The Stuff

220px-The-Stuff-poster

The Stuff

Release Date: June 14, 1985

Genre: Comedy, Horror, Sci-Fi

Director: Larry Cohen

Writer: Larry Cohen

Starring: Michael Moriarty, Andrea Marcovicci, Garrett Morris, Paul Sorvino, Scott Bloom

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

I’ve been waiting to post this review. Now is a perfect time. It’s movie #4 in the Larry Cohen Tribute Special. This is perhaps the most popular film in Larry Cohen’s filmography. It is a movie that is still fresh and relatable almost thirty-five years since its release. The concept may be goofy, but you will enjoy the ride this movie provides once you push the Play button on your remote control. If you ask most movie fans to name one Larry Cohen movie off the top of their heads, the majority will say this title, ‘The Stuff!’. So, without further ado, here is the review to the 1985 horror cult classic ‘The Stuff!’

The movie starts with a railroad worker noticing a white bubbly substance coming from the snowy ground. He takes a taste of it to see what it is. To his delight it tastes very sweet with the texture of yogurt. Soon the substance is being marketed to consumers as “The Stuff” which becomes a phenomenon. “The Stuff” is marketed as being creamy, filling and with no calories. You can find “The Stuff” at supermarkets, small vendor carts and even a Dairy Queen style drive thru. While people are going crazy over “The Stuff” there are people highly suspicious of this addictive edible food. First there’s a young boy named Jason who wakes up in the middle of the night looking for a snack. He opens the refrigerator door to see a container of “The Stuff” moving. He tries to convince his family that there is something alive within it, but they are dismissive of his claims. Jason gets paranoid that he vandalizes a supermarket by destroying the massive amounts of “The Stuff” that is being sold. The other person who is skeptical of “The Stuff” is a former FBI agent turned industrial saboteur named David “Mo” Rutherford (who tells people that he got the nickname from whenever people gave him money, he always wanted mo!). He is hired by numerous corporate executives of the ice cream industry to find out what is in “The Stuff” and destroy it. He befriends the head marketer of “The Stuff” Nicole and they set out to investigate the contents. Mo’s efforts reveal that “The Stuff” is a living parasite that takes over people’s brains and then mutates the host into zombies. Mo encounters Jason and the three of them are determined to destroy “The Stuff” before it consumes more and more people.

As I’ve said in my opening statement, “The Stuff” is still my favorite movie in Larry Cohen’s filmography. It took me a long time to find interest in checking it out. When I first saw the cover art, it didn’t appeal to me. Mainly because I wasn’t familiar with Larry Cohen’s work nor was, I interested in low budget horror movies. After seeing the movie pop up on several streaming services, I decided to give it a chance and boy did I not regret it. I enjoyed every frame, scene, characters and effects. It made me wish I had seen this movie a lot sooner than I did.

the-stuff01339517-44-54

Michael Moriarty once again returns in a Larry Cohen picture. He follows up his astounding performance in ‘Q: The Winged Serpent” with another memorable performance. I loved his portrayal of Mo Rutherford. He has the smarts of a detective and the tongue of a salesman. He’s smooth talking, confident and keeps his eye on the ball. What starts as a simple job to expose “The Stuff” to his employers turns into a national crisis that he must find a way to put an end. The rest of the cast is convincing in their roles. Andrea Marcovicci plays Nicole, the attractive and smart marketer of “The Stuff” who joins Mo in his investigation and become lovers. Garrett Morris plays ‘Chocolate Chip’ Charlie W. Hobbs, the junk food magnet that Mo befriends while visiting a town that has been desolated by relocation of jobs and the great Paul Sorvino as Colonel Malcolm Grommett Spears who leads the operation into destroying “The Stuff” and warning the public about the dangers of consuming it. Sorvino chews up the scenery all throughout the climax of the movie.

Like most of Cohen’s films, “The Stuff” is not just a horror movie, but a social commentary. Cohen made this movie at a time in the eighties where people consumed everything. The eighties were the birth of many electronics such as video game consoles, Walkman’s, VCRs, etc. It wasn’t just electronics people were craving, it was the current fashion trends, fast food restaurants popping up at every street corner. With these new products came heavy advertising and marketing. This was during Reaganomics where the American economy was booming, and people were spending their hard-earned money of anything they can get their hands on. Cohen based “The Stuff” off the yogurt craze going on at the time. People were obsessed with yogurt because it was advertised as being healthy, filling and tasty. Add heavy advertising to that and you have people become hooked on it turning them into consumer zombies. They consume and consume while the companies that make it rake in the profits.

the-stuff-1985-killer-yogurt-review

The movie is a pure 80s movie in terms of look, music, effects and overall style. You have the bright neon lights of “The Stuff” logo along with its catchy music and commercials. There’s even an appearance from the old lady in the Wendy’s commercials where instead of screaming, “Where’s the beef?” she cries, “Where’s the Stuff?” The effects of The Stuff creature vary throughout the film. In some parts of the film, it looks like a mix between frozen yogurt and marshmallow. In scenes where it bursts through walls, it milky and watery. Cohen does a great job showing that the creature doesn’t take on a basic form, rather it can come in multiple forms and textures.

‘The Stuff’ is not without its flaws and there’s plenty of them. There’s no main antagonist to the movie only that the product itself and the corporate executives. I think there was a missed opportunity there. If they had a main antagonist who could perhaps be a rival saboteur to Mo or a person who wants to manipulate the infected people and make them servants of his, it would have made for a more interesting confrontation. The color of The Stuff is white. It’s not a scary color or a color that is associated with blobs or goo. If it were green or blue, I think it would’ve been a more organic look. Also, I did not enjoy the performance of the kid, Jason. If I had to create a list of the ‘Most Annoying Characters in Horror Movies’ he would be on that list. He is constantly whining about telling his family not to eat The Stuff. He also complains to Mo that he had to eat shaving cream to convince his parents that he is now under the power of The Stuff. I also didn’t like how he was portrayed at the end of the movie. It didn’t give him any redeeming quality or likeability. Finally, there could’ve been a lot more romantic development between Mo and Nicole. It’s like they meet and then all of a sudden Nicole is in love with him. My viewing experience of characters falling in love tends to build up from the beginning of the movie to the mid-way point and there was none of that here. You may notice these flaws as you watch it, but because there is so much going on in terms of the action and the horror of the movie that you will more than likely shrug it off.

gruesome-banner-thestuff

‘The Stuff’ is a rare find. It should’ve been a much more mainstream film considering the subject matter. This is a movie that still holds up after all this time. You can relate this movie to everything that is going on in our world today as consumerism and Capitalism hasn’t slowed down. It’s an iconic B-Movie that stacks right up there with many of the underrated greats. This is the most recognizable film of Larry Cohen’s work and the one movie that people associate Cohen with.

Next week we present the final review of the Larry Cohen Tribute Special. Make sure you check back next week. Same time, same place, same website.

 

TRIVIA

– According to audio commentary on the 2000 Anchor Bay DVD, the scene in the motel where the Stuff comes out of the mattress and pillows and attacks the man on the wall and ceiling was shot in a room that could turn upside down, allowing the Stuff to move up and down the wall. It was exactly the same room used in A Nightmare on Elm Street (1984) when Johnny Depp’s character Glen is sucked into his bed and his blood is regurgitated back out onto the ceiling.

