Mr. Stitch

Image result for mr. stitch

Mr. Stitch

Release Date: August 17, 1996

Genre: Sci-Fi

Director: Roger Avary

Writer: Roger Avary

Starring: Wil Wheaton, Rutger Hauer, Nia Peeples, Ron Perlman, Michael Harris

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

For those that have followed this blog from the beginning, you might recall a review I did for a Sci-Fi Channel original movie entitled “Evolver!” If you haven’t seen the post before, don’t worry you still can. All my posts are archived 😊 It’s one of my favorite made for television movies. The movie represented a time in the 90s when the Sci-Fi Channel was really coming up in the cable world and its popularity would spawn its own original movies. Another movie I recall seeing when it first came out that I discovered again was a movie called “Mr. Stitch!” I remember seeing the trailer for it where it was just a man all wrapped up in giant bandages in front of an all-white screen. As an impressionable pre-teen during the day I was overwhelmingly excited to see this. I don’t recall watching it when it premiered, but I remember I was quite fond of the idea, concept and execution. Watching it again not too long ago I double down on my comments. For a movie that is twenty-three years old, it still holds up despite some moments of outdatedness. With that let’s get to the synopsis of “Mr. Stitch!”

“Mr. Stitch” stars Wil Wheaton, best known for playing Ensign Wesley Crusher in “Star Trek: The Next Generation” as an androgynous human made from body parts and skin from various donors and chooses to be a man despite not having the sexual organs of one. He was created by a group of scientists led by Dr. Rue Wakeman (Rutger Hauer). He’s referred to only as ‘Subject 3.’ Later he chooses a name for himself. He is now ‘Lazarus’ after the biblical character.  At first, Lazarus is obedient and follows commands and performs his tests.  As Lazarus learns more about himself he begins having memories and nightmares from the lives of his donors. They offer clues as to the identities of those who inhabit his body while simultaneously torture him. This creates a rift between his relationship with Wakeman. Wakeman realizes he is losing control over Lazarus as he is developing independent logic and feeling. Lazarus realizes that Wakeman is hiding secrets from him causing him to no longer want to work with him. Psychologist Dr. Elizabeth English (Nia Peeples) is assigned to help Lazarus deal with his tension between Wakeman and deal with his nightmares and with it develop a sense of trust with other humans. They start to get close until Lazarus mentions a phrase that triggers English as it is a phrase that said to her from her deceased science partner and lover Dr. Frederick Texarian (Ron Perlman). Lazarus starts to be overwhelmed by being trapped in the ward and requests to see the outside world which is immediately rejected by Wakeman. He sneaks out and investigates Wakeman’s true intentions with him. Lazarus understands what his purpose is and must find a way to stop Wakeman’s plans as well as make amends with English.

Mr.-Stitch-1995-1

Written and directed by Roger Avary, “Mr. Stitch” is essentially a modern day retelling of “Frankenstein.” You have the Scientist who is looking to create a human being from dead (in this case created by tissue and organs of deceased humans) and you have the monster, which in this case is aware, functional and intelligent compared to the monster of the classic tale. It has the same elements in terms of the scientist creating this new life and teaching it how to interact with others and how to function with the purpose that is only known to them. You have the monster that is trying to learn, but starts to become resilient and unbalanced. The two will clash into this tug of war over power and control.

About ninety percent of the film takes place in this ward where everything is white. The scientists wear white suits and Lazarus is bandaged in all white. To me it represents both the first light we see when we are born as well as a state of purgatory where we are trapped in this area and are waiting to get to the outside of what lies ahead (for Lazarus this would be the outside world). We don’t see the outside of the ward until the near climax of the movie and several flashback scenes that Lazarus experiences as nightmares. Only other color we see in the movie is a black couch similar to a top hat that acts as Lazarus’ bed and the snot colored goo that comes out from a giant eyeball called the Observation Eye that watches Lazarus’ every move and from a device that measures and records his brain wave pattern when he is asleep (both are destroyed by Lazarus in a fit of anger).

Rutger

The look of Lazarus is comprised of numerous pieces of skin from all different colors of humans (Black, White, and Brown). His eyes have different pigments of color. His hair is long and frazzled, almost like a witch. Although he is androgynous, he identifies himself as man due to his strength and anger that is to be more in common with a man than a woman. I give the makeup department credit for creating a creature like this to represent that we are all human begins regardless of race, color, sex and creed.  I think that was Avary’s intention as well.

“Mr. Stitch” has some unique shots and visuals. What stood out to me are the choice of lenses that were used in certain scenes. For example, the “think tank” office of the scientists is shot like they are working inside a bubble. To me, the bubble represents the inner circle of those who are in it as to their research and their plans as to what to do with the research they are developing. The climax scene is deep underground and has a glossy watery effect that surrounds the confronting characters. Based on your impressions it gives you either a dream like effect or an effect if someone where high on drugs.

The pacing is a little uneven, but it doesn’t take away from the plot. Music is incorporated in practically every scene and it’s appropriate for what is happening in the scene. There is heavy metal during Lazarus’ bouts of anger or paranoia. There is a dreamy soft guitar sound during a hypnosis scene. Each piece of music sets the tone for what is happening.

The movie contains a very small cast with the majority of screen time belonging to Wil Wheaton and Rutger Hauer. Both of them I felt did a good job with their performances despite some flaws in the script. Wheaton starts out as very calm and compliant as he performs the tests that Hauer has him do. He’s quite intelligent by quickly developing his self-awareness and heightened sensibility. He is hostile to the scientists, but finds a soft and calming nature when he is around Dr. English. He develops a deep sense of trust and in some cases, love when they are together. Wheaton is able to channel his emotions of the character in the appropriate scenes throughout the film.   Hauer portrays Dr. Wakeman as a teacher and somewhat of a father figure to Lazarus. He is cautious with his responses to Lazarus’ questions and steers him away from anything he sees as a threat to his control of him. Hauer was very unhappy with the writing of the movie that he disregarded the script and began to improvise his scenes to match what he felt was more logical of his character and the story. I honestly can’t tell you that I was able to pick out which scenes he improvised, but that’s what makes him a great established actor was that he knew more about the character than what Avary had on paper.

Nia

The rest of the cast includes Nia Peeples as Dr. Elizabeth English who is brought in to help Lazarus deal with his dreams and nightmares. She builds a rapport with Lazarus during their sessions together. As they get to know each other, she becomes slightly distraught at what she discovers about him. Her feelings for him come full circle in the climax of the film. Peeples is very attractive and gives a soft touch to the films constant hostility between the two main characters. The other main performance comes from Michael Harris as General Hardcastle, who is the head of a secret government organization called ‘The Outfit’ and is in charge of the project. He shovels billions of taxpayers’ dollars to Wakeman and his team with the goal of creating a superior human being that could be used not only in warfare but to take down the bureaucrats in Washington so he can remodel the government in his own vision. He is the real antagonist of the movie. This was perhaps the weakest and most laughable performance of the movie. His dialogue reminds me of something a professional wrestler would say, but he gets what’s coming to him and it’s very satisfying. There is also small appearances from Ron Perlman as Dr. Texarian, the original team leader of the Stitch Project, Taylor Negron as Dr. Alan Jacobs who replaces Dr. English and gets a not so warm welcome by Lazarus and Make Up Effects Guru Tom Savini as a scientist.

