Quick Change

Quick Change

Release Date: July 13, 1990

Genre: Comedy, Crime

Directors: Howard Franklin and Bill Murray

Writers: Jay Cronley (Book), Howard Franklin (Screenplay)

Starring: Bill Murray, Geena Davis, Randy Quaid, Jason Robards

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 

Do you ever flip the channels on your television and find a movie you’ve never seen nor heard of, but decide to check it out? I’m sure you have done that as many times as I have, but did you watch it all the way through and at the end you really enjoyed it and wonder why you’ve never heard of it before? That happened to me about fourteen years ago. I came home from school, turned on the television and flipped it to Comedy Central to see what was currently playing. The first image that appeared was Bill Murray dressed up as a clown. “What Bill Murray movie is this?” I asked myself. I’ve seen practically every Bill Murray movie that had been released at the time except for “Lost In Translation”. After the first commercial break, the Comedy Central logo appeared in the corner along with the ‘Now Watching’ header underneath. The name of the movie that appeared next was “Quick Change!”

I watched the movie all the way through and thoroughly enjoyed it. I talked about it the next day with my friends and they were amazed that they never heard of that movie either. Fourteen years had passed, and I completely forgot about seeing the movie until I found it on DVD at the local store I go to where I pick up most of my movies. My eyes were filled with delight as those memories of the first watch through being to fade in and out trying to remember it. I picked it up and watched it again. I forgot how great this movie was from a plot standpoint and an execution standpoint.

Released in 1990 “Quick Change” is based off the 1981 novel of the same name by Jay Cronley. Murray plays a man named Griff who is fed up with his life and the way things are going. Together with his lover Phyllis (Geena Davis) and his dimwitted best friend Loomis (Randy Quaid), they decide to rob a Manhattan bank. Griff, dressed as clown sets up a hostage situation and slips away with $1 million dollars. The robbery is smooth and goes as planned. Next comes the getaway where the plan is to escape to the airport and fly to Fiji where they will live out their days in paradise. However, the getaway becomes a nightmare as the trio get involved in untimely situations that stall their plan. It takes pure luck and convincing from Murray to get out of the jams they find themselves in. In addition, they are being pursued by the New York Police chief Walt Rotzinger (Jason Robards) who is using every resource he can find to capture them before they escape and cause another blemish on the force that is scrutinized by the media and the public. Will Griff and his pals finally reach their destination, or will their luck run out when they are finally captured by Rotzinger and the New York Police?

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Despite not being a commercially successful film in theaters, “Quick Change” received overwhelmingly positive reviews for its cleverness, execution, cast and plot. It’s a film that can be relatable in the real world since there’s robberies that happen almost every day, some with success and some with failure. Like its title, the film changes pace and situation in a seamless transition. Yes, the trio of Murray, Davis and Loomis commit a criminal act, but there is some heart in the movie, especially during some points where Griff decides to put his pals’ feelings over his. It keeps you on the edge and gives the audience the choice of whom they want to see succeed.  Do they want to see the robbers succeed or do they want to see the cops succeed?

This film was Bill Murray’s directorial debut as he co-directed with Howard Franklin, a man whom he would collaborate later in his career. Some people criticized the direction of the film due to the fact there are two directors. Having two directors is quite common in the film world. It’s all about collaboration and that the two directors have an ideal vision of what they want to achieve. With this film, Murray’s directorial involvement is with his character, his friends and the situations they are in, which is fine. Bill Murray knows what Bill Murray wants.

I enjoyed the cast of the movie. I felt the trio of Murray, Davis and Quaid got along great. Murray is his typical smartass self as Griff. He manages to stay cool under enormous pressure during the many u turns they have as they desperately try to get out of the city. Like its title, all three characters go from being ecstatic that they pulled offed a seemingly flawless heist to slowly dissolving in misery, desperation and fear. Their trust in each other melts slowly as they continue to be stuck in the city trying to find their way to the airport to make their escape. Murray’s smartass quips and razor-sharp delivery are a staple of this movie as they’ve been in many of his appearances throughout his career.  Davis, not known as a comedic actress did very well in this. She has some funny moments in the film, but plays it straight laced overall. You feel the love she has for her partner; Griff and their relationship gets put to the test throughout the second half of the movie. And of course, there’s Randy Quaid, who plays the typical goof as you’ve seen him play throughout his career. Loomis reminds me of the character ‘Mugsy’ from the Bugs Bunny cartoons. He’s dimwitted and makes tiny mistakes that jeopardize the plan. Quaid becomes the more desperate of the characters as he starts to cry and howl about wanting to get out. There is a great scene involving him and a taxi driver as they try to reach their destination.

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Finally, there’s veteran actor Jason Robards who plays New York Police Chief Rotzinger. Robards provides somewhat of a calm demeanor to the craziness unfolding throughout the movie. He methodically uses his police skills to track where they’re at in the hopes of catching them before they escape. There is one thing Rotzinger has in common with the three runaways. They all have a disdain for New York City. There is a moment in the film where Rotzinger is looking out the window and wonders what he could’ve been or how did he end up in New York City for practically his entire career. It’s a reflective moment indeed.

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Besides the main cast, look out for some notable faces throughout the film that have small appearances. Those faces include Phil Hartman, Jamey Sheridan, Stanley Tucci, Kurtwood Smith and Tony Shalhoub, who has the longest screen time of the above-mentioned people. He’s quite funny in his performance although I think his screen time could’ve been cut down significantly because the audience gets the point of his character and what he is all about.

The plot is lightweight in comparison to other films of this nature like “Dog Day Afternoon.” Don’t let that take you away from the rest of the movie. This movie works with the limitations it provides in terms of characters and setting. It’s incredible how the characters can dodge bullets when they get trapped in a situation where the audience believes they can’t get out of. Fate and luck work within the characters’ favors. No time is wasted through its 89 minutes in duration of adding plot points and characters that are unnecessary to the overall theme and concept and no joke is overplayed or overused throughout the movie. Credit goes to Howard Franklin for focusing on the source material of Jay Cronley’s book to write the screenplay. He manages to make a heist film “likable”, which is very hard to do.