– According to Larry Cohen himself, in some scenes in which the Stuff chases characters, a foam made of blended fish bones was used. It stank so much that, as soon as the shots were done, the actors ran to a river in order to bathe and get rid of the stench.

– Garrett Morris was asked about this film when he participated in AV Club’s “Random Roles” interview series. He said the production was “crazy,” and when the interviewer noted Larry Cohen’s history as “a character,” and asked Morris what he was like, Morris said that “I was taught growing up that if you don’t have something nice to say about someone, don’t say anything at all,” with no further comment about Cohen.

– Arsenio Hall was considered for the role of “Chocolate Chip” Charlie W. Hobbs.

– David ‘Mo’ Rutherford tells ‘Chocolate Chip’ Charlie W. Hobbs to contact agent Frank Herbert from the FBI. Frank Herbert was an American science fiction writer best known for the novel Dune and its five sequels.

– Michael Moriarty (David ‘Mo’ Rutherford) and Paul Sorvino (Colonel Malcolm Grommett Spears) went on to appear in 31 episodes of Law & Order (1990) together from 1991 to 1992 as Executive A.D.A. Ben Stone and Sergeant Phil Cerreta, respectively.

– The original cut of the film was said to be much longer and described by Director Larry Cohen as more “dense and sophisticated”. Feeling that the film was too long, it was cut to increase the pace of the film. There was a romantic scene between Moriarty and Marcovicci that took place in a hotel room in the original cut.

– The Executive’s Office at the End is strangely similar to Mr Burns’ Office from The Simpsons, particularly the Stuffed Polar Bear.

 

AUDIO CLIPS 

Tasty and Sweet

Enough Is Never Enough

Sweaty Palm

Mo Rutherford

No, Don’t Eat It

Can’t Wait In Line

The Stuff Commercial #1

You Feed The Dog

Chocolate Chip Charlie

Low Tech Solutions

I Could Always Kill You

They’re Good For Us

I Just Ate Shaving Cream

The Stuff Commercial #2

Pillow Tried To Kill Us

They’re All Stuffies

You’ll Probably Be A Casulty

We’ve Never Lost A War

Get That Shit Off My Station

Advertisements

Q: The Winged Serpent

Q1-poster

Q: The Winged Serpent

Release Date: October 29, 1982

Genre: Crime, Horror, Mystery

Director: Larry Cohen

Writer: Larry Cohen

Starring: David Carradine, Michael Moriarty, Candy Clark, Richard Roundtree,  James Dixon

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

We have reached the half way point in our Larry Cohen Tribute Month. Thank you to everyone who has been sticking with the special since the first movie. Still plenty more to come. For this week’s review, we are going to be looking at one of Larry Cohen’s most popular movies. It’s an homage to the early monster movies such as ‘King Kong.’ It takes place in New York City (like King Kong), but instead of seeing the monster on top of the Empire State Building, you’re going to be seeing a monster on top of another landmark building, the Chrysler Building. This week we’re going to be reviewing 1982’s ‘Q: The Winged Serpent!”

As the title suggests, ‘Q’ is a flying monster that has made its home on top of the Chrysler Building. It flies through the skies of New York City snatching up people for food.  No one knows where this creature came from or how it got here. As the monster roams the skies, two separate stories are going on. The first story you have is Police Detective Shepard (David Carradine) who is assigned the case of finding the monster and killing it. He believes the monster has something to do with a series of ritual killings he’s also been investigating. Along with his partner Powell (Richard Roundtree), they link the killings and the monster to a secret Neo Aztec cult. The second story involves Jimmy Quinn (Michael Moriarty), a cheap two-timing crook who is an excellent piano player who is involved in a botched diamond heist. He makes his escape by hiding inside the Chrysler Building where he discovers the creature’s nest atop complete with a giant egg. Jimmy uses this knowledge of the creature’s location to lure his fellow mob pursuers to their deaths at the hands of the creature and to extort the city of money and immunity from prosecution in exchange for giving up the creature’s hideout.

Q-The-Winged-Serpent-Beast-5

Larry Cohen wrote and shot this movie in a little over two weeks. He was working on a project called ‘I, The Jury’ until he was fired by the studio (he is credited for writing the script to the movie). Not wanting to leave his hotel room that was paid up, he assembled a small crew from the aforementioned project and started shooting all around the city. It took Cohen six days to write the script for ‘Q’. The cast was not aware of what they were making when they received a short telegram from Cohen to arrive in the city and be prepared to work.

When I first watched ‘Q’, I was thoroughly impressed with the look and style of the movie. It reminded me of the Godzilla movies that I used to watch as a kid on television. There was a look and feel to them that stuck in my brain and this movie did the same thing. It had me engaged from the first scene and I was on the edge of my seat to see how it was going to play out. I was familiar with Larry Cohen’s work at the time, but not enough to know how he shot films and how he edited them.

‘Q’ has an excellent cast filled with character actors and method actors. I’ve always been a fan of David Carradine and I was ecstatic when I found out he was in this film. He doesn’t disappoint. He plays Shepard as a traditional detective, trying to find all the clues and piece them together. When he comes up with his final report, it is rejected by his superiors. Carradine continues to believe what he has uncovered and is willing to do what it takes to stop the monster and save the city. His partner, played by Richard Roundtree is a little rougher around the edges. If interrogators were playing ‘Good Cop, Bad Cop’ with a suspect, Roundtree would easily be the ‘Bad Cop.’ There’s even a scene where he plays that on Jimmy Quinn. Speaking of Jimmy Quinn, he’s the surprising hero of the movie played brilliantly by Michael Moriarty. When he first appears on screen he is desperate to get back in the game of stealing. When the diamond heist goes bad he starts to get edgy and paranoid. As the movie progresses you see that Jimmy grows a brain and develops a plan to get rid of the people who are looking for him and a way to set himself up for the failed heist. Many critics and fans have hailed Moriarty’s performance as the best piece of method acting they’ve seen and I echo that sentiment. He pours emotions filled with anger, despair and cockiness. This was the first collaboration between Moriarty and Cohen and it wouldn’t be the last as they would work together on five more movies.

picture-51

Like all of his movies, Larry Cohen shot the film with no permits and used real life police officers, construction workers and window washers which gives the movie an authentic feel. The movie is shot in the streets of New York, over the skies of New York and of course the inside and outside of the Chrysler Building. When you watch the people of New York look above when they are getting splattered with blood falling from the sky or taking cover when bullet cases are raining down, those aren’t paid actors, those are real people who are quickly reacting to the situation that they are in. The only permission he received was from the owners of the Chrysler Building. At the cost of $15,000 Cohen was able to shoot inside the building all the way up to the top where no ordinary citizen has gone before. From there you will be amazed by what the top of the building looks like and becomes the set piece for the climatic showdown between the monster and the police which is this reviewer’s favorite scene in the whole picture.