“Mr. Stitch is available to watch on YouTube since it’s hard to find any video copies. I think you would enjoy watching this made for television movie. It’s a creative take on an original monster story. It doesn’t drag and keeps your attention with every scene. I wish the Sci-Fi Channel would make more of these compelling films than cheap monster movies involving five headed sharks or a yeti with the speed of a greyhound dog. Really makes you miss the 90s.

 

TRIVIA

  • Part way through production, Rutger Hauer completely discarded the script and refused to do any scenes from it. The majority of his scenes were improvised by the actor. Later, Roger Avary was forced to rewrite the remaining script to match up with Rutger’s footage.
  • This movie was the first “original” aired by The Sci-Fi Channel (now Syfy). It would be a few more years before they started advertising their made-for-TV movies as “Sci-Fi Originals”, but they did advertise this quite a bit as new and never-before-seen.
  • Was meant to be a pilot for a proposed television series. After Rutger Hauer gave up on the movie, the series was sunk.

AUDIO CLIPS

Story of Frankenstein

Do We Have Any More Weights?

Reference To A Word I Have No Meaning

I Do Seem To Have A Knack For Fisticuffs

An Improvement of Nature

I’ve Chosen A Name

Residue Thought

Feet First

Classified Territory

I Dream About An Elephant

Happy To See You

I Will Skin You Alive

I Want To See The Outside

Should Be Teaching Preschool In Florida

Jacobs Tortured

Get Out Of The Car

General Hardcastle’s Speech

Advertisements

No Escape

 

mv5bnzq3oda1odc4n15bml5banbnxkftztgwmdi4mzgxmte@__v1_

No Escape

Release Date: April 24, 1994

Genre: Action, Drama, Sci-Fi

Director: Martin Campbell

Writers: Richard Herley (Novel), Michael Gaylin and Joel Gross (Screenplay)

Starring: Ray Liotta, Lance Henriksen, Stuart Wilson, Ernie Hudson, Kevin Dillon

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 

Wow! We’re already into the second review of 2019 (I promise I won’t be counting the number of reviews done)! For the next ‘Guilty Pleasure Cinema Review,’ we’re going back to the year 1994. During this year in cinema we had “Forest Gump.” “Pulp Fiction” and “The Shawshank Redemption” (just to name a few). Of course, those movies were mega blockbusters, and all competed for the Best Picture Award at the Oscars. 1994 also had some movies that were overlooked and turned out to be very good in this reviewer’s opinion. We’ll be reviewing one of those movies right now. This week’s review is the dystopian future action/sci-fi flick “No Escape!”

Directed by Martin Campbell, best known for making two of the best James Bond films (again in this reviewer’s opinion) “Goldeneye” and “Casino Royale,” “No Escape” is set in the year 2022 and stars Ray Liotta as John Robbins, a highly trained ex-Marine who is imprisoned for life for murdering his commanding officer. After breaking out of two Level 5 maximum security prisons he’s sent to a Level 6 facility. After holding the Warden at gunpoint in a punishment scene, Robbins is exiled to a placed called “Absolom,” island prison hundreds of miles off the main land. The island is where they send the worst prisoners to live out their days in exile. Unbeknownst, Robbins is caught in the middle of a tribal conflict between the ‘Outsiders’ who are savages that live in the jungle and are led by the sociopathic Walter Marek (Stuart Wilson) and the ‘Insiders’ who are a cooperative autonomous community living a life of peace and purpose led by a terminally ill doctor called the ‘Father’ (Lance Henriksen). Robbins assists the ‘Insiders’ repel an attack from the ‘Outsiders’ and is asked by ‘Father’ to join the community. He refuses and intends to find a way to escape Absolom even though no one has escaped the island and lived to tell about it. The rest of the supporting cast includes Ernie Hudson, Kevin Dillon, Ian McNeice and Michael Lerner.

maxresdefault

“No Escape” is based off the 1987 novel “The Penal Colony” by Richard Herley. The film got mixed reviews upon its released and only made $15M out of a reported $20M budget making it a flop. Just because a movie flops at the Box Office doesn’t mean it’s a complete failure. I first saw the preview for this movie back in 1994 when I was nine years old. I stumbled upon the film later in life on Netflix. When I saw it was available to stream it refreshed my memory of the preview and gave it a shot. I went into the movie with little expectations, but after watching it, I felt the movie was a rare gem. There’s so much about this movie I enjoyed. Let’s go ahead and break it down.

First is the story. It’s nothing original as you can compare it to any other prison escape film, but it merges with elements of tribalism, authoritarianism and hope to make it compelling. What makes the story fresher is how likable the good characters are despite their alleged crimes for which they are banished to the island for. It’s reminds me of a line that Tim Robbins says in “The Shawshank Redemption” when replying to Morgan Freeman’s question as to how he ended up in prison with, “I’m innocent along with everyone else here.”  The movie sets up Robbins as a detestable character for what he had done. He was a Marine who killed his superior. You don’t know the reason why a man who served his country would do such a thing to one of his own. You find out later the reason for it and you sympathize with him even if it was still the wrong thing to do.

Next is the settings. We start the movie in a giant Level 6 prison that is surrounded by an endless windstorm. The industrial cold environment sets the tension between Robbins and the Warden. When Robbins is banished to Absolom, we get this beautiful spacious island with breathtaking views and luscious jungles where you have the freedom to do what you want. The island portion of the film was shot in Queensland, Australia. It does give the audience a sense of peace, happiness and hope as they are emerged in this environment. Heck, it makes me want to join up with the ‘Insiders’ and live a peaceful life where you contribute to the community, you’re far away from civilization and you don’t have to worry about money or bills!

no-escape-1994-1

Third is the acting. There are some great performances from each character. Obviously, Ray Liotta is the star of the movie. I was surprised that he would take on a role like this given his resume and that he is mostly a dramatic actor. Liotta has always played a character of some authority whether it is a law enforcement officer or a gangster.  Of course, we all know him from his iconic portrayal of Henry Hill in Martin Scorsese’s mob classic “Goodfellas.” He played this role with enthusiasm and dedication. He starts off as this cold loner with the only goal of getting off the island. As the movie progresses, so does his feelings. While he still wants to get off the island, he finds compassion among the ‘Insiders’ and confines with ‘Father’ with what he had done to land him in prison in the way a Catholic goes to a priest to confess his sins. Liotta had not only the acting chops, but the brains and stamina as many scenes where he is fighting with the ‘Outsiders’ and using instinct and the land much in a sense as Rambo to subdue his pursuers. I loved everything Ray Liotta has done, this is in my top three favorite performances of his.

