The Long Riders

 

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The Long Riders

Release Date: May 16, 1980

Genre: Biography, Crime, Western

Director: Walter Hill

Writers: Bill Bryden, Steven Smith, Stacy Keach, James Keach

Starring: David Carradine, Keith Carradine, Robert Carradine, Stacy Keach, James Keach, Dennis Quaid, Randy Quaid

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 

 Perhaps the most overlooked filmmaker that I can think of in recent memory would be Walter Hill. While he’s most known for being a writer and an executive producer most notably with the ‘Alien’ franchise, he has several well-known movies that he directed throughout the 70s and 80s. You may have seen a movie from these eras not realizing that it was done by Walter Hill. Does ‘The Warriors’ ring a bell? How about ‘Streets of Fire?’ I’m sure you have seen the Nick Nolte/Eddie Murphy buddy comedy/crime film ‘48 Hours!’ Hill has created films from different genres that have a unique look and style that help tell the story of what he is trying to convey. One movie in his filmography that has always stood out to me is his 1980 Western Crime movie ‘The Long Riders!’

Featuring an ensemble cast of acting brothers, the movie depicts the James-Younger gang and their outlaw antics after the Civil War. Throughout the state of Missouri, they rob banks, trains and stagecoaches. The leaders of the gang are Jesse James and Cole Younger followed by their brothers. Their antics would lead to the Pinkerton agency, led by Mr. Rixley being hired to capture the outlaws. Some of the tactics they use to get information regarding the gang go haywire to the point that the gang seeks vengeance on the agents. As the gang prepares their biggest heist in Minnesota, tensions start to flare within the gang. Would they be able to overcome their objections and hostility towards each other to pull off their biggest score? Or will they crumble under the pressure of not only the law right behind their tails, but what impact their deeds have had on their families?

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‘The Long Riders’ was an ambitious project of actor James Keach. After he and his brother Stacy played The Wright Brothers in the television film of the same name, James came up with the idea of doing a movie about Jesse James and his gang with James playing Jesse and Stacy playing Frank James. After several years, James and Stacy ponied up much of the funding to get the film made. For the rest of the gang, they enlisted the Carradine brothers to play the Younger family. David Carradine played Cole Younger, Keith Carradine played Jim Younger and Robert Carradine played Bob Younger. For the Miller brothers, James enlisted the Quaids to fill out those roles with Randy Quaid play Clell Miller and Dennis Quaid playing Ed Miller.

The concept of having real life acting brothers play brotherly characters in a movie is ingenious. All the performances are not only different in personalities, but contemplative of each other and throughout the movie. James Keach and David Carradine as the leaders of the gang show off their leader mentality with James being the architect of their plans. While David Carradine’s Cole Younger is a man who likes to gamble, drink and have fun in between robberies, James Keach’s Jesse James is always serious and straight laced. All he thinks about is his family and his next score. Keith Carradine’s portrays Jim Younger as a handsome, charismatic gunslinger who is a genuine smooth talker. His issue in the film involves the woman he is in love with who ends up taking the hand of Ed Miller against his advice. Robert Carradine’s Jim Younger is the babyface of the group and Robert plays it with ambition and friendly. He’s so friendly he shakes the hand of the man whose stagecoach is being robbed by them. Randy Quaid trades his comedic chops for a brute intimidating portrayal as Clell Miller whose loyalty is only to the gang and not to his brother Ed, which you’ll see throughout the movie. Dennis Quaid has the less screen time out of all of them for reasons that are depicted early in the film. The screen time he does have involves a triangle he has between his wife and his gang.

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‘The Long Riders’ is the most historically accurate film of the James Younger gang I could think of in a long time. Hill’s real intention is to present us with a gang of three families of brothers and get us to accept them on their own terms. We see the gang not only as rough riding outlaws, but devoted family men which gives the characters a sense of heart.  The movie starts out at the height of their notoriety and ends with its untimely downfall. Not only is the timeline of events sequential, but Walter Hill manages to show the customs of life in post-Civil War times. There is a concentration on familiar rituals as funerals, family reunions and relationships between loved ones, but also on common Western rituals such as brothels, saloons, knife fight challenges and of course the robberies.

The music and cinematography only heightened the authenticity of the movie. The original score was written and performed by Ry Cooder. He is best known for his ‘roots’ music style with an emphasis of using slide guitar techniques. There’s plenty of guitar, harmonica and fiddles to fill your ears as you immerse yourself in each scene. The look of the film is rustic, yet beautiful. From the green pastures of Missouri to the tiny towns, to the rivers and forests, you’ll be amazed at the open landscape that is depicted throughout the film.

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And what is a Western without action? Nothing. ‘The Long Riders’ has plenty of action. You have vindictive shootouts between the gang and the Pinkertons. You have train robberies, bank robberies and stagecoach heists that are filled with tension and humor. And there is a knife fight between Carradine and the husband of a hooker he knows complete with both biting down on a belt as they try to slash each other. The action weaves into the story with fluidity. Some of the deaths are gory for a Western movie. There’s no skimping of blood or bullets in the scenes.

‘The Long Riders’ may not have a lasting impact among the mainstream Western movies, but this is one of the more memorable ones I could think of in a long time. There’s never a dull moment or a scene that drowns out long. It keeps your eyes forward at the screen as you watch the journey of the Cole Younger gang and its ultimate fall like the Corleone family in ‘The Godfather!’. Walter Hill delivers a sympathetic piece to one of the most notorious gangs in American history.  To Hill, good and bad aren’t on opposite sides of the coin; they share the edge.

 

TRIVIA

  • Dennis Quaid broke his nose during the making of this film as he did three years later on Tough Enough (1983).
  • The roles of Jesse James and his son, little Jesse, are played by father and son, James and Kalen Keach.
  • Originally Jeff Bridges and Beau Bridges were going to play the Ford brothers, but they could not fit it in their schedules.
  • Stuart Mossman, who played the “Engineer,” was a renowned guitar maker and friend of the three Carradine brothers, who all owned Mossman guitars.
  • In order to make the movie, David Carradine forfeited his customary profit participation and the Keach brothers gave up their profit percentages as executive producer in order that the Carradine brothers got the same amount of profits. When the film went over its $7.5 million budget, the Keaches forfeited their executive producer fees.
  • The film features an uncredited appearance by Ever Carradine, daughter of Robert Carradine and niece to David Carradine and Keith Carradine.

 

AUDIO CLIPS

Standing Guard

You Got Nice Hands

Women

When You’re Old Enough To Call Yourself A Lady

Shelby Weren’t At Cole Harbor

Jesse James Rides With The Youngers

How Come I Wasn’t Invited?

Fire Away And Fall Back

Amazingly Stupid Question

What’s To Know About Robbing A Bank?