“Quick Change” is truly an underrated comedy film. To me, it ranks high up there in Bill Murray’s filmography. It’s a movie that doesn’t need the bright light promotions or the mega box office money to be considered a success. It’s a successful film in terms of its smart writing and clever filmmaking. It’s an homage to a lot of cat and mouse movies from earlier film periods. You may have a hard time finding this movie in video stores, but there’s a reason why eBay, and Amazon were created. You need to check this movie and out and see for yourself. You will not be disappointed in this. It’s a break from all the mundane comedies that are currently out today.

 

 

TRIVIA

  • This is the only film directed by Bill Murray
  • Bill Murray once said of this movie in an interview: “Everyone will enjoy this movie. But New Yorkers will enjoy it especially because they know how bad their city really is.” In another later August 2010 interview with Dan Fierman of GQ Magazine, Murray said: “It’s great. It’s a great piece of writing. And how about the cast? You couldn’t get that cast together for all the tea in China right now. I mean, Stanley Tucci, Tony Shalhoub…”.
  • When original director Jonathan Demme became unavailable, writer Howard Franklin and producer Bill Murray couldn’t agree on who would be a good director for the project. So, they decided to do the job themselves.
  • The Mexican flower woman at the airport who cries “Flores! Flores para los muertos!” is a tribute to A Streetcar Named Desire (1951) in which a Mexican flower woman cries the same phrase outside Stanley Kowalski’s apartment. It also could be a reference to Who’s Afraid of Virginia Woolf? (1966), another film about a bickering couple.
  • Ron Howard was approached about directing the film, but he turned it down. Howard declined directing the movie because he felt there was no character to root for.
  • The name “Loomis” would have to be considered unusual, if not rare. It is odd then that Randy Quaid played Loomis in this movie but had previously played a character named Sheriff Loomis in the 1986 movie, “The Wraith”, starring Charlie Sheen.
  • The watch that the bank employee tries to give Grimm (Bill Murray) is “an Audemars Piguet, Moon Phase, 18-karat gold, alligator band” watch. He states the value is $12,000 but appreciates daily. It may be a coincidence, but in Bill Murray’s SCROOGED, he is wearing the same watch, which can be seen when he checks the time in the restaurant (before the waiter lights on fire), expecting to see his first foretold ghost.

AUDIO CLIPS

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Basket Case

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Basket Case

Release Date: April 2, 1982

Genre: Horror, Comedy

Director: Frank Henenlotter

Writer: Frank Henenlotter

Starring: Kevin Van Hentenryck, Terri Susan Smith, Beverly Bonner, Robert Vogel, Diana Browne

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Hello readers! Welcome to the second week of my “Guiltiest Pleasure Horror Movies” special. I’m reviewing five films in the Horror genre every week until Halloween. This next movie review is a movie I’ve been dying to watch for a long time but could never find a copy of it. It was out of print on VHS and was released on Blu-Ray a few years back. I ended up watching it on a streaming service and it exceeded my expectations. This week’s review is the 1982 underground flick, “Basket Case”.

Released in 1982, “Basket Case” is the story of a twenty-year-old boy named Duane Bradley who arrives in New York City with a backpack on his pack and holding a big wicker basket. Inside the basket is brother Belial who is Duane’s deformed brother. It turns out they are Siamese twins separated against both their wishes. Duane and Belial seek out the doctors who separated them and plan to kill them in revenge. During his stay at a cheap sleazy hotel, he befriends his fellow tenant, Casey, who is a prostitute and develops a love interest with a receptionist named Sharon who works at the office of one of the doctors that performed the separation on them. Duane and Sharon spend a day together getting to know each other. After a moment of embrace, Duane begins to have severe headaches. This is the result of him being telepathically linked to Belial (they talk to each other using their mind). Belial can sense Duane and when he realizes what he is doing, he goes into a screaming frenzy destroying everything in their room. Belial is not only afraid that Duane will leave him, but he is also angry at the fact that he cannot enjoy the pleasures of being with a woman due to his deformed state. The brothers start a tug of war with each other that carries on through the remainder of the film and it would not only jeopardize their objectives but jeopardizes their relationship.

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The movie wasn’t a huge hit in mainstream theaters, however it obtained its success through midnight showings at Drive-In Theaters (remember those?). The film was enjoyed by the audience that it was played as a midnight movie for the next several years. It has become a cult classic and one of the best B-Movie Horror films ever made.

The film was written and directed by Frank Henenlotter. He’s made several horror movies in his career including the three “Basket Case” movies, but he never considered himself a Horror movie filmmaker. Rather, he prefers to be known as an “exploitation” filmmaker. He loved exploitation movies because they “have an attitude more than anything, an attitude that you don’t find with mainstream Hollywood productions. They’re a little ruder, a little raunchier, they deal with material people don’t usually touch on, whether it’s sex or drugs or rock and roll.” (1) “Basket Case” was filmed with a budget of around $35,000 which was extremely low for any exploitation movie at the time. Despite the low budget, Henenlotter was able to make a special film that dealt with human biology, science, family and social interaction with humans topped with insatiable mounts of blood and gore.

The movie was shot on 16MM film, however there were problems with the post production which resulted in the film being very dark in light and having a murky look. Because of this, the film had to be converted to a different aspect ratio. This was something Henenlotter did not have control over. Nevertheless, the lack of lighting and the graininess of the film gives it a more unsettling look. When you add that with the spacey music, it heightens the atmosphere and tension as you tremble in anticipation as to what is about to happen on screen. There’s no skimping of blood or gore in this movie including a kill scene that seems to use every item in the room. There is an origin scene through the middle of the film which gives the audience more insight on Duane and Belial’s relationship and how dismissive their father is of Belial and how no one seemed to love them expect each other and their aunt.  The origin scene shows the separation of the boys and is filled with sounds of Velcro and duct tape to mimic the sounds to cutting tools. The use of sound effects and visceral blood during that sequence including the uneasiness of Duane makes it the most squeamish scene in my opinion. I couldn’t get through watching it without closing my eyes which is something I haven’t done in a very long time (extra award for that).

