I apologize for not posting reviews lately. I’ve been busy with a lot of things: work, vacation, other personal matters.
I wanted to give you a heads up that I’m going to take a small hiatus from posting reviews. I have some personal events coming up in September that need my attention.
However, I will be returning in October to do a month long review special review in lieu of the Halloween season. I’m going to be reviewing my “Most Guiltiest Pleasure Horror Movies”. I will be dedicating the spare time I have in September to watch and review five horror movies that fit this category. I will post one a week up until Halloween. I’ll be spending the time next month watching, researching, analyzing and of course picking out some hilarious clips.
I want to say Thank you to all you viewers out there. I appreciate all of you who have supported this blog. I hope you have enjoyed reading these blogs as much as I’ve enjoyed writing them.
Writers: David Peoples (Story & Screenplay), Jeb Stuart (Screenplay)
Starring: Peter Weller, Richard Crenna, Amanda Pays, Daniel Stern, Ernie Hudson, Michael Carmine, Lisa Eilbacher, Meg Foster, Hector Elizondo
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
1989 was the year of the underwater Sci-Fi films. First, you had the highly anticipated “The Abyss”, namely because it was a James Cameron movie and the special effects were the most advanced effects at the time which would evolve in Cameron’s follow up film, “Terminator 2”.The second film was the obscure “Deep Star Six”, directed by famed “Friday the 13th” creator Sean S. Cunningham. Finally you had “Leviathan” directed by George P. Cosmatos who was known at the time for directing two Sylvester Stallone movies, “First Blood Part II” and “Cobra” (the latter was my very first review for this blog still available for your reading pleasure!) All three movies did not do well at the box office. “The Abyss” made $90 million, but it had a budget of over $50 million so while it made a teeny profit, it was very underwhelming considering the magnitude of the film. “Deep Star Six” sank as fast as the Titanic. “Leviathan”debut at #2, but quickly drowned the following week. While underwater Sci-Fi films were nothing new, it seemed the audience wasn’t all that invested into those concepts. As we approach the 30thyear landmarks for these films, I decided to re-watch “Leviathan” again.
The first time I watched it, I reacted in a way most people did when it first came out: mortified (and not in a good way). When I decided to watch this movie again in hopes of it appearing on this very blog, I went into it with no expectations and erased all those feelings I had the first time around. After watching it the second time, I thoroughly enjoyed it. Even though it’s a blatant rip-off of “The Abyss” along with two other iconic Sci-Fi Horror films “Alien” and “The Thing”, it was entertaining. I liked it so much; I began playing it several times. As a matter of fact, I have it playing in the background as I’m typing up this review. Before I get into the nitty gritty of the film, I’ll brief you on the plot.
“Leviathan” tells the story of a group of underwater miners who work for Tri-Oceanic Corp. They’re finishing their last days of a three month operation mining for silver in the Atlantic Ocean. The team consists of eight members, Glen ‘Doc’ Thompson (Richard Crenna), Elizabeth ‘Willie’ Williams (Amanda Pays), Buzz ‘Sixpack’ Parrish (Daniel Stern), Justin Jones (Ernie Hudson), Tony ‘DeJesus’ Rodero (Michael Carmine), Bridget ‘Bow’ Bowman (Lisa Eilbacher) and G.P. Cobb (Hector Elizondo). They are lead by Geologist Steven Beck (Peter Weller) who reports to the CEO of Tri-Oceanic Corp, Martin (Meg Foster). During a mining operation involving Sixpack and Willie (who are working as punishment for an altercation), Sixpack falls of a ravine and goes missing. Willie searches for him and discovers a sunken Russian ship named ‘Leviathan’ with Sixpack inside with some sunken treasure. As the crew looks through what was lost in the ship, Doc uncovers a video tape. It’s a tape containing a warning by the Capitan of the ‘Leviathan’. Beck and Doc aren’t sure what the Captain is referring too. The rest of the crew prepares to take a shot of vodka found in the ‘Leviathan’ only to finding out after tasting it that Beck had switched the bottles and they have water instead of vodka. Unbeknowst to the crew, Sixpack hid a separate canteen filled with the vodka that was recovered and he and Bowman have a drink. Few hours later, Sixpack starts to feel sick with chills and flaky skin. He succumbs to his illness several hours later which triggers the doc to perform tests on the rest of the crew. When Bowman sees Sixpack, she decides to take her own life rather than succumb to the illness. As the crew tries to throw the bodies away, the mutation fuses together and attacks the crew. A part of the creature manages to sever itself from the body and develop into a whole new being which goes on to attack the crew and grow by consuming human blood. The crew declare an emergency but Martin tells them there is a hurricane approaching them and their rescue is delayed by twelve hours. The crew has no choice but to find a way to destroy the monster.
I’ll start with the cast. Peter Weller is the lead in the film as Beck. He is in charge of the crew and its mission. He is very commanding and by the book when it comes to company rules. In the beginning of the film, he feels out of place and senses he doesn’t have the respect of the crew. You see his leadership and command develop throughout the movie. I love Peter Weller. He is a person who is dedicated in every role he does and this role was no exception. His iconic performance in “Robocop” groomed him for this part. Richard Crenna who plays Doc is a loner and disliked by the entire crew especially in the beginning of the film. They feel he has something to hide and as the film progresses, he does what he can to not reveal what is happening to the crew with the exception of Beck. Crenna is another actor I’ve enjoyed for a long time. I think all the performances were good with the exception of Meg Foster. I know she is supposed to play the disconcerted corporate executive, but she comes off as wooden and monotone. I’ve seen her play this part before in “They Live”. I don’t know if that’s her style, but I didn’t care for it.
