I apologize for not posting reviews lately. I’ve been busy with a lot of things: work, vacation, other personal matters.
I wanted to give you a heads up that I’m going to take a small hiatus from posting reviews. I have some personal events coming up in September that need my attention.
However, I will be returning in October to do a month long review special review in lieu of the Halloween season. I’m going to be reviewing my “Most Guiltiest Pleasure Horror Movies”. I will be dedicating the spare time I have in September to watch and review five horror movies that fit this category. I will post one a week up until Halloween. I’ll be spending the time next month watching, researching, analyzing and of course picking out some hilarious clips.
I want to say Thank you to all you viewers out there. I appreciate all of you who have supported this blog. I hope you have enjoyed reading these blogs as much as I’ve enjoyed writing them.
Writers: David Peoples (Story & Screenplay), Jeb Stuart (Screenplay)
Starring: Peter Weller, Richard Crenna, Amanda Pays, Daniel Stern, Ernie Hudson, Michael Carmine, Lisa Eilbacher, Meg Foster, Hector Elizondo
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
1989 was the year of the underwater Sci-Fi films. First, you had the highly anticipated “The Abyss”, namely because it was a James Cameron movie and the special effects were the most advanced effects at the time which would evolve in Cameron’s follow up film, “Terminator 2”.The second film was the obscure “Deep Star Six”, directed by famed “Friday the 13th” creator Sean S. Cunningham. Finally you had “Leviathan” directed by George P. Cosmatos who was known at the time for directing two Sylvester Stallone movies, “First Blood Part II” and “Cobra” (the latter was my very first review for this blog still available for your reading pleasure!) All three movies did not do well at the box office. “The Abyss” made $90 million, but it had a budget of over $50 million so while it made a teeny profit, it was very underwhelming considering the magnitude of the film. “Deep Star Six” sank as fast as the Titanic. “Leviathan”debut at #2, but quickly drowned the following week. While underwater Sci-Fi films were nothing new, it seemed the audience wasn’t all that invested into those concepts. As we approach the 30thyear landmarks for these films, I decided to re-watch “Leviathan” again.
The first time I watched it, I reacted in a way most people did when it first came out: mortified (and not in a good way). When I decided to watch this movie again in hopes of it appearing on this very blog, I went into it with no expectations and erased all those feelings I had the first time around. After watching it the second time, I thoroughly enjoyed it. Even though it’s a blatant rip-off of “The Abyss” along with two other iconic Sci-Fi Horror films “Alien” and “The Thing”, it was entertaining. I liked it so much; I began playing it several times. As a matter of fact, I have it playing in the background as I’m typing up this review. Before I get into the nitty gritty of the film, I’ll brief you on the plot.
“Leviathan” tells the story of a group of underwater miners who work for Tri-Oceanic Corp. They’re finishing their last days of a three month operation mining for silver in the Atlantic Ocean. The team consists of eight members, Glen ‘Doc’ Thompson (Richard Crenna), Elizabeth ‘Willie’ Williams (Amanda Pays), Buzz ‘Sixpack’ Parrish (Daniel Stern), Justin Jones (Ernie Hudson), Tony ‘DeJesus’ Rodero (Michael Carmine), Bridget ‘Bow’ Bowman (Lisa Eilbacher) and G.P. Cobb (Hector Elizondo). They are lead by Geologist Steven Beck (Peter Weller) who reports to the CEO of Tri-Oceanic Corp, Martin (Meg Foster). During a mining operation involving Sixpack and Willie (who are working as punishment for an altercation), Sixpack falls of a ravine and goes missing. Willie searches for him and discovers a sunken Russian ship named ‘Leviathan’ with Sixpack inside with some sunken treasure. As the crew looks through what was lost in the ship, Doc uncovers a video tape. It’s a tape containing a warning by the Capitan of the ‘Leviathan’. Beck and Doc aren’t sure what the Captain is referring too. The rest of the crew prepares to take a shot of vodka found in the ‘Leviathan’ only to finding out after tasting it that Beck had switched the bottles and they have water instead of vodka. Unbeknowst to the crew, Sixpack hid a separate canteen filled with the vodka that was recovered and he and Bowman have a drink. Few hours later, Sixpack starts to feel sick with chills and flaky skin. He succumbs to his illness several hours later which triggers the doc to perform tests on the rest of the crew. When Bowman sees Sixpack, she decides to take her own life rather than succumb to the illness. As the crew tries to throw the bodies away, the mutation fuses together and attacks the crew. A part of the creature manages to sever itself from the body and develop into a whole new being which goes on to attack the crew and grow by consuming human blood. The crew declare an emergency but Martin tells them there is a hurricane approaching them and their rescue is delayed by twelve hours. The crew has no choice but to find a way to destroy the monster.
