The Rookie

 

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The Rookie

Release Date: December 7, 1990

Genre: Action, Comedy, Crime

Director: Clint Eastwood

Writers: Boaz Yakin, Scott Spiegel

Starring: Clint Eastwood, Charlie Sheen, Raul Julia, Tom Skerritt, Lara Flynn Boyle

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

While Buddy Cop movies have been around since the dawn of film, they didn’t start becoming commercially successful until around the seventies. Some of the more memorable duos include Richard Pryor/Gene Wilder, Mel Gibson/Danny Glover and in today’s Buddy films, you could argue Kevin Hart/Ice Cube or Jonah Hill/Channing Tatum. Then there are those that didn’t pair well like Chevy Chase/Jack Palance, Jay Leno/Pat Morita, Burt Reynolds/an eight year old boy. As the nineties began, you saw more offbeat pairings. One of those offbeat pairings included Hollywood legend Clint Eastwood and Hollywood Bad Boy Charlie Sheen (Yeah never in a million years did I think that would be possible). Both appeared in the 1990 film “The Rookie”.

Like all Buddy Cop movies this movie focuses on two cops with very different and conflicting personalities who are forced to work together to solve a major crime. Sheen plays David Ackerman, a rookie cop who is assigned to the LAPD’s Robbery and Auto Theft Division. He is partnered with Eastwood’s Nick Pulovski, a rough wisecracking Sergeant Detective who uses tactics against police procedures to get what he needs to put the bad guys away. David gets thrust into Nick’s case involving a car theft ring that is run by a man named Strom, played by the late great Raul Julia. In addition, Strom is responsible for killing Eastwood’s original partner. Throughout the film, David gets cold feet when it comes to helping Nick. It’s attributed to not only his family background, which he comes from money and power as portrayed in a dinner party scene, but also a post traumatic episode involving the accidental death of his brother when they were children and feeling responsible for it. During a tip from an illegal wiretap, Nick and David head to a local casino where Strom is attempting to steal $2 million dollars to pay his creditors due to Nick constantly disrupting his business. During a search, Strom’s right hand woman slowly walks towards David. David has his gun pointed at her threatening her to stop or he will shoot. He hesitates and allows himself to be shot and Nick being taken hostage by Strom. David is put on leave from the department due to his cowardice and allowing his partner to be taken. Strom demands the money within twenty four hours otherwise he will kill Nick. David, feeling guilt and tired of being afraid hunts down Strom’s associates in order to find where Nick is in time before the police decide to pay up.

I first encountered this movie during a night flipping through channels with my father several years ago. It appeared on one of the major film channels you can get on cable or satellite. The film was already playing, but we decide to check it out. We turned it on and the first scene we see is Eastwood giving a local news interview on a junkyard search and seizure. In typical Eastwood humor, he begins a profanity laced taunt at the criminal he is after. My dad I instantly cracked up and continued to watch the film all the way through. After the movie, we both agreed that it was a fun flick with loads of action and humor. Recently, I shopped at the place where I do all my movie shopping and found “The Rookie” on DVD for a mere two dollars. I instantly picked it up. I watched it in full for the first time over the weekend and I enjoyed it as much as I did the first time around.

Clint Eastwood’s performance in this movie is a carbon copy of Dirty Harry, not like that’s a bad thing. From the physical gruffness and aggressive tactics to the smart ass comments, Eastwood doesn’t skip a beat. When Eastwood gets paired up with Sheen, he’s not amused to the fact that he has to “babysit” this rookie. He keeps his pursuit of Strom close to his chest, not revealing too much information to his new partner.

Charlie Sheen’s performance was pretty mellow, but I think he nailed the character of David Ackerman, a rookie cop who is getting more than what he bargained for when joining the force. He becomes a burden to Eastwood due to his inexperience and the fact that Eastwood has to bail him out on several occasions. Besides the things I mentioned about Ackerman in the beginning of the review, he also has to deal with his girlfriend (played by Lara Flynn Boyle) who is finishing law school. He feels his job is beneath to what she will become. He does gain Eastwood’s admiration in the film when he helps him fix his motorcycle. You will see in a couple scenes how good Sheen is at fixing things. This is in part to Ackerman’s degrees in Engineering and Economics as mentioned during the party scene. Other than that he struggles to build Eastwood’s trust in him. The botched arrest of Strom along with the kidnapping of Eastwood becomes Sheen’s turning point. When he faces his fears and stops blaming himself for the tragic events of his childhood, he learns from his subordinate and does what he can to find his partner even going as far as breaking up his dad’s meeting to confront him.

