The Last Boy Scout

The Last Boy Scout

Release Date: Decemeber 13, 1991

Genre: Action, Comedy, Crime

Director: Tony Scott

Writers: Shane Black (Story & Screenplay), Greg Hicks (Story)

Starring: Bruce Willis, Damon Wayans, Chelsea Field, Noble Willingham, Danielle Harris, Halle Berry

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

It’s been awhile since I’ve done an action movie. It’s been awhile since I’ve done a buddy movie. For the next edition of “Guilty Pleasure Cinema Review,” I decided to review an action/buddy movie. I was reading up on Shane Black, who has been a long time writer and has now gone into film-making with his last release being the 2018 summer film “The Predator” (Black was in the original film as Hawkins). He sold his first script to Hollywood while he was finishing up college at UCLA. That film became “Lethal Weapon.” The success of “Lethal Weapon” opened the door for Black and was soon writing scripts and they were being turned into movies left and right. One of his scripts would become an underrated action buddy film that has the spirit of “Lethal Weapon.” That movie was 1991’s “The Last Boy Scout.” I happened to check it out on Hulu in its remaining days before it expired. I couldn’t remember the last time I saw the movie, but since I wanted to do an action oriented movie review I felt this was the perfect choice. For those who haven’t seen it before, let me give you a brief synopsis.

“The Last Boy Scout” stars Bruce Willis and Damon Wayans. Willis is a chain smoking private detective named Joe Hollenbeck. Fed up with the way his life is going and is estranged from his wife Sarah (Chelsea Field and daughter Darian (Danielle Harris) he takes a job off a friend of guarding a stripper/prostitute named Cory (Halle Berry). Despite not knowing the full context as to why he needs to be a bodyguard, he takes the job and watches her. During the night, he comes across Cory’s boyfriend Jimmy Dix (Damon Wayans), a former professional football player who was kicked out of the league for gambling and allegations of drug abuse. After a brief conflict Jimmy and Cory head back to his place, but Cory is involved in a fender bender as she pulls over, she is gunned down by a series of men. Joe and Jimmy team up to find out who is behind her murder and uncover a plot involving a corrupt politician (Chelcie Ross) and a crooked football owner (Noble Willingham). They have to figure out the connection between the two and what is the intended goal.

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“The Last Boy Scout” was directed by esteemed movie director Tony Scott who is known for directing blockbuster action movies such as “Top Gun,” “Days of Thunder” and “Crimson Tide.” If you’re familiar with his work, you’ll find his style and taste of shootouts, big explosions and constant ball busting humor all throughout this movie. A lot of people refer to this movie as a “Lethal Weapon” clone. I can’t argue with their analogy. It has all the familiar elements of “Lethal Weapon” especially since they were both written by Shane Black, but don’t let that premises keep you from enjoying this movie.

The title of the movie comes from a scene where Jimmy Dix signs an autograph for Joe’s daughter Darian. On the signature he inscribes the message, “To the daughter of the last boy scout.” Jimmy calls Joe a boy scout after seeing a picture of him with the President of the United States and finding out that Joe used to be a Secret Service agent. That part of Joe’s career plays an integral part in the story.

Bruce Willis plays Joe Hollenbeck in a similar fashion to his most famous character, John McClain.  He delivers wise crack after wise crack throughout the movie and doesn’t seem to mind the hostile reactions from those he is talking to. When he gets deep into the investigation and realizes the politician involved it becomes a personal vendetta for him since it was the particular politician that got himself fired from his previous job. Damon Wayans is on equal sitting of Willis as Jimmy Dix. He has plenty of quips of his own, but Wayans plays the role in a more serious tone. Jimmy feels a sense of responsibility for what happens to Cory and tries to help Joe track down the people responsible. Sometimes he gets in the way or does something he’s told not to do, but he redeems himself later in the movie when he has to start thinking like a detective.

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The supporting cast is good in their respective roles. Chelsea Field plays the distant yet concerned wife of Joe’s Sarah. Scream queen Danielle Harris plays Darian as a bratty teenager who despises her father. She plays a significant role near the climax of the movie. Halle Berry’s early performance as Cory is feisty. Other notable actors include Noble Willingham as Sheldon Marcone, owner of the Los Angeles Stallions which is the central team focused in the movie as well as the team Jimmy used to play for and Chelcie Ross as Senator Baynard, the politician involved in the plot. There’s some small appearances from Bruce McGill as Joe’s friend and partner Mike, Joe Santos as a police lieutenant who happens to get involved indirectly with Joe and trying to find out what Joe is doing and Kim Coates and Taylor Negron who play henchmen.

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While “The Last Boy Scout” is a fun little action flick with plenty of shootouts and explosions, it does have its flaws (like the majority of action movies). The script is borderline ludicrous which stretches to beyond believability. How the script would stack up if it were made today could be debatable, but for this time it’s not plausible. With action movies come typical clichés. You have Joe’s wife who is cheating on him and giving the old “You’re never around” speech and you have his daughter whose profanity laced tirades are instigated by just the mere sight of him. It gets old very quickly. And you have this sub plot of a police lieutenant and his subordinate starting their own investigation into Joe and Jimmy trying to find out what they’re up to and perhaps be the ones to crack the case. Finally, I did not like the climatic ending as it felt like something out of a cartoon. I think they could’ve done something better than what was shown on screen. I could go on, but if you can overlook these things and see the film for what it is you’ll enjoy it better.

Overall “The Last Boy Scout” is a funny and fun action movie. It’s a film that holds up by its sheer weight to be enjoyable. It’s not the most memorable film of Tony Scott’s films nor Shane Black’s scripts. It’s an artifact that is buried deep within the grounds of countless action movies. It’s worth watching once to see what Scott and Black were attempting to do. Unfortunately, the movie was not a success to green light a series like what they’ve done with “Lethal Weapon”. Ironically, Wayans plays Murtaugh in the aforementioned television series. I’m sure it had something to do with his role as Dix. Everything always comes full circle.