Another all-time favorite actor of mine is Lance Henriksen. His performance as ‘Father’ is a natural fit for him. His namesake is that of a man carrying for his children. In this, the people of his colony are his children and must do everything in his power to protect them. Henriksen has played a diverse role of characters throughout his career. This performance has similarities to his most known role portraying the android Bishop in the “Alien” movie franchise.

mv5bmje3mtu0mzq0nl5bml5banbnxkftztcwnzu5mja0nq@@__v1_sy1000_cr0,0,1495,1000_al_

The third most notable performance of this movie goes to Stuart Wilson, who plays the antagonist Walter Marek. Stuart Wilson is not a household name, but if you’re a movie buff, you may remember him from playing other villainous roles such as playing the main villain in “Lethal Weapon 3” and one of the villains in “Teenage Mutant Ninja Turtles III!” The villain role suits him well. Marek is a sociopath who is looking to dominate all of Absolom and enslave the ‘Insiders’ under the laws of the jungle. He takes over as de facto leaders of all the jungle tribes. Wilson gives a weirdly amusing performance full of laughs, jokes and downright brutality.

 

“No Escape” has the right amount of action that it doesn’t take over the rest of the movie. There’s enough explosions and battles to keep you on the edge of your seat. There are several shots including Liotta jumping off the waterfall that would be used again in director Martin Campbell’s follow up film “Goldeneye!” Campbell is an underappreciated filmmaker. He knows how to create action movies when he’s given the chance. He is one of three directors to direct multiple installments of the James Bond series.

If you’re looking for an under the radar action/sci-fi flick, look no further than “No Escape!” I’ve said previous that this is a rare gem flick and it still is. It doesn’t need over the top action nor an over preachy story to be enjoyable. If you’re lucky to find a copy of the film online or in your local video store, it is worth the money.  It’s a perfect flick to watch on a Saturday night with a buddy or two.

 

TRIVIA (Per IMDB)

  • Throughout the entire movie, there is not one single female character. There are only male characters.
  • The film is known in other countries as “Escape from Absolom”.
  • Filmed in Far North Queensland, Australia.
  • Ray Liotta agreed to take the lead role of Robbins, because he had always wanted to do an action movie, where he played a heroic character.
  • 400 extras played The Outsiders.
  • Most of the extras were European backpackers from local backpacking hostel’s in and around cairn’s north Queensland.
  • A special rig was set up for Ray Liotta’s stunt double, for the sequence which Robbins is shot in the neck by poison darts and falls into the water below, allowing the camera to follow the stunt performer as he falls.
  • After production was complete on the film, Martin Campbell was hired to direct the 1995 James Bond film “Goldeneye” and later, the 2006 reboot “Casino Royale”. “Goldeneye” bares some similarities with this film: The Goldeneye satellite, Bond getting shot with a tranquilizer dart, Boris Grishenko secretly working for Janus, Natalya taking over a helicopter and Alec Trevelyan falling to his death, in the hand to hand combat with Bond

 

AUDIO CLIPS

Don’t Ever Turn Your Back On Me Again

Absolom

Welcome To Paradise

Not In The Mood For An Interrogation

Wipe Your Feet

He Does That With Everyone

If You Like Roadkill

Two Shots Of Your Finest 12 Day Old

Find Forgiveness

Basket Weaving

Warden’s Dry Cleaning

No You Cannot Have My Shoes

I Thought You Were My Friend

Second Prize

We’ve Always Been About Survival

Come And Get It

 

 

 

 

 

 

Night of the Creeps

800full-night-of-the-creeps-poster

 

Night of the Creeps

Release Date: August 22, 1986

Genre: Horror, Comedy, Sci-Fi

Director: Fred Dekker

Writer: Fred Dekker

Starring: Jason Lively, Tom Atkins, Steve Marshall, Jill Whitlow

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

We’re near the home stretch in the “Guiltiest Pleasure Horror Movies” special. I’m reviewing five films in the Horror genre every week until Halloween. We’re at Movie #4 for this special. This next film is a homage to the goofy science fiction/horror films of the 50s that is set in the 80s. This was the debut film of Fred Dekker, a man who was rejected into USC and UCLA’s film school program and settled as an English major. He would develop screenplays along with his friend and roommate, Shane Black (best known for writing the Lethal Weapon movies, appearing in the first “Predator” movie and more recently writing and directing the new “Predator” movie with Dekker). After this movie, he would go on to write several episodes of “Tales From The Crypt” in addition to writing and directing two more movies, one was the cult following “The Monster Squad” and the utter failure “Robocop 3”. Today Dekker focuses more on writing than he does actual filmmaking. His debut film is still the best of his three and one that I continue to enjoy on a frequent basis. Tonight’s review is “Night of the Creeps”!

“Night of the Creeps” starts out in 1959 when a college fraternity member takes his sweetheart out for a romantic night out sitting in his car looking at the stars. Suddenly, something from the sky crashes down and he goes to investigate it. When he looks closer, a slug jumps out and enters his mouth and he collapses. The film flashes forward to 1985. It is rush week at Corman University. Two outcasts, Chris Romero (Jason Lively) and his friend J.C. Hooper (Steve Marshall) are looking to get into a fraternity in the hopes of meeting girls, particularly one that catches Chris’ eye, Cynthia Cronenberg (Jill Whitlow). They have a sit down with Brad, who is the president of the Beta Epsilon house. He gives them a quest to steal a cadaver from the medical school morgue and dump it in front of a sorority house. They reluctantly agree. As Chris and J.C. sneak into the medical school after hours, they come across a laboratory. Inside they see a frozen corpse. The corpse is that of the man from the introductory scene.  They decided that he would be the body they would deposit to the sorority house. Little do they realize the body is still alive and the boys run off in terror. Meanwhile the body attacks one of the med students and heads to one of the sorority houses only for his head to explode and slugs shriveling their way out of the body. The investigation is led by Detective Ray Cameron (Tom Atkins), a long-time cop who is burnt out. When he interviews Chris and J.C., they admit to the prank and the case is closed. Little do they all realize that the college is in danger as one by one people are turning into zombies thanks to the parasitic slugs that possess them. Now it’s up to the three of them to stop the epidemic before it gets worse.

MV5BZmQxNTkyZjgtNjc2Ni00ODBmLWJiMDMtNGU0N2Y1ZDExODRlXkEyXkFqcGdeQXVyNTAyNDQ2NjI@._V1_

I can’t remember the first time I viewed this movie, but I enjoyed it on so many levels. It had the look and feel of both a 50s Science Fiction movie and an 80s Horror Movie which was Fred Dekker’s intention. While the concept is nothing original as it takes from “Invasion of the Body Snatchers,” it is still refreshing to see a take on how the zombies were created. This movie was released in 1986 so prior to that you had “Day of the Dead” and “Return of the Living Dead” which had similar concepts. I like the fact that it is a parasite that turns the living into the dead.