I’ll start with the cast. Peter Weller is the lead in the film as Beck. He is in charge of the crew and its mission. He is very commanding and by the book when it comes to company rules. In the beginning of the film, he feels out of place and senses he doesn’t have the respect of the crew. You see his leadership and command develop throughout the movie. I love Peter Weller. He is a person who is dedicated in every role he does and this role was no exception. His iconic performance in “Robocop” groomed him for this part. Richard Crenna who plays Doc is a loner and disliked by the entire crew especially in the beginning of the film. They feel he has something to hide and as the film progresses, he does what he can to not reveal what is happening to the crew with the exception of Beck. Crenna is another actor I’ve enjoyed for a long time. I think all the performances were good with the exception of Meg Foster. I know she is supposed to play the disconcerted corporate executive, but she comes off as wooden and monotone. I’ve seen her play this part before in “They Live”. I don’t know if that’s her style, but I didn’t care for it.
The film is well paced when you compare it to the other two movies I mentioned. None of the scenes drag out too long which keeps your attention focused. There’s plenty of jump scares and tense confrontations between the crew. Legendary composer Jerry Goldsmith provides the music and it sounds eerily familiar to his composition in “Alien”. Wouldn’t surprise me if he was influenced by that film since this film takes several elements from it. The special effects were solid. There is a ton of blood, but not too much gore. Any gore that appeared in the movie was either off camera or was in spurts such as in the reveal of the monster in the middle of film or near the end.
Speaking of the monster, that was without a doubt the biggest disappointment of the movie. The movie does a good job taking the old sci-fi horror concept of not revealing too much of the monster and letting the audience until the second half of the movie. The concept of the creature is supposed to be a genetic alteration of a sea creature, but fuses with people it has either come into contact with or has the same genetic mutation in their bodies. One shot you see this gigantic blob with tentacles and faces of the crew members it has merged with. It reminds me of the pillar with all the faces from the “Hellraiser” movies. And when the monster emerges at the very end, you can see how fake the head is. It was reminiscent of a monster in a Japanese Monster Movie. What boggles my mind is that the creature design and the effects were done by legendary effects man, Stan Winston. This was the guy that created the Terminator, the dinosaurs in “Jurassic Park” and the Alien Queen in “Aliens”. What the hell happened here? Did he not have the budget to make something unique and terrifying? Did he run out of ideas? It’s a damn shame. The creature could’ve been something unique and give the film a better lasting impression.
Out of the three movies I mentioned in 1989, I would put “Leviathan” second behind “The Abyss”. The problem the movie had as I mentioned in the beginning was that it borrows too much from the other iconic movies I mentioned. It’s not original in terms of concept. I do give it creative points for the source of the disease and the effects that it causes. Don’t let all that take away from the fact that it is an enjoyable B-Movie and it’s a movie I’ve found myself watching over and over again. That’s always been the strength of George P. Cosmatos’ films. He doesn’t follow a strict genre. He’s willing to take chances and his movies come about as being fun and entertaining.
TRIVIA (Per IMDB)
50 to 60 spec drawings of the potential look for the creature were submitted to director George P. Cosmatos. All the drawings were combined for the final definitive look for Leviathan which was a huge, fish-headed beast with dagger like teeth with the ability to absorb recognizable characteristics from its victims.
There are very few scenes in the film that were actually shot underwater, as production went for the “dry for wet” look. With most of the scenes inside the Shack taking place on sound stages and a tank measuring 130ft x 270ft.