Now let’s get to the character of the monster itself, Quetzalcoatl! The special effects for Q were done using stop-motion animation by Randall William Cook and David Allen. It is custom for stop motion sequences to be shot as they are happening. This was not the case (nothing is ever coherent in a Larry Cohen movie). When Cohen hired Cook and Allen to do the stop motion animation, he had already finished shooting the movie. His plan was to add the creature into shots already taken. This results in the monster looking like he was pasted onto an existing shot. It brings a sense of unevenness when watching the monster when it appears or has moments of action such as plucking the heads off people. The effects are no different from what you would see in a b movie involving a monster, but don’t let the cheapness distract you. You will easily bypass it as you continue to be engrossed in the movie and enjoy the effects for the sheer fun.

Q-the-winged-serpent-carradine-1024x678

There’s not much more I can say about ‘Q: The Winged Serpent’ without giving too much away. It’s one of the best B-Movies to come out within the last forty years. It continues to have an impact and has inspired other filmmakers to make their own monster movies using this concept. I rank this as my second favorite Larry Cohen movie only to the one movie which I will be reviewing next week. If you want to find out what movie I’m talking about then stay tuned next week! You may be surprised (or may not be surprised)!

 

 

 

TRIVIA

  • A young Bruce Willis wanted to star in David Carradine’s role but wasn’t a known name at the time that Larry Cohen could depend on to be bankable. Bruce later met Larry again when Moonlighting (1985) was a hit.
  • Pre-production for the movie lasted just one week. The film was conceived after Larry Cohen was fired from a big budget film shooting in New York. Cohen, determined not to waste the hotel room he had paid for, hired the actors and prepared a shooting script within six days.
  • In an interview on NPR’s “Fresh Air”, Michael Moriarty described the scene in which he auditions as a piano player. The music he played was a self-composed and unrehearsed improvisation, and the dog’s reaction was genuine.
  • The building in the opening scene of the movie is the Empire State Building. In this scene, a window cleaner loses his head to the monster. His name is William Pilch, and was the actual window cleaner for the Empire State Building at the time of the movie’s filming.
  • The French movie poster incorrectly shows the monster covered with feathers, a wavy dinosaur frill along its back, and with large white teeth. This is because it was illustrated and printed up before copies of the film were imported into France.
  • David Carradine agreed to play Shepard even though he didn’t receive a script to read prior to his first day of working on the film.
  • The jewel store that the bad guys rob in the early part of the film is called “Neil Diamonds” a pun on the name of Neil Diamond.
  • Cohen stated about the monsters death at the ending, “It’s the exact same scene as the end of the $150 million Godzilla picture. Gee, if I had that money I could have made 150 movies.”

 

AUDIO CLIPS

Back Again Creep

You’re Not The Only Action In Town

Jimmy Plays The Piano

Equal Share Equal Chance

I’ve Been Afraid Of Everything

Who’s Got My Lunch Pail?

Evil Dreams

The Feathered Flying Serpent

I Better Take My Birth Control Pill

Eat Him

Being Civilized

Drag Me Here So You Could Do Pushups

Becoming Quite A Bird Watcher

If You Know Something

Nixon Like Pardon

Get Rupert Down Here

Fry Up 500 lbs of Bacon

Stick It Up Your Small Brain

God Told Me To

 

God Told Me To (1976) aka Demon Directed by Larry Cohen Shown: Poster Art

God Told Me To

Release Date: October 22, 1976

Genre: Crime, Horror, Sci-Fi

Director: Larry Cohen

Writer: Larry Cohen

Starring: Tony Lo Bianco, Deborah Raffin, Sandy Dennis, Sam Levene, Mike Kellin, Richard Lynch

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

We’re now on to the second movie in the Larry Cohen Tribute Special. For this review, we’re going to be looking at a social commentary quasi science fiction movie about religion. It looks at how religion can influence the minds of those who believe in the scriptures. It influences them so much that they go out and do horrible things. It’s a movie that was not a success when it first came out, but over the years grew into an important film tackling this kind of subject. This review we will be looking at 1976’s ‘God Told Me To!’

The movie begins with a man on top of a water tower who opens fire on people walking the street with a .22 caliber rifle. His actions result in the death of fifteen people. Detective Peter Nicholas (Tony Lo Bianco) is called in to stop the sniper. He climbs the water tower and talks to the sniper about why he is doing what he is doing. The sniper responds by telling Peter, “God told me to!” before jumping off the water tower to his death. The incident would be the first of many random murders to come throughout the movie all with the suspects seemingly implying that they were told by God to kill. As Peter investigates these strange acts, his clues lead him to a man named Bernard Phillips (Richard Lynch) who is the leader of a religious cult who according to the members has psychic powers and is controlling the minds of people to commit murder. Peter pursues Phillips through various avenues where he will be shocked about what he has discovered not only about Phillips, but about himself.

got-told-me-to-1

This is perhaps Larry Cohen’s most bizarre and controversial movie as it deals with religion and religious extremism. Cohen deals with the rationalization believers go to in order to follow “the word of God.” There is extremism in every religion. You have people killing each other in the name of religion. Everyone believes their religion is one true religion and that those who practice something else is a heathen, infidel, unbeliever, etc. The movie also deals with cultism as the antagonist is the leader of a cult who is controlling the minds of others to kill people to spread his message. It’s relatable to this day with all the numerous cults that are out today. You could compare this film today to the rhetoric of Scientology.

Cohen brings in a cast of well-respected veteran working actors to assist with his vision with Tony Lo Bianco playing the lead as Detective Peter Nicholas. Lo Bianco doesn’t look like a lead actor, but he is the meat and potatoes of the story. In addition to dealing with these crimes and looking at the religious aspect, he is also dealing with his own beliefs. Peter Nicholas is shown throughout the movie as a devout Catholic. You see shots of him in a Church praying, talking to his wife about going to confession and begins to question his faith as these random murders continue. He’s also conflicted in his ranks as he feels that he is on his own with the investigation, not receiving support from his fellow police officers. The supporting cast features Deborah Raffin as Casey Forster who is Peter’s mistress, Sandy Dennis as Peter’s wife Martha whom is on the verge of divorcing him, Sylvia Sidney as Elizabeth Mullin who becomes a central figure in the film and has a connection to Bernard Phillips and Mike Kellin of ‘Midnight Express and ‘Sleepaway Camp’ fame as the Deputy Commissioner who is desperately trying to get the situation under control. Finally, you have the antagonist Bernard Phillips in a chilling performance by Richard Lynch. He appears in all gold and glowing, kind of like Jesus (which is what Cohen based Phillips on). Everything he does in the movie is to get Nicholas to come to him for which he makes a shocking revelation to Nicholas and unveils his master plan.

GodTold6

As is customary in a Larry Cohen movie, Cohen fills the scenes with stolen shots and unplanned sequences which gives the movie a realistic tone. Cameras are placed all over the city to get many intriguing shots of the city and the everyday people who walk and commute in it. The most iconic scene in the movie is Cohen shoots the St. Patrick’s Day Parade filled with thousands of New York City Police Officers and features a cameo from comedian Andy Kauffman dressed up as an officer. Again, they didn’t have permission to shoot the parade so there are many shots of the police overhead, the Mayor and city officials and of course Kauffman. It’s great to see the unscripted reactions of fellow officers when they recognize Kauffman. They though Kauffman was doing another one of his typical jokes.