The performances are decent. Jason Lively plays Chris as a shy, low self-esteemed kid who can’t seem to find his place in the college world. Steve Marshall plays J.C. as a wiseass, always cracking jokes at the most inappropriate times. Despite that, he is very concerned over his friend and does his best to get him out of his comfort zone and build up some confidence. The real star of this movie is Tom Atkins. Atkins is no stranger to horror films given his performances in “The Fog”, “Creepshow” and his most memorable role as the protagonist in “Halloween III”. Atkins plays Detective Ray Cameron as a drunk, don’t give a shit attitude police officer. He gave us a new phrase to say when answering the telephone. Instead of saying “Hello” when the phone rings, he says, “Thrill Me!” This would become the iconic line of the movie. In addition to his indifferent personality, he is traumatized by the events that happened in 1959. His girlfriend at the time was killed by an escape mental patient during his second week on the force. He comes close to taking his own life but realizes that to find a sense of closure, he needs to help stop the zombie outbreak. I’ve referred to Tom Atkins as “The Pimp of Horror Movies” because he always seems to be getting in bed with a woman he just met. That’s not the case in this movie, but it still doesn’t diminish his title. He has called “Night of the Creeps” his favorite film that he has done, and I echo that sediment.

image

The only performance I didn’t care for was Jill Whitlow as Cynthia.  With her soft voice, she is completely wooden with her delivery. There are also times during the movie where she looks like she is in a complete fog or has that look that she is thinking of something else rather than concentration on the situation that she was in. I think she needed to put a lot more life into her.

The effects are cheap and dated by today’s standards, but again I think that was Fred Dekker’s intention. There is an ample amount of gore that is ramped up at the very end during the big battle. I do have to give props to the makeup department for giving each zombie a bit of variety and some personality. The slugs were long and beefy, and they slithered quickly going into basements and hiding in bushes as they prepare to infect their next victim. The music is pure 80s synth that weaves in and out of the frames that it is featured in.

1439853776935

Out of the three movies Fred Dekker has done, this is my absolute favorite. This is one that I have on rotation during the Halloween season. I enjoy it for that it doesn’t take itself too seriously and it has enough scares, violence, gore and humor to keep your attention. It’s a great movie that has truly earned its cult status.

Next week ladies and gentlemen is the final review in the “Guiltiest Pleasure Horror Movies” special, so you don’t want to miss it. Check back on here Halloween night!

 

TRIVIA

  • All the last names of the main characters are based on famous horror and sci-fi directors: George A. Romero (Chris Romero), John Carpenter and Tobe Hooper (James Carpenter Hooper), David Cronenberg (Cynthia Cronenberg), James Cameron (Det. Ray Cameron), John Landis (Det. Landis), Sam Raimi (Sgt. Raimi) and Steve Miner (Mr. Miner – The Janitor).
  • Graffiti on the wall of the men’s room where J.C. is trying to escape a number of slugs reads, “Go Monster Squad!”. The Monster Squad (1987) was also directed by Fred Dekker.
  • Tom Atkins’s favorite movie of his own.
  • “Corman University” is a reference to director/producer Roger Corman.
  • The tool shed sequence was filmed after principal shooting on the movie had wrapped. After a rough cut was shown to a test audience, several people thought that the picture needed more action so this sequence was added to the movie.
  • Fred Dekker’s roommate, Shane Black, worked on the script. The next year, Tom Atkins starred in Lethal Weapon (1987), Black’s first produced screenplay.

 

AUDIO CLIPS

Leviathan

220px-Leviathan_ver1

Leviathan

Release Date: March 17, 1989

Genre: Adventure, Horror, Mystery

Director: George P. Cosmatos

Writers: David Peoples (Story & Screenplay), Jeb Stuart (Screenplay)

Starring: Peter Weller, Richard Crenna, Amanda Pays, Daniel Stern, Ernie Hudson, Michael Carmine, Lisa Eilbacher, Meg Foster, Hector Elizondo

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 1989 was the year of the underwater Sci-Fi films. First, you had the highly anticipated “The Abyss”, namely because it was a James Cameron movie and the special effects were the most advanced effects at the time which would evolve in Cameron’s follow up film, “Terminator 2”.The second film was the obscure “Deep Star Six”, directed by famed “Friday the 13th” creator Sean S. Cunningham. Finally you had “Leviathan” directed by George P. Cosmatos who was known at the time for directing two Sylvester Stallone movies, “First Blood Part II” and “Cobra” (the latter was my very first review for this blog still available for your reading pleasure!) All three movies did not do well at the box office. “The Abyss” made $90 million, but it had a budget of over $50 million so while it made a teeny profit, it was very underwhelming considering the magnitude of the film. “Deep Star Six” sank as fast as the Titanic. “Leviathan”debut at #2, but quickly drowned the following week. While underwater Sci-Fi films were nothing new, it seemed the audience wasn’t all that invested into those concepts. As we approach the 30thyear landmarks for these films, I decided to re-watch “Leviathan” again.

The first time I watched it, I reacted in a way most people did when it first came out: mortified (and not in a good way). When I decided to watch this movie again in hopes of it appearing on this very blog, I went into it with no expectations and erased all those feelings I had the first time around. After watching it the second time, I thoroughly enjoyed it. Even though it’s a blatant rip-off of “The Abyss” along with two other iconic Sci-Fi Horror films “Alien” and “The Thing”, it was entertaining. I liked it so much; I began playing it several times. As a matter of fact, I have it playing in the background as I’m typing up this review. Before I get into the nitty gritty of the film, I’ll brief you on the plot.

“Leviathan” tells the story of a group of underwater miners who work for Tri-Oceanic Corp. They’re finishing their last days of a three month operation mining for silver in the Atlantic Ocean. The team consists of eight members, Glen ‘Doc’ Thompson (Richard Crenna), Elizabeth ‘Willie’ Williams (Amanda Pays), Buzz ‘Sixpack’ Parrish (Daniel Stern), Justin Jones (Ernie Hudson), Tony ‘DeJesus’ Rodero (Michael Carmine), Bridget ‘Bow’ Bowman (Lisa Eilbacher) and G.P. Cobb (Hector Elizondo). They are lead by Geologist Steven Beck (Peter Weller) who reports to the CEO of Tri-Oceanic Corp, Martin (Meg Foster). During a mining operation involving Sixpack and Willie (who are working as punishment for an altercation), Sixpack falls of a ravine and goes missing. Willie searches for him and discovers a sunken Russian ship named ‘Leviathan’ with Sixpack inside with some sunken treasure. As the crew looks through what was lost in the ship, Doc uncovers a video tape. It’s a tape containing a warning by the Capitan of the ‘Leviathan’. Beck and Doc aren’t sure what the Captain is referring too. The rest of the crew prepares to take a shot of vodka found in the ‘Leviathan’ only to finding out after tasting it that Beck had switched the bottles and they have water instead of vodka. Unbeknowst to the crew, Sixpack hid a separate canteen filled with the vodka that was recovered and he and Bowman have a drink. Few hours later, Sixpack starts to feel sick with chills and flaky skin. He succumbs to his illness several hours later which triggers the doc to perform tests on the rest of the crew. When Bowman sees Sixpack, she decides to take her own life rather than succumb to the illness. As the crew tries to throw the bodies away, the mutation fuses together and attacks the crew. A part of the creature manages to sever itself from the body and develop into a whole new being which goes on to attack the crew and grow by consuming human blood. The crew declare an emergency but Martin tells them there is a hurricane approaching them and their rescue is delayed by twelve hours. The crew has no choice but to find a way to destroy the monster.
I’ll start with the cast. Peter Weller is the lead in the film as Beck. He is in charge of the crew and its mission. He is very commanding and by the book when it comes to company rules. In the beginning of the film, he feels out of place and senses he doesn’t have the respect of the crew. You see his leadership and command develop throughout the movie. I love Peter Weller. He is a person who is dedicated in every role he does and this role was no exception. His iconic performance in “Robocop” groomed him for this part. Richard Crenna who plays Doc is a loner and disliked by the entire crew especially in the beginning of the film. They feel he has something to hide and as the film progresses, he does what he can to not reveal what is happening to the crew with the exception of Beck. Crenna is another actor I’ve enjoyed for a long time. I think all the performances were good with the exception of Meg Foster. I know she is supposed to play the disconcerted corporate executive, but she comes off as wooden and monotone. I’ve seen her play this part before in “They Live”. I don’t know if that’s her style, but I didn’t care for it.