Audio from this film is sampled in the song “Reptile” featured in the Nine Inch Nails album “The Downward Spiral.”
According to the sleeve notes on the DVD, a dry for wet lighting test by Alex Thomson used an old army tank for the wreck of the Leviathan,and some make shift diving suits were made using
Chicken feathers were used at one point of shooting the underwater sequences to suggest things were floating around in the water. According to Alex Thomson this did not work because the feathers floating side to side instead of up and down and the idea had to be scrapped altogether.
Hector Elizondo’s character of Cobb is named after the film’s production designer, Ron Cobb. Also, Michael Carmine’s character of Tony ‘DeJesus’ Rodero, shares the same last name of the film’s first assistant director, ‘Kuki Lopez Rodero’.
Starring: David Carradine, Richard Dysart, Dennis Farina, Charles Haid, David Morse, Jan Michael Vincent, Howard Hesseman
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
This past Christmas I received a book written by acting great David Carradine. His memoir titled “Endless Highway” talks about his life, his career and his spiritual journey. Many people know Carradine as the main character from the hit 70s show “Kung Fu”. Today’s younger generation would remember him as the titular title character from Quentin Tarantino’s “Kill Bill” movies. After reading his book, I ventured into his film catalogue to watch some movies he was in. One of the films I came across in his resume was a made for TV movie that sparked my interest. The movie was titled “Six Against the Rock”.
Not to be confused with the film “Escape From Alcatraz”starring Clint Eastwood which was about the only successful escape from the prison, this film portrays the 1946 failed escape attempt by six inmates which leads to a hostage standoff that lasted three days. Carradine plays Bernie Coy, who is currently serving a twenty-five year sentence for robbery and the architect of the escape. The other accomplices in the plan include Joseph ‘Dutch’ Cretzer (played by Howard Hesseman), Marvin Hubbard (played by David Morse), Miran ‘Buddy’ Thompson (played by Jan Michael Vincent), Sam Shockley (played by Charles Haid) and Dan Durando (played by Paul Sanchez). The plan was to escape through ‘C Block’, which was the largest unit on the rock by capturing the guards posted there and using the yard key to make their escape where they would head to the shipyard and get on a boat that would take them to San Francisco. The plan fails when the inmates cannot find the yard key among all the keys in their possession. When they try to use other keys as an alternative, the lock jams leaving them stuck in the block with the guards. Coy decides to use the guards as hostages and use them as leverage for a negotiation with the prison’s Warden. Warden James Johnston (played by Richard Dysart) refuses to negotiate and instead tries to find a way to stop the siege and rescue the guards. He calls upon the local military for help. Now surrounded by military rifles and other hardware, the inmates only option is to fight it out. Would they survive the fight?
Direct by Paul Wendkos, who was known in the business as a “prolific specialist in made for television movies, this is indeed a tightly made film that accurately depicts the events that unfolded during those three days at Alcatraz in 1946. The majority of the movie takes place in one location so it gives the movie a claustrophobic feel. When the plan fails, the inmates are left to improvise with little to no help from the other inmates. As the hours and days go by in the siege, the inmates get tired and desperate. They begin to turn on one another.
There are some solid performances in this film. First I’ll discuss the inmates. David Carradine and David Morse work great together as Coy and Hubbard. Coy is very logical with his planning and he is quick to improvise when the original plan fails. He keeps his leadership intact with force and reasoning. Morse adds ferocity and patience to the group. Despite the plan slowly unraveling, he does his best to encourage and motivate the team to not lose hope and keep their minds focus on the objective. Hesseman and Haid portrayed the vicious and unstable characters in the movie, Cretzer and Shockley. They end up being more of a liability to the team rather than an asset. They become paranoid and desperate to the point where they start to take out their frustration on the guards being held hostage against Coy’s orders. They want to show they mean business. Jan Michael Vincent who plays Buddy Thompson in the film is quiet and composed, yet he takes his orders from Cretzer. The moralist of the group is Dan Durando, portrayed by Paul Sanchez. He was convicted of murder at age sixteen and is currently serving a ninety-nine year sentence. He is hesitant about escaping from prison in the beginning of the film and ultimately gets dragged into the situation once Coy releases him from his cell. As the events are unfolding, Durando keeps his distance from the others and prevents Cretzer and Shockley from killing the guards.