While Cohen was unable to return legendary film composer Bernard Hermann to score this movie after previous scoring ‘It’s Alive’ due to his untimely death, Cohen brings in Frank Cordell to the music. Cordell provides booming biblical tones which adds another dimension to the movie. The music is placed appropriately through tension scenes and plot reveals.

The pacing of the movie starts out quick and gutsy. By the time the second and third act come around things start to slow down creating a feeling of unbalance. The events and situations seem to jump around. I think this is in part to the condensed schedule that Cohen had when making this film.

Gtmt_3

‘God Told Me To’ was not well received when it first opened. Critics including Roger Ebert vivisected this film. However, as time went by, critics revisited this movie and like its premise, it’s become a cult film. Rolling Stone listed it as one of “20 Scariest Films You’ve Never Seen!” [1] If you’re a fan of movies with crazy and weird plots, this movie is for you. You could even joke with people that ‘God told me to watch this movie!’

That concludes the second movie in the Larry Cohen Tribute Special. Next week we continue the special with another film of his that has had widespread acclaim and legacy. Don’t miss out!

TRIVIA

  • Composer Bernard Herrmann, Larry Cohen’s first choice to score the film, died that night after seeing the film without music. The film is dedicated to Hermann in his honor.
  • Larry Cohen did not have a permit to film the scene at the St. Patrick’s Day parade, but he did it anyway.
  • According to Larry Cohen, during the St. Patrick’s Day Parade scene, he was organizing the crew, only to see Andy Kaufman, dressed in his policeman’s uniform, antagonizing and making faces at the crowd. Some of the crowd members then attempted to jump the barricades and beat Kaufman, and Cohen had to hold them back.
  • Tony Lo Bianco accidentally broke actor William Roerick’s rib performing CPR in the heart attack scene.
  • Many years after the film’s release, a 70-something year old Larry Cohen stated in an interview that a young French filmmaker had asked him if he could remake the film. He couldn’t remember who this guy was, but he had left some of his films for Cohen to see, and when he took them out, that young French filmmaker turned out to be no other than Gaspar Noé.
  • When Larry Cohen asked composer Miklós Rózsa to score this picture, Rozsa replied, “God told me not to.”
  • Tony Lo Bianco replaced Robert Forster.

AUDIO CLIPS

Police Debrief

God Told Me To

How Would You Like To Be Mugged By A Detective?

You Confess Everything To The Priest

The Irish Have Waited All Year For This Day

People Like That Got No Business

Say It

You Have No Pity

Come On That’s Crap

Discipline Through Fear

Religious Editor Is On The Second Floor

He Truly Believes

Fight Him

Women Claim That They Were Laid By The Almighty

He Can Make Us Know What He Wishes

All My Life I Felt So Close To God

You’ve Tested Yourself

Mr. Stitch

Image result for mr. stitch

Mr. Stitch

Release Date: August 17, 1996

Genre: Sci-Fi

Director: Roger Avary

Writer: Roger Avary

Starring: Wil Wheaton, Rutger Hauer, Nia Peeples, Ron Perlman, Michael Harris

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

For those that have followed this blog from the beginning, you might recall a review I did for a Sci-Fi Channel original movie entitled “Evolver!” If you haven’t seen the post before, don’t worry you still can. All my posts are archived 😊 It’s one of my favorite made for television movies. The movie represented a time in the 90s when the Sci-Fi Channel was really coming up in the cable world and its popularity would spawn its own original movies. Another movie I recall seeing when it first came out that I discovered again was a movie called “Mr. Stitch!” I remember seeing the trailer for it where it was just a man all wrapped up in giant bandages in front of an all-white screen. As an impressionable pre-teen during the day I was overwhelmingly excited to see this. I don’t recall watching it when it premiered, but I remember I was quite fond of the idea, concept and execution. Watching it again not too long ago I double down on my comments. For a movie that is twenty-three years old, it still holds up despite some moments of outdatedness. With that let’s get to the synopsis of “Mr. Stitch!”

“Mr. Stitch” stars Wil Wheaton, best known for playing Ensign Wesley Crusher in “Star Trek: The Next Generation” as an androgynous human made from body parts and skin from various donors and chooses to be a man despite not having the sexual organs of one. He was created by a group of scientists led by Dr. Rue Wakeman (Rutger Hauer). He’s referred to only as ‘Subject 3.’ Later he chooses a name for himself. He is now ‘Lazarus’ after the biblical character.  At first, Lazarus is obedient and follows commands and performs his tests.  As Lazarus learns more about himself he begins having memories and nightmares from the lives of his donors. They offer clues as to the identities of those who inhabit his body while simultaneously torture him. This creates a rift between his relationship with Wakeman. Wakeman realizes he is losing control over Lazarus as he is developing independent logic and feeling. Lazarus realizes that Wakeman is hiding secrets from him causing him to no longer want to work with him. Psychologist Dr. Elizabeth English (Nia Peeples) is assigned to help Lazarus deal with his tension between Wakeman and deal with his nightmares and with it develop a sense of trust with other humans. They start to get close until Lazarus mentions a phrase that triggers English as it is a phrase that said to her from her deceased science partner and lover Dr. Frederick Texarian (Ron Perlman). Lazarus starts to be overwhelmed by being trapped in the ward and requests to see the outside world which is immediately rejected by Wakeman. He sneaks out and investigates Wakeman’s true intentions with him. Lazarus understands what his purpose is and must find a way to stop Wakeman’s plans as well as make amends with English.

Mr.-Stitch-1995-1

Written and directed by Roger Avary, “Mr. Stitch” is essentially a modern day retelling of “Frankenstein.” You have the Scientist who is looking to create a human being from dead (in this case created by tissue and organs of deceased humans) and you have the monster, which in this case is aware, functional and intelligent compared to the monster of the classic tale. It has the same elements in terms of the scientist creating this new life and teaching it how to interact with others and how to function with the purpose that is only known to them. You have the monster that is trying to learn, but starts to become resilient and unbalanced. The two will clash into this tug of war over power and control.

About ninety percent of the film takes place in this ward where everything is white. The scientists wear white suits and Lazarus is bandaged in all white. To me it represents both the first light we see when we are born as well as a state of purgatory where we are trapped in this area and are waiting to get to the outside of what lies ahead (for Lazarus this would be the outside world). We don’t see the outside of the ward until the near climax of the movie and several flashback scenes that Lazarus experiences as nightmares. Only other color we see in the movie is a black couch similar to a top hat that acts as Lazarus’ bed and the snot colored goo that comes out from a giant eyeball called the Observation Eye that watches Lazarus’ every move and from a device that measures and records his brain wave pattern when he is asleep (both are destroyed by Lazarus in a fit of anger).

Rutger

The look of Lazarus is comprised of numerous pieces of skin from all different colors of humans (Black, White, and Brown). His eyes have different pigments of color. His hair is long and frazzled, almost like a witch. Although he is androgynous, he identifies himself as man due to his strength and anger that is to be more in common with a man than a woman. I give the makeup department credit for creating a creature like this to represent that we are all human begins regardless of race, color, sex and creed.  I think that was Avary’s intention as well.