The film is well paced when you compare it to the other two movies I mentioned. None of the scenes drag out too long which keeps your attention focused. There’s plenty of jump scares and tense confrontations between the crew. Legendary composer Jerry Goldsmith provides the music and it sounds eerily familiar to his composition in “Alien”. Wouldn’t surprise me if he was influenced by that film since this film takes several elements from it. The special effects were solid. There is a ton of blood, but not too much gore. Any gore that appeared in the movie was either off camera or was in spurts such as in the reveal of the monster in the middle of film or near the end.
Speaking of the monster, that was without a doubt the biggest disappointment of the movie. The movie does a good job taking the old sci-fi horror concept of not revealing too much of the monster and letting the audience until the second half of the movie. The concept of the creature is supposed to be a genetic alteration of a sea creature, but fuses with people it has either come into contact with or has the same genetic mutation in their bodies. One shot you see this gigantic blob with tentacles and faces of the crew members it has merged with. It reminds me of the pillar with all the faces from the “Hellraiser” movies. And when the monster emerges at the very end, you can see how fake the head is. It was reminiscent of a monster in a Japanese Monster Movie. What boggles my mind is that the creature design and the effects were done by legendary effects man, Stan Winston. This was the guy that created the Terminator, the dinosaurs in “Jurassic Park” and the Alien Queen in “Aliens”. What the hell happened here? Did he not have the budget to make something unique and terrifying? Did he run out of ideas? It’s a damn shame. The creature could’ve been something unique and give the film a better lasting impression.
Out of the three movies I mentioned in 1989, I would put “Leviathan” second behind “The Abyss”. The problem the movie had as I mentioned in the beginning was that it borrows too much from the other iconic movies I mentioned. It’s not original in terms of concept. I do give it creative points for the source of the disease and the effects that it causes. Don’t let all that take away from the fact that it is an enjoyable B-Movie and it’s a movie I’ve found myself watching over and over again. That’s always been the strength of George P. Cosmatos’ films. He doesn’t follow a strict genre. He’s willing to take chances and his movies come about as being fun and entertaining.
TRIVIA (Per IMDB)
50 to 60 spec drawings of the potential look for the creature were submitted to director George P. Cosmatos. All the drawings were combined for the final definitive look for Leviathan which was a huge, fish-headed beast with dagger like teeth with the ability to absorb recognizable characteristics from its victims.
There are very few scenes in the film that were actually shot underwater, as production went for the “dry for wet” look. With most of the scenes inside the Shack taking place on sound stages and a tank measuring 130ft x 270ft.
Audio from this film is sampled in the song “Reptile” featured in the Nine Inch Nails album “The Downward Spiral.”
According to the sleeve notes on the DVD, a dry for wet lighting test by Alex Thomson used an old army tank for the wreck of the Leviathan,and some make shift diving suits were made using
Chicken feathers were used at one point of shooting the underwater sequences to suggest things were floating around in the water. According to Alex Thomson this did not work because the feathers floating side to side instead of up and down and the idea had to be scrapped altogether.
Hector Elizondo’s character of Cobb is named after the film’s production designer, Ron Cobb. Also, Michael Carmine’s character of Tony ‘DeJesus’ Rodero, shares the same last name of the film’s first assistant director, ‘Kuki Lopez Rodero’.
Writers: Neal Israel, Pat Proft (Story & Screenplay) & Hugh Wilson (Screenplay)
Starring: Steve Guttenberg, G.W. Bailey, Kim Cattral, George Gaynes, Bubba Smith, Donovan Scott, David Graf, Andrew Rubin, Michael Winslow, Marion Ramsey, Leslie Easterbrook
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
The eighties brought us a diverse range of Comedy films. The subjects ranged from Teen Comedies, Raunchy Comedies, Supernatural Comedies and the Parody/Spoof Comedies. Some of the films that came out during this period were so successful that not just sequels were made, but an entire franchise. One of the Comedy series that would be born in this era was the “Police Academy” movies.
The idea to make a film about a bunch of outsiders joining the police force in the pursuit of being an officer of the law came from producer Paul Maslansky. Maslansky was producing “The Right Stuff” at the time. There was a group of police cades that arrived to help with crowd control during the filming of a street scene. When the cadets arrived to take their post, they were of many diversities and physicality. They were terrible at the job Maslansky found it humorous. He approached the Sergeant and asked him, “Are these all going to be future San Francisco’s finest?” The Sergeant explained that a new policy came out where the academy had to accept new applicants regardless of race, gender, education, physical stature, etc. The Sergeant went into further detail that the cadets could flunk the course and not become police officers. That was the moment a light bulb appeared and Maslansky wrote a two page treatment that night. He gave it to Executive Producer Alan Ladd Jr., who loved the idea and agreed to develop the movie. They hired Neal Israel, Pat Proft and the eventual director of the movie, Hugh Wilson to write the screenplay and before you know it “Police Academy” was born.
Exactly as it was versioned, “Police Academy” is a comedic look at everyday people joining the force and hoping to have a fulfilling career. There are a handful of characters that are shown in the film. First you have the super aggressive ex military man, Tackleberry (David Graf), you have the privileged Thompson (Kim Cattral), the quiet but towering Hightower (Bubba Smith), the bumbling Barbara (Donovan Scott), The shy and reserved Hooks (Marion Ramsey), the ladies man Martin (Andrew Rubin), the human beat box Jones (Michael Winslow) and the smart ass Mahoney (Steve Guttenberg). All are joining the force either through volunteer or ultimatums. Against the new policy of the Mayor, the police Chief instructs Commandant Eric Lassard (George Gaynes) and Lieutenant Thaddeus Harris (G.W. Bailey) to push the cadets beyond their limits so they will quit. The cadets go through a rigorous fourteen week period of physical training, self defense, firearm training and understanding the law.
