trail looking to reclaim his schilling and get revenge on those who harbor its power.
This was the first “Leprechaun” movie to be released straight to video. Turns out it was a rental success becoming the highest selling rental of 1995. This is my favorite movie of the “Leprechaun” series. The setting of Las Vegas is perfect for the film since it symbolizes luck, temptation, magic, money and greed. All the qualities of the Leprechaun character from the film series. Plus it’s great to see the Leprechaun gamble and constantly win! The film is also an omage to the story “The Monkey’s Paw”. As each character in the film gets their hands on the gold coin, they make their wish and it comes true. However, their wish comes with a reversal of fortune, thanks to the Leprechaun. That reversal of fortune involves some creative death scenes. As for Scott, he has other issues to deal with. During an altercation with the Leprechaun where he gets bitten, he stabs the Leprechaun in the head with a knife. His green blood gets mixed in with the bite wound and he slowly starts turning into a human leprechaun who wants all the gold for himself. He has to make a choice between destroying the gold and returning to human form or keeping the gold and forever stay as a leprechaun. It’s a choice that is not easy for him since he has developed magical powers for himself and is consumed by acquiring the entire pot of gold. It’s a good character struggle to complement the overall theme of the film.
Once again Warwick Davis is front and center in this movie and continues to be a source of comedy and menace. When he appeared in the first “Leprechaun” movie, he shed his good guy image and with the success of the movie, he proved to everyone that he could play a diverse range of characters. He is solidified with the Leprechaun franchise, but he’s comfortable with it. From the delivery of his Irish limericks to his impersonation of Elvis to his magical kills, you can tell in this movie he is having a blast playing the character. He still has a hard time nailing down the accent. It’s not really Irish, but it’s passable. Davis even admits it. His antics are the highlight of this film.
The rest of the cast is every trope you could imagine. First you have Scott, played by John Gatins. He’s an overly excited, curious and impressionable college student. As soon as he meets Tammy it’s like he immediately falls in love at first sight. He is naïve and unaware of the risks involved with gambling. Gatins acts like he’s too excited even in the most mundane situations. I do have to give him credit for doing a good Irish accent when he slowly transforms into a leprechaun. He tells a limerick to a waitress in the casino restaurant that is pretty dirty, even from limerick standards. I think he does a decent job dealing with the struggles of his leprechaun transformation and his temptation for keeping the gold when it’s revealed the only way to turn human is to destroy the gold.
Next you have Tammy, played by Lee Armstrong. Tammy is a Magician’s Assistant for the great (not really great) Fazio at the Lucky Shamrock. She gets herself into a situation that is out of her control due to a wish being granted by the gold coin. When she snaps out of it, Scott comes to her rescue. She would stick with him throughout the movie trying to help him overcome the leprechaun curse. This was Armstrong’s final acting role, not because she died, but the fact that…she can’t act. She is very dull and emotionless. There’s a scene where she is supposed to be over the top, but she plays it like how a little baby acts. It’s ridiculously bad. One thing that she has going for her is the outfit she wears throughout the movie. It’s definitely a redeeming quality.
Finally you have the rest of the small cast with Michael Callan playing Mitch, the Casino Manager who plays it like a stereotypical mobster, John DeMita who plays Fazio, a failed magician and Caroline Williams who plays Loretta, who works the Roulette table. All of these characters aren’t very likable. They’re all self-centered egotists who are battling each other over the most trivial of things. Each of them get their turn making a wish with the gold coin and they all have to do with improving themselves and each of them will get their dates with death courtesy of the Leprechaun. All of them acted like they didn’t want to be in this movie. I get it, but if you’re a working actor, you take what is given to you and you should try to make an effort no matter how bad the script could be. I’m surprised there wasn’t at least a little more effort from Caroline Williams considering she is a Horror vet having played the heroine Stretch in “Texas Chainsaw Massacre 2”. They’re the middle men in the story since it revolves more around Scott and the Leprechaun.
As I’ve mentioned several times already the death scenes are creative. I won’t spoil what they are. There’s enough gore to satisfy a viewer’s appetite. You can’t go wrong with blood and gore in a horror movie. The special effects in the death scenes weren’t anything crazy mainly in part to another low budget. One of the famous kill scenes in all of the Leprechaun movies you can tell they exploded a cake to make it look like a human body.