On Your Way To Hell

Pinkerton Man

Tell You Something About Texas

Any Visitors While I Was Gone

Family Man

Take The Damn Bank

 

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The ‘Burbs

 

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The ‘Burbs

Release Date: February 17, 1989

Genre: Comedy, Mystery, Thriller

Director: Joe Dante

Writer: Dana Olsen

Starring: Tom Hanks, Bruce Dern, Carrie Fisher, Rick Ducommun, Corey Feldman, Wendy Schaal

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 There’s no arguing that Tom Hanks is one of the greatest actors to appear on the big screen. He’s brought to life some of the most memorable characters of the last thirty plus years. He’s played iconic fictional characters Andrew Beckett in ‘Philadelphia’ to Forrest Gump in the film of the same name to Woody the Sherriff in the ‘Toy Story’ franchise. He’s also portrayed living heroes such as Jim Lovell in ‘Apollo 13’, Captain Chelsey “Sully” Sullenberger in ‘Sully.’ and Walt Disney in ‘Saving Mr. Banks.’ Hanks started his career in the field of comedy before he became a serious actor. Most of the films he was in during that era are considered cult classics. For this edition of ‘Guilty Pleasure Cinema Review’ I decided to re-watch one of his movies from the 80s that is perhaps my personal favorite, which is 1989’s ‘The ‘Burbs!’

The film is a comical satire of life in a suburban neighborhood. Hanks plays Ray Peterson, who is on vacation from his job hoping to come back to work with a clear head. Despite the requests from his wife Carol (Carrie Fisher), he decides to stay home during his vacation. Along with his neighbors, former military serviceman Mark Rumsfield (Bruce Dern) and next door mooch Art Weingartner (Rick Ducommum) they begin to investigate their new neighbors the Klopeks. No one in the neighborhood has seen them nor have met them. Strange things start to happen to only add to their curiosity such as massive power surges coming from the Klopeks’ basement, giant bags of garbage being dropped off in the front and digging up the backyard on a dark rainy night. Art tries to convince Ray that the Klopeks are part of a Satanic cult. And when one of their neighbors disappears leaving his dog behind, they are convinced that something has happened to him considering he is next door to the Klopeks. Art, Ray and Mark team up together to uncover what the Klopeks are hiding.

Directed by Joe Dante, best known for his films ‘Gremlins,’ ‘The Howling,’ and ‘Piranha’, this movie is radically different from his known work. Fans of Joe Dante have nothing to fear as he creates something that is original, simple and funny. This movie was a test for him to get out of the horror label (even though he is considered one of the Masters of Horror) and he passed with flying colors. There’s not a dull moment in this movie.

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‘The ‘Burbs’ is not so much about the plot (which is admittedly thin and which the critics are too concerned with) as it is about the characters who become entangled within it. The plot is simple where you don’t need to read between the lines as to what is happening. Instead Dante makes the audience focus on the action that is taking place. The pacing provides gives the audience plenty of time to laugh and take a breather before the next scene.

The movie doesn’t rely on special effects or any other tricks as the comedy is unfolded through not only physical effects but the dialogue and situations they are in. The writing is credited to Dana Olsen who had worked as a writer in television before getting her big break in writing for Hollywood with this movie. Olsen wrote a clever and relatable script as she based it off her own experience with strange neighbors she was surrounded by when she was growing up.

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The cast is terrific and contemplate each other well. Obviously, Hanks is the lead in this movie. He plays Ray Peterson as an over stressed family man who seems to be the reasonable one in the neighborhood. As the movie progressed, so does his curiosity about the new neighbors. His curiosity turns into paranoia thanks to the thoughts that Art puts in his head. Hanks provides plenty of laughs, both physical and verbal comedy. Bruce Dern as Mark Rumsfield was a surprisingly delightful performance. He is a man who can’t get over his life serving his country and continues to portray that all throughout the movie. His years in service come in handy as he provides devices such as infrared scopes and advanced walkie talkies to stakeout the Klopek’s home. Dern is not known for playing comedic parts, but his antics and dialogue provide many laugh out loud moments. The award for Best Performance in this movie goes to Rick Ducommum as Art. He plays Art like Kramer from ‘Seinfeld.’ He is obnoxious and loud and is always coming up with a scheme to find out who the Klopeks are and prove his theory that they are part of a cult. He fills Ray’s head with delusional thoughts about them through his fast tongue. I can’t find a moment in the movie where Ducommum wasn’t funny. It’s a shame that this movie would be the only big role for him as he would spend most of his acting career playing bit roles until his untimely passing in 2016 due to complications from Diabetes. As for the remaining supporting cast, Carrie Fisher is a nice surprise as Ray’s wife Carol. She sheds her Princess Leia image to that of a concerned wife who grows weary of Ray’s antics and tries all she can to snap him out of his obsession with the Klopeks. Corey Feldman plays Ricky Butler, a teenager who is seen throughout most of the movie either painting his house or inviting friends over to watch Ray, Art and Mark snoop on the Klopeks. He even remarks at one point in the movie that this is better entertainment than going to a movie theater. Wendy Schaal plays Mark’s wife Bonnie, who is half his age and seems to play along with Mark’s shenanigans.

As for the characters of the Klopeks, they remind me somewhat of the Munsters. There are only three of them in the movie and each one has a personality different from the other. The first one to appear is Hans played by Courtney Gains, best known for playing Malachai in ‘Children of the Corn!’ Gaines keeps his natural red hair and adds pale skin and unbrushed teeth to his figure. He is shy and quiet. When he grabs the newspaper or takes out the trash, he is cautiously looking around to see if there are people staring at him. The next family member to appear is Reuben Klopek played by Brother Theodore. He appears as the neighbors finally introduce themselves. Like Hans he is quiet, but when he talks, it is in a thick German accent. His appearance reminds me of Billy Crystal’s character in ‘The Princess Bride.’ Finally, you have Werner Klopek played by Henry Gibson. He is the most normal and accomplished member of the family as he is a doctor at the local university. He speaks in a softer German accent and is more hospitable than the other members of his family.

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There’s not much more to say about ‘The ‘Burbs’ only then it’s perhaps one of the most overlooked movies of the 80s. If you were to separate Tom Hanks’ performances by categories, I would put this as one of his top comedic movies.  It’s relatable to all of us as I’m sure you have some weird and colorful neighbors where you live as does yours truly. It’s almost as if you’re watching your neighborhood being depicted on the big screen for the rest of the movie going audience to see.