Richard Dysart plays Warden Johnston who is grasping with the situation that is unfolding in his prison. His main focus throughout the film is the safety of the guards that are held hostage. The design of the prison works against him and has to rely on the military to come up with a way of diffusing the situation.
There’s not much action in the movie other than the inmates rounding up the guards and defending themselves during the onslaught of the military trying to take back the block There’s an ample amount of violence from the beating of the guards to Carradine shooting the guards in the leg at the Watch Tower. There’s enough going on to keep you on your feet.
“Six Against The Rock” is an intriguing story that tells a historic event that has been overlooked due to the only successful escape from Alcatraz that took place in 1960. It’s a movie where its characters are not just people, but of The Rock itself being a character. The movie reminds us that a plan that looks good on paper, but it may not work in real life. This movie may have been made for the small screen, but it leaves you with the feeling that you just watched a big masterpiece.
Starring: Bruce Campbell, Grace Thorsen, Taylor Sharpe, Ted Raimi
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
Bruce Campbell is undeniably the King of B-Movies. He’s catapulted to the top of the genre in large part to his recurring portrayal as chainsaw wielding, boomstick carrying, demon killer Ashley Williams from the ‘Evil Dead’ movies. His career has spanned for over thirty years. In the last ten years he’s had more mainstream appeal largely in part to his role in the Espionage series ‘Burn Notice’ and his return to the Evil Dead world as Ash once again in the Starz TV Series ‘Ash vs. Evil Dead’ (which sadly has been cancelled). Bruce Campbell portrays characters that make the audience feel like they are a part of the ride. He is not afraid of getting downright goofy as much of his acting was influenced by ‘The Three Stooges’. In 2007, he came out with a movie that pokes fun at not only himself, but his career. That movie was called ‘My Name Is Bruce’.
As the title suggests, ‘My Name Is Bruce’ is a tongue in cheek film about Bruce Campbell, his popularity and the blurred line between fiction and reality. The film is about a Goth teenager named Jeff, who happens to be a huge Bruce Campbell fan. Him and his friend meet up with two girls at an abandoned gravesite in the small mining town of Goldlick, Oregon. Jeff finds a circular object placed in front of what looks like to be a collapsed tunnel. Removing the object, Jeff accidentally summons the spirit of Guan-Di, who is the Chinese God War and an early settler of the town. With Guan-Di unleashed and killing it townsfolk one by one, Jeff decides to track down the one person he believes could defeat the evil spirit…..yep, you guessed it. Bruce Campbell.
While the events in Goldlick are happening, Bruce is in a movie studio shooting a sequel to the B-Movie Sci-Fi film ‘Cave Alien’. Frustrated by the lack of quality roles, being turned down by women and crushed over a divorce, Bruce threatens to fire his agent, Mills Toddner (played by Tem Raimi in one of three roles he plays in the film). Mills tells him that he has a surprise for him on his birthday. Bruce shrugs it off and heads back to his trailer for a night of drinking and calling his ex wife. Bruce hears a knock on his door and Jeff appears. He asks him to come with him, but Bruce refuses. Jeff resorts to knocking him out and putting him in the trunk of his car. Jeff drives back to Goldlick and lets Bruce out. After Bruce gives a lecture to the townsfolk about kidnapping a movie star, he is informed by Jeff that he called his agent and was told he was free. Bruce believes that this is the surprise Mills was talking about and believes he’s part of a new movie. Bruce plays along with it unbeknownst that the townspeople are serious.
After a hero’s welcome that is filled with food and drink, Bruce leads the townspeople to the cemetery. There he encounters Guan-Di. Realizing that this is not a movie, Bruce tells the people to retreat. From there he cowardly escapes from the town to let the townspeople deal with Guan-Di. The next morning Bruce receives a call from Jeff saying that he is going to fight Guan-Di himself since he is ultimately responsible for releasing him. Now Bruce must decide if he wishes to help Jeff or let him deal with the spirit himself.