The film focuses primarily on Mahoney. After another arrest regarding an incident at his current job, Captain Reed, a former partner of Mahoney’s father, tired of Mahoney’s antics puts his foot down and gives him an ultimatum. Enroll in the Police Academy and complete it or you will be sent to jail. There is a loophole that Mahoney intends to exploit, which is to be kicked out of the academy and not go to jail. As soon as he arrives, he starts to flirt with Thompson and becomes the ire of Harris. After numerous pranks and episodes of insubordination, Mahoney gets his wish to be kicked out. While Harris is on the phone with Captain Reed, Mahoney looks out the window and sees Thompson flirting with him. He starts to reconsider his request to be kicked out and decides to stay through the course and complete it. During his time, he strikes up a friendship with Martin and helps Hightower succeed in completing the driving course which if he doesn’t pass, he will flunk. Hightower eventually gets kicked out after flipping a car over with a cadet inside after he insulted Hooks with a racial epitaph after she accidentally drove over his feet. Bummed about his friend, Mahoney gets picked on by Blanks (Brant von Hoffman) and Copeland (Scott Thomson), two cadets Harris made Squad Leaders to wither out the bad apples in the group and when one threatens to punch him, he is attacked by Barbara in which a fight ensues. Blanks and Mahoney are in Harris’ office explaining what happened. Mahoney stands up for Barbara and claims he threw the first punch which gets him expelled from the academy. Before he could leave, a riot breaks out downtown which causes the cadets to be mobilized as backup for the rest of the force. Mahoney puts on riot gear and joins the group unbeknownst to Harris. As the riots get worse and the cadets scramble, one of the rioters manages to claim the guns of Blanks and Copeland. He takes Harris hostage on a rooftop and wildly shoots at Thompson. Mahoney races to the top to save Harris, but ends up surrendering his gun as the rioter points his gun at Harris’ head. As Harris and Mahoney are sitting on the roof top, Hightower appears and asks the shooter if he could watch him “kill these pigs!” The shooter agrees and as he is about to squeeze the trigger, Hightower punches him in the face and sends his rolling down a flight of stairs. Hightower saves Mahoney and Harris’ lives. In return for their heroism, Mahoney and Hightower are reinstated to the force with honors.
“Police Academy” was an instant success grossing $8 million on its opening weekend and finished the year grossing $81 million. Reviews were mixed with Roger Ebert giving it zero stars. It was successful that they made a sequel that came out the very next year. The sequel was also a success which triggered another movie and then another movie. The series ended with seven movies, a short lived TV show and a possible reboot which Steve Guttenberg is spearheading.
To say that “Police Academy” is a cult movie is an understatement. It’s one of the funniest comedies in my opinion. Not only that, but it provides moments of morality, decency and dedication. The characters that are supposed to be likeable in the film are likeable and the characters that are supposed to be the bad guys are the bad guys. That’s credit to the writing. The movie has plenty of physical gags, situations and witty dialogue to keep you laughing to keep you going through the film’s 96 minute run time. It’s completely relatable to the real world. You’ll have average Joes that end up joining the force for reasons that are of their understanding.
As I mentioned all the characters are likeable and the credit goes to the cast. Most of the cast were relatively unknown (not sure if Guttenberg was known during this time) and they played their roles with heart and passion. They had great chemistry on screen. Guttenberg being the top billing and the focal point of the story delivers a funny performance as Mahoney. He is witty, a bit of a smart ass and someone who likes to have fun at the expense of others. As you tag along to Mahoney’s journey you see the character evolve as he goes from wanting desperately to be kicked out of the academy to taking the opportunity of doing something meaningful with his life. It shows through his good deeds towards other cadets to his heroism at the climax of the film. He is equally matched by G.W. Bailey’s Harris, the next great performance. Bailey plays Harris in a manner similar to R. Lee Ermey in “Full Metal Jacket” but with very little vulgarity. He immediately draws a disliking to Mahoney tries to push him past his physical limitations. George Gaynes portrays Commandant Lassard as a buffoon in a manner to Leslie Nielsen. His best scene involves a situation he gets in when making a presentation and his reaction afterwards. It will be implanted in your memory for a long time. David Graf’s portrayal as Tackleberry is another highlight of the film. Tackleberry is aggressive and sometimes unstable as you will see during his training especially around firearms. It’s funny to see him sleep with a revolver in his hand and spends his free time sharpening his hunting knife. Michael Winslow plays Jones who rarely talks, but rather speaks through sound effects. He plays pranks on some of the instructors such as making the sound of leaves crunching when an instructor is walking to acting like he is talking on the PA and telling Harris to report to the Firing Range. He has some memorable scenes including playing a video game shooter when there is no TV or console and shaving with a plastic blade and making effects to sound like it’s an electric razor. Finally, my other favorite performance is Hightower, played by NFL great, Bubba Smith. He is a man who is quiet, but provides brute physical strength such as knocking down a brick wall during a course where cadets have to jump over it to pulling on a rope only to have the ceiling come crashing down. He forms a bond with Mahoney when Mahoney helps him learn how to drive since he hadn’t driven a car since he was twelve years old. When Hightower gets kicked out for coming to Hooks’ defense, you could see the devastation in his eyes and you feel bad for him because you know he did the right thing.
If you’ve never seen “Police Academy” before I highly recommend you watch it and see what you think. A lot of people will say that this is nothing original or not as funny as perhaps some other cop comedies that have come out, but I think you will thoroughly enjoy it. If you like this film, I would recommend watching the next two sequels, maybe three. I would skip the last two sequels as they seem to have run out of ideas. You’ll laugh, you may shed a tear, or you’ll shed a tear while laughing.
Director Hugh Wilson stated that when it came time to film the driving scene with Hightower at 4:30 a.m., the actor originally cast as the angry driver was found passed out drunk in the trailer, so Hugh himself ended up playing the role of the angry driver, into whom Hightower crashes.
When attending his audition, Steve Guttenberg wore an old police shirt belonging to his father Stanley Guttenberg, who was a New York City police officer.