The film is well paced when you compare it to the other two movies I mentioned. None of the scenes drag out too long which keeps your attention focused. There’s plenty of jump scares and tense confrontations between the crew. Legendary composer Jerry Goldsmith provides the music and it sounds eerily familiar to his composition in “Alien”. Wouldn’t surprise me if he was influenced by that film since this film takes several elements from it.  The special effects were solid. There is a ton of blood, but not too much gore. Any gore that appeared in the movie was either off camera or was in spurts such as in the reveal of the monster in the middle of film or near the end.

Speaking of the monster, that was without a doubt the biggest disappointment of the movie. The movie does a good job taking the old sci-fi horror concept of not revealing too much of the monster and letting the audience until the second half of the movie. The concept of the creature is supposed to be a genetic alteration of a sea creature, but fuses with people it has either come into contact with or has the same genetic mutation in their bodies. One shot you see this gigantic blob with tentacles and faces of the crew members it has merged with. It reminds me of the pillar with all the faces from the “Hellraiser” movies. And when the monster emerges at the very end, you can see how fake the head is. It was reminiscent of a monster in a Japanese Monster Movie. What boggles my mind is that the creature design and the effects were done by legendary effects man, Stan Winston. This was the guy that created the Terminator, the dinosaurs in “Jurassic Park” and the Alien Queen in “Aliens”. What the hell happened here? Did he not have the budget to make something unique and terrifying? Did he run out of ideas? It’s a damn shame. The creature could’ve been something unique and give the film a better lasting impression.

Out of the three movies I mentioned in 1989, I would put “Leviathan” second behind “The Abyss”. The problem the movie had as I mentioned in the beginning was that it borrows too much from the other iconic movies I mentioned. It’s not original in terms of concept. I do give it creative points for the source of the disease and the effects that it causes.  Don’t let all that take away from the fact that it is an enjoyable B-Movie and it’s a movie I’ve found myself watching over and over again. That’s always been the strength of George P. Cosmatos’ films. He doesn’t follow a strict genre. He’s willing to take chances and his movies come about as being fun and entertaining.

 

TRIVIA (Per IMDB)

  • 50 to 60 spec drawings of the potential look for the creature were submitted to director George P. Cosmatos. All the drawings were combined for the final definitive look for Leviathan which was a huge, fish-headed beast with dagger like teeth with the ability to absorb recognizable characteristics from its victims.

 

  • There are very few scenes in the film that were actually shot underwater, as production went for the “dry for wet” look. With most of the scenes inside the Shack taking place on sound stages and a tank measuring 130ft x 270ft.

 

  • Audio from this film is sampled in the song “Reptile” featured in the Nine Inch Nails album “The Downward Spiral.”

 

  • According to the sleeve notes on the DVD, a dry for wet lighting test by Alex Thomson used an old army tank for the wreck of the Leviathan,and some make shift diving suits were made using

 

  • Chicken feathers were used at one point of shooting the underwater sequences to suggest things were floating around in the water. According to Alex Thomson this did not work because the feathers floating side to side instead of up and down and the idea had to be scrapped altogether.

 

  • Hector Elizondo’s character of Cobb is named after the film’s production designer, Ron Cobb. Also, Michael Carmine’s character of Tony ‘DeJesus’ Rodero, shares the same last name of the film’s first assistant director, ‘Kuki Lopez Rodero’.

 

AUDIO CLIPS

 

 

My Name Is Bruce

MV5BMTQxMDg2Nzk2Nl5BMl5BanBnXkFtZTcwNDg4NjI5MQ@@._V1_UX182_CR0,0,182,268_AL_

My Name Is Bruce

Release Date: April 13, 2007

Genre: Comedy, Fantasy, Horror

Director: Bruce Campbell

Writer: Mark Verheiden

Starring: Bruce Campbell, Grace Thorsen, Taylor Sharpe, Ted Raimi

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Bruce Campbell is undeniably the King of B-Movies. He’s catapulted to the top of the genre in large part to his recurring portrayal as chainsaw wielding, boomstick carrying, demon killer Ashley Williams from the ‘Evil Dead’ movies. His career has spanned for over thirty years. In the last ten years he’s had more mainstream appeal largely in part to his role in the Espionage series ‘Burn Notice’ and his return to the Evil Dead world as Ash once again in the Starz TV Series ‘Ash vs. Evil Dead’ (which sadly has been cancelled). Bruce Campbell portrays characters that make the audience feel like they are a part of the ride. He is not afraid of getting downright goofy as much of his acting was influenced by ‘The Three Stooges’. In 2007, he came out with a movie that pokes fun at not only himself, but his career. That movie was called ‘My Name Is Bruce’.

As the title suggests, ‘My Name Is Bruce’ is a tongue in cheek film about Bruce Campbell, his popularity and the blurred line between fiction and reality. The film is about a Goth teenager named Jeff, who happens to be a huge Bruce Campbell fan. Him and his friend meet up with two girls at an abandoned gravesite in the small mining town of Goldlick, Oregon. Jeff finds a circular object placed in front of what looks like to be a collapsed tunnel. Removing the object, Jeff accidentally summons the spirit of Guan-Di, who is the Chinese God War and an early settler of the town. With Guan-Di unleashed and killing it townsfolk one by one, Jeff decides to track down the one person he believes could defeat the evil spirit…..yep, you guessed it. Bruce Campbell.

While the events in Goldlick are happening, Bruce is in a movie studio shooting a sequel to the B-Movie Sci-Fi film ‘Cave Alien’.  Frustrated by the lack of quality roles, being turned down by women and crushed over a divorce, Bruce threatens to fire his agent, Mills Toddner (played by Tem Raimi in one of three roles he plays in the film). Mills tells him that he has a surprise for him on his birthday. Bruce shrugs it off and heads back to his trailer for a night of drinking and calling his ex wife. Bruce hears a knock on his door and Jeff appears. He asks him to come with him, but Bruce refuses. Jeff resorts to knocking him out and putting him in the trunk of his car. Jeff drives back to Goldlick and lets Bruce out. After Bruce gives a lecture to the townsfolk about kidnapping a movie star, he is informed by Jeff that he called his agent and was told he was free. Bruce believes that this is the surprise Mills was talking about and believes he’s part of a new movie. Bruce plays along with it unbeknownst that the townspeople are serious.