 

TRIVIA

  • Walter’s toy poodle Queenie, was played by the same dog that played Precious in The Silence of the Lambs (1991).
  • Prop Master Mark Jameson was charged with making fake dog poop when the actors complained that they didn’t want to step in the real thing. The mixture included canned dog food and bean dip. It was loaded into caulking tubes and squeezed out where needed.
  • Early in the movie, when Cory Danziger is eating breakfast, a box of Gremlins cereal can be seen on the kitchen counter in the background. Joe Dante also directed Gremlins (1984) and Gremlins 2: The New Batch (1990). Corey Feldman was in Gremlins (1984).
  • Final film of actor Gale Gordon.
  • Last appearance of Brother Theodore.
  • Ricky Butler’s (Corey Feldman’s) house is the house formerly used by The Munsters in The Munsters (1964). This is probably why you never get a really good look at it, as it would be too recognizable as that house.
  • Everyone in the cast and crew had a good time working on the film so much so that Tom Hanks, personally bought everyone sunglasses and left a personal thank you note to everyone in the cast and the crew.
  • The filming location of The ‘Burbs set was also used for another Tom Hanks film, Dragnet (1987) for the character Connie Swail’s house.
  • Before climbing the fence to investigate the Klopek’s backyard, Art (Rick Ducommun) dresses up as a powerline technician and cuts the power to disable the security system. However, he ends up disabling the power to the whole neighborhood as well, according to Ricky Butler. In the movie Die Hard (1988), Rick Ducommun played a powerline worker for the city who was ordered by the FBI to disable the power to the Nakatomi Tower.
  • In the scene at the Klopek’s house, Bruce Dern is fascinated by one of Dr. Klopek’s paintings, turning it upside down. That painting appeared in the opening sequence of an early episode of Rod Serling’s Night Gallery (1969).

 

AUDIO CLIPS

Staple His Ass Shut

A Hideous Raging Inferno

Why Don’t You Go Say Hi?

Bad Karma

Prank On Ray

Acting Like A Guy On Vacation

You Are A Garbage Man

A Soldier’s Way Saves The Day

Unconscious Chanting

Can’t Come Out

This Is Walter

A Fine Christian Name

9 On The Tension Scale

Red Rover

I Really Like Your Hair

Art On The News

Sorority Babes In The Slimeball Bowl-O-Rama

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Sorority Babes In The Slimeball Bowl-O-Rama

Release Date: January 29, 1988

Genre: Comedy, Horror

Director: David DeCoteau

Writer: Sergei Hasenecz

Starring: Linnea Quigley, Andras Jones, Robin Stille, Brinke Stevens, Michelle Bauer

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Most filmmakers are lucky to have a handful of movies they’ve done in their career. Some are even lucky to at least get one. For example, my favorite director John Carpenter has twenty one film credits to his resume. Another filmmaker I love, Frank Henenlotter has ten. Where am I going with this? I was reading some information about a B movie filmmaker by the name of David DeCoteau. He got his foot in the door in the movie business at age nineteen working for Roger Corman and quickly worked up the ranks to where he was directing movies. According to IMDB, DeCoteau has one hundred and fifty directing credits! The movies he directs ranges from horror to science fiction to even Christmas family movies made exclusively for television. To answer as to how DeCoteau has been able to direct so many films is according to Charles Band, filmmaker and founder of such b movie horror companies as Empire Pictures, Urban Classics and currently Full Moon Features is that DeCoteau is, “hard, fast and stays under budget.” DeCoteau has directed many films for Charles Band throughout the years. His most famous film is “Puppet Master III: Tulon’s Revenge” which is regarded as the best movie in the Puppet Master franchise (I concur. It’s my favorite). For this edition of “Guilty Pleasure Cinema Review” we’re going to look at another popular movie of his that has had a huge cult following for the last thirty years. That movie is 1988’s “Sorority Babes in the Slimeball Bowl-A-Rama” (try saying that five times fast)!

I know what you’re thinking about the title and let’s get this out of the way now. This is not a softcore adult film! This could be described as a sexy horror comedy that bounces all over the walls, or in this case bumpers. The story is about three nerds who sneak over to the Tri-Delta Sorority House. They are watching the initiation of two new members getting spanked by the head of the chapter named Babs. The boys enter the house and watching the initiates hose down after getting a whipped cream spraying. Essentially they are caught by Babs. As punishment, they have to go with the two initiates named Lisa and Taffy to steal a bowling trophy from the local bowling alley. If they retrieve a trophy, the boys will not be reported to the police for their voyeurism and Lisa and Taffy will get into the Sorority. Unbeknownst to them, Babs’ father runs the mall where the bowling alley is at so she and the other sisters can watch their every move through the security cameras. Inside the bowling alley they come across a biker looking punk named Spider who is stealing money from the register and the arcades. Spider uses her crowbar to break the chain into the trophy room. From there, the boys and the pledges grab the biggest trophy on the shelf. On accident, the bowling trophy falls to the ground and breaks. Smoke beings to come out from the trophy and out appears an imp. The imp thanks them for releasing him and grants wishes to the group. A couple of them take advantage of this offer. Turns out their wishes would be fake and the imp starts his night of terror among the group by turning two of the sisters into she-demons and electrifying all the doors in the alley to prevent anyone from escaping. Now the survivors must figure out how to either escape or defeat the imp.

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This straight to video movie stars Linnea Quigley in her first starring role as Spider. She is another scream queen legend as fans will recognize her from her supporting roles in “Return of the Living Dead,” “Night of the Demons” and “Silent Night: Deadly Night.” The rest of the cast features Andres Jones as Calvin, Hal Havens as Jimmie, John Stuart Wildman as Keith (the three nerds), Robin Rochelle (Stile) as Babs, Kathi O’ Brecht and Carla Barron as Rhonda and Frankie, the other sisters in the sorority, Michelle Bauer as Lisa and Brinke Stevens as Taffy. There is a special appearance from George “Buck” Flower as the janitor of the Bowl-A-Rama. Flower is known for always playing the hobo in such films as the “Back to the Future” movies and in many of John Carpenter’s movies such as “The Fog,” “Escape From New York,” and “They Live!”

“Sorority Babes in the Slimeball Bowl-A-Rama” is as much of a punk film as Linnea Quigley’s appearance in this. It breaks a lot of rules and lacks consistency. It makes up for it with its sheer delight of goofiness, beautiful looking girls and gore. There’s not much logic in this movie as to why the imp turns two of the girls into demons with one of them a copycat of the bride of Frankenstein and how an imp got stuck in a bowling trophy, although the explanation as to how the imp came to be and its purpose is told through a story by the janitor. If you can ignore all that, you’ll enjoy the movie a little better. DeCoteau made this movie in reportedly nine days which would show why he continues to get directing work.