There’s not much more to say about “Leprechaun 3”. It’s indeed a guilty pleasure movie and the strongest in the franchise. While it follows the same plot of the first film, it makes up with the appropriate settings and symbolism. Every St. Patrick’s Day is now a traditional day to watch the “Leprechaun” movies. If you can only watch one this upcoming Saturday, then I recommend “Leprechaun 3”. You might enjoy it even more when you’re drunk on all that green beer you consumed!
Highest Selling Direct-to-video film of 1995.
Filmed in 14 days.
Warwick Davis has publicly stated this is favorite “Leprechaun” film of the series.
Lee Armstrong who played Tammy quit acting after this film.
As Scott is entering the casino, Warwick Davis can be seen making a cameo without make-up playing a slot machine.
The check Scott carries around in the casino is signed by the director of the movie, Brian Trenchard-Smith.
John Gatins, who plays Scott, would go on to be a screenplay writer. He wrote the screenplays for “Coach Carter”, “Real Steel”, “Power Rangers” and “Flight”, the latter receiving him an Oscar nomination for Best Original Screenplay.
Writers; Harry Basil (Story), Rodney Dangerfield (Screenplay)
Starring: Rodney Dangerfield, Debi Mazar, David Ogden Stiers, Burt Reynolds, Mark L. Taylor
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
Rodney Dangerfield was one of the greatest stand up comedians the world had ever seen. He was known for his zinging one liners and monologues preaching about he gets “no respect”. His career was heightened in 1980 when he stole the spotlight in the 1980 golf comedy “Caddyshack” which lead to starring roles in the films “Easy Money” and the critically acclaimed “Back To School”. Unfortunately the 90s weren’t so good to Dangerfield. He had two films that flopped and was being overshadowed by the young fresh talent that appeared on “Saturday Night Live” and “In Living Color”. One of his last starring roles was 1997’s “Meet Wally Sparks”.
In the film, Dangerfield plays the titular character who is the host of a sleazy daytime talk show that rivals Jerry Springer, Geraldo Rivera and Sally Jesse Raphael to name a few (all have cameos in the movies). His show has become so raunchy and X-Rated that he is losing sponsors and being threatened with cancellation. In addition, his show has been publicly criticized by Floyd Preston, the conservative Governor of Georgia (David Ogden Stiers) as corrupting the moral fabric of the country. Wally is given an ultimatum by his boss Larry Spencer (Burt Reynolds) to clean up his show or else he will pull the plug. Wally receives an invitation to attend Governor Preston’s fundraiser reception at the Governor’s Mansion (unbeknownst to the Governor, the invitation was sent by his rebellious pre teen son) and his producer Sandy Gallo (Debi Mazar) comes up with an idea to persuade the Governor to appear on his show, which would instantly boost ratings and could change the format of the show.
Wally and Sandy attend the reception in search of the governor. During the party, Wally heads to the governor’s stable and gives his prized horse some alcohol. The horse breaks free from the stable and runs amok inside the Governor’s Mansion. Wally is able to tame the horse and prevent it from hurting the Governor. The presses label him a hero in the papers the next morning. Believing to have been paralyzed from the injury, Wally is staying at the Governor’s Mansion to recuperate, much to the chagrin of Governor Preston. The mansion gets trashed due to Wally’s production company setting up shop inside the mansion and Wally continues to get into shenanigans involving Mrs. Preston. In addition, Wally’s adult son Dean begins a relationship with Governor Preston’s southern bell daughter Priscilla. If that wasn’t enough for Governor Preston to deal with, he is being blackmailed by an outside entity to drop out of the Senate race otherwise, photos showing Governor Preston and an unidentified woman in steamy erotic photos would be released to the public. Wally goes on a mission to find out who is blackmailing the Governor and in return earn his trust to come onto his show and address his supporters.
This movie is based on the tabloid daytime talk shows that dominated television airwaves and a statement on the First Amendment. Throughout the 90s, you couldn’t turn on a television channel without seeing some kind of over the top show. You had the FCC and other government entities looking to block any kind of media in effort to “protect the children”. Wally Sparks represents freedom of speech and freedom of expression while Governor Preston represents the government looking to shut down entertainment that is considered obscene or vulgar. The war continues even to this day with the rise of social media.