This film is hilarious. While this will appeal to the most diehard Bruce Campbell fans, I think viewers who aren’t familiar with him or his work will get a kick out of this. There’s plenty of jokes that will keep the average comedy movie fan in their seats.
You can tell throughout the film that Bruce Campbell enjoys parodying himself. The fact that he depicts himself as an arrogant, cocky, selfish, womanizing and drunken actor who lives in a trailer and is getting burned by horrible acting parts. It’s the polar opposite of the typical Hollywood actor. You get into his head of what he deals with on a daily basis from crazed fans to slimy agents. He doesn’t skip a beat with his line delivery, his physical expressions and his candor. He does show a moral compass during the film as he gets to know Jeff and his mother, Kelly whom he immediately has an attraction for despite her shunning his advances and thinking he’s nothing more than a phony.
The rest of the cast is pretty small as it primarily centers around Bruce and the relationship he builds with Jeff and Kelly. Grace Thorsen plays Kelly. She turns in a decent performance although it didn’t find her convincing that she immediately felt an attraction for Bruce especially after berating him about he thinks the situation is a joke to him, but to the townspeople it’s not. Jeff is played by a kid named Taylor Sharpe. This is his only acting performance to date (according to IMDB). I can see why it’s his only performance. He definitely plays his role like a newcomer. He sounds dull and not too concerned about what has happened. The character of Jeff itself is strange. One minute he is all dressed up as a Goth kid and then the next he’s a regular kid blending in with the town. Eventually his Goth persona would become his hero alter ego when he makes the decision to battle Guan-Di. I will give him props for knowing his Bruce Campbell trivia and his collection of Bruce Campbell memorabilia in his room. Other than Campbell, the other best performance of the film goes to Ted Raimi who plays three different characters. Besides Mills Toddner, he plays the town painter who gripes about having to change the population number of the town and uses lazy methods to change it and he also plays Wing, the last descendent of the original Chinese immigrants that founded the town. Radical leftists will more than likely cry that his performance stereotypes Asians, but I didn’t see it that way. I found it funny that he warns the people about Guan-Di and begins to taunt them. He only appears in a couple scenes, but he would provide something that will help them in the battle with the Chinese God of War.
Speaking of Guan-Di, I think it was an interesting monster that Bruce had to deal with. He looked like a giant puppet that dangled on strings. I’m pretty sure it was the film’s intention to make the monster look cheap as it fits in with the B-Movie concept. Nevertheless it was good to see a little innovation in the bad guy and not make him another vampire or zombie.
After watching this film again, I would easily place this in my Top 10 Bruce Campbell movies. Yes, this film will largely appeal to his fan base, but there are those out there that will enjoy it if they are a fan of B-Movies. If you can show this movie to someone who has never seen a Bruce Campbell movie, you might be able to turn them into an immediate fan. If you’re able to do that, then it will be a testament to the power that this film really has.
TRIVIA (According to IMDB)
The exteriors for the town of “Goldlick” were actually shot on Bruce Campbell’s property where a back lot was built with the exteriors of all of the buildings. The interior shots were all done on a sound stage.
According to the DVD commentary, most of the Bruce Campbell memorabilia in Jeff’s room was real, including a spare Brisco County Jr. costume that Campbell owned. A few fake items, such as a poster for “The Stoogitive,” were made to fill up space.
There are many mentions and references to Bruce Campbell’s other films. Examples are phrases ‘sugar baby’, ‘groovy’ and ‘boomstick’ along with name checking of people like Sam Raimi (director of the ‘Evil Dead’ trilogy).
The rude man in the wheelchair was based on a real person Bruce Campbell met
Starring: Jack Nicholson, Michelle Pfeiffer, James Spader, Christopher Plummer
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
It’s sad that we haven’t seen Jack Nicholson on the big screen in almost a decade. Although he is in his eighties and living out the remaining days of his life, it would be nice to see him in one final performance. After all, he is one of the most iconic actors in history. He has left his mark in film with his numerous memorable performances. From Jack Torrance to The Joker, Jake Gittes to Nathan Jessup, you can’t think about those characters without thinking about the actor that brought them to life. I can’t think of a bad performance from Jack. He gives everything he has in a role. One of his most underrated, or perhaps the most underrated performance of Nicholson’s career was in the 1994 Horror/Romance film ‘Wolf’.