The imp is a tiny little blue creature with a giant mouth filled with teeth. It reminds me of the donkey from “Shrek” voiced by Eddie Murphy. Speaking of the voice, the imp does sound a lot like Eddie Murphy. I’ve heard people say he’s sounds like Barry White, but it’s not really a deep of a voice. You don’t see the imp move around. He appears in the same shot for most of the movie with the exception of a few scenes where he is tripping Jimmie or he’s behind the bowling alley taunting Babs. His dialogue and jokes are as stereotypical as they can be.

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Speaking of stereotypes, they are in each character. You have two of the nerds (Calvin and Keith) who wear thick glasses and goofy hair and you have Jimmie who reminds me of a mix between Chris Farley and John Candy without the physicality. You have Lisa and Taffy the gorgeous pledges and you have Babs who is the prissy and mean girl of the sorority having her fun at humiliating the pledges. And then you have Spider who you know right away is going to be the heroine of the film. She’s tough and doesn’t have time for games. However, as the movie progresses, Spider shows a sense of vulnerability and confiding with Calvin as to how they are going to get out. That’s a credit to Quigley and the characters she has played previously before this film.

With Quigley being the star, the rest of the cast were decent given the material they were given. You can tell they are playing to the script and the concept of the movie. The dialogue is pure 80s cheese with many one liners and zingers coming from Quigley. Buck Flower also provides comedic relief as he spends much of the film trying to get himself out of a room he locked himself into and when he comes across Spider and Calvin gives the hilarious story of the imp and the person who summoned him.

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As I mentioned earlier, the film is not a softcore porn movie, but it does have a lot of sexual overtones. Yes, you have naked women in the beginning and the middle of the movie, but it’s much more than that. First you have Babs spanking Lisa and Taffy and getting a kick out of it. You have the lonely (and presumably virgin) nerds who get a pleasure out of the sheer sight of watching Lisa and Taffy taking a shower. You have the setting of the movie, a bowling alley. There’s so much sexual imagery and thought with the setting. You have bowling balls, bowling pins, gutters……well you get the idea. Finally you have Keith who makes a wish to hook up with Lisa and gets more than what he wished for. What he thought would be exciting in fulfilling a dream becomes a horrible nightmare.

With the exception of the flaws I mentioned earlier the only other gripes I have about this movie is the pacing. It starts to slow down during the third act of the movie. I started to get a little bored and was eagerly waiting for the climax of the movie to be done with. Also, I felt the creative death scenes in the movie could’ve used a little more depth. There’s not much blood and gore in this movie, which is ok. However, you should see the death scene go all the way through. One death scene kicks into another scene just as the victim is screaming for her life.

If you’re looking to watch an 80s horror movie that is out of the ordinary, look no further than “Sorority Babes In The Slimeball Bowl-A-Rama.” If you’re lucky to find this get a group of friends together along with a few six packs or other preferred drinks of your choice and enjoy this wild and over the top movie. You won’t need to get drunk to understand what is going on in the movie. Don’t be one of those people who tries to use their brain to figure out what David DeCoteau is trying to get out of this movie. You’ll end up giving yourself a headache. Think of it a rule breaking, stereotypical piece of horror comedy that you may end up liking. If you don’t like it, that’s OK. You can blame me. At least I tried to convince you to watch something unconventional.

TRIVIA

  • In the Static-X’s song “I’m With Stupid”, Linnea Quigley’s line from the movie “Yeah, it was…very stupid.” is sampled.
  • Director David DeCoteau wanted to work with Linnea Quigley so much that he handed her the script and told her she could play any character she wanted. She eventually decided on Spider.
  • Shot in twelve days.
  • The budget was too low to rent the bowling alley during peak daytime hours, so the cast and crew had to wait till the bowling alley closed at 9pm and shoot all night till 9am.
  • The movie was released in the UK on VHS under its original title, “The Imp”.
  • The janitor tells a story about a man named Dave McCabe. This was director David DeCoteau’s alternate name when he directed adult films.
  • The trophy, although appearing to be metallic, is actually made of balsa wood.

 

AUDIO CLIPS

Felta Delta

Babs The Dominatrix

Should Consider Prison Work

We Were Only Looking

Saw That In A Movie

Midnight Whimp Bowling League

Don’t Panic

What’s Your Name?

He’s A Big One

Ain’t No Freakshow

Anything Your Fat Little Heart Desires

I Crack Me Up

I Have Your Pants

Very Stupid

The Imp

We’re Trapped In Here

Listen For Us

Evilspeak

 

Evilspeak Poster

Evilspeak

Release Date: February 26, 1982

Genre: Horror, Drama

Director: Eric Weston

Writers: Eric Weston (Screenplay) and Joseph Garofalo (Screenplay and Story)

Starring: Clint Howard, R.G. Armstrong, Joe Cortese, Don Stark

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 

Happy 2019 dead readers! Here’s to another year! The first year of “Guilty Pleasure Cinema Review” has been a success! I again want to thank all of you for supporting the site. Hopefully we can continue to grow and expand our viewing audience. I’ve got plenty of movies to review and I’m looking to find some rare movies that perhaps the reading audiences aren’t familiar with. There will be full of surprises. If you have the following social media accounts, please make sure you follow my pages below:

Facebook – Guilty Pleasure Cinema Review

Twitter – @GPCRMovies

Now that we got that out of the way, let’s kick off the new year by reviewing a movie in my favorite genre. If you haven’t guessed by the numerous reviews including an October special, my favorite genre of movies is Horror. I stumbled upon this movie searching for some rare and unique Horror movies that I haven’t seen yet. It had an appealing cover, but you know what they say, “You can’t judge a book by its cover!” Would it live it up to the cover? Let’s find out. Here is the first “Guilty Pleasure Cinema Review” of 2019, the 1982 demonic horror flick “Evilspeak!”

Starring Clint Howard (brother of Ron Howard) in a rare leading role, the film focuses on Stanley Coopersmith, who is enrolled at military school due to the unfortunate deaths of his mother and father. Coopersmith is an outcast at the school. He is constantly bullied by the other cadets, gets berated by the senior personnel and laughed at by the women. The only compassion he receives is from the school chef and a little puppy that he adopts from the chef when he originally planned on letting it die because it is a runt. Stanley is forced to clean the church cellar at the school as punishment (for no clear reason). As he is cleaning the cellar, Stanley stumbles upon a room belonging to Father Esteban, a priest from the Dark Ages who had been banished from his church in Spain due to dabbling in black magic and refusing to renounce Satan. In his room is a book of black magic along with Esteban’s diary. Using a computer, Stanley translates the book from Latin to English where it contains instructions for a ritual called the “Black Mass.” The “Black Mass” would allow the soul of Esteban to return and possess the human being that performs the ritual, in this case Stanley. Stanley calls upon him to exact revenge on those who have mistreated him.