TRIVIA

  • Although they play buddies in the film, Bruce Willis and Damon Wayans hated working with each other.
  • Composer Michael Kamen hated the film when he first saw it. The only reason he provided the score was out of his personal friendships with Bruce Willis and producer Joel Silver.
  • The conversation between Joe and Jimmy about the 650 dollar pants was taken from a deleted scene in Lethal Weapon (1987). Murtaugh’s daughter is wearing an expensive dress for a New Year’s Eve party and he asks, “It doesn’t have a little television in it?” She says, “No”, and Murtaugh mutters, “I am very old.”
  • A riot nearly occurred during filming at the Los Angeles Coliseum. Hundreds of extras were recalled for a second day of shooting, but a last minute decision was made to cancel the recall. The extras were not informed of the decision and arrived expecting a day of work. They were refused pay by the production, and as discontent grew, they began to surge against the barrier that surrounded the set. Riot police were called in to disperse the crowd.
  • Jack Nicholson was the first choice for the part of Joe Hallenbeck.
  • Mel Gibson was considered for the role of Jimmy Dix.
  • Billy Cole’s last words “Ain’t life a bitch?”, before committing suicide, was originally “I’m going to Disneyland.”, a common phrase among Super Bowl winners.
  • Joe (Bruce Willis) mentions “reindeer goat cheese pizza”, which Willis also mentioned in Hudson Hawk (1991).
  • Released in U.S. theaters the day before the one-year anniversary of the day that Look Who’s Talking Too (1990) was released in U.S. theaters. This film also starred Bruce Willis and Damon Wayans as buddies, although they simply provided the voices of two characters.

 

AUDIO CLIPS

Witnessing The Death of Football

Pretty Good Cigarettes

Remember That

She’ll Be Screwing Them By The Time She’s Fourteen

I’m Not The One That Hates You

Go Stick Your Head In The Speaker

Filling In

Ask Your Wife

Leather Pants

New Invention Called A Razor

Circumvent

The Man Who Invented Scrabble

Goat Cheese Pizza

What Happened To Your Face?

Billions, That’s Nine Zeroes

You Couldn’t Nail A Two Dollar Whore

Think Jimmy

I Want To Know What’s Going On

 

 

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Mr. Stitch

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Mr. Stitch

Release Date: August 17, 1996

Genre: Sci-Fi

Director: Roger Avary

Writer: Roger Avary

Starring: Wil Wheaton, Rutger Hauer, Nia Peeples, Ron Perlman, Michael Harris

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

For those that have followed this blog from the beginning, you might recall a review I did for a Sci-Fi Channel original movie entitled “Evolver!” If you haven’t seen the post before, don’t worry you still can. All my posts are archived 😊 It’s one of my favorite made for television movies. The movie represented a time in the 90s when the Sci-Fi Channel was really coming up in the cable world and its popularity would spawn its own original movies. Another movie I recall seeing when it first came out that I discovered again was a movie called “Mr. Stitch!” I remember seeing the trailer for it where it was just a man all wrapped up in giant bandages in front of an all-white screen. As an impressionable pre-teen during the day I was overwhelmingly excited to see this. I don’t recall watching it when it premiered, but I remember I was quite fond of the idea, concept and execution. Watching it again not too long ago I double down on my comments. For a movie that is twenty-three years old, it still holds up despite some moments of outdatedness. With that let’s get to the synopsis of “Mr. Stitch!”

“Mr. Stitch” stars Wil Wheaton, best known for playing Ensign Wesley Crusher in “Star Trek: The Next Generation” as an androgynous human made from body parts and skin from various donors and chooses to be a man despite not having the sexual organs of one. He was created by a group of scientists led by Dr. Rue Wakeman (Rutger Hauer). He’s referred to only as ‘Subject 3.’ Later he chooses a name for himself. He is now ‘Lazarus’ after the biblical character.  At first, Lazarus is obedient and follows commands and performs his tests.  As Lazarus learns more about himself he begins having memories and nightmares from the lives of his donors. They offer clues as to the identities of those who inhabit his body while simultaneously torture him. This creates a rift between his relationship with Wakeman. Wakeman realizes he is losing control over Lazarus as he is developing independent logic and feeling. Lazarus realizes that Wakeman is hiding secrets from him causing him to no longer want to work with him. Psychologist Dr. Elizabeth English (Nia Peeples) is assigned to help Lazarus deal with his tension between Wakeman and deal with his nightmares and with it develop a sense of trust with other humans. They start to get close until Lazarus mentions a phrase that triggers English as it is a phrase that said to her from her deceased science partner and lover Dr. Frederick Texarian (Ron Perlman). Lazarus starts to be overwhelmed by being trapped in the ward and requests to see the outside world which is immediately rejected by Wakeman. He sneaks out and investigates Wakeman’s true intentions with him. Lazarus understands what his purpose is and must find a way to stop Wakeman’s plans as well as make amends with English.

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Written and directed by Roger Avary, “Mr. Stitch” is essentially a modern day retelling of “Frankenstein.” You have the Scientist who is looking to create a human being from dead (in this case created by tissue and organs of deceased humans) and you have the monster, which in this case is aware, functional and intelligent compared to the monster of the classic tale. It has the same elements in terms of the scientist creating this new life and teaching it how to interact with others and how to function with the purpose that is only known to them. You have the monster that is trying to learn, but starts to become resilient and unbalanced. The two will clash into this tug of war over power and control.

About ninety percent of the film takes place in this ward where everything is white. The scientists wear white suits and Lazarus is bandaged in all white. To me it represents both the first light we see when we are born as well as a state of purgatory where we are trapped in this area and are waiting to get to the outside of what lies ahead (for Lazarus this would be the outside world). We don’t see the outside of the ward until the near climax of the movie and several flashback scenes that Lazarus experiences as nightmares. Only other color we see in the movie is a black couch similar to a top hat that acts as Lazarus’ bed and the snot colored goo that comes out from a giant eyeball called the Observation Eye that watches Lazarus’ every move and from a device that measures and records his brain wave pattern when he is asleep (both are destroyed by Lazarus in a fit of anger).

Rutger

The look of Lazarus is comprised of numerous pieces of skin from all different colors of humans (Black, White, and Brown). His eyes have different pigments of color. His hair is long and frazzled, almost like a witch. Although he is androgynous, he identifies himself as man due to his strength and anger that is to be more in common with a man than a woman. I give the makeup department credit for creating a creature like this to represent that we are all human begins regardless of race, color, sex and creed.  I think that was Avary’s intention as well.

“Mr. Stitch” has some unique shots and visuals. What stood out to me are the choice of lenses that were used in certain scenes. For example, the “think tank” office of the scientists is shot like they are working inside a bubble. To me, the bubble represents the inner circle of those who are in it as to their research and their plans as to what to do with the research they are developing. The climax scene is deep underground and has a glossy watery effect that surrounds the confronting characters. Based on your impressions it gives you either a dream like effect or an effect if someone where high on drugs.

The pacing is a little uneven, but it doesn’t take away from the plot. Music is incorporated in practically every scene and it’s appropriate for what is happening in the scene. There is heavy metal during Lazarus’ bouts of anger or paranoia. There is a dreamy soft guitar sound during a hypnosis scene. Each piece of music sets the tone for what is happening.