Nicholson portrays Will Randall, who is an editor-in-chief of a publishing house who is about to be demoted due to the purchase of the publishing house by billionaire Raymond Alden (played by Christopher Plummer). On top of that bad news, Will finds out his successor is his protégé Stewart Swinton (Played by James Spader) who is not only taking his job but has taken his wife in an extramarital affair. One night driving home in the snow, Will is attacked by a wolf which leaves him with a bite on his arms. Shortly after his attack, Will discovers that he has heightened senses of sight, smell and hearing. After meeting Alden’s outcast daughter Laura (played by Michelle Pfeiffer, Will confides to her about what he is experiencing and they strike up a relationship. As the story continues, Will’s transformation gets deeper and deeper. He must find a way to repress changing into a wolf during the full moon.
Directed by acclaimed filmmaker Mike Nichols, ‘Wolf’ is not your traditional werewolf movie. Don’t expect a lot of action or gory kill scenes. The concept of the wolf is a metaphor for corporate takeovers and executive rivalries, hence the old saying, “Being thrown to the wolves”. He fights to keep his job and engages in a rivalry with his protégé Ala teacher vs. student with the student looking to defeat the one that taught him how to succeed. The wolf is also a metaphor for sexual repression as you will see in certain moments of the film not only with Will and his wife, but Will and his quick attraction to Laura. As I watched the film, it felt like I was watching an adult version of “Beauty and the Beast”.
Jack Nicholson continues to show why he is one of the greatest actors in history. Yes, he has that repetitive slick and cunning tone when he speaks, but this was one of the more physical performances I haven’t seen him do since the likes of “The Shining” or “Batman”. He takes the concept of Method acting to a new level and really gets into the wolf character with his constant sniffing; his constant shifting of the eyes as he is quickly senses his surroundings and his stamina and agility throughout the movie. There’s even a clever funny scene of Nicholson “marking his territory” like any animal would. I have to imagine he was physically and emotionally drained after making this movie, but if he got through “Batman”, he found a way to get through this! Huge props to the makeup and effects department for Nicholson’s transformation. The effects reminded me of “An American Werewolf in London” or even Michael Jackson’s “Thriller” music video. Nicholson was definitely Wolverine before Hugh Jackman took on that role!
The supporting cast is small as it focuses on the relationships between Will, Stewart, Laura and Aldren. Pfeiffer portrays Laura Alden as an isolationist and someone who detests her father and drives up an attraction to Will to spite him. As she gets to know him, she feels concerned and caring for what is happening to him and she even goes to bat for him when he is confronted with a tragic situation. You can feel her emotion through every gasp and every tremble. Spader plays his character as a smooth and calculating weasel who goes behind Will’s back to not only take his job but take his wife. He thinks he is in control of the situation, but the worm turns for him when Will keeps up the fight for his job which sets up the many confrontations they will have throughout the film. And what can you say about Christopher Plummer? Only that he is Christopher Plummer and he is one of the most legendary actors of our time. He doesn’t skip a beat portraying billionaire Raymond Alden. When he purchases the publishing house, he thinks he’s beaten Will and be able to run the publishing house the way he wants, but what he doesn’t realize is that he is engaging in a Chess match with Will to see who will submit first. It’s a duel of egos between these two characters.
The only negative I could think of in the film is the pacing. It turns into a straight up horror film in the third act and feels rushed. Some of the scenes in the third act seem unnecessary, but they were put there to build up the suspense and drama. It gives you an insight on what the climax of the film is going to be.
It’s been twenty-four years since ‘Wolf’ came out in theaters. It is still original and innovative. It doesn’t have to borrow too much from the ‘werewolf’ films of the past to make a statement on corporate diplomacy and the seduction that romances can bring. It’s a shame we didn’t get a sequel to this film. Watch below. This would’ve been a great concept. Don’t you think?