After a hero’s welcome that is filled with food and drink, Bruce leads the townspeople to the cemetery. There he encounters Guan-Di. Realizing that this is not a movie, Bruce tells the people to retreat. From there he cowardly escapes from the town to let the townspeople deal with Guan-Di. The next morning Bruce receives a call from Jeff saying that he is going to fight Guan-Di himself since he is ultimately responsible for releasing him. Now Bruce must decide if he wishes to help Jeff or let him deal with the spirit himself.

This film is hilarious. While this will appeal to the most diehard Bruce Campbell fans, I think viewers who aren’t familiar with him or his work will get a kick out of this. There’s plenty of jokes that will keep the average comedy movie fan in their seats.

You can tell throughout the film that Bruce Campbell enjoys parodying himself. The fact that he depicts himself as an arrogant, cocky, selfish, womanizing and drunken actor who lives in a trailer and is getting burned by horrible acting parts. It’s the polar opposite of the typical Hollywood actor. You get into his head of what he deals with on a daily basis from crazed fans to slimy agents. He doesn’t skip a beat with his line delivery, his physical expressions and his candor. He does show a moral compass during the film as he gets to know Jeff and his mother, Kelly whom he immediately has an attraction for despite her shunning his advances and thinking he’s nothing more than a phony.

The rest of the cast is pretty small as it primarily centers around Bruce and the relationship he builds with Jeff and Kelly. Grace Thorsen plays Kelly. She turns in a decent performance although it didn’t find her convincing that she immediately felt an attraction for Bruce especially after berating him about he thinks the situation is a joke to him, but to the townspeople it’s not. Jeff is played by a kid named Taylor Sharpe. This is his only acting performance to date (according to IMDB). I can see why it’s his only performance. He definitely plays his role like a newcomer.  He sounds dull and not too concerned about what has happened. The character of Jeff itself is strange. One minute he is all dressed up as a Goth kid and then the next he’s a regular kid blending in with the town. Eventually his Goth persona would become his hero alter ego when he makes the decision to battle Guan-Di.  I will give him props for knowing his Bruce Campbell trivia and his collection of Bruce Campbell memorabilia in his room. Other than Campbell, the other best performance of the film goes to Ted Raimi who plays three different characters. Besides Mills Toddner, he plays the town painter who gripes about having to change the population number of the town and uses lazy methods to change it and he also plays Wing, the last descendent of the original Chinese immigrants that founded the town. Radical leftists will more than likely cry that his performance stereotypes Asians, but I didn’t see it that way. I found it funny that he warns the people about Guan-Di and begins to taunt them. He only appears in a couple scenes, but he would provide something that will help them in the battle with the Chinese God of War.

Speaking of Guan-Di, I think it was an interesting monster that Bruce had to deal with. He looked like a giant puppet that dangled on strings. I’m pretty sure it was the film’s intention to make the monster look cheap as it fits in with the B-Movie concept. Nevertheless it was good to see a little innovation in the bad guy and not make him another vampire or zombie.

After watching this film again, I would easily place this in my Top 10 Bruce Campbell movies. Yes, this film will largely appeal to his fan base, but there are those out there that will enjoy it if they are a fan of B-Movies. If you can show this movie to someone who has never seen a Bruce Campbell movie, you might be able to turn them into an immediate fan. If you’re able to do that, then it will be a testament to the power that this film really has.

TRIVIA (According to IMDB)

  • The exteriors for the town of “Goldlick” were actually shot on Bruce Campbell’s property where a back lot was built with the exteriors of all of the buildings. The interior shots were all done on a sound stage.
  • According to the DVD commentary, most of the Bruce Campbell memorabilia in Jeff’s room was real, including a spare Brisco County Jr. costume that Campbell owned. A few fake items, such as a poster for “The Stoogitive,” were made to fill up space.
  • There are many mentions and references to Bruce Campbell’s other films. Examples are phrases ‘sugar baby’, ‘groovy’ and ‘boomstick’ along with name checking of people like Sam Raimi (director of the ‘Evil Dead’ trilogy).
  • The rude man in the wheelchair was based on a real person Bruce Campbell met

 

AUDIO CLIPS

Critters

MV5BZTA4MjE2OTUtMmYzMC00ZDcwLTkzYmItYTllYTU1MjNhMDRkXkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_UX182_CR0,0,182,268_AL_

Critters

Release Date: April 11, 1986

Genre: Sci-Fi, Horror

Director: Stephen Herek

Writers: Stephen Herek (Screenplay), Domonic Muir (Story & Screenplay), Don Opper (Additional Scenes)

Starring: Dee Wallace, M. Emmet Walsh, Scott Grimes, Billy Green Bush, Nadine Van Der Velde, Don Opper, Terrance Mann

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Movies that came out in the 80s contained a diverse range of genres. We had horror movies, teen comedies, action packed film and the occasional monster movie. With the success of “Gremlins” in 1984, fledgling production company New Line Cinema looked to creating a movie similar in nature. With the box office success of “A Nightmare on Elm Street 2”, New Line Cinema got out of the red in their financial operation and had some money to invest in more projects. One of the projects that was green lit to be a “sister” film to “Gremlins” was the movie, “Critters”.

Released in 1986 “Critters” is about a group of intergalactic hairball like creatures known by their species name “Krites” that escape from a prison asteroid and use a stolen spaceship to travel to the closest planet that contained the most life for them to feed their bellies, which is Earth. Desperate to stop the Krites from invading Earth and consuming all of its resources, the warden of the prison asteroid dispatches two bounty hunters to track them down and eradicate them. The Krites land in a field in a small town in Kansas called Grover’s Bend. The people of Grover’s Bend are their own characters. You have the Brown family who live on a farm, Charlie McFadden, the town drunk and Harv who is the easily annoyed Sheriff.  Jay Brown and his mischief son Bradley (Brad) head out to the field where they spot the ship crashing. They appear to find some of the herd dead with nothing left of them but their bones. Heading back to the house they encounter one of the Krites who bites several wounds into Jay as well as a poison needle that shoots from their backs, like a porcupine. The Browns become trapped in their home defending themselves against the Critters. Brad risks to find help and comes across the bounty hunters who have taken human forms. He directs the bounty hunters to his home where they see the Krites and begin a melee of destruction in order to kill them all.

“Critters” was a modest hit at the box office generating more that $13 million against a $2 million dollar budget. It would spawn three sequels, which one of them became the acting debut of an unknown kid would become an A- list actor named Leonardo DiCaprio (“Critters 3). It was another franchise New Line Cinema had under their belt with their first being “Nightmare on Elm Street”. There have been talks of a remake, but I’m not a fan of remakes nor would I encourage a remake of this film. The films may look dated and silly, but they’re packed with enough gore and humor to keep your interests high.