The location used as the Academy campus was known as the Mimico Lunatic Asylum or variations thereof until 1911, and Lakeshore Psychiatric Hospital from 1964 to 1979. It was acquired by Humber College in 1991, after being mainly used as a site for filmmaking between 1979 and 1991. It is now a renovated and active educational institution.
Michael Winslow (Jones), David Graf (Tackleberry), and George Gaynes (Commandant Lassard) are the only actors who appeared in all seven Police Academy movies. Winslow even goes a step beyond this, as he is the only actor who not only appeared in all seven Police Academy movies, but also had a regular role on Police Academy: The Series (1997).
Marion Ramsey was asked to wear a fat suit for her role as Hooks, with the idea that Hooks’ boot camp training would have rendered her slim by the end of the film. Due to time constraints, the scene showing Hooks after her weight loss was removed from the final cut. By the time work on the sequel began, producers changed their minds, opting instead to have Marion remain wearing the fat suit, in order to garner audience sympathy for her character. A brief shot of “slim” Hooks remains in the film, however, as a close-up of Marion without the fat suit is seen during the graduates’ march at the end of the film.
Billy Crystal, Tom Hanks, Michael Keaton, Bill Murray, Judge Reinhold, Jerry Seinfeld, Robin Williams, and Bruce Willis were considered for Mahoney.
The only Police Academy movie that was given an R-rating.
This movie was the most successful film of 1984 in West Germany.
Steve Guttenberg mentions in his biography, “The Guttenberg Bible”, that Donovan Scott filmed home-movies during filming. According to Guttenberg, there is a “very funny, touching, and unreleased documentary that he made of the shoot.”
Robert Conrad was offered the role of Commandant Eric Lassard, but turned down the part, which he regretted later on, to the point that he took the part of the Police Chief in Moving Violations (1985) which was co-written and directed by Neal Israel, who also co-wrote this film.
In the party scene, Tackleberry is seen to play the saxophone. In real-life, David Graf actually was an accomplished saxophone player.
After early test audiences responded the most positively to Hightower, out of all the characters, Bubba Smith was moved to second place billing, just behind Steve Guttenberg.
Was filmed in forty days.
David Graf had to choose between working on this film or Richard Benjamin’s more critically acclaimed Racing with the Moon (1984). When David initially read the Police Academy script, he thought, “What trash”. For three days, he sat and looked at the two scripts. Then, when Warner Brothers made him the offer, Graf said he knew which film was going to make money.
The Blue Oyster bar used in this movie, is actually called the Silver Dollar Room, located on Spadina Avenue in Toronto. Coincidentally, Spadina Avenue is also home to Protocol Entertainment, the company that produced Police Academy: The Series (1997).
Starring: Thom Matthews, Jennifer Cooke, David Kagen, C.J. Graham
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
Happy Friday the 13th! What better way to celebrate it than to sit on the couch and have a movie marathon of the movie franchise of the same name. The legacy of Friday the 13th spans eleven films (twelve if you count Freddy vs. Jason), a TV series (by name only), merchandise and a successful online video game until a recent lawsuit pulled the plug on any new content. Jason Voorhees has become an iconic horror figure. If you were to place a Mount Rushmore of Horror Movie icons, he would definitely fill a spot there. While the movies may be repetitive with the same concept of teenagers getting killed at a camping ground by first a woman getting revenge for her son drowning then the son actually being alive to the son be risen from the dead, they are fun to watch in part to the original and innovative kill scenes each movie has to offer. Not only that, but the movie managers to show different renditions of Jason. It’s fun to debate with fans on which was the best Jason of the movie series. Another fun debate is which movie was the best movie in the series. There are quite a few movies in the franchise I adore, but for this review there was one that stood out after analyzing it much deeper, which is the sixth movie, subtitled ‘Jason Lives’.
‘Jason Lives’ marks the debut of the undead Jason concept that would be a staple for the rest of the films here on out. The film opens immediately with Tommy Jarvis, the hero of the last two installments driving with a friend to Jason’s gravesite. Tommy, plagued by nightmares that he could return wants to make sure he stays dead. When they get to the gravesite Tommy and his friend start digging and open up Jason’s casket to reveal his maggot infested corpse covered in spider webs. Tommy rips a metal bar from the gate and repeatedly drives it into Jason. Suddenly, a storm arrives and lightning strikes the rod still stuck inside Jason, which causes him to be resurrected. As soon as Jason gets out from his grave, he kills Tommy’s friend and Tommy flees. Tommy heads to the police station to warn about Jason’s return, but the Sherriff is not convinced and puts Tommy in a holding cell. Meanwhile, Jason begins his murdering spree once again as he tracks down counselors at Camp Forest Green (the town was renamed from Crystal Lake to Forest Green in order to erase the horrible history of Jason and his mother……like people are going to forget). With the help of the sheriff’s daughter Megan, Tommy realizes that he is the one responsible for bringing Jason back to life and he is responsible to end the nightmare once and for all.
Tom McLoughlin, writer and director of this film did a great job reviving the Friday the 13th franchise after the dismal performance of Part V (for many reasons). What better way to revive the franchise than revive the killer of the series (with the exception of the first movie) Jason. Instead of stating to the audience that he is still human, he states that Jason died in Part 4 and we’re going to bring him back to life as a real monster. His revival was clever and reasonable. The look of Jason is different for obvious reasons, but he still hangs on to his trademark hockey mask. He provides a plethora of kills ranging from his weapon based kills such as a spear, a harpoon gun and his traditional machete to more physical and creative deaths such as slamming a girl’s face through a wall in the bathroom of an RV to folding up a victim like a lawn chair. Fans won’t be disappointed with the kills this movie has.