TRIVIA (Sourced from IMDB)
Jack Nicholson had been trying to get this film made with his friend, writer Jim Harrison, for twelve years.
The movie’s release was delayed for six to eight months to re-shoot the entire third act
Mia Farrow was slated to play Charlotte Randall. Mike Nichols had to fight to let Farrow have the part, due to the film company’s hesitancy over her being too controversial at the time (the then current Mia Farrow and Woody Allen trial). She had to take a salary cut but in the long run she had to bow out anyway, due to schedule conflicts.
Jack Nicholson had final say about who the choice of the director would be, and in fact one of his choices was Mike Nichols.
Stanley Kubrick was considered to direct, but he wasn’t interested.
Sharon Stone turned down the female lead.
When Michelle Pfeiffer expressed interest in playing the part of Laura, Mike Nichols and the film’s screenwriters wanted to make the part stronger and more important to the story, as it was basically a “woman in danger” trope in the original script. Some of the ideas considered were making her into an animal rights activist or a doctor, both of which would have given her a connection to Jack Nicholson’s character and expanded on her conflict with her rich father. Ultimately, Pfeiffer accepted the role without it being hugely upgraded because she wanted to work with Nicholson and Nichols.
Starring: Keanu Reeves, Alex Winter, William Sadler, George Carlin, Joss Acklund
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
In 1989 movie audiences were treated to a new original concept adventure movie about the fate of the future lying in the balance of two high school musicians passing their history exam. That movie was called “Bill & Ted’s Excellent Adventure”. It was a surprise success that not only launched Keanu Reeves into a mainstream star, but it also spawned a cartoon show and a sequel. Recently, both stars Reeves and Alex Winter appeared on the cover of Entertainment Weekly and announced that a third movie was officially in production. It would be the first time in twenty-seven years since we last saw the two rockers from San Dimas. With the news I decided to go back and watch the second film in the series, which was 1991’s “Bill & Ted’s Bogus Journey”.
The movie takes place five years after the events of the first movie. A man from the future by the name of DeNomolos has created two evil robot versions of Bill & Ted and sends them back to their time to disrupt the next phase in their destiny, which is winning the Battle of the Bands and being one step closer to the Wild Stalyns changing the world with their music. The present day Bill & Ted continue to struggle at being good musicians, even with the help of their other band members, their girlfriends they rescued from 15th Century England. They encounter their evil doppelgangers when they arrive at their apartment and tell them that they are here to help solve their problems. Instead they take Bill & Ted to a desert and throw them off a cliff killing them. Now in a state of limbo, Bill & Ted must figure out a way to come back to life and stop the evil robots from accomplishing their mission. After two failed attempts at warning their parents about what happened, they are banished to Hell where they go through trials from their childhood until they are confronted by the Grim Reaper who states they can return to the physical world if they beat him in a contest. After defeating Death in a contest……or in the case several contests, they go to Heaven and ask God for assistance in beating the evil robots. They are directed to a creature named ‘Station’ who is considered the most brilliant scientific mind in the universe. With Station’s help, they create two good Bill & Ted robots to counter the evil robots. They return to earth just as the Battle of the Bands begin and engage in a confrontation with the evil robots and DeNomolos for the fate of the future.
The sequel was as successful as the first movie, but fans are divided as to which of the two movies was better. Some fans believe “Excellent Adventure” was the superior of the two. Other fans believe “Bogus Journey” was the better film. After watching the film, I think “Bogus Journey” is on an equal peddle to “Excellent Adventure”. I would use the analogy in another Keanu Reeves movie, “The Matrix” to describe the two. They are two radically different films, but when they are put together they equal out. It’s a great idea to go from Bill & Ted having a positive and “Excellent” adventure to having a negative and “Bogus” journey, hence the equal concept.
The story is good although I think the script could’ve been fleshed out a little more and could’ve used a better third act. Reading the Behind the Scenes of this movie, writers Chris Matheson and Ed Solomon admit that the original third act was ripped up and they were struggling to come up with an act that would satisfy viewers and bring the story of Bill & Ted full circle. I’m not sure what the original third act entailed with the exception of a trivia note at the bottom. With the exception of a few returning characters the only other reminiscence of the first film that are shown in the second are the phone booth which is found in only a few scenes and you get a glimpse at the future where is a harmonious utopia thanks to the protagonist and their music.