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The acting is decent for an uber low budget movie. Kevin Van Hentenryck plays Duane as a person who keeps to himself and has little interaction with others. He is very protective of his brother and is willingly going along with Belial’s plan of seeking revenge on the doctors. When Belial gets into grouse some situations with his victims, Duane does what he can to cover up so that no suspicion falls on him. He is very protective of his brother, yet he can’t seem to separate himself from him even when he pleads with Belial to let him have time for himself. Terri Susan Smith, who plays the love interest Sharon, plays it as a naive ditzy woman with a weird hairdo (obviously a wig due to the fact her head was shaved in real life because she was in a punk rock group. Frank Henenlotter was not happy about this because she had full hair when she was brought in to audition for the role). She quickly grows interest in Duane and develops feelings for him. She gets concerned for him when they go back to the hotel he is staying at and starts to freak out when the police arrive after reports of screaming and a dead body found at the hotel (thanks to Belial). The other performances I enjoyed include Robert Vogel who plays the hotel manager, Diana Browne who plays Dr. Kutter, one of the doctors that separated Duane and Belial (she looks like Sigourney Weaver’s doppelganger) and Lloyd Pace who plays the goofy looking and paranoid Dr. Needleman.

And now we get to discussing the star of the movie, Belial. If you were to describe him today, he looks the Pokémon, Geodude. He is a blob of flesh with eyes, razor sharp teeth and arms. As I mentioned before, he talks to Duane via telepathy. He’s like a spider as he can crawl from one room to the next using windows and can grip on walls in part due to his large fingers. Despite his stature he is physically strong as he can throw dresser drawers and papers across the room and lift the leg of a bed as shown through a well done stop motion sequence. He’s the mastermind behind the plot to kill the doctors for good reasons. In addition to vengeance, Belial is growing frustrated with the inability to experience sexual pleasure with a woman and the fear of Duane leaving him for Sharon. The only way he can experience the desires he craves is through immoral ways as is depicted near the end of the movie. Belial keeps Duane in check and his presence is a reminder to Duane that they’re with each other until the end.

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It sure did take a long time for me to watch “Basket Case”, but it was a great viewing experience. It’s a movie that I’ve put on constant rotation these last few weeks in preparation for this review. I’m contemplating watching the sequels, but I’m sure those will be as big of a challenge as the first movie in obtaining copies for my viewing pleasure. This movie cemented Frank Henelotter as a great exploitation filmmaker as he desired to become. If you enjoyed this movie, check out his other films “Brain Damage” and “Frankenhooker” in addition to the two sequels to this film as I mentioned.

See you readers next week with the third film in the “Guiltiest Horror Movies” review special.

(1) “In Search of Hotel Broslin”. Basket Case DVD special features.

TRIVIA (Per IMDB)

  • Most of the credits that appear at the end of the film are fake. The crew was very small and, rather than repeat the same names repeatedly, they decided to just make up names.
  • To try to make the film appeal to a comedy crowd, the original distributor cut all the gore scenes out of the film. They were eventually put back in and re-released in theaters with the subtitle “The Full Uncut Version!”
  • In addition to providing a face cast for the Belial puppet, Kevin Van Hentenryck also performed the mutant twin’s voice effects.
  • When Duane checks into the Hotel Broslin, he takes out a wad of cash. According to director Frank Henenlotter, that money was the film’s entire budget.
  • Duane’s streaking scene was shot without permits on a cold winter’s night. To shoot the scene, the crew would first clear the sidewalks of any objects that might hurt Kevin Van Hentenryck if he stepped on them. He was then let out of a heated van on one side of the block and met on the other side by another heated van. Once picked up, the van would drive him to another block. This was repeated until they got the desired amount of shots.
  • Film critic Rex Reed’s quotation to describe the movie, “This is the sickest movie ever made!” was used in the film’s promotion despite not appearing in a printed review. Reed had sought out the film after hearing negative reviews and was asked his opinion after emerging from the cinema. Unbeknownst to Reed, the person who asked him was director Frank Henelotter. Initially furious that his comment was used to promote the film, Reed eventually relented and granted permission to allow Henelotter to use it to promote the film.

AUDIO CLIPS

 

 

 

Microwave Massacre

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Microwave Massacre

Release Date: August 31, 1983

Genre: Horror, Comedy

Director: Wayne Berwick

Writer: Thomas Singer (Screenplay), Craig Muckler (Story)

Starring: Jackie Vernon, Claire Ginsberg, Loren Schein, Al Troupe

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Hello readers! First off, again I would like to apologize for the lack of reviews the past month. I’ve been extremely busy with my current place of employment as well as dealing with family matters. I appreciate your patience. With that being said, I thought I would come back to “Guilty Pleasure Cinema Review” in a big way. With it officially being the Halloween season, which happens to be my favorite season, I decided to review five horror movies I call the “Guiltiest Pleasure Horror Movies.” Some of these movies have been favorites of mine for a long time and others are ones I’ve recently discovered and enjoyed. The only guideline I had when choosing these was movies was to choose a specific genre of Horror movie for each movie. Which means, I would not review five monster movies. I would review one monster movie, one slasher movie, etc. There’s no boundary as to when the film was released. It could be a horror movie from the 1930s or it could be a recent release. I thought I would start this month long special by first reviewing a low brow horror film. It’s a film in which the subject matter had not been talked about since “The Texas Chainsaw Massacre” and would come to life in the 90s with the revelation of Jeffrey Dahmer and his crimes. The only difference is that this film gives it a sick comedic twist. Our first film in the “Guiltiest Pleasure Cinema Review” is “Microwave Massacre”!

Released in limited theaters in 1983, “Microwave Massacre” stars Jackie Vernon, best known as the voice of Frosty the Snowman in the old Rankin-Bass holiday cartoons as Donald, a construction worker who is miserable with his marriage and above all, his wife’s cooking. His wife May (Claire Ginsberg) just purchased a new ultra-industrial microwave and wants to elevate her cooking skills by creating some new (and unappealing) dishes. During a fight between the two at dinner, Donald bursts into a fit of rage and strangles May to death. He wakes up the next morning not realizing what had happened and when he opens the door to the microwave he sees May stuffed in there. He panics at first and then has the idea of cooking her. He takes a piece of her and eats it to discover how tasty human flesh is. From there he goes on the prowl finding anyone he can find to be his next meaty meal.

The movie was directed by Wayne Berwick. This would be his only film he directed until 2005 when he directed “The Naked Monster” another off-beat campy movie. This film will appeal to those who enjoy raunchy and campy movies who don’t take themselves seriously. There’s a lot of sleaze, perverseness, wacky and irreverent shtick topped with some cheap blood and gore to keep you sustained for the short and reasonable running time of one hour and seventeen minutes.