The acting is decent with Thom Matthews leading as Tommy Jarvis. If you’re not familiar with Matthews, you may remember him from another iconic cult horror film in the 80s “The Return of the Living Dead”. He played a bumbling employee where he and his boss accidentally release the chemical that brings dead people back to life and eventually turns the both of them into zombies. It was a great comedic performance, however as Tommy Jarvis he is the complete opposite of comedic. He plays Tommy as a man who is constantly tortured by his memories of his encounter with Jason and being the one that ended his existence. When he tries to destroy Jason’s body to make sure he never comes back, a cruel twist of fate happens when he drives that gate bar into him causing it to be a lightning rod when the storm comes. As soon as Jason arises, Tommy is in full panic. He does his best to warn people, but they don’t believe him considering his history and state of mind. It’s only until learning the error of what he did is when he owns up to the mistake and realizes that he brought Jason back into the real world and he is the only one that can send him back to the grave. Matthews’ version of Tommy is definitely the best performance in comparison to John Shephard’s performance in Part V, although I still think Corey Feldman’s portrayal in Part IV is my favorite.
The role of Jason would be portrayed by C.J. Graham, which would be his only movie role (with the exception of his appearance as Jason in the Alice Cooper music video for the main song, which I’ll get to later). From the first kill of punching through a man’s chest to killing a group of paintballers, he portrays Jason as a slow pacing juggernaut who dispatches anyone that stands in his way. On top of that Graham performs all the stunts as Jason in the movie which go to his dedication despite the fact that he was neither an actor nor a stuntman. He also provides a shocking personality to Jason. There is a scene where Jason appears inside a cabin full of young female campers. One of them gets scared, closes her eyes and covers her face with a blanket praying he doesn’t kill her. Jason stands at the side of the bed looking at her with a curious look and doesn’t flinch or give any indication he is going to kill the little girl. It shows a bit of vulnerability and the impression that Jason will not kill someone who is pure or innocent.
The rest of the cast is fodder for Jason. You have you stereotypical counselors and local law enforcement who happen to be in the wrong place at the wrong time. There’s a few great scenes with the caretaker of the cemetery and an angry person who was hit with a paintball which provide some comic relief.
This is one of the more stylistic movies in the series. It has a great blend of darkness, comedy and music. Speaking of music, for the first time in the series, Part VI has a soundtrack which features songs from some notable rock artists including a brand new song specifically for the movie by none other than Alice Cooper. The song “(He’s Back) The Man Behind The Mask” has become the official theme song to Jason. It’s a true 80s song with a great blend of synths along with Cooper’s commanding vocals. The music video features C.J. Graham as Jason as he breaks through the movie screen while spectators are watching Part VI.
With today being Friday the 13th, the tradition has been to get together with a bunch of friends and have a movie marathon. The marathon consists of several movies in the franchise. For tonight’s marathon, I recommend you add Part VI to your viewing list. It is one of the strongest if not the strongest film in the series and has held up nicely unlike some of the other movies. If you believe there is a better entry in the series than Part VI, I challenge you to prove me wrong! 🙂
After becoming a born again Christian, John Shepherd who starred as Tommy in Friday the 13th: A New Beginning (1985) did not want to reprise the role, and it went to Thom Matthews instead.
Director Tom McLoughlin took home some props from the film, including Jason’s tombstone – which sits outside his house, made to look like Jason is buried in his yard – and his casket, which sits in his garage. The DVD box set includes a scene in which he shows off these props at his home, and tells of how a city employee refused to enter his yard to read the meter because he thought a body was really buried there.
The film contains numerous references to other horror films and/or people connected with them. Megan mentions Cunningham Road, a reference to Sean S. Cunningham director of Friday the 13th (1980) and creator of the series, while Tommy mentions a grocery store called Karloff’s, an homage to famous horror actor, Boris Karloff , director John Carpenter of Halloween (1978), while the name Sissy is perhaps a reference to Sissy Spacek who starred in Brian DePalma’s Carrie (1976), which is based on a novel by Stephen King. Also, Sissy wears a jacket with the name “Baker” on the back, possibly a reference to Angela Baker from Sleepaway Camp (1983).
The first film in the series to be recorded in Ultra Stereo.
The original actor to play Jason was fired for being too fat. They recast the part with C.J. Graham, a restaurant manager with no stunt experience but a military background as an Army soldier. That made him perfect to take orders and execute stunts with military precision. Bradley’s paintball scenes were not re-shot meaning he does play Jason for a very brief part of the film, after that point it’s C.J. Graham as the masked killer.
Ted White stated in interviews that he was offered the opportunity to return to the role of Jason Voorhees, whom he portrayed in Friday the 13th: The Final Chapter (1984) but he turned the role down. White stated that in hindsight, he should have accepted the offer.
This is the first film in the series in which all teenage roles are played by young adults, none of the actors being teenagers in real life during production.
The final scene to be shot was the crashing of the RV. Director Tom McLoughlin was terrified during filming, as there could only be one take and the crashing made the scene incredibly dangerous for C.J. Graham.
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Release Date: September 23, 1983
Genre: Horror, Mystery, Thriller
Director: Juan Piquer Simon
Writers: Dick Randall and Roberto Loyola (Credited as John Shadow)
Starring: Christopher George, Lynda Day, Frank Brana, Edmund Purdom, Ian Sera
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
When most people think about Horror movies, most of them enjoy the films that were made in America. The majority of Horror movies that are released in theaters today are either made in America or Canada. They have your typical boogeyman going after someone specific and it’s filled with blood, sex and cheap scares. Today’s movies don’t give me that level of satisfaction and entertainment. As a diehard Horror movie fan, I’ve found that Italian Horror Movies are the most creative, daring and scary. They don’t skimp out on the blood and gore, they don’t skimp out on nudity and they have a compelling story to go along with it. Some great Italian Horror Filmmakers include Lucio Fulci and Dario Argento. One filmmaker I was recently introduced to by a great friend of mine was Juan Piquer Simon. He is a Spanish-Italian filmmaker best known for producing his own exploitation movies. The film I watched from Simon was one that was highly recommended by my friend. The film was titled “Pieces”.