“Mr. Stitch” has some unique shots and visuals. What stood out to me are the choice of lenses that were used in certain scenes. For example, the “think tank” office of the scientists is shot like they are working inside a bubble. To me, the bubble represents the inner circle of those who are in it as to their research and their plans as to what to do with the research they are developing. The climax scene is deep underground and has a glossy watery effect that surrounds the confronting characters. Based on your impressions it gives you either a dream like effect or an effect if someone where high on drugs.

The pacing is a little uneven, but it doesn’t take away from the plot. Music is incorporated in practically every scene and it’s appropriate for what is happening in the scene. There is heavy metal during Lazarus’ bouts of anger or paranoia. There is a dreamy soft guitar sound during a hypnosis scene. Each piece of music sets the tone for what is happening.

The movie contains a very small cast with the majority of screen time belonging to Wil Wheaton and Rutger Hauer. Both of them I felt did a good job with their performances despite some flaws in the script. Wheaton starts out as very calm and compliant as he performs the tests that Hauer has him do. He’s quite intelligent by quickly developing his self-awareness and heightened sensibility. He is hostile to the scientists, but finds a soft and calming nature when he is around Dr. English. He develops a deep sense of trust and in some cases, love when they are together. Wheaton is able to channel his emotions of the character in the appropriate scenes throughout the film.   Hauer portrays Dr. Wakeman as a teacher and somewhat of a father figure to Lazarus. He is cautious with his responses to Lazarus’ questions and steers him away from anything he sees as a threat to his control of him. Hauer was very unhappy with the writing of the movie that he disregarded the script and began to improvise his scenes to match what he felt was more logical of his character and the story. I honestly can’t tell you that I was able to pick out which scenes he improvised, but that’s what makes him a great established actor was that he knew more about the character than what Avary had on paper.

Nia

The rest of the cast includes Nia Peeples as Dr. Elizabeth English who is brought in to help Lazarus deal with his dreams and nightmares. She builds a rapport with Lazarus during their sessions together. As they get to know each other, she becomes slightly distraught at what she discovers about him. Her feelings for him come full circle in the climax of the film. Peeples is very attractive and gives a soft touch to the films constant hostility between the two main characters. The other main performance comes from Michael Harris as General Hardcastle, who is the head of a secret government organization called ‘The Outfit’ and is in charge of the project. He shovels billions of taxpayers’ dollars to Wakeman and his team with the goal of creating a superior human being that could be used not only in warfare but to take down the bureaucrats in Washington so he can remodel the government in his own vision. He is the real antagonist of the movie. This was perhaps the weakest and most laughable performance of the movie. His dialogue reminds me of something a professional wrestler would say, but he gets what’s coming to him and it’s very satisfying. There is also small appearances from Ron Perlman as Dr. Texarian, the original team leader of the Stitch Project, Taylor Negron as Dr. Alan Jacobs who replaces Dr. English and gets a not so warm welcome by Lazarus and Make Up Effects Guru Tom Savini as a scientist.

“Mr. Stitch is available to watch on YouTube since it’s hard to find any video copies. I think you would enjoy watching this made for television movie. It’s a creative take on an original monster story. It doesn’t drag and keeps your attention with every scene. I wish the Sci-Fi Channel would make more of these compelling films than cheap monster movies involving five headed sharks or a yeti with the speed of a greyhound dog. Really makes you miss the 90s.

 

TRIVIA

  • Part way through production, Rutger Hauer completely discarded the script and refused to do any scenes from it. The majority of his scenes were improvised by the actor. Later, Roger Avary was forced to rewrite the remaining script to match up with Rutger’s footage.
  • This movie was the first “original” aired by The Sci-Fi Channel (now Syfy). It would be a few more years before they started advertising their made-for-TV movies as “Sci-Fi Originals”, but they did advertise this quite a bit as new and never-before-seen.
  • Was meant to be a pilot for a proposed television series. After Rutger Hauer gave up on the movie, the series was sunk.

AUDIO CLIPS

Story of Frankenstein

Do We Have Any More Weights?

Reference To A Word I Have No Meaning

I Do Seem To Have A Knack For Fisticuffs

An Improvement of Nature

I’ve Chosen A Name

Residue Thought

Feet First

Classified Territory

I Dream About An Elephant

Happy To See You

I Will Skin You Alive

I Want To See The Outside

Should Be Teaching Preschool In Florida

Jacobs Tortured

Get Out Of The Car

General Hardcastle’s Speech

No Escape

 

mv5bnzq3oda1odc4n15bml5banbnxkftztgwmdi4mzgxmte@__v1_

No Escape

Release Date: April 24, 1994

Genre: Action, Drama, Sci-Fi

Director: Martin Campbell

Writers: Richard Herley (Novel), Michael Gaylin and Joel Gross (Screenplay)

Starring: Ray Liotta, Lance Henriksen, Stuart Wilson, Ernie Hudson, Kevin Dillon

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

 

Wow! We’re already into the second review of 2019 (I promise I won’t be counting the number of reviews done)! For the next ‘Guilty Pleasure Cinema Review,’ we’re going back to the year 1994. During this year in cinema we had “Forest Gump.” “Pulp Fiction” and “The Shawshank Redemption” (just to name a few). Of course, those movies were mega blockbusters, and all competed for the Best Picture Award at the Oscars. 1994 also had some movies that were overlooked and turned out to be very good in this reviewer’s opinion. We’ll be reviewing one of those movies right now. This week’s review is the dystopian future action/sci-fi flick “No Escape!”

Directed by Martin Campbell, best known for making two of the best James Bond films (again in this reviewer’s opinion) “Goldeneye” and “Casino Royale,” “No Escape” is set in the year 2022 and stars Ray Liotta as John Robbins, a highly trained ex-Marine who is imprisoned for life for murdering his commanding officer. After breaking out of two Level 5 maximum security prisons he’s sent to a Level 6 facility. After holding the Warden at gunpoint in a punishment scene, Robbins is exiled to a placed called “Absolom,” island prison hundreds of miles off the main land. The island is where they send the worst prisoners to live out their days in exile. Unbeknownst, Robbins is caught in the middle of a tribal conflict between the ‘Outsiders’ who are savages that live in the jungle and are led by the sociopathic Walter Marek (Stuart Wilson) and the ‘Insiders’ who are a cooperative autonomous community living a life of peace and purpose led by a terminally ill doctor called the ‘Father’ (Lance Henriksen). Robbins assists the ‘Insiders’ repel an attack from the ‘Outsiders’ and is asked by ‘Father’ to join the community. He refuses and intends to find a way to escape Absolom even though no one has escaped the island and lived to tell about it. The rest of the supporting cast includes Ernie Hudson, Kevin Dillon, Ian McNeice and Michael Lerner.

maxresdefault

“No Escape” is based off the 1987 novel “The Penal Colony” by Richard Herley. The film got mixed reviews upon its released and only made $15M out of a reported $20M budget making it a flop. Just because a movie flops at the Box Office doesn’t mean it’s a complete failure. I first saw the preview for this movie back in 1994 when I was nine years old. I stumbled upon the film later in life on Netflix. When I saw it was available to stream it refreshed my memory of the preview and gave it a shot. I went into the movie with little expectations, but after watching it, I felt the movie was a rare gem. There’s so much about this movie I enjoyed. Let’s go ahead and break it down.