The cast is a mixed of veteran character actors and some that are up and coming. The two popular names on the bill are Dee Wallace, who was the mother in “ET” plays the mother in this film and M. Emmett Walsh who has over two hundred credits to his name, is best known for playing a psycho in “The Jerk” and Harrison Ford’s boss in “Blade Runner”. Dee Wallace doesn’t do much except scream and cry through most of the film. Walsh plays Sheriff Harv as a short tempered man who feels the town is becoming a zoo. The film revolves around the performances of Scott Grimes who plays Bradley Brown, the younger of the two Brown children. He is mischievous and always getting into fights with his sister, April. He becomes the hero by risking his neck to escape his house surrounded by the Krites to find help.  Don Opper plays Charlie McFadden, the town drunk and close friend to Brad and believes alien life-forces are trying to communicate with him through his teeth fillings. Opper ends up playing a dual role in this film which he does a good job at. I’ll get to the dual part in a moment. Rounding out the central cast are the bounty hunters. They add just as much humor as the Krites do. The bounty hunters are named Ug and Lee (Ugly, get it?). They are faceless aliens and have transforming abilities. To “blend” in with the earthlings they may encounter, both of them look through a video of Earth and its history. Ug notices rock start Johnny Steele in a music video and transforms into him. Ug and Steele are played by Terrance Mann. Lee struggles to find a form to change into.  A recurring gag in the film is Lee changing into multiple people he encounters. He eventually settles on transforming into Charlie after an encounter with him in a bar. They carry giant cannon guns to blow up the Krites, but instead cause destruction at every location they step in. Even their boss pleads with them about being less destructive.  The bounty hunters would become staple characters of the eventual franchise as Mann and Opper are the only two actors to appear in all four movies. “Critters” includes small appearances from Billy Zane, who plays April’s new boyfriend, a city boy with a nice car and Lin Shaye of “Insidious” fame playing Sal the dispatcher.

The real stars of the film are the Krites. They were created by the Chiodo Brothers (Stephen and Charles) who were known for Claymation, creature creation and puppeteer work. They did a great job designing and moving the Krites. They’re described throughout the film series as “man eating hairballs”, which is true. However, they are very intelligent despite their limitations. They have red eyes, razor sharp teeth and needles that can shoot poison at their prey. They move with the speed and velocity of a cannonball. They crash land on Earth after escaping from a prison asteroid. While they repair the ship, they go off to look for food. They eat anything they come into contact with. The more they feed, the more they grow. You will see one of them in the film turn into a giant with the ability to walk upright like a human being. They come into contact with the Brown family and surround their home causing a “Rio Bravo” like standoff. The Krites are both scary and funny. There are some Three Stooges like moments they get into. One scene shows the Krites tearing up Brad’s room. One of the Krites is trying to communicate with a stuffed ET doll and when it doesn’t answer its questions, the Krite gets angry and bites his head off. Another funny moment is a Krite getting burnt by a small torch Dee Wallace uses and runs to the bathroom and jumps into the toilet.

This was the directorial debut of Stephen Herek who would go on to direct “Bill and Ted’s Excellent Adventure”, “The Mighty Ducks” and “Mr. Holland’s Opus”.  I think this is a solid debut and one of his best films in his short filmography.  He does some good things technically. For example, most of the film takes place at night, so Herek uses natural lighting from the moon and flashlights to create a dark tense atmosphere for the Browns as they investigate what is going on. He also makes good use of the first person view for the Krites. The camera is hovered above the ground and moves stealthily when they’re in hunting mode and then in a racing mode when they’re attacking or trying to reach their prey. The film has its slow moments, but once the Krites appear, the action and the horror pick up and doesn’t end until the final explosion.

As I mentioned in the beginning this film is very similar in nature to “Gremlins”. I used the term “sister” film because that’s what it feels like. It doesn’t have Steven Spielberg’s name attached to it, but it’s still a fun monster movie flick. It’s simple so you don’t have to worry about trying to compound narratives or hidden messages or symbolism. It’s a movie where you can lay on the couch and absorb what is taking place. The sequels that followed this film have their good moments and bad moments (mainly due to the budget going way down and the distribution being limited). I would put this movie in my Top 100 80s Films of All Time.

 

TRIVIA

  • Corey Burton, who voices the Critters, also came up with their language, which he described in interviews as combining elements of French and Japanese.
  • Terrence Mann performs the song “Power of the Night” as Johnny Steele especially for this movie.
  • This is the second movie (the other being E.T. the Extra-Terrestrial [1982]) with Dee Wallace in which her on-screen son heats up an oral thermometer in order to appear sick to avoid going to school. In E.T. she is fooled, but doesn’t buy it at all second time around in Critters [1986]
  • Don Opper and Terrence Mann are the only actors to appear in all four Critters films. Their characters, Charlie McFadden and Ug, respectively, appear in all four Critters movies.

 

AUDIO CLIPS

Ghosts of Mars

MV5BMGFlNzNmY2ItYmZjMi00ZjQ1LWJjMmMtODM5MWQ0NzI3NzBhXkEyXkFqcGdeQXVyNjU0OTQ0OTY@._V1_UY268_CR3,0,182,268_AL_

Ghosts of Mars

Release Date: August 24, 2001

Genre: Sci-Fi, Horror, Action

Director: John Carpenter

Writers: John Carpenter, Larry Sulkis

Starring: Ice Cube, Natasha Henstridge, Jason Statham, Pam Grier, Clea DuVall, Liam Waite, Joanna Cassidy

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

John Carpenter is my all time favorite filmmaker. There’s no denying he is an auteur in film. His influence has spread to generation after generation of new filmmakers. Despite the majority of his movies not being big box office successes, they’ve had a robust longevity due to the cultural impact his movies have on today’s world. Unfortunately his career started to slow in the 90s due to the decline of audience’s interest in horror movies. By the end of 2001, Carpenter quit Hollywood and stayed in exile until 2010 when he returned with a small independent horror movie “The Ward”.  Since then Carpenter has been focusing more on his music, which has been a staple of his movies since he writes and perform his own music. He’s toured all over the world. This year he is returning as an Executive Producer in a 40 year anniversary ‘Halloween’ Remake/Sequel.

I could review any of my favorite movies from him, but that would be too easy. I decided to review the movie that made him throw in the towel as a director. I’m talking of course about 2001’s “Ghost of Mars”.

The film takes place on Mars (hence the title) in the year 2176. The planet is close to being a hundred percent teraformed. It focuses on a small group of Martian police. They are assigned to go to a mining village called ‘Shining Canyon’ and pick up a prisoner for transfer. The prisoner they are picking up is notorious criminal James “Desolation” Williams. When the team arrives at ‘Shining Canyon’, it is completely inhabited. The team splits up. One team searches each building and finds bodies hanging upside down in the ceiling, all kinds of wires and mutilated body parts. Another team heads to the holding cells where they find Williams and a few other survivors. One of the survivors, who is a researcher and head of the mining operation reveals that they found an enclosed tomb buried under the Martian surface and let out a spiritual force that possesses any living being in its range. If you kill the host, the spirit is released and will head to the next host. One of the team members searches further into the mining field and sees the miners acting bizarre and violent. He witnesses a leader performing ritual killings. What became a simple prisoner transfer now becomes a fight for survival. They must not only escort the survivors to safety and take them out of the village, but they must find a way to stop these spirits from reaching the next big city on Mars.