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Let’s start with the acting. This was the last acting performance for Jackie Vernon who was known more for standup comedy than acting. His style is in comparison to that of Jackie Mason and Rodney Dangerfield. He delivers his quips in the way of a standup routine. He provides plenty of funny moments despite his morbid nature of what he is doing. He even throws in some fourth wall moments with a wink and a nod to the audience of what to expect. There is some great back and forth between him and his wife. Claire Ginsberg plays May, the nagging and dominant wife of Donald. She berates him at times, but also shows sign of concern such as why he isn’t eating and that he doesn’t know how to enjoy life. Both played it like the stereotypical long married couple from the sitcom days of “All in The Family”. The rest of the characters are fillers including Donald’s construction worker buddies, the indifferent and annoyed bartender, Sam and some random characters like a woman wearing high cut shorts and a store clerk that seems mentally unfit to do his job. The microwave itself is a character in the movie. It looks more like a giant toaster oven than a microwave. It has all these options for cooking food from “Slow Broil” to “Barbecue”. The placement of the buttons is placed in a way like a computer console. The Microwave fulfills Donald’s needs of cooking his new tasty food and with it brings harm to him near the end.

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The props and effects in this movie are hilariously cheap as I’m sure that was Berwick’s intention. You can’t help but to laugh at giant balls of foil stuffed in a refrigerator, a fake crab that is sandwiched in between a giant bun or a human hand being placed on a skewer with vegetables. There’s not a lot of blood in the movie except during scenes where Donald is cutting up his victims or blood that is on his face from eating a raw leg. The images however can make you feel uneasy as you watch him gleefully enjoy his bounty of newfound meat.

I won’t give away the ending, but I felt it was very funny and accurate. It demonstrates the old saying that “Too much of something isn’t good for you”. We must enjoy life’s little pleasures without overindulging and over-consuming. It’s hard to promote that today where gluttony is all around thanks to big portions and mighty food challenges.

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This movie is not for everyone. You need to prepare watching this movie with the lowest expectations you can imagine. By doing so, you may enjoy the movie as much as I did. I was expecting it to be cheap, boring and not have a lot of shock value, but it was the total opposite. I’m a sucker for crude humor and this movie has plenty of that. I think Jackie Vernon was a good choice to play this type of character. The other comedians I mentioned would’ve been great too, but each of them would’ve found this role as a career killer. I think Wayne Berwick achieved what he set out to do with making this movie. “Microwave Massacre” looks and sounds bad, but it transcends into being a fun trash film classic.

And with that, the first film in the special is complete. Stay tuned for the next review in the special. It will be posted sometime next week!

 

TRIVIA (Per IMDB)

  • Final film of Jackie Vernon
  • Rodney Dangerfield was considered for the role of Donald, but his asking salary was too high.
  • Filmed in August and September 1981, but not released until September 1983.
  • Was released on a full-screen unrated DVD by Anthem Pictures in 2006. The front case art trumpeted the film as “The Worst Horror Movie of All Time” and “Uncut/Unrated” as selling points.
  • Director Wayne Berwick makes an uncredited cameo as one of the movers who discovers the faulty wiring in the microwave, which causes the death of Jackie Vernon’s character.

 

AUDIO CLIPS

Hiatus

Hello everyone!

I apologize for not posting reviews lately.  I’ve been busy with a lot of things: work, vacation, other personal matters.

I wanted to give you a heads up that I’m going to take a small hiatus from posting reviews. I have some personal events coming up in September that need my attention.

However, I will be returning in October to do a month long review special review in lieu of the Halloween season. I’m going to be reviewing my “Most Guiltiest Pleasure Horror Movies”.  I will be dedicating the spare time I have in September to watch and review five horror movies that fit this category. I will post one a week up until Halloween. I’ll be spending the time next month watching, researching, analyzing and of course picking out some hilarious clips.

I want to say Thank you to all you viewers out there. I appreciate all of you who have supported this blog. I hope you have enjoyed reading these blogs as much as I’ve enjoyed writing them.

I’ll see you soon.

Police Academy

Police Academy

Release Date: March 23, 1984

Genre: Comedy

Director: Hugh Wilson

Writers: Neal Israel, Pat Proft (Story & Screenplay) & Hugh Wilson (Screenplay)

Starring: Steve Guttenberg, G.W. Bailey, Kim Cattral, George Gaynes, Bubba Smith, Donovan Scott, David Graf, Andrew Rubin, Michael Winslow, Marion Ramsey, Leslie Easterbrook

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

The eighties brought us a diverse range of Comedy films. The subjects ranged from Teen Comedies, Raunchy Comedies, Supernatural Comedies and the Parody/Spoof Comedies. Some of the films that came out during this period were so successful that not just sequels were made, but an entire franchise. One of the Comedy series that would be born in this era was the “Police Academy” movies.

The idea to make a film about a bunch of outsiders joining the police force in the pursuit of being an officer of the law came from producer Paul Maslansky. Maslansky was producing “The Right Stuff” at the time. There was a group of police cades that arrived to help with crowd control during the filming of a street scene. When the cadets arrived to take their post, they were of many diversities and physicality. They were terrible at the job Maslansky found it humorous. He approached the Sergeant and asked him, “Are these all going to be future San Francisco’s finest?” The Sergeant explained that a new policy came out where the academy had to accept new applicants regardless of race, gender, education, physical stature, etc. The Sergeant went into further detail that the cadets could flunk the course and not become police officers. That was the moment a light bulb appeared and Maslansky wrote a two page treatment that night. He gave it to Executive Producer Alan Ladd Jr., who loved the idea and agreed to develop the movie. They hired Neal Israel, Pat Proft and the eventual director of the movie, Hugh Wilson to write the screenplay and before you know it “Police Academy” was born.

Exactly as it was versioned, “Police Academy” is a comedic look at everyday people joining the force and hoping to have a fulfilling career. There are a handful of characters that are shown in the film. First you have the super aggressive ex military man, Tackleberry (David Graf), you have the privileged Thompson (Kim Cattral), the quiet but towering Hightower (Bubba Smith), the bumbling Barbara (Donovan Scott), The shy and reserved Hooks (Marion Ramsey), the ladies man Martin (Andrew Rubin), the human beat box Jones (Michael Winslow) and the smart ass Mahoney (Steve Guttenberg). All are joining the force either through volunteer or ultimatums. Against the new policy of the Mayor, the police Chief instructs Commandant Eric Lassard (George Gaynes) and Lieutenant Thaddeus Harris (G.W. Bailey) to push the cadets beyond their limits so they will quit. The cadets go through a rigorous fourteen week period of physical training, self defense, firearm training and understanding the law.