Obviously Dangerfield is the shining star of the film. There are plenty of yucks to go around. The jokes are a lot cruder than any of his previous outings, but given the subject matter of the film, it fits in with the narrative. There’s a lot more physical comedy from Dangerfield in this film than any previous film that I can recall. Most of it comes during the reception scene. One thing that is special about Dangerfield is he is able to play lovable characters. His characters start out as self center egotists, but during the course of his movies they start to feel a heart for others. This film follows the same formula. Wally’s objective in the beginning is to have a showdown with Governor Preston on his show in an effort to save him from the unemployment line. However, during the course of the movie as he is spending time getting to know the Preston family, he is grateful for their hospitality and when Governor Preston is in a pickle with a blackmail threat, Wally feels that he needs to repay the debt shown by helping Preston out with his situation.
The other shining performance comes from David Ogden Stiers, who sadly passed away a few days ago. He portrays Floyd Preston, the Governor of Georgia and a leader of the moral majority. He finds Wally Sparks and his show repulsive and is on a crusade to get him thrown off the air. To make matters worse, Preston is powerless to kick Sparks out of the mansion when he is hurt from the incident at the mansion involving a horse. His adviser warns him that kicking him out will diminish his reputation as a moral compassionate human being. In addition, Sparks’ presence in the mansion starts to attract younger voters who are fans of the show in supporting Preston’s campaign for Senator. Preston certainly comes at a cross road and becomes consumed with his battle over Sparks that he starts to alienate himself from his family and causing them to rebel against him. Stiers is a big man and he fits the role of a governor well. He has quite a few laughable moments involving situations that he falls upon.
As for the rest of the cast, the performances were pretty shallow, especially Burt Reynolds. For all the talk regarding loss of sponsors and fines from the FCC, Reynolds doesn’t sound the least bit concerned. He is really out of place in the movie. Anyone could’ve portrayed the role of Larry Spencer better than he did. Luckily, he’s only in a few scenes that you could skip over if you wanted to.
One of the notable things about this movie is the number of cameos. As I mentioned in the beginning of the review, there are cameos featuring Jerry Springer, Geraldo Rivera and Sally Jesse Raphael. In addition, other talk show personalities that have a cameo include Roseanne, Morton Downey Jr. and Tim Allen (playing his “Home Improvement” character). It’s funny to see them all berate Wally Sparks and call him a has been and the fact that he is still alive. Other cameos include Bob Saget and Stuttering John Melendez playing news reporters, Gilbert Gottfried and Julia Sweeny playing a married couple on Wally’s show and Tony Danza playing his character from “Taxi”.
With the laughs that this movie has, it is not without its flaws. I didn’t like the pacing of the movie. The movie starts out with Dangerfield going full force at a hundred miles an hour, but then it slows down during the middle of the film and it comes to a screeching halt. It goes from being funny to dramatic. It gets mushy with Wally’s son and Preston’s daughter developing a relationship against the will of the Governor. Another flaw is the ridiculous cartoonish scenes involving Spencer’s top assistant who detests Wally and is spying on him to see if he is actually injured or if he is faking it. He is falling out of trees and getting dragged behind a car. It’s reminiscent of a Wild E. Coyote cartoon. It really had no place in the movie. Lastly, the climax of the movie was so mindless and childish. Again it’s pretty cartoonish with the final confrontation between Wally and the people who are blackmailing the Governor.
If you’re a fan of Rodney Dangerfield, this movie is right up your alley. Those who are not fans are advised to turn away. While “Meet Wally Sparks” is not one of Rodney Dangerfield’s most memorable films, it will be remembered for Rodney doing what Rodney does best, which is making us laugh.
Students in Daingerfield, Texas’ schools got an early release day, because the town gave Rodney Dangerfield a parade, and a street renamed in his honor, when he came to town.
One of two Rodney Dangerfield films that feature a vocal performance by Michael Bolton, the other being Back to School (1986). Bolton’s song “Everybody’s Crazy” is playing on the record player during the frat dorm party.
Tony Danza reprises his role as Tony from the hit TV show “Taxi” in this film.
Gilbert Gottfried who has a small part in the film said on his podcast that he has never seen the finished release.