Made in 1982, but wasn’t released until September 1983, the film is about a killer on the loose at a college campus in Boston. He kills his victims by chopping them up with a chainsaw and taking a body part for a souvenir. The killer is using these body parts to create a human jigsaw puzzle. It’s up to a police lieutenant and a college student well known on campus to find out who the killer is and stop him from completing his work of art.
The film opens up with a little boy putting together a jigsaw puzzle. When his mother walks into the room, she is shocked to see that the puzzle is that of a naked woman. She gets verbally abusive with the boy and tells him to get a trash bag. The boy comes back with an axe and chops his mother up to death. You don’t know anything about the boy in the beginning with the exception that he is established as the killer going into the rest of the movie. The puzzle essentially becomes the theme of the movie and the killer’s motivation. The film fast forwards forty two years and right into the movie, you see a college student studying on the campus lawn get decapitated by a chainsaw and the killer taking her head. Lt. Bracken and his partner Sgt. Holden arrive at the campus to investigate the murder. They first seek assistance from the Anatomy Professor about the missing head. Meanwhile, a boy named Kendall receives a note from a pretty girl to come to the pool. The killer manages to find the note and dispatches the girl with a chainsaw taking her torso. The campus groundskeeper Willard happens to arrive at the murder scene with the cops there and they arrest him believing him to be the killer. Bracken enlists Kendall to assist him with coming up with a profile of the killer and introduces him to Mary Riggs who is a cop going undercover as a Tennis instructor. Kendall recognizes her due to the fact that she is a former professional Tennis player. Together they hope to lure out the killer and end his rampage.
The first thing that came to mind while watching this film was this is a Grindhouse film. If you’re not familiar with the term “Grindhouse”, it was a term for a theater that mainly shows exploitation films. These films would show movies filled with sex, violence and sadism and were mostly shot under a super low budget. I’m not sure what the budget was for this film, but you can tell it was pretty low (not that there is anything wrong with low budgets). What this film does is create a haunting mystery thriller that leaves you on edge. The fact that the killer seems to strike at random women and take random parts to create a “piece of art” makes you cringe because you know this is something that could happen in the real world.
Speaking of the killer, the only thing you know about him is during the opening scene of the film when he was a boy. When the film fast forwards to the present setting, the audience has to figure out who it could be. The film does the old ploy of introducing characters that seem seedy or suspicious to get you to assume they are the killer. There are shots of the killer standing outside doorways in a dark silhouette. The look of the shadow reminds me of a bit of “Dick Tracy” or those other Detective Noir films back in the day. You don’t see the true reveal of the killer until the climax. I don’t recall the movie revealing clues as to the identity of the killer, but there is that old saying, “It’s always the one you least expect.”
Besides the killer, the film focuses on Kendall, who is a student at the college and seems to be very popular with the ladies. It’s shown several times throughout the movie including a hilarious sex scene involving one of his girlfriends. His charm almost gets him invited into Mary’s home for some potential cougar action. It’s almost like he’s James Bond without all the gadgets and killing. His detective skills and informal profiling immediately garners admiration from Bracken. He comes to depend on Kendall to helping him find the killer. Perhaps the biggest flaw of the movie is the acting.
The movie has enough salacious gore to wet the appetites of horror movies fans. There’s plenty of mutilation and dismemberment of bodies all shown through grainy 35MM film. The music provides a sound of uneasiness to the listening ears that heightens the tense moments. The pacing is steady. There are some scenes that drag out and scenes that were unnecessary to the plot. The scene that I felt was very misplaced was when Mary is walking on campus at night going to meet Kendall when a random biker appears and starts doing martial arts. After a brief confrontation, Kendall realizes that it is his Kung Fu Instructor. This made no sense and had no place in the movie unless Simon was trying to add some light hearted humor to his grizzly sinister movie.
The biggest gripe I had with the movie was the acting. At times it was shallow and at times it seemed over the top. I think this was largely in part due to the ADR work of the actors. I noticed that the ADR did not sync up with the mouth moving of the characters. It’s a minor error in editing, but should give you a few chuckles.
“Pieces” is truly a guilty pleasure film. It takes the elements of a detective story and slasher movie and makes something that is compelling and gruesome. It’s a film I would place high in a list of “Grindhouse Exploitation” movies. If you enjoy this movie, I encourage you to view more movies of this style. You will develop a quick appreciation for these kinds of movies and how polar opposite they are from any Hollywood mainstream movie.
TRIVIA (According to IMDB)
Because producer Dick Randall was simultaneously making kung-fu films in Rome, a cameo for a Bruce Lee imitator, Bruce Le, was written into this film, even though this scene makes no sense in the context of the rest of the film.
The “look” of the killer was based on the comic book character “The Shadow”, not as is often thought Italian ‘giallo’ cinema.
In the only trailer released, one of the final shots shows the chainsaw killer approaching the camera. As this happens, the same scream from Janet Leigh, the scene in Alfred Hitchcock’s “Psycho” (1960) when she gets killed in the shower scene, is used.
Most of the guts and gore were actually internal organs of dead animals, with real blood taken from a slaughterhouse.
The entire movie was shot in Madrid, nothing in Boston because there was no budget for second units. Some USA locations were recycled from “Supersonic Man” stock footage, another movie that Juan Piquer Simon had directed.
According to director Juan Piquer Simon, he owns the jigsaw puzzle used in the film as shown in a DVD extra where he’s reviewing his posters for the film.
At various times there was an interest in doing a sequel following the film’s financial success in the United States and Spain, but it was Juan Piquer Simon that had already been involved in another project and tried to get a sequel started years later, but he couldn’t. With show business the American producers soon forgot the idea, despite the success at the box office.