First is the story. It’s nothing original as you can compare it to any other prison escape film, but it merges with elements of tribalism, authoritarianism and hope to make it compelling. What makes the story fresher is how likable the good characters are despite their alleged crimes for which they are banished to the island for. It’s reminds me of a line that Tim Robbins says in “The Shawshank Redemption” when replying to Morgan Freeman’s question as to how he ended up in prison with, “I’m innocent along with everyone else here.”  The movie sets up Robbins as a detestable character for what he had done. He was a Marine who killed his superior. You don’t know the reason why a man who served his country would do such a thing to one of his own. You find out later the reason for it and you sympathize with him even if it was still the wrong thing to do.

Next is the settings. We start the movie in a giant Level 6 prison that is surrounded by an endless windstorm. The industrial cold environment sets the tension between Robbins and the Warden. When Robbins is banished to Absolom, we get this beautiful spacious island with breathtaking views and luscious jungles where you have the freedom to do what you want. The island portion of the film was shot in Queensland, Australia. It does give the audience a sense of peace, happiness and hope as they are emerged in this environment. Heck, it makes me want to join up with the ‘Insiders’ and live a peaceful life where you contribute to the community, you’re far away from civilization and you don’t have to worry about money or bills!

no-escape-1994-1

Third is the acting. There are some great performances from each character. Obviously, Ray Liotta is the star of the movie. I was surprised that he would take on a role like this given his resume and that he is mostly a dramatic actor. Liotta has always played a character of some authority whether it is a law enforcement officer or a gangster.  Of course, we all know him from his iconic portrayal of Henry Hill in Martin Scorsese’s mob classic “Goodfellas.” He played this role with enthusiasm and dedication. He starts off as this cold loner with the only goal of getting off the island. As the movie progresses, so does his feelings. While he still wants to get off the island, he finds compassion among the ‘Insiders’ and confines with ‘Father’ with what he had done to land him in prison in the way a Catholic goes to a priest to confess his sins. Liotta had not only the acting chops, but the brains and stamina as many scenes where he is fighting with the ‘Outsiders’ and using instinct and the land much in a sense as Rambo to subdue his pursuers. I loved everything Ray Liotta has done, this is in my top three favorite performances of his.

Another all-time favorite actor of mine is Lance Henriksen. His performance as ‘Father’ is a natural fit for him. His namesake is that of a man carrying for his children. In this, the people of his colony are his children and must do everything in his power to protect them. Henriksen has played a diverse role of characters throughout his career. This performance has similarities to his most known role portraying the android Bishop in the “Alien” movie franchise.

mv5bmje3mtu0mzq0nl5bml5banbnxkftztcwnzu5mja0nq@@__v1_sy1000_cr0,0,1495,1000_al_

The third most notable performance of this movie goes to Stuart Wilson, who plays the antagonist Walter Marek. Stuart Wilson is not a household name, but if you’re a movie buff, you may remember him from playing other villainous roles such as playing the main villain in “Lethal Weapon 3” and one of the villains in “Teenage Mutant Ninja Turtles III!” The villain role suits him well. Marek is a sociopath who is looking to dominate all of Absolom and enslave the ‘Insiders’ under the laws of the jungle. He takes over as de facto leaders of all the jungle tribes. Wilson gives a weirdly amusing performance full of laughs, jokes and downright brutality.

 

“No Escape” has the right amount of action that it doesn’t take over the rest of the movie. There’s enough explosions and battles to keep you on the edge of your seat. There are several shots including Liotta jumping off the waterfall that would be used again in director Martin Campbell’s follow up film “Goldeneye!” Campbell is an underappreciated filmmaker. He knows how to create action movies when he’s given the chance. He is one of three directors to direct multiple installments of the James Bond series.

If you’re looking for an under the radar action/sci-fi flick, look no further than “No Escape!” I’ve said previous that this is a rare gem flick and it still is. It doesn’t need over the top action nor an over preachy story to be enjoyable. If you’re lucky to find a copy of the film online or in your local video store, it is worth the money.  It’s a perfect flick to watch on a Saturday night with a buddy or two.

 

TRIVIA (Per IMDB)

  • Throughout the entire movie, there is not one single female character. There are only male characters.
  • The film is known in other countries as “Escape from Absolom”.
  • Filmed in Far North Queensland, Australia.
  • Ray Liotta agreed to take the lead role of Robbins, because he had always wanted to do an action movie, where he played a heroic character.
  • 400 extras played The Outsiders.
  • Most of the extras were European backpackers from local backpacking hostel’s in and around cairn’s north Queensland.
  • A special rig was set up for Ray Liotta’s stunt double, for the sequence which Robbins is shot in the neck by poison darts and falls into the water below, allowing the camera to follow the stunt performer as he falls.
  • After production was complete on the film, Martin Campbell was hired to direct the 1995 James Bond film “Goldeneye” and later, the 2006 reboot “Casino Royale”. “Goldeneye” bares some similarities with this film: The Goldeneye satellite, Bond getting shot with a tranquilizer dart, Boris Grishenko secretly working for Janus, Natalya taking over a helicopter and Alec Trevelyan falling to his death, in the hand to hand combat with Bond

 

AUDIO CLIPS

Don’t Ever Turn Your Back On Me Again

Absolom

Welcome To Paradise

Not In The Mood For An Interrogation

Wipe Your Feet

He Does That With Everyone

If You Like Roadkill

Two Shots Of Your Finest 12 Day Old

Find Forgiveness

Basket Weaving

Warden’s Dry Cleaning

No You Cannot Have My Shoes

I Thought You Were My Friend

Second Prize

We’ve Always Been About Survival

Come And Get It

 

 

 

 

 

 

RocketMan

RocketMan_(1997_film)

RocketMan

Release Date: October 10, 1997

Genre: Comedy, Family, Science Fiction

Director: Stuart Gillard

Writers; Oren Aviv, Craig Mazin, Greg Erb

Starring: Harland Williams, Jessica Lundy, William Sadler, Beau Bridges, Jeffrey DeMunn

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

When we think about Disney, we think about Mickey Mouse, Donald Duck and Goofy. When we think about Disney movies, we think about all those fairy tale adaptations such as “Snow White and The Seven Dwarves,” “Peter Pan,” and “Sleeping Beauty” (and many more). When we think about Disney today we think about how they’ve dominated the film industry with its acquisition of Marvel and the Star Wars Franchise. One thing most people don’t think about is some of the original movies they’ve released throughout their tenure. Disney releases original family-oriented movies and they’ve been doing it for as long as I’ve been alive. As a kid growing up in the 90s, many of these movies came out and at the time I found them to have all the elements of a Disney movie. They were funny, heartfelt and had an underlying positive message. There’s too many of these movies to name here, but for this next review I went back in time to the 90s to find a Disney movie that I really enjoyed. The one that stuck out is considered a cult classic by many. That the 1997 Sci-Fi Comedy film “RocketMan!”