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Directed by Eric Weston (also co-wrote the screenplay) the film also stars R.G. Armstrong as ‘Sarge’, Joe Cortese as ‘Reverend Jameson’ and Don Stark of “That’s 70s Show” fame as ‘Bubba Caldwell’, the lead bully of the gang that torments Stanley throughout the movie. “Evilspeak” was released in only three countries which were the United States, United Kingdom and Japan. The film was banned in the United Kingdom due to its climax and Satanic Themes. It was cited as a ‘Video Nasty’, which was a collection of movies under the UK Video Recordings Act of 1984 that are banned due to its graphic nature or subject matter. It would later be reclassified and re-released in 1987 with three minutes cut from the original release and the text images of the “Black Mass” ritual removed on the computer screen. The film has a cult following (pun intended) and is the favorite film of Anton LaVey, the late founder and High Priest of the Church of Satan.

Throughout his career, Clint Howard has always been a character actor. You will likely see him in every movie his brother Ron Howard has directed. You’ve also seen him in the “Austin Powers Trilogy” as a military radar operator or as Paco in the Adam Sandler comedy “The Waterboy.” He has that distinct look that sticks out like a sore thumb. In this rare starring role for Howard he takes advantage of this by creating a lovable and sympathetic character. I couldn’t help but feel sorry for him. He tries his best going through the rigorous routines of military school only to be harassed by the fellow cadets and the teachers showing disdain for his tardiness and his inability to comply with the rules of the institution. His only sanctuary is the computer lab where he is building a class project with the aid of technology. His only friends are the chef and puppy dog that he keeps hidden from everyone in the church cellar as he spends more time studying the book and being fascinated with Father Esteban’s words. Although we shouldn’t seek revenge in real life, I was cheering for Stanley to get back at the bullies once his soul was possessed by Esteban. The antagonists in the movie were truly the lowest forms of life.

Speaking of the antagonists, there’s plenty of them in this film. Veteran actor R.G. Armstrong was a nice fit as ‘Sarge’ and Don Stark embellished the bully role of pack leader Bubba Caldwell with glee and delight. From Sarge to Reverend Jameson to Bubba Caldwell and his gang, all these people are despicable and nasty. I understand that you need to instill discipline on those who act out or misbehave, but some of the punishments in the film could be considered excessive in today’s world. They embarrass and humiliate Stanley every chance they get throughout the film. As a big believer in karma, they get theirs in the end.

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“Evilspeak” is not an original concept. Many have compared it to “Carrie” even calling it the male version of the horror classic. There are numerous similarities between the two films. There’s a lot of holes in the screenplay leaving many questions unanswered. The overall theme of the movie is how far does one get pushed to the point where they seek revenge? It’s a humanitarian struggle for Stanley. As he dives more into the book and translates the passages, the more intrigued and curious he becomes. He continues down a dark path where there is no return. His view of redemption is by killing those that have made his life miserable.

The pacing is slow as it spends ninety percent of the movie building up the characters until the climax where everything is moving fast as if the filmmakers were given a time limit to complete the last act. The makeup and effects are dated for its time. And if you pay attention closely, you could see a dummy or two during Despite these flaws, I think it’s a technically good film that gets as much out as it could on its reported $1M budget. It’s not a slasher film in any sense so don’t expect to see a high body count, but there’s just the right amount of gore to appease the fans.

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What makes “Evilspeak” work is how relatable it is today. Bullying continues to be a problem in schools today and with social media being a regular outlet for impressionable young people, it makes it worse when they post pictures or say mean comments about someone they like for reasons known only to them. The kids that are bullied end up taking dramatic and consequential actions such as hurting people or hurting themselves. No kid should have to go through life feeling miserable, sad or wishing they were never born. They should be enjoying their youth by having fun. Although this isn’t a movie to show kids about the effects bullying has, but it puts things in retrospect since we all have been a bully or have been bullied sometime in our lives.

If you enjoy low budget horror films that are simple and straight to the point, “Evilspeak” may be right up your alley.  Even if it’s the same old story told, and you are seething with anger over the characters, there is enough cheese going on that it can brighten your mood. Sometimes that’s all you need in a horror movie to prevent it from being all doom and gloom.

TRIVIA (Per IMDB)

  • According to Clint Howard, one night after shooting a scene he drove home while still wearing his bloody cadet outfit. He stopped at a light and noticed a woman staring at him from a nearby car, so he turned and smiled at her, and she responded by immediately locking all of her car’s doors.
  • Clint Howard and Don Stark agreed not to socialize during filming so that they could maintain the hostility that existed between their characters.
  • Previously banned in the UK as part of the infamous “Video Nasty” list during the 1980s.
  • The title “Evilspeak” was derived from the phrase “computer-speak”, a term used to describe the shorthand used by computer specialists for the otherwise complex. In the film the protagonist uses computers to summon evil spirits.
  • One of the prosthetic heads was accidentally made too tough for the decapitation scene it was intended for, and when Clint Howard struck it with the sword to his embarrassment it merely bounced off. Frustrated, he found a large sledge hammer then took some time to practice swinging it around until the added weight made wielding the sword seem easy by comparison, and when the scene was shot again he finally took the head off.
  • According to Clint Howard and director Eric Weston, the original cut of the film which he submitted to the ratings board contained even more footage than the uncut DVD release, including more special effects, as well as extensions of the bathtub death scene and the cadet having his heart ripped out. But their labored efforts to find a copy of this version have proven futile, and they believe it is likely gone forever.
  • Actor R.G. Armstrong was offered a choice between playing Sarge and Colonel Kincaid before assuming the role of Sarge.
  • The computer used by Stanley in the film is an Apple II, which was a very popular brand of computer at the time the film was made.
  • Richard Moll plays Father Esteban, the priest sentenced to exile for practicing the occult, and is seen performing the Black Mass in the beginning of the movie, two years before making a name for himself as Bull Shannon in Night Court (1984).
  • The production did some filming in a South Central church that had been condemned and scheduled to be torn down. When the aged minister saw that the crew were refurbishing the church, he didn’t understand that this was “show business refurbishing” and that the church would ultimately be burned down, dropping down on his knees and thanking God. Nobody had the heart to tell him the truth.

AUDIO CLIPS

Prison

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Prison

Release Date: December 8, 1987 (UK)

Genre: Horror, Crime, Drama

Director: Renny Harlin

Writers: Irwin Yablans (Story), C. Courtney Joyner (Screenplay)

Starring: Viggo Mortensen, Lane Smith, Chelsea Field, Lincoln Kirkpatrick, Tom Everett

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Happy Halloween! We’ve reached the final review in the “Guiltiest Pleasure Horror Movies” special. Hope you enjoyed reading them up to this point. If you’ve been keeping up with each review this week, you may have realized that I picked a movie based on a genre of Horror Movies. The movies I reviewed included a cannibal comedy, a deformed sibling monster film, a camp slasher and a slug infested zombie homage. You may have also noticed that all these movies came out in the 80s. For the final film, I decided to go with the old-fashioned ghost story and yes it was released in the 80s. It was a limited release movie and the directing debut of Renny Harlin, the man who would go on to make blockbuster action movies such as “Die Hard 2” and “Cliffhanger” as well as the third highest grossing “Nightmare on Elm Street” movie in the franchise in “Nightmare on Elm Street 4: The Dream Master.” It was this film that got Harlin hired to do Nightmare 4. Buckle up because the last film in our special is 1988’s “Prison”!