The film focuses primarily on Mahoney. After another arrest regarding an incident at his current job, Captain Reed, a former partner of Mahoney’s father, tired of Mahoney’s antics puts his foot down and gives him an ultimatum. Enroll in the Police Academy and complete it or you will be sent to jail. There is a loophole that Mahoney intends to exploit, which is to be kicked out of the academy and not go to jail. As soon as he arrives, he starts to flirt with Thompson and becomes the ire of Harris. After numerous pranks and episodes of insubordination, Mahoney gets his wish to be kicked out. While Harris is on the phone with Captain Reed, Mahoney looks out the window and sees Thompson flirting with him. He starts to reconsider his request to be kicked out and decides to stay through the course and complete it. During his time, he strikes up a friendship with Martin and helps Hightower succeed in completing the driving course which if he doesn’t pass, he will flunk. Hightower eventually gets kicked out after flipping a car over with a cadet inside after he insulted Hooks with a racial epitaph after she accidentally drove over his feet. Bummed about his friend, Mahoney gets picked on by Blanks (Brant von Hoffman) and Copeland (Scott Thomson), two cadets Harris made Squad Leaders to wither out the bad apples in the group and when one threatens to punch him, he is attacked by Barbara in which a fight ensues. Blanks and Mahoney are in Harris’ office explaining what happened. Mahoney stands up for Barbara and claims he threw the first punch which gets him expelled from the academy. Before he could leave, a riot breaks out downtown which causes the cadets to be mobilized as backup for the  rest of the force. Mahoney puts on riot gear and joins the group unbeknownst to Harris. As the riots get worse and the cadets scramble, one of the rioters manages to claim the guns of Blanks and Copeland. He takes Harris hostage on a rooftop and wildly shoots at Thompson. Mahoney races to the top to save Harris, but ends up surrendering his gun as the rioter points his gun at Harris’ head. As Harris and Mahoney are sitting on the roof top, Hightower appears and asks the shooter if he could watch him “kill these pigs!” The shooter agrees and as he is about to squeeze the trigger, Hightower punches him in the face and sends his rolling down a flight of stairs. Hightower saves Mahoney and Harris’ lives. In return for their heroism, Mahoney and Hightower are reinstated to the force with honors.

“Police Academy” was an instant success grossing $8 million on its opening weekend and finished the year grossing $81 million. Reviews were mixed with Roger Ebert giving it zero stars. It was successful that they made a sequel that came out the very next year. The sequel was also a success which triggered another movie and then another movie. The series ended with seven movies, a short lived TV show and a possible reboot which Steve Guttenberg is spearheading.

To say that “Police Academy” is a cult movie is an understatement. It’s one of the funniest comedies in my opinion. Not only that, but it provides moments of morality, decency and dedication. The characters that are supposed to be likeable in the film are likeable and the characters that are supposed to be the bad guys are the bad guys. That’s credit to the writing. The movie has plenty of physical gags, situations and witty dialogue to keep you laughing to keep you going through the film’s 96 minute run time. It’s completely relatable to the real world. You’ll have average Joes that end up joining the force for reasons that are of their understanding.

As I mentioned all the characters are likeable and the credit goes to the cast. Most of the cast were relatively unknown (not sure if Guttenberg was known during this time) and they played their roles with heart and passion. They had great chemistry on screen. Guttenberg being the top billing and the focal point of the story delivers a funny performance as Mahoney. He is witty, a bit of a smart ass and someone who likes to have fun at the expense of others. As you tag along to Mahoney’s journey you see the character evolve as he goes from wanting desperately to be kicked out of the academy to taking the opportunity of doing something meaningful with his life. It shows through his good deeds towards other cadets to his heroism at the climax of the film.  He is equally matched by G.W. Bailey’s Harris, the next great performance. Bailey plays Harris in a manner similar to R. Lee Ermey in “Full Metal Jacket” but with very little vulgarity.  He immediately draws a disliking to Mahoney tries to push him past his physical limitations. George Gaynes portrays Commandant Lassard as a buffoon in a manner to Leslie Nielsen. His best scene involves a situation he gets in when making a presentation and his reaction afterwards. It will be implanted in your memory for a long time. David Graf’s portrayal as Tackleberry is another highlight of the film. Tackleberry is aggressive and sometimes unstable as you will see during his training especially around firearms. It’s funny to see him sleep with a revolver in his hand and spends his free time sharpening his hunting knife. Michael Winslow plays Jones who rarely talks, but rather speaks through sound effects. He plays pranks on some of the instructors such as making the sound of leaves crunching when an instructor is walking to acting like he is talking on the PA and telling Harris to report to the Firing Range. He has some memorable scenes including playing a video game shooter when there is no TV or console and shaving with a plastic blade and making effects to sound like it’s an electric razor. Finally, my other favorite performance is Hightower, played by NFL great, Bubba Smith. He is a man who is quiet, but provides brute physical strength such as knocking down a brick wall during a course where cadets have to jump over it to pulling on a rope only to have the ceiling come crashing down. He forms a bond with Mahoney when Mahoney helps him learn how to drive since he hadn’t driven a car since he was twelve years old. When Hightower gets kicked out for coming to Hooks’ defense, you could see the devastation in his eyes and you feel bad for him because you know he did the right thing.

If you’ve never seen “Police Academy” before I highly recommend you watch it and see what you think. A lot of people will say that this is nothing original or not as funny as perhaps some other cop comedies that have come out, but I think you will thoroughly enjoy it. If you like this film, I would recommend watching the next two sequels, maybe three. I would skip the last two sequels as they seem to have run out of ideas. You’ll laugh, you may shed a tear, or you’ll shed a tear while laughing.

 

TRIVIA

 

  • Director Hugh Wilson stated that when it came time to film the driving scene with Hightower at 4:30 a.m., the actor originally cast as the angry driver was found passed out drunk in the trailer, so Hugh himself ended up playing the role of the angry driver, into whom Hightower crashes.

 

  • When attending his audition, Steve Guttenberg wore an old police shirt belonging to his father Stanley Guttenberg, who was a New York City police officer.

 

  • The location used as the Academy campus was known as the Mimico Lunatic Asylum or variations thereof until 1911, and Lakeshore Psychiatric Hospital from 1964 to 1979. It was acquired by Humber College in 1991, after being mainly used as a site for filmmaking between 1979 and 1991. It is now a renovated and active educational institution.