The movie contains a very small cast with the majority of screen time belonging to Wil Wheaton and Rutger Hauer. Both of them I felt did a good job with their performances despite some flaws in the script. Wheaton starts out as very calm and compliant as he performs the tests that Hauer has him do. He’s quite intelligent by quickly developing his self-awareness and heightened sensibility. He is hostile to the scientists, but finds a soft and calming nature when he is around Dr. English. He develops a deep sense of trust and in some cases, love when they are together. Wheaton is able to channel his emotions of the character in the appropriate scenes throughout the film.   Hauer portrays Dr. Wakeman as a teacher and somewhat of a father figure to Lazarus. He is cautious with his responses to Lazarus’ questions and steers him away from anything he sees as a threat to his control of him. Hauer was very unhappy with the writing of the movie that he disregarded the script and began to improvise his scenes to match what he felt was more logical of his character and the story. I honestly can’t tell you that I was able to pick out which scenes he improvised, but that’s what makes him a great established actor was that he knew more about the character than what Avary had on paper.

Nia

The rest of the cast includes Nia Peeples as Dr. Elizabeth English who is brought in to help Lazarus deal with his dreams and nightmares. She builds a rapport with Lazarus during their sessions together. As they get to know each other, she becomes slightly distraught at what she discovers about him. Her feelings for him come full circle in the climax of the film. Peeples is very attractive and gives a soft touch to the films constant hostility between the two main characters. The other main performance comes from Michael Harris as General Hardcastle, who is the head of a secret government organization called ‘The Outfit’ and is in charge of the project. He shovels billions of taxpayers’ dollars to Wakeman and his team with the goal of creating a superior human being that could be used not only in warfare but to take down the bureaucrats in Washington so he can remodel the government in his own vision. He is the real antagonist of the movie. This was perhaps the weakest and most laughable performance of the movie. His dialogue reminds me of something a professional wrestler would say, but he gets what’s coming to him and it’s very satisfying. There is also small appearances from Ron Perlman as Dr. Texarian, the original team leader of the Stitch Project, Taylor Negron as Dr. Alan Jacobs who replaces Dr. English and gets a not so warm welcome by Lazarus and Make Up Effects Guru Tom Savini as a scientist.

“Mr. Stitch is available to watch on YouTube since it’s hard to find any video copies. I think you would enjoy watching this made for television movie. It’s a creative take on an original monster story. It doesn’t drag and keeps your attention with every scene. I wish the Sci-Fi Channel would make more of these compelling films than cheap monster movies involving five headed sharks or a yeti with the speed of a greyhound dog. Really makes you miss the 90s.

 

TRIVIA

  • Part way through production, Rutger Hauer completely discarded the script and refused to do any scenes from it. The majority of his scenes were improvised by the actor. Later, Roger Avary was forced to rewrite the remaining script to match up with Rutger’s footage.
  • This movie was the first “original” aired by The Sci-Fi Channel (now Syfy). It would be a few more years before they started advertising their made-for-TV movies as “Sci-Fi Originals”, but they did advertise this quite a bit as new and never-before-seen.
  • Was meant to be a pilot for a proposed television series. After Rutger Hauer gave up on the movie, the series was sunk.

AUDIO CLIPS

Story of Frankenstein

Do We Have Any More Weights?

Reference To A Word I Have No Meaning

I Do Seem To Have A Knack For Fisticuffs

An Improvement of Nature

I’ve Chosen A Name

Residue Thought

Feet First

Classified Territory

I Dream About An Elephant

Happy To See You

I Will Skin You Alive

I Want To See The Outside

Should Be Teaching Preschool In Florida

Jacobs Tortured

Get Out Of The Car

General Hardcastle’s Speech

No Escape

 

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No Escape

Release Date: April 24, 1994

Genre: Action, Drama, Sci-Fi

Director: Martin Campbell

Writers: Richard Herley (Novel), Michael Gaylin and Joel Gross (Screenplay)

Starring: Ray Liotta, Lance Henriksen, Stuart Wilson, Ernie Hudson, Kevin Dillon

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 

Wow! We’re already into the second review of 2019 (I promise I won’t be counting the number of reviews done)! For the next ‘Guilty Pleasure Cinema Review,’ we’re going back to the year 1994. During this year in cinema we had “Forest Gump.” “Pulp Fiction” and “The Shawshank Redemption” (just to name a few). Of course, those movies were mega blockbusters, and all competed for the Best Picture Award at the Oscars. 1994 also had some movies that were overlooked and turned out to be very good in this reviewer’s opinion. We’ll be reviewing one of those movies right now. This week’s review is the dystopian future action/sci-fi flick “No Escape!”

Directed by Martin Campbell, best known for making two of the best James Bond films (again in this reviewer’s opinion) “Goldeneye” and “Casino Royale,” “No Escape” is set in the year 2022 and stars Ray Liotta as John Robbins, a highly trained ex-Marine who is imprisoned for life for murdering his commanding officer. After breaking out of two Level 5 maximum security prisons he’s sent to a Level 6 facility. After holding the Warden at gunpoint in a punishment scene, Robbins is exiled to a placed called “Absolom,” island prison hundreds of miles off the main land. The island is where they send the worst prisoners to live out their days in exile. Unbeknownst, Robbins is caught in the middle of a tribal conflict between the ‘Outsiders’ who are savages that live in the jungle and are led by the sociopathic Walter Marek (Stuart Wilson) and the ‘Insiders’ who are a cooperative autonomous community living a life of peace and purpose led by a terminally ill doctor called the ‘Father’ (Lance Henriksen). Robbins assists the ‘Insiders’ repel an attack from the ‘Outsiders’ and is asked by ‘Father’ to join the community. He refuses and intends to find a way to escape Absolom even though no one has escaped the island and lived to tell about it. The rest of the supporting cast includes Ernie Hudson, Kevin Dillon, Ian McNeice and Michael Lerner.

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“No Escape” is based off the 1987 novel “The Penal Colony” by Richard Herley. The film got mixed reviews upon its released and only made $15M out of a reported $20M budget making it a flop. Just because a movie flops at the Box Office doesn’t mean it’s a complete failure. I first saw the preview for this movie back in 1994 when I was nine years old. I stumbled upon the film later in life on Netflix. When I saw it was available to stream it refreshed my memory of the preview and gave it a shot. I went into the movie with little expectations, but after watching it, I felt the movie was a rare gem. There’s so much about this movie I enjoyed. Let’s go ahead and break it down.