The plot is simple and straight to the point. Due to a suspension of funding for a new state of the art prison in Wyoming, the Board of Prisons is left no choice but to re-open the Creedmore Prison, a prison that was shut down twenty years ago. The prison will be run by Ethan Sharpe (Lane Smith), who knows the prison well as he was a corrections officer when it was open. Inmates from all over the state are transferred to this prison and are used as workers to restore the prison to full working capacity.  Two inmates Burke (Viggo Mortensen) and Sandos (Andre DeShields) are assigned to break open the Execution Chamber that has been sealed off. As they break through with pickaxes a flash of blue light appears and starts to suck Burke in. Suddenly, there’s flashes of electricity, glass breaking and boilers flaming. The inmates have released a spirit believed to have been the last person executed at the prison and looks to seek his revenge on not only the prison but the man who helped send him to the electric chair, Sharpe.

I heard of this film during Renny Harlin’s interview in the “Nightmare on Elm Street” documentary “Never Sleep Again.” He talked about this film as his first film and that he used household effects and tricks to make the movie look good. The movie was a limited theatrical release in the United States and the United Kingdom. Its total gross was a little over $300,000 on a reported budget of $1.5 million. It was released on VHS in 1988. The movie was never released on DVD or Blu Ray until 2013 when Shout Factory acquired the distribution rights and made it available. I purchased the movie last December.

Prison (1988)

My first reaction when watching this movie was mixed. I thought it felt shallow and bare feeling that there needed to be a lot more meat to the bones. While researching movies to review for this special, I saw “Prison” in my library of movies and decided to give it another chance to see if this was something worth reviewing. I watched it again and enjoyed it for its atmosphere, use of special effects and creative death scenes. I watched it a third time and I convinced myself that this is a great movie for this special. There’s a certain quality to this movie that I feel has not been replicated when it comes to making a supernatural film.

The mood is everything in “Prison”. An air of confinement overtakes the film as soon the buses roll into the yard to drop the work crew off at their new home. The look, sound and smell of penitentiary life hangs all over the place. If you’ve watched any of Renny Harlin’s movies he really loves mood when it comes to people and the situations they get themselves involved in.

Lane Smith is billed as the lead in this movie as he is the veteran and recognized actor at the time (Vigo Mortensen was not well known). His performance of Sharpe is a troupe of wardens in movies.  He is a hard nose, bug eyed, short tempered warden who is haunted by memories of the executed prisoner who spirit is alive and wreaking havoc on him. It takes a toll on him and his ability to manage the prison and keep things under his control. His paranoia deepens to where he starts to behave irrationally and barks orders that even draw concern looks on the guard captains. Smith has played various characters of authority throughout his career and this is no exception.

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Vigo Mortensen plays the prisoner who is followed throughout the movie, Burke. Not much is known about Burke only that he is famous for stealing cars and is seen as a sort of “celebrity” within the prison. Mortensen plays Burke as a quiet inmate who keeps to himself in the beginning. He befriends two inmates, his cell mate Cresus (Lincoln Kirkpatrick) and Lasagna (Ivan Kane). During the movie, he becomes a hero when he saves the life of an inmate in solitary confinement from burning alive from the evil spirit when the cowardly guards refused to do so. He is the polar opposite of Sharpe. It’s the perfect role reversal of the criminal being the hero and the law enforcement officer being the villain.

The other lead in the movie is Chelsea Field who plays Katherine Walker who works internally at the Bureau of Prisons and is overseeing the re-opening. She doesn’t like the fact that the board put Sharpe in charge of the prison referring to him as an “Old Dinosaur.”  While she has attempted to work with Sharpe, she quickly realizes that she is being shut down by him at every turn especially when the prisoner body count starts to accumulate. She takes it upon herself to find out everything she can about the prisons history and Sharpe’s role in it. Field pops up in the movie from time to time, but I think gives a decent performance.

I love physical special effects and there is plenty of that in “Prison”. The lightning looks homemade, but authentic and the death scenes are innovative and make great use of the surroundings the impending victims are in. I could tell that the kill scenes in “Nightmare on Elm Street 4” drew inspiration from “Prison”.  The only death scene I had a gripe on was the smoking prisoner being burned alive. While it was indeed creative and intense, there were a few shots where you could see a dummy head just rotating its head from side to side.

As I do in most of my reviews, I try not to spoil the ending. I will say that the ending has been done before in a couple ghost themed movies I’ve seen, but I feel is satisfying. It brings a sense of closure to the story. Harlin seems to wrap up his movies by bringing closure or a sense of relief that things are over.

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Overall, I would check out “Prison”. It’s a fine horror movie that doesn’t have all the bells and whistles of a blockbuster horror movie. I’ve watched a lot of Renny Harlin’s movies and if you were to ask me to give a list of his five best movies, this would be on the list. His introductory film showcases his talent for vision and atmosphere that would be seen throughout his film making career. Some good, some bad.

That concludes my “Guiltiest Pleasure Horror Movies” special. I hope you enjoyed these reviews. It took a lot of time and effort to watch, write and record these pieces, but I have to say that this was fun to do. The big accomplishment I hope to achieve from these is that you go out and watch these movies and see what you think.

Happy Halloween!

 

TRIVIA

  • Most of the inmate extras in the film were portrayed by real-life inmates from a nearby prison to add realism to their performances. The armed guards on the towers were, of course, armed with live ammo at the time. Stephen E. Little (Rhino) was a former Hollywood stuntman, who was still a member of SAG, who happened to be serving time for manslaughter that he committed during a bar-room brawl.
  • The prison where the movie was shot, the former Wyoming State Prison located in Rawlins, Wyoming, has daily tours and much of the set remains intact from when crews filmed there in 1987.
  • The electric chair (which was never used in Wyoming) was built into the actual gas chamber of the Wyoming Prison and the death scenes were filmed there. The original chair, was carefully removed and an electric chair was built in its place. During the shooting, Viggo Mortensen’s convulsions were so violent the arms of the chair were broken and needed to be repaired.
  • Chelsea Field was supposed to do a scene in a bathtub but refused to do it.
  • Viggo Mortensen did the bulk of his own stunts. Moreover, stunt coordinator Kane Hodder gave Mortensen an honorary stuntman’s shirt at the completion of the shooting for this film.
  • The high-altitude sun in Wyoming caused shooting issues in the scene where the prisoners are stripped to their underwear and forced to stand outside all day. Due to technical issues, the scene was shot over and over and the prisoners in the background become sunburned on one side of their bodies only as extras were not provided sunblock.
  • The water that Viggo Mortensen runs through in his underwear was real. That part of the prison had been flooded for years, the temperature in the room was below 50F and the water temperature was 46F. Mortensen’s shivering is real. He insisted on shooting the scenes without a double, and only at being forced to relented for some close-up scenes.
  • Before casting Viggo Mortensen, Thom Matthews auditioned and was being considered for the part of Burke.
  • Lane Smith remained in character as Warden Sharpe throughout the duration of filming.