 

  • Michael Winslow (Jones), David Graf (Tackleberry), and George Gaynes (Commandant Lassard) are the only actors who appeared in all seven Police Academy movies. Winslow even goes a step beyond this, as he is the only actor who not only appeared in all seven Police Academy movies, but also had a regular role on Police Academy: The Series (1997).

 

  • Marion Ramsey was asked to wear a fat suit for her role as Hooks, with the idea that Hooks’ boot camp training would have rendered her slim by the end of the film. Due to time constraints, the scene showing Hooks after her weight loss was removed from the final cut. By the time work on the sequel began, producers changed their minds, opting instead to have Marion remain wearing the fat suit, in order to garner audience sympathy for her character. A brief shot of “slim” Hooks remains in the film, however, as a close-up of Marion without the fat suit is seen during the graduates’ march at the end of the film.

 

  • Billy Crystal, Tom Hanks, Michael Keaton, Bill Murray, Judge Reinhold, Jerry Seinfeld, Robin Williams, and Bruce Willis were considered for Mahoney.

 

  • The only Police Academy movie that was given an R-rating.

 

  • This movie was the most successful film of 1984 in West Germany.

 

  • Steve Guttenberg mentions in his biography, “The Guttenberg Bible”, that Donovan Scott filmed home-movies during filming. According to Guttenberg, there is a “very funny, touching, and unreleased documentary that he made of the shoot.”

 

  • Robert Conrad was offered the role of Commandant Eric Lassard, but turned down the part, which he regretted later on, to the point that he took the part of the Police Chief in Moving Violations (1985) which was co-written and directed by Neal Israel, who also co-wrote this film.

 

  • In the party scene, Tackleberry is seen to play the saxophone. In real-life, David Graf actually was an accomplished saxophone player.

 

  • After early test audiences responded the most positively to Hightower, out of all the characters, Bubba Smith was moved to second place billing, just behind Steve Guttenberg.

 

  • Was filmed in forty days.

 

  • David Graf had to choose between working on this film or Richard Benjamin’s more critically acclaimed Racing with the Moon (1984). When David initially read the Police Academy script, he thought, “What trash”. For three days, he sat and looked at the two scripts. Then, when Warner Brothers made him the offer, Graf said he knew which film was going to make money.

 

  • The Blue Oyster bar used in this movie, is actually called the Silver Dollar Room, located on Spadina Avenue in Toronto. Coincidentally, Spadina Avenue is also home to Protocol Entertainment, the company that produced Police Academy: The Series (1997).

AUDIO CLIPS

Bill & Ted’s Bogus Journey

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Bill & Ted’s Bogus Journey

Release Date: July 19, 1991

Genre: Adventure, Comedy

Director: Peter Hewitt

Writers: Chris Matheson & Ed Solomon

Starring: Keanu Reeves, Alex Winter, William Sadler, George Carlin, Joss Acklund

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

In 1989 movie audiences were treated to a new original concept adventure movie about the fate of the future lying in the balance of two high school musicians passing their history exam. That movie was called “Bill & Ted’s Excellent Adventure”. It was a surprise success that not only launched Keanu Reeves into a mainstream star, but it also spawned a cartoon show and a sequel. Recently, both stars Reeves and Alex Winter appeared on the cover of Entertainment Weekly and announced that a third movie was officially in production. It would be the first time in twenty-seven years since we last saw the two rockers from San Dimas. With the news I decided to go back and watch the second film in the series, which was 1991’s “Bill & Ted’s Bogus Journey”.

The movie takes place five years after the events of the first movie. A man from the future by the name of DeNomolos has created two evil robot versions of Bill & Ted and sends them back to their time to disrupt the next phase in their destiny, which is winning the Battle of the Bands and being one step closer to the Wild Stalyns changing the world with their music. The present day Bill & Ted continue to struggle at being good musicians, even with the help of their other band members, their girlfriends they rescued from 15th Century England. They encounter their evil doppelgangers when they arrive at their apartment and tell them that they are here to help solve their problems. Instead they take Bill & Ted to a desert and throw them off a cliff killing them. Now in a state of limbo, Bill & Ted must figure out a way to come back to life and stop the evil robots from accomplishing their mission. After two failed attempts at warning their parents about what happened, they are banished to Hell where they go through trials from their childhood until they are confronted by the Grim Reaper who states they can return to the physical world if they beat him in a contest. After defeating Death in a contest……or in the case several contests, they go to Heaven and ask God for assistance in beating the evil robots. They are directed to a creature named ‘Station’ who is considered the most brilliant scientific mind in the universe. With Station’s help, they create two good Bill & Ted robots to counter the evil robots. They return to earth just as the Battle of the Bands begin and engage in a confrontation with the evil robots and DeNomolos for the fate of the future.

The sequel was as successful as the first movie, but fans are divided as to which of the two movies was better. Some fans believe “Excellent Adventure” was the superior of the two. Other fans believe “Bogus Journey” was the better film. After watching the film, I think “Bogus Journey” is on an equal peddle to “Excellent Adventure”. I would use the analogy in another Keanu Reeves movie, “The Matrix” to describe the two. They are two radically different films, but when they are put together they equal out. It’s a great idea to go from Bill & Ted having a positive and “Excellent” adventure to having a negative and “Bogus” journey, hence the equal concept.

The story is good although I think the script could’ve been fleshed out a little more and could’ve used a better third act. Reading the Behind the Scenes of this movie, writers Chris Matheson and Ed Solomon admit that the original third act was ripped up and they were struggling to come up with an act that would satisfy viewers and bring the story of Bill & Ted full circle. I’m not sure what the original third act entailed with the exception of a trivia note at the bottom. With the exception of a few returning characters the only other reminiscence of the first film that are shown in the second are the phone booth which is found in only a few scenes and you get a glimpse at the future where is a harmonious utopia thanks to the protagonist and their music.