Not to be confused with the upcoming Elton John biopic movie, “RocketMan” tells the story of Fred Z. Randall (Harland Williams) who is a computer programmer for a NASA Contractor. As a boy he always dreamed of being an Astronaut, but this is the closest he could get into the space program. He developed the Lander Program for the astronauts who are using it to train for their upcoming mission to Mars. After a confrontation with the astronauts concerning that the program has a glitch due to it miscalculating their landing trajectory, one of the astronauts is wounded in a freak accident. Putting the Mars mission in jeopardy, the mission’s Flight Director Paul Wick (Jeffrey DeMunn) enlists Randall to test along with another astronaut to join the Mars crew which consists of Captain William Overbeck (William Sadler), Julie Ford (Jessica Lundy) and Chimpanzee, Ulysses. After passing each test (which included breaking Overbeck’s records in each test), Fred is chosen to join the team. With that, there becomes one hiccup after another during the trip to Mars and when they arrive on Mars, much ado to Fred’s curious and clumsy nature. Will they make it out of Mars with their mission completed and return home safely?

rocketman-1

Released in 1997, “RocketMan” broke even at the box office reclaiming its reported $15 million budget. Reviews for the film were mixed with Roger Ebert giving it three stars out of four calling it “a wacky comedy in the Jerry Lewis-Jim Carrey mold”.  The film is more slap sticky in the Jerry Lewis sense rather than the Jim Carrey sense. The movie is silly with plenty of jokes and gags that will drive younger audiences bonkers. The older generation may not find this movie laughable and flat out stupid, but again this movie was intended for kids.

If you’re not familiar with Harland Williams, he has been a standup comedian since the early 90s with his outlandish improvisation style. His first film appearance would launch him into notoriety as the State Trooper in the Farrelly Brothers smash hit “Dumb and Dumber” who pulls the duo over for speeding and proceeds to take a drink of their opened “beer”.  He would go on to appear in longer roles in the movies “Down Periscope,” “Half Baked,” and the Tom Green disaster flick “Freddy Got Fingered”.  “RocketMan” would be Williams’ first leading role. His improv skills are on full display in this movie as the protagonist, Fred Randall. Williams plays Fred like a manchild. He’s thirty years old (almost a full-grown man in a quip with his mother) and like a child, he’s pure, heartfelt, clumsy and innocent. When he causes an accident, he responds the same way a child would, “It wasn’t me!” He gets easily excited when he sees the astronauts and other members of NASA and knows their specialty. It’s like he’s seen a movie star. He’s very curious and is on full display with his head movements and attention span. Above all, Fred finds ways to keep himself amused like waiting for his clearance badge or finding ways to make time fly during the isolation chamber test in a hilarious scene. Despite his quirkiness, Fred is a computer genius (he has to be if he’s working for NASA). It’s shown during the trip to Mars and through the climax of the movie. Williams provides moment after moment of silly over the top laughter in not just physical comedy, but also with his words and facial expressions. It would not surprise me if he deviated from the script.

The supporting cast is top notch and is doesn’t play a backseat to all of Fred’s screen time. William Sadler plays Mission Commander William Overbeck, the man who is destined to be the first person to step foot on Mars and into history immortality in the way Neil Armstrong did when he was the first man to land on the moon. Overbeck is not amused by Fred even objecting to the Flight Director about his qualifications about joining the Mars team. Bill has some fun at the expense of Fred by getting him drunk before his training, cranking up the speed in the Centrifugal Force Machine and initiating the artificial gravity on the rocket when Fred is floating and making bird noises. Unfortunately, he becomes the brute of Fred’s carelessness (and bodily functions in perhaps the most notable scene in the film). While not known for being a comedic actor, except for his performance of Death in a previous “Guilty Pleasure Cinema Review” film “Bill & Ted’s Bogus Journey,” Sadler is perfectly fitted for this role and playing it grounded and straight laced.

Jessica Lundy as Mission Specialist/Geologist Julie Ford is Fred’s love interest. She is determined, strong willed and is a bridge between Fred and Bill. She too is not amused with Fred’s actions but as the movie progresses she has a change of heart and sees that Fred does care about his role in the mission and cares about the success of all of them.

rmi_in03prmi_in03p

Beau Bridges is another crutch for Fred as Bud Nesbitt. He gives Fred encouragement when Fred starts to get cold feet about getting into the rocket.  Their collaboration is key during a debate about landing on Mars when the weather patterns change from their earlier projections and Bud, attempting to avoid another disaster like the Apollo 13, tries to convince his boss Wick to reconsider the mission, much to no avail considering that Bud’s reputation at NASA is not credible by the others (they put the blame on him for what happen to Apollo 13). Bud is resilient and does what he can to ensure that the crew gets home safely.

Finally, we can’t forget about the chimpanzee, Ulysses. Played by a three-year-old chimpanzee named Raven, Ulysses has been trained to find fossils on Mars. He’s also Fred’s roommate. Him and Fred develop a special bond with each other, even when Ulysses plays pranks on him such as switching his food and taking his hyper sleep chamber. He’s as scared as Fred when they’re on the rocket, but Fred provides him a sense of comfort and calm. He provides as many laughs as Williams does throughout the movie.

The movie was directed by Stuart Gillard, whose mainly been a television director, but he has directed another kid friendly movie, “Teenage Mutant Ninja Turtles III” from 1993. Gillard carried that experience over to this movie. He did a great job keeping the film family friendly and focused. There’s no real unique or Dutch angle shots in the movie, which is fine. Kids aren’t focused on shots, they’re focused on what is happening in the movie with the characters and their locations. Speaking of location, I think they did a great job with the look of Mars. As stated in the trivia, the Mars scenes were shot in Utah. The red rock and lack of vegetation gave Mars the look of being distant and lonely.

rocketman-DI-02b

“RocketMan delivers plenty of laughs from ten years olds and adults. Not a single joke or physical gag is overused (except for Fred trying to point the blame on someone else). The pacing is fast which is a good thing. You don’t have to worry about scenes being drawn out for substance or trying to establish the characters. And like all Disney movies, “RocketMan” has not only heart, but morality. It shows that despite the personality differences between the crew, by working as a team they accomplish much. They stick together during their time in Mars and when trouble starts to come during the nerve wracking climax, they don’t leave without each other.

I would easily put “RocketMan” in my Top 10 Non-Disney Animated movies. This is a movie that has become a must watch at my household from time to time. It’s a movie that families will enjoy, and parents won’t have to worry about their children being exposed to violence or sex or other mature subjects. It’s a clean wholesome film that carries with you as you continue to grow old. There’s never a bad time to pop in this movie and enjoy the viewing experience with your loved ones.

TRIVIA (per IMDB)

  • When Randall is singing “He’s got the whole world in his hands” on the world broadcast, he starts faking singing in foreign languages. Ironically, he says in French: “Je suis le papillon sur la table”, which translates to “I am the butterfly on the table”.
  • For the surface of Mars, the filmmakers shot in Moab, Utah, where they found giant cliffs, red rocks, a lack of vegetation, and the overall scale of what could be a distant planet.
  • The filmmakers spent nine weeks at the Johnson Space Center, in Houston, Texas, shooting at the famous Rocket Park (the gargantuan Building 9 that houses all of the spacecraft mock-ups for the ongoing shuttle missions) and Building 32, which houses the world’s largest thermal vacuum chamber and simulates all conditions of outer space (except zero gravity).
  • To prepare for their roles as astronauts, the three stars attended Space Camp in Huntsville, Alabama, riding in simulators and participating in other activities.
  • The working title for this film was “Space Cadet”.
  • At one point in the film, the commander tells Randall, “Have fun.” Randall replies with “Fun is my Chinese neighbors middle name.” Disney was afraid that the joke would offend Chinese viewers. However, many Chinese fans actually found the joke to be very funny.