First is the story. It’s nothing original as you can compare it to any other prison escape film, but it merges with elements of tribalism, authoritarianism and hope to make it compelling. What makes the story fresher is how likable the good characters are despite their alleged crimes for which they are banished to the island for. It’s reminds me of a line that Tim Robbins says in “The Shawshank Redemption” when replying to Morgan Freeman’s question as to how he ended up in prison with, “I’m innocent along with everyone else here.”  The movie sets up Robbins as a detestable character for what he had done. He was a Marine who killed his superior. You don’t know the reason why a man who served his country would do such a thing to one of his own. You find out later the reason for it and you sympathize with him even if it was still the wrong thing to do.

Next is the settings. We start the movie in a giant Level 6 prison that is surrounded by an endless windstorm. The industrial cold environment sets the tension between Robbins and the Warden. When Robbins is banished to Absolom, we get this beautiful spacious island with breathtaking views and luscious jungles where you have the freedom to do what you want. The island portion of the film was shot in Queensland, Australia. It does give the audience a sense of peace, happiness and hope as they are emerged in this environment. Heck, it makes me want to join up with the ‘Insiders’ and live a peaceful life where you contribute to the community, you’re far away from civilization and you don’t have to worry about money or bills!

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Third is the acting. There are some great performances from each character. Obviously, Ray Liotta is the star of the movie. I was surprised that he would take on a role like this given his resume and that he is mostly a dramatic actor. Liotta has always played a character of some authority whether it is a law enforcement officer or a gangster.  Of course, we all know him from his iconic portrayal of Henry Hill in Martin Scorsese’s mob classic “Goodfellas.” He played this role with enthusiasm and dedication. He starts off as this cold loner with the only goal of getting off the island. As the movie progresses, so does his feelings. While he still wants to get off the island, he finds compassion among the ‘Insiders’ and confines with ‘Father’ with what he had done to land him in prison in the way a Catholic goes to a priest to confess his sins. Liotta had not only the acting chops, but the brains and stamina as many scenes where he is fighting with the ‘Outsiders’ and using instinct and the land much in a sense as Rambo to subdue his pursuers. I loved everything Ray Liotta has done, this is in my top three favorite performances of his.

Another all-time favorite actor of mine is Lance Henriksen. His performance as ‘Father’ is a natural fit for him. His namesake is that of a man carrying for his children. In this, the people of his colony are his children and must do everything in his power to protect them. Henriksen has played a diverse role of characters throughout his career. This performance has similarities to his most known role portraying the android Bishop in the “Alien” movie franchise.

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The third most notable performance of this movie goes to Stuart Wilson, who plays the antagonist Walter Marek. Stuart Wilson is not a household name, but if you’re a movie buff, you may remember him from playing other villainous roles such as playing the main villain in “Lethal Weapon 3” and one of the villains in “Teenage Mutant Ninja Turtles III!” The villain role suits him well. Marek is a sociopath who is looking to dominate all of Absolom and enslave the ‘Insiders’ under the laws of the jungle. He takes over as de facto leaders of all the jungle tribes. Wilson gives a weirdly amusing performance full of laughs, jokes and downright brutality.

 

“No Escape” has the right amount of action that it doesn’t take over the rest of the movie. There’s enough explosions and battles to keep you on the edge of your seat. There are several shots including Liotta jumping off the waterfall that would be used again in director Martin Campbell’s follow up film “Goldeneye!” Campbell is an underappreciated filmmaker. He knows how to create action movies when he’s given the chance. He is one of three directors to direct multiple installments of the James Bond series.

If you’re looking for an under the radar action/sci-fi flick, look no further than “No Escape!” I’ve said previous that this is a rare gem flick and it still is. It doesn’t need over the top action nor an over preachy story to be enjoyable. If you’re lucky to find a copy of the film online or in your local video store, it is worth the money.  It’s a perfect flick to watch on a Saturday night with a buddy or two.

 

TRIVIA (Per IMDB)

  • Throughout the entire movie, there is not one single female character. There are only male characters.
  • The film is known in other countries as “Escape from Absolom”.
  • Filmed in Far North Queensland, Australia.
  • Ray Liotta agreed to take the lead role of Robbins, because he had always wanted to do an action movie, where he played a heroic character.
  • 400 extras played The Outsiders.
  • Most of the extras were European backpackers from local backpacking hostel’s in and around cairn’s north Queensland.
  • A special rig was set up for Ray Liotta’s stunt double, for the sequence which Robbins is shot in the neck by poison darts and falls into the water below, allowing the camera to follow the stunt performer as he falls.
  • After production was complete on the film, Martin Campbell was hired to direct the 1995 James Bond film “Goldeneye” and later, the 2006 reboot “Casino Royale”. “Goldeneye” bares some similarities with this film: The Goldeneye satellite, Bond getting shot with a tranquilizer dart, Boris Grishenko secretly working for Janus, Natalya taking over a helicopter and Alec Trevelyan falling to his death, in the hand to hand combat with Bond

 

AUDIO CLIPS

Don’t Ever Turn Your Back On Me Again

Absolom

Welcome To Paradise

Not In The Mood For An Interrogation

Wipe Your Feet

He Does That With Everyone

If You Like Roadkill

Two Shots Of Your Finest 12 Day Old

Find Forgiveness

Basket Weaving

Warden’s Dry Cleaning

No You Cannot Have My Shoes

I Thought You Were My Friend

Second Prize

We’ve Always Been About Survival

Come And Get It

 

 

 

 

 

 

RocketMan

RocketMan_(1997_film)

RocketMan

Release Date: October 10, 1997

Genre: Comedy, Family, Science Fiction

Director: Stuart Gillard

Writers; Oren Aviv, Craig Mazin, Greg Erb

Starring: Harland Williams, Jessica Lundy, William Sadler, Beau Bridges, Jeffrey DeMunn

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

When we think about Disney, we think about Mickey Mouse, Donald Duck and Goofy. When we think about Disney movies, we think about all those fairy tale adaptations such as “Snow White and The Seven Dwarves,” “Peter Pan,” and “Sleeping Beauty” (and many more). When we think about Disney today we think about how they’ve dominated the film industry with its acquisition of Marvel and the Star Wars Franchise. One thing most people don’t think about is some of the original movies they’ve released throughout their tenure. Disney releases original family-oriented movies and they’ve been doing it for as long as I’ve been alive. As a kid growing up in the 90s, many of these movies came out and at the time I found them to have all the elements of a Disney movie. They were funny, heartfelt and had an underlying positive message. There’s too many of these movies to name here, but for this next review I went back in time to the 90s to find a Disney movie that I really enjoyed. The one that stuck out is considered a cult classic by many. That the 1997 Sci-Fi Comedy film “RocketMan!”