 

AUDIO CLIPS

 

 

Night of the Creeps

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Night of the Creeps

Release Date: August 22, 1986

Genre: Horror, Comedy, Sci-Fi

Director: Fred Dekker

Writer: Fred Dekker

Starring: Jason Lively, Tom Atkins, Steve Marshall, Jill Whitlow

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

We’re near the home stretch in the “Guiltiest Pleasure Horror Movies” special. I’m reviewing five films in the Horror genre every week until Halloween. We’re at Movie #4 for this special. This next film is a homage to the goofy science fiction/horror films of the 50s that is set in the 80s. This was the debut film of Fred Dekker, a man who was rejected into USC and UCLA’s film school program and settled as an English major. He would develop screenplays along with his friend and roommate, Shane Black (best known for writing the Lethal Weapon movies, appearing in the first “Predator” movie and more recently writing and directing the new “Predator” movie with Dekker). After this movie, he would go on to write several episodes of “Tales From The Crypt” in addition to writing and directing two more movies, one was the cult following “The Monster Squad” and the utter failure “Robocop 3”. Today Dekker focuses more on writing than he does actual filmmaking. His debut film is still the best of his three and one that I continue to enjoy on a frequent basis. Tonight’s review is “Night of the Creeps”!

“Night of the Creeps” starts out in 1959 when a college fraternity member takes his sweetheart out for a romantic night out sitting in his car looking at the stars. Suddenly, something from the sky crashes down and he goes to investigate it. When he looks closer, a slug jumps out and enters his mouth and he collapses. The film flashes forward to 1985. It is rush week at Corman University. Two outcasts, Chris Romero (Jason Lively) and his friend J.C. Hooper (Steve Marshall) are looking to get into a fraternity in the hopes of meeting girls, particularly one that catches Chris’ eye, Cynthia Cronenberg (Jill Whitlow). They have a sit down with Brad, who is the president of the Beta Epsilon house. He gives them a quest to steal a cadaver from the medical school morgue and dump it in front of a sorority house. They reluctantly agree. As Chris and J.C. sneak into the medical school after hours, they come across a laboratory. Inside they see a frozen corpse. The corpse is that of the man from the introductory scene.  They decided that he would be the body they would deposit to the sorority house. Little do they realize the body is still alive and the boys run off in terror. Meanwhile the body attacks one of the med students and heads to one of the sorority houses only for his head to explode and slugs shriveling their way out of the body. The investigation is led by Detective Ray Cameron (Tom Atkins), a long-time cop who is burnt out. When he interviews Chris and J.C., they admit to the prank and the case is closed. Little do they all realize that the college is in danger as one by one people are turning into zombies thanks to the parasitic slugs that possess them. Now it’s up to the three of them to stop the epidemic before it gets worse.

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I can’t remember the first time I viewed this movie, but I enjoyed it on so many levels. It had the look and feel of both a 50s Science Fiction movie and an 80s Horror Movie which was Fred Dekker’s intention. While the concept is nothing original as it takes from “Invasion of the Body Snatchers,” it is still refreshing to see a take on how the zombies were created. This movie was released in 1986 so prior to that you had “Day of the Dead” and “Return of the Living Dead” which had similar concepts. I like the fact that it is a parasite that turns the living into the dead.

The performances are decent. Jason Lively plays Chris as a shy, low self-esteemed kid who can’t seem to find his place in the college world. Steve Marshall plays J.C. as a wiseass, always cracking jokes at the most inappropriate times. Despite that, he is very concerned over his friend and does his best to get him out of his comfort zone and build up some confidence. The real star of this movie is Tom Atkins. Atkins is no stranger to horror films given his performances in “The Fog”, “Creepshow” and his most memorable role as the protagonist in “Halloween III”. Atkins plays Detective Ray Cameron as a drunk, don’t give a shit attitude police officer. He gave us a new phrase to say when answering the telephone. Instead of saying “Hello” when the phone rings, he says, “Thrill Me!” This would become the iconic line of the movie. In addition to his indifferent personality, he is traumatized by the events that happened in 1959. His girlfriend at the time was killed by an escape mental patient during his second week on the force. He comes close to taking his own life but realizes that to find a sense of closure, he needs to help stop the zombie outbreak. I’ve referred to Tom Atkins as “The Pimp of Horror Movies” because he always seems to be getting in bed with a woman he just met. That’s not the case in this movie, but it still doesn’t diminish his title. He has called “Night of the Creeps” his favorite film that he has done, and I echo that sediment.

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The only performance I didn’t care for was Jill Whitlow as Cynthia.  With her soft voice, she is completely wooden with her delivery. There are also times during the movie where she looks like she is in a complete fog or has that look that she is thinking of something else rather than concentration on the situation that she was in. I think she needed to put a lot more life into her.

The effects are cheap and dated by today’s standards, but again I think that was Fred Dekker’s intention. There is an ample amount of gore that is ramped up at the very end during the big battle. I do have to give props to the makeup department for giving each zombie a bit of variety and some personality. The slugs were long and beefy, and they slithered quickly going into basements and hiding in bushes as they prepare to infect their next victim. The music is pure 80s synth that weaves in and out of the frames that it is featured in.

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Out of the three movies Fred Dekker has done, this is my absolute favorite. This is one that I have on rotation during the Halloween season. I enjoy it for that it doesn’t take itself too seriously and it has enough scares, violence, gore and humor to keep your attention. It’s a great movie that has truly earned its cult status.

Next week ladies and gentlemen is the final review in the “Guiltiest Pleasure Horror Movies” special, so you don’t want to miss it. Check back on here Halloween night!