AUDIO CLIPS

Night of the Creeps

800full-night-of-the-creeps-poster

 

Night of the Creeps

Release Date: August 22, 1986

Genre: Horror, Comedy, Sci-Fi

Director: Fred Dekker

Writer: Fred Dekker

Starring: Jason Lively, Tom Atkins, Steve Marshall, Jill Whitlow

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

We’re near the home stretch in the “Guiltiest Pleasure Horror Movies” special. I’m reviewing five films in the Horror genre every week until Halloween. We’re at Movie #4 for this special. This next film is a homage to the goofy science fiction/horror films of the 50s that is set in the 80s. This was the debut film of Fred Dekker, a man who was rejected into USC and UCLA’s film school program and settled as an English major. He would develop screenplays along with his friend and roommate, Shane Black (best known for writing the Lethal Weapon movies, appearing in the first “Predator” movie and more recently writing and directing the new “Predator” movie with Dekker). After this movie, he would go on to write several episodes of “Tales From The Crypt” in addition to writing and directing two more movies, one was the cult following “The Monster Squad” and the utter failure “Robocop 3”. Today Dekker focuses more on writing than he does actual filmmaking. His debut film is still the best of his three and one that I continue to enjoy on a frequent basis. Tonight’s review is “Night of the Creeps”!

“Night of the Creeps” starts out in 1959 when a college fraternity member takes his sweetheart out for a romantic night out sitting in his car looking at the stars. Suddenly, something from the sky crashes down and he goes to investigate it. When he looks closer, a slug jumps out and enters his mouth and he collapses. The film flashes forward to 1985. It is rush week at Corman University. Two outcasts, Chris Romero (Jason Lively) and his friend J.C. Hooper (Steve Marshall) are looking to get into a fraternity in the hopes of meeting girls, particularly one that catches Chris’ eye, Cynthia Cronenberg (Jill Whitlow). They have a sit down with Brad, who is the president of the Beta Epsilon house. He gives them a quest to steal a cadaver from the medical school morgue and dump it in front of a sorority house. They reluctantly agree. As Chris and J.C. sneak into the medical school after hours, they come across a laboratory. Inside they see a frozen corpse. The corpse is that of the man from the introductory scene.  They decided that he would be the body they would deposit to the sorority house. Little do they realize the body is still alive and the boys run off in terror. Meanwhile the body attacks one of the med students and heads to one of the sorority houses only for his head to explode and slugs shriveling their way out of the body. The investigation is led by Detective Ray Cameron (Tom Atkins), a long-time cop who is burnt out. When he interviews Chris and J.C., they admit to the prank and the case is closed. Little do they all realize that the college is in danger as one by one people are turning into zombies thanks to the parasitic slugs that possess them. Now it’s up to the three of them to stop the epidemic before it gets worse.

MV5BZmQxNTkyZjgtNjc2Ni00ODBmLWJiMDMtNGU0N2Y1ZDExODRlXkEyXkFqcGdeQXVyNTAyNDQ2NjI@._V1_

I can’t remember the first time I viewed this movie, but I enjoyed it on so many levels. It had the look and feel of both a 50s Science Fiction movie and an 80s Horror Movie which was Fred Dekker’s intention. While the concept is nothing original as it takes from “Invasion of the Body Snatchers,” it is still refreshing to see a take on how the zombies were created. This movie was released in 1986 so prior to that you had “Day of the Dead” and “Return of the Living Dead” which had similar concepts. I like the fact that it is a parasite that turns the living into the dead.

The performances are decent. Jason Lively plays Chris as a shy, low self-esteemed kid who can’t seem to find his place in the college world. Steve Marshall plays J.C. as a wiseass, always cracking jokes at the most inappropriate times. Despite that, he is very concerned over his friend and does his best to get him out of his comfort zone and build up some confidence. The real star of this movie is Tom Atkins. Atkins is no stranger to horror films given his performances in “The Fog”, “Creepshow” and his most memorable role as the protagonist in “Halloween III”. Atkins plays Detective Ray Cameron as a drunk, don’t give a shit attitude police officer. He gave us a new phrase to say when answering the telephone. Instead of saying “Hello” when the phone rings, he says, “Thrill Me!” This would become the iconic line of the movie. In addition to his indifferent personality, he is traumatized by the events that happened in 1959. His girlfriend at the time was killed by an escape mental patient during his second week on the force. He comes close to taking his own life but realizes that to find a sense of closure, he needs to help stop the zombie outbreak. I’ve referred to Tom Atkins as “The Pimp of Horror Movies” because he always seems to be getting in bed with a woman he just met. That’s not the case in this movie, but it still doesn’t diminish his title. He has called “Night of the Creeps” his favorite film that he has done, and I echo that sediment.

image

The only performance I didn’t care for was Jill Whitlow as Cynthia.  With her soft voice, she is completely wooden with her delivery. There are also times during the movie where she looks like she is in a complete fog or has that look that she is thinking of something else rather than concentration on the situation that she was in. I think she needed to put a lot more life into her.

The effects are cheap and dated by today’s standards, but again I think that was Fred Dekker’s intention. There is an ample amount of gore that is ramped up at the very end during the big battle. I do have to give props to the makeup department for giving each zombie a bit of variety and some personality. The slugs were long and beefy, and they slithered quickly going into basements and hiding in bushes as they prepare to infect their next victim. The music is pure 80s synth that weaves in and out of the frames that it is featured in.

1439853776935

Out of the three movies Fred Dekker has done, this is my absolute favorite. This is one that I have on rotation during the Halloween season. I enjoy it for that it doesn’t take itself too seriously and it has enough scares, violence, gore and humor to keep your attention. It’s a great movie that has truly earned its cult status.

Next week ladies and gentlemen is the final review in the “Guiltiest Pleasure Horror Movies” special, so you don’t want to miss it. Check back on here Halloween night!

 

TRIVIA

  • All the last names of the main characters are based on famous horror and sci-fi directors: George A. Romero (Chris Romero), John Carpenter and Tobe Hooper (James Carpenter Hooper), David Cronenberg (Cynthia Cronenberg), James Cameron (Det. Ray Cameron), John Landis (Det. Landis), Sam Raimi (Sgt. Raimi) and Steve Miner (Mr. Miner – The Janitor).
  • Graffiti on the wall of the men’s room where J.C. is trying to escape a number of slugs reads, “Go Monster Squad!”. The Monster Squad (1987) was also directed by Fred Dekker.
  • Tom Atkins’s favorite movie of his own.
  • “Corman University” is a reference to director/producer Roger Corman.
  • The tool shed sequence was filmed after principal shooting on the movie had wrapped. After a rough cut was shown to a test audience, several people thought that the picture needed more action so this sequence was added to the movie.
  • Fred Dekker’s roommate, Shane Black, worked on the script. The next year, Tom Atkins starred in Lethal Weapon (1987), Black’s first produced screenplay.

 

AUDIO CLIPS