Not to be confused with the upcoming Elton John biopic movie, “RocketMan” tells the story of Fred Z. Randall (Harland Williams) who is a computer programmer for a NASA Contractor. As a boy he always dreamed of being an Astronaut, but this is the closest he could get into the space program. He developed the Lander Program for the astronauts who are using it to train for their upcoming mission to Mars. After a confrontation with the astronauts concerning that the program has a glitch due to it miscalculating their landing trajectory, one of the astronauts is wounded in a freak accident. Putting the Mars mission in jeopardy, the mission’s Flight Director Paul Wick (Jeffrey DeMunn) enlists Randall to test along with another astronaut to join the Mars crew which consists of Captain William Overbeck (William Sadler), Julie Ford (Jessica Lundy) and Chimpanzee, Ulysses. After passing each test (which included breaking Overbeck’s records in each test), Fred is chosen to join the team. With that, there becomes one hiccup after another during the trip to Mars and when they arrive on Mars, much ado to Fred’s curious and clumsy nature. Will they make it out of Mars with their mission completed and return home safely?

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Released in 1997, “RocketMan” broke even at the box office reclaiming its reported $15 million budget. Reviews for the film were mixed with Roger Ebert giving it three stars out of four calling it “a wacky comedy in the Jerry Lewis-Jim Carrey mold”.  The film is more slap sticky in the Jerry Lewis sense rather than the Jim Carrey sense. The movie is silly with plenty of jokes and gags that will drive younger audiences bonkers. The older generation may not find this movie laughable and flat out stupid, but again this movie was intended for kids.

If you’re not familiar with Harland Williams, he has been a standup comedian since the early 90s with his outlandish improvisation style. His first film appearance would launch him into notoriety as the State Trooper in the Farrelly Brothers smash hit “Dumb and Dumber” who pulls the duo over for speeding and proceeds to take a drink of their opened “beer”.  He would go on to appear in longer roles in the movies “Down Periscope,” “Half Baked,” and the Tom Green disaster flick “Freddy Got Fingered”.  “RocketMan” would be Williams’ first leading role. His improv skills are on full display in this movie as the protagonist, Fred Randall. Williams plays Fred like a manchild. He’s thirty years old (almost a full-grown man in a quip with his mother) and like a child, he’s pure, heartfelt, clumsy and innocent. When he causes an accident, he responds the same way a child would, “It wasn’t me!” He gets easily excited when he sees the astronauts and other members of NASA and knows their specialty. It’s like he’s seen a movie star. He’s very curious and is on full display with his head movements and attention span. Above all, Fred finds ways to keep himself amused like waiting for his clearance badge or finding ways to make time fly during the isolation chamber test in a hilarious scene. Despite his quirkiness, Fred is a computer genius (he has to be if he’s working for NASA). It’s shown during the trip to Mars and through the climax of the movie. Williams provides moment after moment of silly over the top laughter in not just physical comedy, but also with his words and facial expressions. It would not surprise me if he deviated from the script.

The supporting cast is top notch and is doesn’t play a backseat to all of Fred’s screen time. William Sadler plays Mission Commander William Overbeck, the man who is destined to be the first person to step foot on Mars and into history immortality in the way Neil Armstrong did when he was the first man to land on the moon. Overbeck is not amused by Fred even objecting to the Flight Director about his qualifications about joining the Mars team. Bill has some fun at the expense of Fred by getting him drunk before his training, cranking up the speed in the Centrifugal Force Machine and initiating the artificial gravity on the rocket when Fred is floating and making bird noises. Unfortunately, he becomes the brute of Fred’s carelessness (and bodily functions in perhaps the most notable scene in the film). While not known for being a comedic actor, except for his performance of Death in a previous “Guilty Pleasure Cinema Review” film “Bill & Ted’s Bogus Journey,” Sadler is perfectly fitted for this role and playing it grounded and straight laced.

Jessica Lundy as Mission Specialist/Geologist Julie Ford is Fred’s love interest. She is determined, strong willed and is a bridge between Fred and Bill. She too is not amused with Fred’s actions but as the movie progresses she has a change of heart and sees that Fred does care about his role in the mission and cares about the success of all of them.

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Beau Bridges is another crutch for Fred as Bud Nesbitt. He gives Fred encouragement when Fred starts to get cold feet about getting into the rocket.  Their collaboration is key during a debate about landing on Mars when the weather patterns change from their earlier projections and Bud, attempting to avoid another disaster like the Apollo 13, tries to convince his boss Wick to reconsider the mission, much to no avail considering that Bud’s reputation at NASA is not credible by the others (they put the blame on him for what happen to Apollo 13). Bud is resilient and does what he can to ensure that the crew gets home safely.

Finally, we can’t forget about the chimpanzee, Ulysses. Played by a three-year-old chimpanzee named Raven, Ulysses has been trained to find fossils on Mars. He’s also Fred’s roommate. Him and Fred develop a special bond with each other, even when Ulysses plays pranks on him such as switching his food and taking his hyper sleep chamber. He’s as scared as Fred when they’re on the rocket, but Fred provides him a sense of comfort and calm. He provides as many laughs as Williams does throughout the movie.

The movie was directed by Stuart Gillard, whose mainly been a television director, but he has directed another kid friendly movie, “Teenage Mutant Ninja Turtles III” from 1993. Gillard carried that experience over to this movie. He did a great job keeping the film family friendly and focused. There’s no real unique or Dutch angle shots in the movie, which is fine. Kids aren’t focused on shots, they’re focused on what is happening in the movie with the characters and their locations. Speaking of location, I think they did a great job with the look of Mars. As stated in the trivia, the Mars scenes were shot in Utah. The red rock and lack of vegetation gave Mars the look of being distant and lonely.

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“RocketMan delivers plenty of laughs from ten years olds and adults. Not a single joke or physical gag is overused (except for Fred trying to point the blame on someone else). The pacing is fast which is a good thing. You don’t have to worry about scenes being drawn out for substance or trying to establish the characters. And like all Disney movies, “RocketMan” has not only heart, but morality. It shows that despite the personality differences between the crew, by working as a team they accomplish much. They stick together during their time in Mars and when trouble starts to come during the nerve wracking climax, they don’t leave without each other.

I would easily put “RocketMan” in my Top 10 Non-Disney Animated movies. This is a movie that has become a must watch at my household from time to time. It’s a movie that families will enjoy, and parents won’t have to worry about their children being exposed to violence or sex or other mature subjects. It’s a clean wholesome film that carries with you as you continue to grow old. There’s never a bad time to pop in this movie and enjoy the viewing experience with your loved ones.