I don’t think this movie is as bad as everyone claims it to be. Yes, there are a bunch of issues which I’ll get to in a minute, but I think the biggest issue was the misconception of the film. The movie was marketed as a horror movie. When audiences went to see it, there wasn’t a lot of Horror to be seen. I didn’t like this movie at first because I didn’t think it was a Horror movie. I decided to give it a few more viewings and my perception changed because I realized that this wasn’t a Horror movie at all. For me, “Ghosts of Mars” is more of a Sci-Fi Western. It borrows a ton of elements from many Western films including one of Carpenter’s first film,  the 1976 Urban Western Suspense Thriller “Assault on Precinct 13”. While the setting is on Mars, you can tell from the sets and the red sand, that it has a Western feel to it. You have five members of the police force slowly making their way through the town in a way of cowboys and outlaws do when they arrive into towns on their horses. The ghosts and the monsters in the movie represent the American Indians in Western movies. The ghosts represent the spirits of an ancient Martian tribe who were on the planet long before any human beings and the monsters they inhabit is their physical essence as they are going around killing the townspeople. They see the humans as “savages” and invaders of their territory, which Joanna Cassidy brings up in the film when asked about what their objective is, which preserve is and defend their land. Another element that is commonly found in Western movies that appears in “Ghost of Mars” is the last stand scenes. The remaining survivors are held up in the Shining Canyon police station and barricade it from anyone trying to get in. They set up a plan to defend themselves until the train arrives to pick them up. You have the monsters trying to get in by use of a battering ram. As soon as they break through, the fighting begins. It’ lifted straight from “Assault on Precinct 13” (minus the battering ram portion). There’s nothing wrong with that. I like movies where you have to use your surroundings and use what you have inside to protect yourself from the enemy. You’ll see plenty of action during this scenario with guns, explosives, hand to hand combat, limbs flying all over the screen.

Another positive of the movie is the music. Once again the music is composed by Carpenter himself.  The opening credits contain Carpenter’s simple bass synth sound. However, he did get some assistance this time with the help of Scott Ian from Anthrax and the legendary guitarist Buckethead. The music is heavily layered with guitar riffs, especially during the last stand fight. It’s loud and booming and fits well with the action sequences.

I also enjoyed the special effects, especially the scenes where you see the ghosts from a first person perspective. There are scenes where an infected human gets killed either through self infliction or being shot at. Once the host is dead, the ghost is released and looks for another human host. The camera goes into a first person view with blurry orange/yellow colors representing the ghost.  When they enter a host, they don’t speak. They begin to physically harm the host through self mutilation. I’m not sure if the ghost is trying to feel pain or feel human. It’s not explained in the movie.

The problem that this movie faced was the milquetoast acting and bad editing. I’ve already talked about the concept, so we’ll go to the acting. The film stars Ice Cube, Natasha Henstridge, Jason Statham, Pam Grier, Clea DuVall and Liam Waite.  Ice Cube plays Desolation Williams. Ice Cube has the look of a tough hardened criminal and kicks plenty of Martian ass in the movie, but he doesn’t really act like it throughout this film.  He comes off as being mellow, not giving a crap about what’s going on and playing the sorry for yourself role when he talks about there’s nothing for him on this planet. You can’t really sympathize with a character unless you know their background, which the movie fails to do. All they mention about Williams is how he’s beaten the rap several times, but they don’t go into his history nor does he explain why he acts the way he does and why he feels everyone is out to get him.

The police force (Henstridge, Statham, Grier, DuVall and Waite) have no chemistry together. Stahatam is the comic relief in the film and he at least tries to build up a relationship with Henstridge, but not in a professional manner. He comes off as cocky, arrogant and trying to use his silver tongue to seduce Henstridge to “dance” as he would say in the movie. He is definitely the best actor in the movie. Henstridge comes off as bored and exhausted (which I found out in the Trivia she fell ill during this movie since she started immediately after finishing work on another movie) but she makes up for it with her pretty face.

The Bad Actor Award goes to the Martian Leader. His dialogue is literally gibberish. Although I found out in the trivia that the prosthetic was so large for his mouth he could only make vowel sounding words. He used that to developed his language, but still it comes out gibberish. You could take someone off the street, put them in a costume and randomly speak gibberish (which I’m sure is what they did).

What also bothers me about this film are the flashback scenes or the looping scenes as I call them.  When a person starts to explain something, we are taken back to a scene we’ve seen and are shown it again, just to know what the conversation refers to.  It’s almost as if Carpenter was doing this to fill time needed since the film was too short or it was just lazy editing. Speaking of editing, there are a lot of wipe screens in this movie. Whomever the editor was, must’ve watched “The Phantom Menace” too many times and thought the wipe screen was a cool effect and convinced Carpenter that it should be used on his movie.

Lastly without trying to spoil anything was I thought the plan they had to destroy the ghosts was implausible While their plan succeeding in killing the physical host, how do you kill something that is in a spirit form? Someone in the team failed to bring that up. It would set up events in the ending that are all too familiar with some of Carpenter’s notable apocalyptic movies.

John Carpenter admitted in an interview a few years after this movie came out that he was emotionally burned during the making of the movie and that he lost his passion for film making. Unfortunately that spilled over into the movie. “Ghost of Mars” isn’t a bad movie at all. It’s a decent B-Movie, but you can tell that the emotional drainage spilled over into the movie. It really affected the story, the acting, the sets, editing, etc. Luckily there’s enough action, special effects and humor to keep you from falling asleep. It’s a shame that this was the movie that put Carpenter into hibernation not wanting to make movies again. Although he has reemerged, I hope he can provide me and all his loyal fans with one big memorable movie that will cement his already immortal legacy in film.

TRIVIA

  • The original script was intended for the third movie in the Snake Plisskin series, “Escape From Earth” with Kurt Russell reprising his role as Plisskin. Due to the box office failure of “Escape From LA” in 1996, the movie was rejected and Carpenter rewrote the script and changed the title to “Ghosts of Mars”.

 

  • The prosthetics that the main bad guy wears were rather too large for his mouth and resulted in most of the “ghost-speak” having only the “a” vowel sound.

 

  • Much of the location shooting was done on a gypsum mine near Albuquerque, New Mexico. The gypsum, which is almost pure white, was sprayed with a biodegradable red food dye to give the appearance of a Martian landscape.

 

  • Natasha Henstridge replaced Courtney Love (the original choice) at the last minute. Love left the project after her boyfriend’s ex-wife ran over her foot in her car while she was in training for the picture. Michelle Yeoh, Franka Potente and Famke Janssen were briefly considered. Henstridge was suggested by her then-boyfriend Liam Waite, and was able to join the cast just a week before production began. The actress found the experience to be very harrowing, due to the heavily physical nature of her role and the difficult working conditions.

 

  • Jason Statham was originally hired to play James “Desolation” Williams, but was replaced by Ice Cube for star power.

 

  • In a 2006 interview, Ice Cube nominated this as the worst movie he had appeared in, calling it “unwatchable in many ways. John Carpenter really let us down with the special effects on that one – it looked like something out of a film from 1979”.

 

  • Production had to shut down for a week when Natasha Henstridge fell ill due to extreme exhaustion (she had just done two other films back-to-back before joining the production at the last moment).

 

  • John Carpenter revealed that he had become burnt out after he had made this film and made the decision of leaving Hollywood for good. It would not be until nine years later that he made a full feature film, which was The Ward (2010).

 

AUDIO CLIPS