The last great performance goes to Raul Julia playing Strom. He is cunning at first when things go as planned. As the movie progresses and Eastwood thwarts his criminal business, Strom becomes angry and determined.  When he kidnaps Eastwood, he gains leverage over the cops and devises a way to get his money and take out his enemy at the same time. The only gripe I have about Julia’s character is that he is supposed to be German. Raul Julia is Puerto Rican. It would’ve made more sense to change the character of Strom to a different nationality, but that shouldn’t take away from his performance.

A Buddy Cop film wouldn’t be complete without loads of action. There’s not a lot of shootouts in this film, but there are quite a few chase sequences. There’s one shortly after the beginning of the film, a chase scene involving Sheen and a motorcycle and a chase scene at the climax. The film does a good job of changing the chases so that they’re not repetitive as in car chase after car chase after car chase. All these chases were performed by stuntmen at the physical shooting locations. The explosion effects were also done on location without the use of any blue or green screens which brings a sense of authenticity. One particular scene was done in one take due to the fact they did not have the means to keep doing take after take. It’s incredible what these stuntmen put themselves through to create an entertaining picture. They are the real heroes in the movie industry.

The film does have its flaws. The film doesn’t divulge into Sheen and Boyle’s relationship. She appears in only a handful of shots and one important scene of the film. The same goes with Sheen’s parents. While you know he comes from luxury, you really don’t know much about his dad’s business. One of the more controversial moments in the film is when Strom’s right hand woman is toying with a tied up Eastwood. As she speaks to him and slashes his forehead with a razor, she turns on a video camera and begins to rape him. Was it something she did with all her male victims? Did she see something in Eastwood she found attractive such as his boldness or the fact when she gave him a drink of water he proceeded to spit it at her face? I didn’t think it was necessary especially since you didn’t know anything about her other than she’s a trusted accomplice.

The movie’s run time is two hours on the dot, but it doesn’t feel like a two hour movie. It’s pretty fast paced with everything going on. You get immersed with what is going on in each scene that time doesn’t exist.

Overall “The Rookie” is a good Buddy Cop flick. It may not stand out like the “Lethal Weapon” movies, but it is better than most of the recent movies of this genre that have been released. The pairing of Clint Eastwood and Charlie Sheen is still baffling, but it works in this concept if these two could work great together in a Buddy Cop film, who knows what the next great pairing will be? I could see Tom Hardy and Michael Cera in a Buddy Cop flick……..or maybe not.

TRIVIA

  • According to the book “Clint Eastwood A Cultural Production” by Paul Smith, during the early stages of principal photography, actor Charlie Sheen had substance abuse problems. Eastwood reportedly took on a father-figure role in disciplining Sheen into responsible behavior.
  • The film featured over twice as many stuntmen as it did actors. Held the world record for the biggest ratio of stuntmen/actors. Reportedly, over eighty stuntmen worked on the movie.
  • Clint Eastwood agreed to do this movie in exchange for Warner Brothers letting him make his personal film project, White Hunter Black Heart (1990).
  • The movie was to be directed by Craig R. Baxley starring Matthew Modine and Gene Hackman in 1988 but the production was stopped by the Screen Actors Guild strike
  • The make and model of the car that Clint Eastwood took a disliking to its color was a lime green Type 85 Lotus Esprit SE. The Lotus Esprit was the car that had become famous for appearing in the James Bond movie The Spy Who Loved Me (1977) and later used again in For Your Eyes Only (1981). In the movie, Eastwood gets to drive the famous James Bond car.
  • According to the article ‘Slam, Bang, Crash, Boom for The Rookie” published in American Cinematographer in January 1991, the movie’s stunt scenes were mostly shot at night with no use of blue screens and with no use of miniatures.

AUDIO CLIPS

The Perfect Host

 

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The Perfect Host

Release Date: January 10, 2010 (Sundance Premiere)

Genre: Comedy, Crime, Thriller

Director: Nick Tom nay

Writers: Nick Tomnay, Krishna Jones

Starring: David Hyde Pierce, Cloyne Crawford, Nathaniel Parker, Megahn Perry

 

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Do you ever flip around the movie titles on Netflix and find a movie that you’ve never heard of? Does the title and the cover give you a curious interest as to what the movie is about? While Netflix has devoted the majority of its programming to original series, they do turn out a bunch of independent movies that were only screened at film festivals and other small venues. One movie I recently came across looked appealing and therefore I was enticed to watch. The movie was titled, “The Perfect Host”.