 

TRIVIA

  • All the last names of the main characters are based on famous horror and sci-fi directors: George A. Romero (Chris Romero), John Carpenter and Tobe Hooper (James Carpenter Hooper), David Cronenberg (Cynthia Cronenberg), James Cameron (Det. Ray Cameron), John Landis (Det. Landis), Sam Raimi (Sgt. Raimi) and Steve Miner (Mr. Miner – The Janitor).
  • Graffiti on the wall of the men’s room where J.C. is trying to escape a number of slugs reads, “Go Monster Squad!”. The Monster Squad (1987) was also directed by Fred Dekker.
  • Tom Atkins’s favorite movie of his own.
  • “Corman University” is a reference to director/producer Roger Corman.
  • The tool shed sequence was filmed after principal shooting on the movie had wrapped. After a rough cut was shown to a test audience, several people thought that the picture needed more action so this sequence was added to the movie.
  • Fred Dekker’s roommate, Shane Black, worked on the script. The next year, Tom Atkins starred in Lethal Weapon (1987), Black’s first produced screenplay.

 

AUDIO CLIPS

Sleepaway Camp

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Sleepaway Camp

Release Date: November 18, 1983

Genre: Horror

Director: Robert Hiltzik

Writer: Robert Hiltzik

Starring: Felissa Rose, Jonathan Tiersten, Karen Fields, Christopher Collet, Mike Kellin

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Alright, we are at the halfway point in the “Guiltiest Pleasure Horror Movies” special. I’m reviewing five films in the Horror genre every week until Halloween. Time for Movie #3.  This next movie review is one of the more controversial underground horror movies to come out of this list. This movie came out in 1983, but I wasn’t aware of the film until about 2014. It was this past summer where I watched it for the first time at a local discount theater where they were playing “Summer Themed” horror movies. It’s a movie like the previous two films in the special where I’ve watched repeatedly and enjoyed it on so many levels. The next film on this list is the summer camp slasher film “Sleepaway Camp!”

“Sleepaway Camp” is the story of two cousins, Rickey and Angela who are about to spend their summer at Camp Arawak. Rickey is a seasoned veteran at the camp while this will be Angela’s first time. Angela is quiet and shy. She is also suffering from a post traumatic event involving her father and brother being killed in a boating accident. Angela is disliked by the other campers for obvious reasons and only seems to talk to Rickey. She does strike up a conversation with Rickey’s friend Paul and become close throughout the movie. As the summer camp begins its annual season, a series of murders start to happen that has everyone on edge. Who is committing these murders and what is the motive?

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“Sleepaway Camp” was a surprise hit at the box office. It grossed over $11 million dollars with a reported $300,000 budget. It has a huge following and Felissa Rose became a member of the “Scream Queen Sorority”. The movie is known for its infamous and controversial ending that still shocks the viewing audience today (It sure did shock me). People like to debate which was the better slasher film, this or “Friday the 13th”.

Right off the bat, “Sleepaway Camp” gets your emotions charged. You see the traumatic event that will shape the story and the character of Angela throughout the film. When you see Felissa Rose appear on screen for the first time she is quiet and reserved. She barely makes eye contact with her aunt and stays close to her cousin Rickey. The camp counselors (well…most of them) are aware that this is the first time Angela will be away from home and they give her sympathy and comfort to make sure she enjoys her time. Her unwillingness to socialize with her roommates nor participate in any camp activities draws the ire of Judy (Karen Fields), the supposed popular girl at the camp and Meg (Katherine Kamhi). Rose gives a cold frightening performance with her constant stare downs. It’s a very intimidating look although the rest of the counselors don’t feel intimidated by her. She doesn’t utter her first words until she is confronted by Paul, Rickey’s fried who attempts to engage in conversation with her. From there you see her shyness melt away as she spends more time with Paul.

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Besides Rose’s iconic performance, the other performances were good. Each actor and actress played their character as they were written. Jonathan Tiersten’s performance as Rickey was hilarious. He loves to stir up trouble through his trash talking and constant profanity. He does a great job protecting Angela. He’s like a big brother to her rather than a cousin. My other favorite performance is the camp owner, Mel played by veteran actor Mike Kellin, who sadly passed away before the film’s release. Mel does his best to keep his reputation by trying to spin what is happening to the people that are dying in the film. He has a hilarious scene where he appears wearing lime green pants and a yellow jacket in anticipation for a hot date. There’s also a small appearance from Robert Earl Jones as the chef, Ben. He is the father of legendary actor James Earl Jones.

The gore is minimal in comparison to “Friday the 13th”. The killer uses the surrounding environments to take out its victims one by one. You’ll notice a pattern of whom the victims are. You may think to yourself you already know who the killer is, but the movie uses a bit of trickery to throw off your assumptions. There is a small body count throughout the movie until the very end where the volume doubles.

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“Sleepaway Camp” balances the kills with some humor. There are plenty of hilarious moments throughout the movie including Rickey and his bunk mates playing tricks on one of their own, the male campers going skinny dipping and some funny mustache miscues. The cop in the movie has a mustache in his first appearance, but when he appears near the end, you can tell the mustache is fake and uneven. The reason for that being is the actor that played the cop had shaved his mustache off after he was done shooting his part but was called back due to additional shooting. Since he couldn’t grow one quickly in time, they had to improvise.

This is the only film writer and director Robert Hiltzik made. He made a career change and today he is an attorney in New York. For what it’s worth, he made a really good slasher film. It’s a movie with a ton of replay value that you can watch repeatedly. You don’t need to be watching it in the summer to enjoy it as it is a film you can watch in any season.

With that the third film in the “Guiltiest Pleasure Horror Movies” special has concluded. Stay tuned next week for the fourth review!

 

TRIVIA (Per IMDB)

  • The original artwork for the Sleepaway Camp Survival Kit boxed set, which included the unauthorized sequels, was recalled after complaints were made by the American Red Cross.
  • Some of the campers seen getting off the buses at the beginning of the film are relatives of the cast and crew.
  • Jane Krakowski, who played Cousin Vicky in ‘National Lampoon’s Vacation’ was originally cast to play Judy.
  • Mike Kellin’s final film. He was sick during filming but did his best to conceal it from everyone and passed away in August 1983 from lung cancer, three months before the film’s release.
  • Willy Kuskin who plays the character of Mozart, one of the bullied camp boys, was genuinely bullied during filming. Frank Trent Saladino who played Gene, Mozart’s camp counselor, had to step in to protect Willy at times when the other members would take it too far.
  • Felissa Rose and Jonathan Tiersten developed a puppy love type romance during filming but broke up soon after.
  • Jonathan Tiersten was given the role of Ricky after an unusual audition where the writer/director, Robert Hiltzik, asked Jonathan to cuss him out.
  • As a child, writer/director Robert Hiltzik actually went to the camp which was used in the film.
  • One of the inspirations for ‘Weird Al’ Yankovic’s “Nature Trail to Hell,” along with Friday the 13th Part III (1982), referencing the cutting up of Cub Scouts and an ending you have to see to believe.

AUDIO CLIPS