The only returning characters in the second film are Bill, Ted, Ted’s father, Missy and George Carlin, who reprises his role as Rufus, although his role has shrunk from the first film. All the other characters are new. Keanu Reeves and Alex Winter play dual roles as not only the dim-witted heroes, but the evil robot versions of them. The evil robots are stronger and smarter, but they are programmed to speak and act just like their human counterparts which I found funny. Their master DeNomolos, played by legendary character actor Joss Acklund I found to be a very weak villain as he appears only in the opening scenes, a few scenes where he is checking up on the robots’ statuses and the final confrontation. Not much is known about DeNomolos other than the fact he was Rufus’ old teacher and that he despises the society that Bill & Ted have created and goes on a crusade to destroy them so he can reshape the future into his ideals, which could be perceived is having a Marxist ideology. Acklund didn’t have much to work with and his acting and body language gave me the impression that he didn’t want to be in this movie, which is a shame. I’m sure he was thinking to himself, “How do I go from playing an evil South African diplomat in “Lethal Weapon 2” to playing a villain having to babysit two robots in “Bill & Ted’s Bogus Journey?” I guess we’ll never know what his mindset was.

The real star of the film and without question the best performance goes to William Sadler who plays the Grim Reaper. His portrayal of Death starts out serious and then goes completely one-eighty when he spends more time with the heroes. When Death first encounters them just as they died, he is prepared to take them into the afterlife, but they distract him and give him a “Melvin” in order to escape. It’s only when they are in Hell that they summon Death and accept his challenge of playing him in a game to return to Earth (I won’t tell you what game or games they play, but they were my favorite scenes of the film). When Death joins Bill & Ted he becomes more of a nuisance rather than a helper. He’s always looking attention and feels left out when Bill & Ted don’t give him credit for things that he supposedly did. The accent Sadler uses is Slovakian which gives him range and power, but also makes it funny especially when during his angry outburst moments in the film.

As far as the rest of the film in terms of special effects and settings, it’s interesting to see the film’s vision of the future where everyone wears highlighter colored clothing which reflects well with the lighting in their classrooms. You see a small glimpse of Evil Bill and Evil Ted pulling their skin off to reveal their robot form which is colorful and high-tech for the time and the vision of Hell in the film is depicted as a never-ending industrial corridor with infinite doors and the Devil instructing the damned to “Choose their Eternity”.

“Bill & Ted’s Bogus Journey” is one of the few sequels out there that matches up to its predecessor. Matheson and Solomon rolled the dice and took their chances of not repeating the same concept of the first movie and it paid off. Watching it again after all these years, it holds up strongly in comparison to other sequels that came out in the early 90s. I’m looking forward to seeing what the third film has to offer. Hopefully it will be a great finale and send off Bill & Ted into movie immortality.

 

TRIVIA

  • The guitar solo before KISS’ “God Gave Rock And Roll To You”, is performed by guitar legend Steve Vai. The footage had already been shot, and the world premiere was a week away, when he was asked to do it. He also contributed various music in the film, including “The Reaper Rap”, which features on the end credits.
  • When Bill and Ted go to Missy’s séance, you can see Chris Matheson and Ed Solomon, the creators and writers of Bill and Ted. They’re the only men that are attending the séance. (Chris is the guy with the white shirt, and Ed is the guy with the glasses.) They also say “Ed and Chris rule the world” backwards
  • The original title was “Bill and Ted go to Hell” but was changed because of American objections to the use of the word “hell”.
  • The “Riddance of Evil” book that Missy uses to send Bill and Ted to Hell, is actually a re-dressed copy of the Stephen King short-story collection “Four Past Midnight.” She opens it to a page in the story “Secret Window, Secret Garden,” which can be read clearly in a few frames of the film.
  • During the séance scene, the chant to send Bill’s and Ted’s spirits, can be read backwards as “Ed and Chris will rule the world.” Ed Solomon and Chris Matheson being the movie’s scriptwriters.
  • The mountain, to which Bill and Ted are brought to be killed by the evil robots, is the same mountain Captain Kirk climbs in Star Trek: Arena (1967), which Bill and Ted watched in their apartment.
  • Joss Ackland said in a Radio Times interview, he only did this project, because of a bet between him and a family member
  • In a deleted sequence, the Evil Robots use devices to re-create Bill’s and Ted’s’ personal Hells (Granny Preston, the Easter Bunny, and Colonel Oats) and send them after the heroes. Bill and Ted end up having to face their fears to get rid of them. Bill gives Granny her kiss on the cheek, Ted calls his brother and apologizes for stealing his Easter candy, and both boys treat Oats with kindness and friendship rather than terror.
  • Director Peter Hewitt has a cameo in the film. He plays the smoker in the Builder’s Emporium to whom Death says, “I’ll see you soon.” In the cast credits The Smoker is credited as “Max Magenta”.

 

AUDIO CLIPS

 

The Rookie

 

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The Rookie

Release Date: December 7, 1990

Genre: Action, Comedy, Crime

Director: Clint Eastwood

Writers: Boaz Yakin, Scott Spiegel

Starring: Clint Eastwood, Charlie Sheen, Raul Julia, Tom Skerritt, Lara Flynn Boyle

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

While Buddy Cop movies have been around since the dawn of film, they didn’t start becoming commercially successful until around the seventies. Some of the more memorable duos include Richard Pryor/Gene Wilder, Mel Gibson/Danny Glover and in today’s Buddy films, you could argue Kevin Hart/Ice Cube or Jonah Hill/Channing Tatum. Then there are those that didn’t pair well like Chevy Chase/Jack Palance, Jay Leno/Pat Morita, Burt Reynolds/an eight year old boy. As the nineties began, you saw more offbeat pairings. One of those offbeat pairings included Hollywood legend Clint Eastwood and Hollywood Bad Boy Charlie Sheen (Yeah never in a million years did I think that would be possible). Both appeared in the 1990 film “The Rookie”.

Like all Buddy Cop movies this movie focuses on two cops with very different and conflicting personalities who are forced to work together to solve a major crime. Sheen plays David Ackerman, a rookie cop who is assigned to the LAPD’s Robbery and Auto Theft Division. He is partnered with Eastwood’s Nick Pulovski, a rough wisecracking Sergeant Detective who uses tactics against police procedures to get what he needs to put the bad guys away. David gets thrust into Nick’s case involving a car theft ring that is run by a man named Strom, played by the late great Raul Julia. In addition, Strom is responsible for killing Eastwood’s original partner. Throughout the film, David gets cold feet when it comes to helping Nick. It’s attributed to not only his family background, which he comes from money and power as portrayed in a dinner party scene, but also a post traumatic episode involving the accidental death of his brother when they were children and feeling responsible for it. During a tip from an illegal wiretap, Nick and David head to a local casino where Strom is attempting to steal $2 million dollars to pay his creditors due to Nick constantly disrupting his business. During a search, Strom’s right hand woman slowly walks towards David. David has his gun pointed at her threatening her to stop or he will shoot. He hesitates and allows himself to be shot and Nick being taken hostage by Strom. David is put on leave from the department due to his cowardice and allowing his partner to be taken. Strom demands the money within twenty four hours otherwise he will kill Nick. David, feeling guilt and tired of being afraid hunts down Strom’s associates in order to find where Nick is in time before the police decide to pay up.