Starring: Cortney Palm, Tony Todd, Mark Hamill, Noah Hathaway, James Duvall, Andy Mackenzie Sonny Chiba, Jeff Fahey, Michael Biehn, Danny Trejo
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
Before I go into the review, I would like to take this time to apologize for not posting weekly. I’ve had some personal tragedies in my life that took me away from various projects. In addition, I wanted to take some time off and rethink the concept of “Guilty Pleasure Cinema Review”. When I first started this blog, the concept was to review movies that I particularly liked that perhaps only a small cult would enjoy. I started to find myself digging into movies that have already been done before. I took a seat back and took notes on how to keep this blog going but make it appealing to the viewers. I decided that I would focus on movies that the mainstream movie goer may not have heard of before or movies that may be seen as bad by the general public, but I enjoy. I know there will be people out there (even you the reader) that may have seen the movie I’m reviewing before, but my goal in reviewing these underrated movies is to attempt to capture a new audience. As a diehard movie fan who studied Film Concepts in college, I wanted to get a better appreciation for the art by diversifying the different styles, genres and techniques. I’m tired of the mainstream movies that are out today with its never ending remakes/sequels in order to make money. So with that, I hope you the reader will follow me into the next phase of this blog. Check these movies out for yourself, see what you think and pass it along. If I could get one new viewer to appreciate an underground non mainstream film, I would accomplish what I had hope to accomplish when starting this. With that being said, let me dive into an underground crime thriller that I haven’t seen in a very long time. 2012’s “Sushi Girl”.
The story focuses on a man by the name of Fish (Noah Hathaway) who has just been released from prison after serving a six year sentence for armed robbery. A car is waiting for him outside the prison. Fish gets in and is taken to an undisclosed location. When he enters, he sees his old crew waiting for him as they throw a “Welcome Back” party. Hosted by the leader Duke (Tony Todd) and features the short tempered Max (Andy Mackenzie), the eccentric Crow (Mark Hamill) and the reserved Francis (James Duvall). The crew dines on sushi that is served off the body of a beautiful naked woman lying flat and motionless on the table. Fish realizes that this isn’t just a reunion, but a plot by Duke to demand answers of what happened to the diamonds that they stole from their last heist. Fish tells the group he doesn’t know where they are. The rest of the crew, desperate and determined to get their cut of the diamonds tie Fish up in his chair and start to interrogate him. The interrogation involves methods of torture. The crew will stop at nothing to squeeze the information out of him.
I first heard of this movie back in 2013 when I was listening to a horror movie podcast (can’t remember the name of it). Tony Todd was the guest they were interviewing and he mentioned a movie he was starring in that was about to be released titled “Sushi Girl”. He said it was his favorite movie he’s ever done and the fact he got to work with Luke Skywalker himself was a dream come true. Coincidentally, the movie was available to stream on Netflix. With that being said, I watched it. I really enjoyed it the first time around. I even mentioned this to Mr. Todd when I met him at the Days of the Dead Convention in Indianapolis in 2013. He reiterated to me that he enjoyed the movie and was moved by my appreciation for the film. When I started researching movies to do for this next phase of the blog, I kept thinking about “Sushi Girl”, especially since I had only seen it that one time. I found it on DVD at a local store and watched it again. I didn’t remember much from the first viewing only than the characters. After the second viewing, I noticed it was similar in style and tone to another movie that is one of my favorites. Nevertheless I enjoyed the film the second time around.
The film is pretty much an homage to the Quentin Tarantino flick “Reservoir Dogs”. If you haven’t seen it before it’s about a group of thieves who go on a diamond heist that goes absolutely wrong. The survivors believe there was a mole in their group and try to figure out who it is. The film is known for showing you the before and after the heist, but not the heist itself. It makes the viewer interpret the actual events that took place during. “Sushi Girl” follows that same concept. You see the planning and aftermath. However, they show the actual heist taking place. These scenes are weaved throughout the film. The main setting of the film takes place in this abandoned building that looks like an Asian restaurant, which makes sense since they’re having sushi for dinner. Like “Reservoir Dogs”, this movie has a torture scene, shootouts, plenty of blood, humor and a twist ending. If you’ve never seen the said movie before, you should see it (but that’s for another time).
The performances are very good and each character has their own identity and personality that causes plenty of friction and tension among them. Tony Todd was great in this. He portrays the leader of group as cold, calculating and in control. I love his deep baritone voice and his wielding of power within the group. Everyone listens to him and when he commands something they do it. He’s played many bad guys before, but I think this is my favorite performance of his other than “Candyman” which he is well known for. Cortney Palm, who is the ‘Sushi Girl’ in the movie makes her feature length debut. She is completely motionless and does her best to ignore the conversations and actions that are taking place in the dinner. You do see moments where she flinches or sheds a tear. You don’t know anything about her throughout the film until the very end (That’s all I’ll say about that). Kudos to her for willing to be completely naked covered by sushi for her first film. I’m sure many women would refuse to do that as their first role. The best performance of the film by far is Mark Hamill. He plays the character of ‘Crow’ exactly like Truman Capote complete with long blonde hair, glasses and a business suit. He is very eccentric and flamboyant and beneath that layer is a man who is slimy and sadistic. If you’re familiar with Hamill’s work as the Joker in the Batman Animated Series from the 90s, you’ll hear his famous laugh throughout the movie. It was also nice to see cameo appearances from Michael Biehn (Terminator), Jeff Fahey (The Lawnmower Man) and Danny Trejo (Machete) who play a rival group that holds the diamonds the original group is attempting to steal from.