TRIVIA (per IMDB)

  • When Randall is singing “He’s got the whole world in his hands” on the world broadcast, he starts faking singing in foreign languages. Ironically, he says in French: “Je suis le papillon sur la table”, which translates to “I am the butterfly on the table”.
  • For the surface of Mars, the filmmakers shot in Moab, Utah, where they found giant cliffs, red rocks, a lack of vegetation, and the overall scale of what could be a distant planet.
  • The filmmakers spent nine weeks at the Johnson Space Center, in Houston, Texas, shooting at the famous Rocket Park (the gargantuan Building 9 that houses all of the spacecraft mock-ups for the ongoing shuttle missions) and Building 32, which houses the world’s largest thermal vacuum chamber and simulates all conditions of outer space (except zero gravity).
  • To prepare for their roles as astronauts, the three stars attended Space Camp in Huntsville, Alabama, riding in simulators and participating in other activities.
  • The working title for this film was “Space Cadet”.
  • At one point in the film, the commander tells Randall, “Have fun.” Randall replies with “Fun is my Chinese neighbors middle name.” Disney was afraid that the joke would offend Chinese viewers. However, many Chinese fans actually found the joke to be very funny.

AUDIO CLIPS

Out For Justice

 

 

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Out For Justice

Release Date: April 12, 1991

Genre: Action, Crime, Drama

Director: John Flynn

Writer: R. Lance Hill (as David Lee Henry)

Starring: Steven Seagal, William Forsythe, Jerry Orbach, Jo Champa, Shareen Mitchell

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 

Whether you like Steven Seagal or your hate him, you can’t deny his accomplishments. He is a seventh degree black belt in Aikido and became the first American to teach the martial art in Japan. He’s been a Deputy Sheriff for Jefferson Parish in New Orleans for more than twenty years.  Lately, he’s been in the press as a Russian liaison to the United States and Japan working on improving relations between the countries. Of course, most of us will know Steven Seagal as an action star. Since he appeared in his first film “Above The Law” in the late 80s, Seagal has become a recognizable face in the action cinema world. He rose to fame in the early to mid-90s as a man who would always be asked who would win in a fight between him and his action peers such as Sylvester Stallone, Arnold Schwarzenegger or Jean Claude Van Damme. I haven’t reviewed an action movie in a while and looking through my movie collection, I noticed a bunch of Steven Seagal movies. I decided to review one but didn’t know which one I should review.  I took up an online poll to see which Steven Seagal movie I should write about. After a 24-hour survey, the overwhelming majority of votes went to his 1991 crime thriller “Out For Justice.” So, with that ladies and gentlemen, here is the review for “Out For Justice”.

Seagal plays Gino Fellino, a NYPD detective from Brooklyn where he has close connections with his neighborhood. After he and his partner Bobby Lupo are involved in a botched drug raid which leads to Gino intervening in an incident across the street where a pimp is assaulting one of his girls, Bobby is gunned down shortly after by Richie Madano, a mobster who grew up with Gino and Bobby. Richie is addicted to crack which has made him psychotic and act out on his homicidal urges which includes killing a woman at a traffic stop all because she asks him to move his car. After receiving clearance from his boss to track down and apprehend Richie, Gino uses his connections within the mob to find out where Gino is. The mob warns Gino not to get in their way, as they plan to take out Richie themselves. Gino is now in a race to find Richie and get to the truth about why he killed his partner before the mob can get his hands on him.

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The movie received mixed to negative reviews when it was first released. Despite those reviews, “Out For Justice” debut at Number 1 at the Box office and grossed a little over $40 million. As time has gone by since its initial release “Out For Justice” has developed a cult following.

The film takes place in Brooklyn and there’s plenty of moments in the film where Seagal is cruising around town talking to various citizens. Brooklyn is not like Manhattan with its giant skyscrapers, lights and exciting atmosphere. It’s a quiet and close-knit community. The movie gives it a neighborly feel as everyone seems to know each other by name. It’s a great montage to the ethnic diversity and history of Brooklyn.

Seagal is decent in his lead role as Gino, a cop with connections all over the neighborhood and uses those connections to track down Richie’s whereabouts. He also struggles with the duality of his job and his family. He has numerous “families” throughout the film. First, he has his own family in which he and his wife are going through a divorce and splitting custody of their son. Their relationship is strained in the beginning of the film but as the story progresses, they rekindle that love they have for each other and that whatever problems have been going on they can work it out and come out even stronger. The other family is his mob family. He is well known by the mob family led by Don Vittorio. Gino can easily come to him for information and have a mutual respect. The middle man between Vittorio and Gino is a man named Frank, whom also grew up with Gino in the neighborhood and become close friends. Frank keeps his eye on Gino not because his boss tells him to, but to also save him from making any mistakes that could trigger a retaliatory response.  The last families of Gino include consoling both his partner’s family and Richie’s parents. There is a powerful scene where Gino confronts Richie’s parents trying to squeeze any information they have on their son. His father, played by Dominic Chianese (Junior of “Sopranos” fame) tells the story of how he came to America with nothing and worked to provide for his family and give them a roof over their head and that Richie has been taken away from him by drugs. It gives you sympathy for the parents for what they are going through.

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The award for Best Performance in this movie I give to William Forsythe as Richie Madano. As I mentioned in the synopsis, Richie is a mafia enforcer who has become psychotic due to his addiction to crack. He is paranoid, suspicious of people and reckless. Forsythe portrays Richie as someone who has succumbed to his addictions that he can’t see straight. His crew is trapped with him and no amount of reasoning can convince Richie to control his impulses. People are fearful of Richie that they surrender to his will, especially when he shows up uninvited to the home of a girl who was once his hooker. He kills a woman in broad daylight in front of everyone when she honks the horn at him telling him to move his car and kills a friend of his in a wheelchair when he is questioned why he killed Gino’s partner and believing that he called the cops on him. His own family are fearful for their lives as you see in many instances throughout the movie. Richie Madano is a relentless character who the audience can easily despise and hopes that his day of retribution is coming.

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There’s plenty of action and violence to salivate the typical action movie fan. You can’t go wrong with shoot outs and hand to hand combat courtesy of Mr. Seagal. Seagal demonstrates his masterful Aikido skills in perhaps the best scene of the whole movie is when he interrogates Richie’s brother who owns a joint run by Richie, a bartender and its patrons. It’s amazing to see how fast Seagal’s hands move when taking down those who wish to do harm on him. Seagal is also a master sharpshooter in real life and you see that in several instances in the film including when he defends his family when members of Richie’s crew break into Gino’s apartment looking to terrorize his wife and son.