I first encountered this movie during a night flipping through channels with my father several years ago. It appeared on one of the major film channels you can get on cable or satellite. The film was already playing, but we decide to check it out. We turned it on and the first scene we see is Eastwood giving a local news interview on a junkyard search and seizure. In typical Eastwood humor, he begins a profanity laced taunt at the criminal he is after. My dad I instantly cracked up and continued to watch the film all the way through. After the movie, we both agreed that it was a fun flick with loads of action and humor. Recently, I shopped at the place where I do all my movie shopping and found “The Rookie” on DVD for a mere two dollars. I instantly picked it up. I watched it in full for the first time over the weekend and I enjoyed it as much as I did the first time around.

Clint Eastwood’s performance in this movie is a carbon copy of Dirty Harry, not like that’s a bad thing. From the physical gruffness and aggressive tactics to the smart ass comments, Eastwood doesn’t skip a beat. When Eastwood gets paired up with Sheen, he’s not amused to the fact that he has to “babysit” this rookie. He keeps his pursuit of Strom close to his chest, not revealing too much information to his new partner.

Charlie Sheen’s performance was pretty mellow, but I think he nailed the character of David Ackerman, a rookie cop who is getting more than what he bargained for when joining the force. He becomes a burden to Eastwood due to his inexperience and the fact that Eastwood has to bail him out on several occasions. Besides the things I mentioned about Ackerman in the beginning of the review, he also has to deal with his girlfriend (played by Lara Flynn Boyle) who is finishing law school. He feels his job is beneath to what she will become. He does gain Eastwood’s admiration in the film when he helps him fix his motorcycle. You will see in a couple scenes how good Sheen is at fixing things. This is in part to Ackerman’s degrees in Engineering and Economics as mentioned during the party scene. Other than that he struggles to build Eastwood’s trust in him. The botched arrest of Strom along with the kidnapping of Eastwood becomes Sheen’s turning point. When he faces his fears and stops blaming himself for the tragic events of his childhood, he learns from his subordinate and does what he can to find his partner even going as far as breaking up his dad’s meeting to confront him.

The last great performance goes to Raul Julia playing Strom. He is cunning at first when things go as planned. As the movie progresses and Eastwood thwarts his criminal business, Strom becomes angry and determined.  When he kidnaps Eastwood, he gains leverage over the cops and devises a way to get his money and take out his enemy at the same time. The only gripe I have about Julia’s character is that he is supposed to be German. Raul Julia is Puerto Rican. It would’ve made more sense to change the character of Strom to a different nationality, but that shouldn’t take away from his performance.

A Buddy Cop film wouldn’t be complete without loads of action. There’s not a lot of shootouts in this film, but there are quite a few chase sequences. There’s one shortly after the beginning of the film, a chase scene involving Sheen and a motorcycle and a chase scene at the climax. The film does a good job of changing the chases so that they’re not repetitive as in car chase after car chase after car chase. All these chases were performed by stuntmen at the physical shooting locations. The explosion effects were also done on location without the use of any blue or green screens which brings a sense of authenticity. One particular scene was done in one take due to the fact they did not have the means to keep doing take after take. It’s incredible what these stuntmen put themselves through to create an entertaining picture. They are the real heroes in the movie industry.

The film does have its flaws. The film doesn’t divulge into Sheen and Boyle’s relationship. She appears in only a handful of shots and one important scene of the film. The same goes with Sheen’s parents. While you know he comes from luxury, you really don’t know much about his dad’s business. One of the more controversial moments in the film is when Strom’s right hand woman is toying with a tied up Eastwood. As she speaks to him and slashes his forehead with a razor, she turns on a video camera and begins to rape him. Was it something she did with all her male victims? Did she see something in Eastwood she found attractive such as his boldness or the fact when she gave him a drink of water he proceeded to spit it at her face? I didn’t think it was necessary especially since you didn’t know anything about her other than she’s a trusted accomplice.

The movie’s run time is two hours on the dot, but it doesn’t feel like a two hour movie. It’s pretty fast paced with everything going on. You get immersed with what is going on in each scene that time doesn’t exist.

Overall “The Rookie” is a good Buddy Cop flick. It may not stand out like the “Lethal Weapon” movies, but it is better than most of the recent movies of this genre that have been released. The pairing of Clint Eastwood and Charlie Sheen is still baffling, but it works in this concept if these two could work great together in a Buddy Cop film, who knows what the next great pairing will be? I could see Tom Hardy and Michael Cera in a Buddy Cop flick……..or maybe not.

TRIVIA

  • According to the book “Clint Eastwood A Cultural Production” by Paul Smith, during the early stages of principal photography, actor Charlie Sheen had substance abuse problems. Eastwood reportedly took on a father-figure role in disciplining Sheen into responsible behavior.
  • The film featured over twice as many stuntmen as it did actors. Held the world record for the biggest ratio of stuntmen/actors. Reportedly, over eighty stuntmen worked on the movie.
  • Clint Eastwood agreed to do this movie in exchange for Warner Brothers letting him make his personal film project, White Hunter Black Heart (1990).
  • The movie was to be directed by Craig R. Baxley starring Matthew Modine and Gene Hackman in 1988 but the production was stopped by the Screen Actors Guild strike
  • The make and model of the car that Clint Eastwood took a disliking to its color was a lime green Type 85 Lotus Esprit SE. The Lotus Esprit was the car that had become famous for appearing in the James Bond movie The Spy Who Loved Me (1977) and later used again in For Your Eyes Only (1981). In the movie, Eastwood gets to drive the famous James Bond car.
  • According to the article ‘Slam, Bang, Crash, Boom for The Rookie” published in American Cinematographer in January 1991, the movie’s stunt scenes were mostly shot at night with no use of blue screens and with no use of miniatures.

AUDIO CLIPS