Released at the Sundance Film Festival in 2010, the movie is about a man named John Taylor who is on the run after pulling off a bank heist and collecting over $300,000. His car breaks down in a plush Los Angeles neighborhood. After a failed attempt to convince a neighbor to let him use the phone, he is able to use some cunning skills to convince a man named Warwick Wilson to let him in. Warwick is in the middle of cooking dinner as he is throwing a dinner party and has invited several of his friends to join. Warwick offers John some red wine and helps him trying to get into contact with his cousin so they could meet up (which is a ruse). A news bulletin goes off on the radio describing John and the heist. John grabs Warwick’s butcher knife and holds him hostage. His plan is to lay low until the next morning and leave. However, John begins to feel dizzy and collapses on the floor. Unbeknownst to John, Warwick drugged the wine. The tables turn as John is tied up in a chair and is sitting at the head of the dinner table. He is now the guest of honor in what is to be a very bizarre party.

Written and Directed by Nick Tom nay, which is his first feature film according to records, “The Perfect Host” is reminiscent of an Albert Hitchcock film. It’s filled with tension, suspense, surprises and shocks. The reversal of roles between predator and prey slither slow and steady transition. It’s almost like watching a Chess game where each player is strategically plan their moves. Ironically, the two main characters engage in a game of Chess where each has their own stake in the winnings.

The film is shot on digital video. I’m not a huge fan of digital video for numerous reasons, but it works within the context of the film. There’s a lot of bright lighting throughout the film. I also enjoy the constant back and forth first person views of the two main characters as you see what they’re interpreting in their own mind of the scenario that is playing around them.

This is the first starring role for David Hyde Pierce. If you’re not familiar with his work, he is best known as his portrayal of Niles Crane in the sitcom “Frasier”. His portrayal of Warwick is not much different from his portrayal of Niles. He’s articulate, eccentric, excited and knowledgeable. Warwick comes off as a gracious generous host. He plays the victim role early in the film. When he is in control of the situation, his deep desires and fantasies come out while having fun and entertaining his “guest”.  He slowly morphs into a character that is a combination of Norman Bates, Hannibal Lecter and Patrick Bateman. From there comes the final phase of his character where he is grounded and determined (I’ll get to that later in the review). Pierce provides plenty of laughs while at the same time provides creepy and unsettled moments that make you anxious as to what is he planning with John.

Speaking of John Taylor, he is portrayed by Cloyne Crawford. I’m not familiar with any of his other film roles, so this was an introductory role for me. John is determined to get out of Los Angeles with the money he steals. He is cunning and manipulative at first and then becomes aggressive and violent especially when he tells Warwick to “shut up” when a radio bulletin comes on the air regarding his robbery. He holds Warwick hostage in his own home while he lays low. His control over the situation is short lived as he collapses from drinking red wine that was drugged by Warwick. He becomes the hostage and is powerless to regain control. He is at the mercy of Warwick and does his best to resist compliance from Warwick. Throughout the film there are flashbacks involving John and an unidentified woman. These pieces would reveal who the woman is and what is her relation to John.

While the film focuses primarily on John and Warwick, there are a few minor characters. As I’ve stated there is a woman who is involved with John and then there are two police detectives who are looking into the heist and John’s background and there is a concerned neighbor when she sees John floating in a pool and yell.  While these characters add to the layer of the story, they are used minimally. You don’t see the woman or the police detectives until the climax of the film.

The only thing I didn’t like about this film was the climax. It felt rushed and didn’t flow with the rest of the film.  You find out what Warwick does for a living and this triggers another personality trait in him. It’s strange since the film doesn’t give clues about who he really is. It does have a somewhat comical ending to it as it would set up another event that I’m sure we’ll never see unless they decide to make a sequel.

While “The Perfect Host” cant’ be described as a perfect film, but it’s a clever spin on a classic genre of films. As I mentioned early in the review, it’s got the look and feel of an Alfred Hitchcock movie. It’s about as close of a Hitchcockian film you’re going to see in recent years. It makes you appreciate independent films and what they’re trying to make. If I found this film on Netflix, there’s no telling where other sleeper indie hits may be out there. I’ll just have to find them.

 

TRIVIA

  • First starring film role for David Hyde Pierce.
  • Shot in seventeen days with a budget just under $500,000
  • The tattoo on John’s hand contains 3 Hebrew letters, which are the initials for “Uri Riva Yariv” – a kabbalah term that means absolute certainty and is supposed to enhance confidence and belief.

 

AUDIO CLIPS