The only gripes I have with the movie is the lack of plot and character development, especially with Seagal’s family. You really don’t know what caused them to start going through divorce proceedings other than Gino’s job on the force has taken away from spending time with them. You don’t know much about Gino’s son except for his name. I also believe the title of the movie is misleading. There are also some small continuity errors due in part to the poor re-editing. Apparently this movie was even longer that dealt more with Richie and how he got into drugs, but Seagal had the Editor take a big chunk out because he felt that Forsythe was “overshadowing his great performance”. That’s why during the music montage you see a scene where Gino is talking to Frank and you don’t know what they’re saying because the audio has been drowned out by the music. The last gripe I have is with the theme of the movie. The title is “Out For Justice” but this is more of a revenge movie. Except for telling Richie’s parents that if they see him, he needs to turn himself in, his goal is to kill him, not arrest him and stand trial for the murder of his partner and other crimes he has committed. Yes, Gino is dealing with a personal tragedy, but in the real world the cops need to ascertain the suspect alive. You only kill the suspect is if he is engaged in attacking the officer.

As Steven Seagal movies go (before they went downhill starting in the late 90s), “Out For Justice” is up there among the best of his movies. This is in my Top Five Favorite Steven Seagal movies. It’s a fast-paced movie with plenty of action, violence, a balanced widescreen framing and a good cast to give it lasting appeal. It’s a movie that is relatable to the audience with its close community feel. This is perhaps the last movie where Steven Seagal is in prime form.

 

TRIVIA

  • Gino fights a character called Sticks in the bar, played by veteran martial artist Dan Inosanto. He was one of Bruce Lee’s best friends and one of the three people Bruce let train others in Jeet Kune Do. He is also a master stick fighter and has studied multiple disciplines like Escrima and Silat and was the person who taught Bruce Lee to use nunchaku.
  • According to William Forsythe, Steven Seagal told Forsythe, “You really need to work on your Brooklyn accent.” Forsythe, a Brooklyn native, replied, “Trust me, YOU do.”
  • The only Steven Seagal movie between 1988 and 1998 to not feature a single explosion.
  • Steven Seagal declared in an interview that the movie’s bar brawl was his personal favorite among all fight scenes he’s done.
  • Whilst on the production set, Steven Seagal claimed that due to his Aikido training, he was ‘immune’ to being choked unconscious. It has been alleged that at some point Gene LeBell (who was a stunt coordinator for the movie) heard about the claim and gave Seagal the opportunity to prove it. LeBell is said to have placed his arms around Seagal’s neck, and once Seagal said “go”, proceeded to choke him unconscious. After refusing to comment for many years, LeBell confirmed the story in 2012 and said that after Seagal fell unconscious, he proceeded to defecate and urinate himself. Whenever Seagal has been asked about the incident, he has constantly denied the allegations.
  • Julianna Marguiles was cast specifically by Steven Seagal for her role in this film, but she didn’t enjoy working with him at all. She later said in an interview that she used to see Seagal working on projects for Warner Brothers while she was a regular on “ER”, and he would always say “Marguiles, come over here and show me some respect”. She bluntly said, “He’s not someone I keep in contact with.”
  • The movie was originally over 30 minutes longer, which included some more plot details and character development. Steven Seagal cut some of William Forsythe’s scenes because he felt that Forsythe was upstaging him. Also, editor Michael Eliot re-edited the original cut of the movie. He did the same job with some other Warner Bros movies. Some scenes were deleted and some others were cut down for pacing. This is why there are two montage scenes with no dialogue in the finished film. Re-editing also caused some minor continuity mistakes.
  • During the filming of the showdown between Gino and Richie, Steven Seagal broke William Forsythe’s front tooth when he shoved his face into a brick wall.
  • To date, this is the only Steven Seagal movie shot in New York.
  • Steven Seagal was difficult to work with during filming. At one point, he was driven to tears on set when a light went out in his trailer. He attempted to blame the mishap on a Teamster and have him fired, but was unsuccessful.

 

AUDIO CLIPS

Quick Change

Quick Change

Release Date: July 13, 1990

Genre: Comedy, Crime

Directors: Howard Franklin and Bill Murray

Writers: Jay Cronley (Book), Howard Franklin (Screenplay)

Starring: Bill Murray, Geena Davis, Randy Quaid, Jason Robards

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 

Do you ever flip the channels on your television and find a movie you’ve never seen nor heard of, but decide to check it out? I’m sure you have done that as many times as I have, but did you watch it all the way through and at the end you really enjoyed it and wonder why you’ve never heard of it before? That happened to me about fourteen years ago. I came home from school, turned on the television and flipped it to Comedy Central to see what was currently playing. The first image that appeared was Bill Murray dressed up as a clown. “What Bill Murray movie is this?” I asked myself. I’ve seen practically every Bill Murray movie that had been released at the time except for “Lost In Translation”. After the first commercial break, the Comedy Central logo appeared in the corner along with the ‘Now Watching’ header underneath. The name of the movie that appeared next was “Quick Change!”

I watched the movie all the way through and thoroughly enjoyed it. I talked about it the next day with my friends and they were amazed that they never heard of that movie either. Fourteen years had passed, and I completely forgot about seeing the movie until I found it on DVD at the local store I go to where I pick up most of my movies. My eyes were filled with delight as those memories of the first watch through being to fade in and out trying to remember it. I picked it up and watched it again. I forgot how great this movie was from a plot standpoint and an execution standpoint.

Released in 1990 “Quick Change” is based off the 1981 novel of the same name by Jay Cronley. Murray plays a man named Griff who is fed up with his life and the way things are going. Together with his lover Phyllis (Geena Davis) and his dimwitted best friend Loomis (Randy Quaid), they decide to rob a Manhattan bank. Griff, dressed as clown sets up a hostage situation and slips away with $1 million dollars. The robbery is smooth and goes as planned. Next comes the getaway where the plan is to escape to the airport and fly to Fiji where they will live out their days in paradise. However, the getaway becomes a nightmare as the trio get involved in untimely situations that stall their plan. It takes pure luck and convincing from Murray to get out of the jams they find themselves in. In addition, they are being pursued by the New York Police chief Walt Rotzinger (Jason Robards) who is using every resource he can find to capture them before they escape and cause another blemish on the force that is scrutinized by the media and the public. Will Griff and his pals finally reach their destination, or will their luck run out when they are finally captured by Rotzinger and the New York Police?