Clocking in at 98 minutes, “Sushi Girl” may not be an original film, but it has enough going on to keep you intrigued and focused. It’s not a fast paced, high action thriller but rather a suspenseful crime drama mixed with story, dialogue and brutality. You really feel the tension between the characters throughout the movie which grows into paranoia and desperation when their situation becomes a lost cause. It gives you the appreciation of what small independent films are trying to do, even if it’s a redundant concept.
TRIVIA (According to IMDB)
While eating fugu, Duke says “I cannot see her tonight. I have to give her up. So I will eat fugu.” This is, in fact a famous senryu from Japanese poet Yosa Buson, written in the 18th century.
The van that is used for the diamond burglary says Falkore Plumbing on the side. Falkor is the name of the Luck Dragon that Atreyu rides in The Neverending Story. Atreyu was played by Noah Hathaway, who plays Fish in this film.
This is Noah Hathaway’s first role in a full length film since 1994.
Michael Biehn shot his scenes for free in one day as a favor to his good friend Electra Avellan, one of the producers.
One of the plainclothes policemen in the van outside the place where the “reunion” is being held, tape recording the criminal conversations within, is named “Det. Harry Caul Jr.” “Harry Caul” was the master audio surveillance character played by Gene Hackman in “The Conversation” (1974).
Before he sits down Crow (Hamill) picks up a white rabbit mask off his chair. While non intentional white rabbits are a trademark of Batman villain Mad Hatter (aka Jarvis Tetch) Hamill, who is most famous for voicing the role of Joker on the animated series, Also voices him in the Arkham games
Starring: David Carradine, Richard Dysart, Dennis Farina, Charles Haid, David Morse, Jan Michael Vincent, Howard Hesseman
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
This past Christmas I received a book written by acting great David Carradine. His memoir titled “Endless Highway” talks about his life, his career and his spiritual journey. Many people know Carradine as the main character from the hit 70s show “Kung Fu”. Today’s younger generation would remember him as the titular title character from Quentin Tarantino’s “Kill Bill” movies. After reading his book, I ventured into his film catalogue to watch some movies he was in. One of the films I came across in his resume was a made for TV movie that sparked my interest. The movie was titled “Six Against the Rock”.
Not to be confused with the film “Escape From Alcatraz”starring Clint Eastwood which was about the only successful escape from the prison, this film portrays the 1946 failed escape attempt by six inmates which leads to a hostage standoff that lasted three days. Carradine plays Bernie Coy, who is currently serving a twenty-five year sentence for robbery and the architect of the escape. The other accomplices in the plan include Joseph ‘Dutch’ Cretzer (played by Howard Hesseman), Marvin Hubbard (played by David Morse), Miran ‘Buddy’ Thompson (played by Jan Michael Vincent), Sam Shockley (played by Charles Haid) and Dan Durando (played by Paul Sanchez). The plan was to escape through ‘C Block’, which was the largest unit on the rock by capturing the guards posted there and using the yard key to make their escape where they would head to the shipyard and get on a boat that would take them to San Francisco. The plan fails when the inmates cannot find the yard key among all the keys in their possession. When they try to use other keys as an alternative, the lock jams leaving them stuck in the block with the guards. Coy decides to use the guards as hostages and use them as leverage for a negotiation with the prison’s Warden. Warden James Johnston (played by Richard Dysart) refuses to negotiate and instead tries to find a way to stop the siege and rescue the guards. He calls upon the local military for help. Now surrounded by military rifles and other hardware, the inmates only option is to fight it out. Would they survive the fight?
Direct by Paul Wendkos, who was known in the business as a “prolific specialist in made for television movies, this is indeed a tightly made film that accurately depicts the events that unfolded during those three days at Alcatraz in 1946. The majority of the movie takes place in one location so it gives the movie a claustrophobic feel. When the plan fails, the inmates are left to improvise with little to no help from the other inmates. As the hours and days go by in the siege, the inmates get tired and desperate. They begin to turn on one another.
There are some solid performances in this film. First I’ll discuss the inmates. David Carradine and David Morse work great together as Coy and Hubbard. Coy is very logical with his planning and he is quick to improvise when the original plan fails. He keeps his leadership intact with force and reasoning. Morse adds ferocity and patience to the group. Despite the plan slowly unraveling, he does his best to encourage and motivate the team to not lose hope and keep their minds focus on the objective. Hesseman and Haid portrayed the vicious and unstable characters in the movie, Cretzer and Shockley. They end up being more of a liability to the team rather than an asset. They become paranoid and desperate to the point where they start to take out their frustration on the guards being held hostage against Coy’s orders. They want to show they mean business. Jan Michael Vincent who plays Buddy Thompson in the film is quiet and composed, yet he takes his orders from Cretzer. The moralist of the group is Dan Durando, portrayed by Paul Sanchez. He was convicted of murder at age sixteen and is currently serving a ninety-nine year sentence. He is hesitant about escaping from prison in the beginning of the film and ultimately gets dragged into the situation once Coy releases him from his cell. As the events are unfolding, Durando keeps his distance from the others and prevents Cretzer and Shockley from killing the guards.
Richard Dysart plays Warden Johnston who is grasping with the situation that is unfolding in his prison. His main focus throughout the film is the safety of the guards that are held hostage. The design of the prison works against him and has to rely on the military to come up with a way of diffusing the situation.
There’s not much action in the movie other than the inmates rounding up the guards and defending themselves during the onslaught of the military trying to take back the block There’s an ample amount of violence from the beating of the guards to Carradine shooting the guards in the leg at the Watch Tower. There’s enough going on to keep you on your feet.
“Six Against The Rock” is an intriguing story that tells a historic event that has been overlooked due to the only successful escape from Alcatraz that took place in 1960. It’s a movie where its characters are not just people, but of The Rock itself being a character. The movie reminds us that a plan that looks good on paper, but it may not work in real life. This movie may have been made for the small screen, but it leaves you with the feeling that you just watched a big masterpiece.