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Despite not being a commercially successful film in theaters, “Quick Change” received overwhelmingly positive reviews for its cleverness, execution, cast and plot. It’s a film that can be relatable in the real world since there’s robberies that happen almost every day, some with success and some with failure. Like its title, the film changes pace and situation in a seamless transition. Yes, the trio of Murray, Davis and Loomis commit a criminal act, but there is some heart in the movie, especially during some points where Griff decides to put his pals’ feelings over his. It keeps you on the edge and gives the audience the choice of whom they want to see succeed.  Do they want to see the robbers succeed or do they want to see the cops succeed?

This film was Bill Murray’s directorial debut as he co-directed with Howard Franklin, a man whom he would collaborate later in his career. Some people criticized the direction of the film due to the fact there are two directors. Having two directors is quite common in the film world. It’s all about collaboration and that the two directors have an ideal vision of what they want to achieve. With this film, Murray’s directorial involvement is with his character, his friends and the situations they are in, which is fine. Bill Murray knows what Bill Murray wants.

I enjoyed the cast of the movie. I felt the trio of Murray, Davis and Quaid got along great. Murray is his typical smartass self as Griff. He manages to stay cool under enormous pressure during the many u turns they have as they desperately try to get out of the city. Like its title, all three characters go from being ecstatic that they pulled offed a seemingly flawless heist to slowly dissolving in misery, desperation and fear. Their trust in each other melts slowly as they continue to be stuck in the city trying to find their way to the airport to make their escape. Murray’s smartass quips and razor-sharp delivery are a staple of this movie as they’ve been in many of his appearances throughout his career.  Davis, not known as a comedic actress did very well in this. She has some funny moments in the film, but plays it straight laced overall. You feel the love she has for her partner; Griff and their relationship gets put to the test throughout the second half of the movie. And of course, there’s Randy Quaid, who plays the typical goof as you’ve seen him play throughout his career. Loomis reminds me of the character ‘Mugsy’ from the Bugs Bunny cartoons. He’s dimwitted and makes tiny mistakes that jeopardize the plan. Quaid becomes the more desperate of the characters as he starts to cry and howl about wanting to get out. There is a great scene involving him and a taxi driver as they try to reach their destination.

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Finally, there’s veteran actor Jason Robards who plays New York Police Chief Rotzinger. Robards provides somewhat of a calm demeanor to the craziness unfolding throughout the movie. He methodically uses his police skills to track where they’re at in the hopes of catching them before they escape. There is one thing Rotzinger has in common with the three runaways. They all have a disdain for New York City. There is a moment in the film where Rotzinger is looking out the window and wonders what he could’ve been or how did he end up in New York City for practically his entire career. It’s a reflective moment indeed.

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Besides the main cast, look out for some notable faces throughout the film that have small appearances. Those faces include Phil Hartman, Jamey Sheridan, Stanley Tucci, Kurtwood Smith and Tony Shalhoub, who has the longest screen time of the above-mentioned people. He’s quite funny in his performance although I think his screen time could’ve been cut down significantly because the audience gets the point of his character and what he is all about.

The plot is lightweight in comparison to other films of this nature like “Dog Day Afternoon.” Don’t let that take you away from the rest of the movie. This movie works with the limitations it provides in terms of characters and setting. It’s incredible how the characters can dodge bullets when they get trapped in a situation where the audience believes they can’t get out of. Fate and luck work within the characters’ favors. No time is wasted through its 89 minutes in duration of adding plot points and characters that are unnecessary to the overall theme and concept and no joke is overplayed or overused throughout the movie. Credit goes to Howard Franklin for focusing on the source material of Jay Cronley’s book to write the screenplay. He manages to make a heist film “likable”, which is very hard to do.

“Quick Change” is truly an underrated comedy film. To me, it ranks high up there in Bill Murray’s filmography. It’s a movie that doesn’t need the bright light promotions or the mega box office money to be considered a success. It’s a successful film in terms of its smart writing and clever filmmaking. It’s an homage to a lot of cat and mouse movies from earlier film periods. You may have a hard time finding this movie in video stores, but there’s a reason why eBay, and Amazon were created. You need to check this movie and out and see for yourself. You will not be disappointed in this. It’s a break from all the mundane comedies that are currently out today.

 

 

TRIVIA

  • This is the only film directed by Bill Murray
  • Bill Murray once said of this movie in an interview: “Everyone will enjoy this movie. But New Yorkers will enjoy it especially because they know how bad their city really is.” In another later August 2010 interview with Dan Fierman of GQ Magazine, Murray said: “It’s great. It’s a great piece of writing. And how about the cast? You couldn’t get that cast together for all the tea in China right now. I mean, Stanley Tucci, Tony Shalhoub…”.
  • When original director Jonathan Demme became unavailable, writer Howard Franklin and producer Bill Murray couldn’t agree on who would be a good director for the project. So, they decided to do the job themselves.
  • The Mexican flower woman at the airport who cries “Flores! Flores para los muertos!” is a tribute to A Streetcar Named Desire (1951) in which a Mexican flower woman cries the same phrase outside Stanley Kowalski’s apartment. It also could be a reference to Who’s Afraid of Virginia Woolf? (1966), another film about a bickering couple.
  • Ron Howard was approached about directing the film, but he turned it down. Howard declined directing the movie because he felt there was no character to root for.
  • The name “Loomis” would have to be considered unusual, if not rare. It is odd then that Randy Quaid played Loomis in this movie but had previously played a character named Sheriff Loomis in the 1986 movie, “The Wraith”, starring Charlie Sheen.
  • The watch that the bank employee tries to give Grimm (Bill Murray) is “an Audemars Piguet, Moon Phase, 18-karat gold, alligator band” watch. He states the value is $12,000 but appreciates daily. It may be a coincidence, but in Bill Murray’s SCROOGED, he is wearing the same watch, which can be seen when he checks the time in the restaurant (before the waiter lights on fire), expecting to see his first foretold ghost.

AUDIO CLIPS

Hiatus

Hello everyone!

I apologize for not posting reviews lately.  I’ve been busy with a lot of things: work, vacation, other personal matters.

I wanted to give you a heads up that I’m going to take a small hiatus from posting reviews. I have some personal events coming up in September that need my attention.

However, I will be returning in October to do a month long review special review in lieu of the Halloween season. I’m going to be reviewing my “Most Guiltiest Pleasure Horror Movies”.  I will be dedicating the spare time I have in September to watch and review five horror movies that fit this category. I will post one a week up until Halloween. I’ll be spending the time next month watching, researching, analyzing and of course picking out some hilarious clips.

I want to say Thank you to all you viewers out there. I appreciate all of you who have supported this blog. I hope you have enjoyed reading these blogs as much as I’ve enjoyed writing them.

I’ll see you soon.