The only returning characters in the second film are Bill, Ted, Ted’s father, Missy and George Carlin, who reprises his role as Rufus, although his role has shrunk from the first film. All the other characters are new. Keanu Reeves and Alex Winter play dual roles as not only the dim-witted heroes, but the evil robot versions of them. The evil robots are stronger and smarter, but they are programmed to speak and act just like their human counterparts which I found funny. Their master DeNomolos, played by legendary character actor Joss Acklund I found to be a very weak villain as he appears only in the opening scenes, a few scenes where he is checking up on the robots’ statuses and the final confrontation. Not much is known about DeNomolos other than the fact he was Rufus’ old teacher and that he despises the society that Bill & Ted have created and goes on a crusade to destroy them so he can reshape the future into his ideals, which could be perceived is having a Marxist ideology. Acklund didn’t have much to work with and his acting and body language gave me the impression that he didn’t want to be in this movie, which is a shame. I’m sure he was thinking to himself, “How do I go from playing an evil South African diplomat in “Lethal Weapon 2” to playing a villain having to babysit two robots in “Bill & Ted’s Bogus Journey?” I guess we’ll never know what his mindset was.
The real star of the film and without question the best performance goes to William Sadler who plays the Grim Reaper. His portrayal of Death starts out serious and then goes completely one-eighty when he spends more time with the heroes. When Death first encounters them just as they died, he is prepared to take them into the afterlife, but they distract him and give him a “Melvin” in order to escape. It’s only when they are in Hell that they summon Death and accept his challenge of playing him in a game to return to Earth (I won’t tell you what game or games they play, but they were my favorite scenes of the film). When Death joins Bill & Ted he becomes more of a nuisance rather than a helper. He’s always looking attention and feels left out when Bill & Ted don’t give him credit for things that he supposedly did. The accent Sadler uses is Slovakian which gives him range and power, but also makes it funny especially when during his angry outburst moments in the film.
As far as the rest of the film in terms of special effects and settings, it’s interesting to see the film’s vision of the future where everyone wears highlighter colored clothing which reflects well with the lighting in their classrooms. You see a small glimpse of Evil Bill and Evil Ted pulling their skin off to reveal their robot form which is colorful and high-tech for the time and the vision of Hell in the film is depicted as a never-ending industrial corridor with infinite doors and the Devil instructing the damned to “Choose their Eternity”.
“Bill & Ted’s Bogus Journey” is one of the few sequels out there that matches up to its predecessor. Matheson and Solomon rolled the dice and took their chances of not repeating the same concept of the first movie and it paid off. Watching it again after all these years, it holds up strongly in comparison to other sequels that came out in the early 90s. I’m looking forward to seeing what the third film has to offer. Hopefully it will be a great finale and send off Bill & Ted into movie immortality.
The guitar solo before KISS’ “God Gave Rock And Roll To You”, is performed by guitar legend Steve Vai. The footage had already been shot, and the world premiere was a week away, when he was asked to do it. He also contributed various music in the film, including “The Reaper Rap”, which features on the end credits.
When Bill and Ted go to Missy’s séance, you can see Chris Matheson and Ed Solomon, the creators and writers of Bill and Ted. They’re the only men that are attending the séance. (Chris is the guy with the white shirt, and Ed is the guy with the glasses.) They also say “Ed and Chris rule the world” backwards
The original title was “Bill and Ted go to Hell” but was changed because of American objections to the use of the word “hell”.
The “Riddance of Evil” book that Missy uses to send Bill and Ted to Hell, is actually a re-dressed copy of the Stephen King short-story collection “Four Past Midnight.” She opens it to a page in the story “Secret Window, Secret Garden,” which can be read clearly in a few frames of the film.
During the séance scene, the chant to send Bill’s and Ted’s spirits, can be read backwards as “Ed and Chris will rule the world.” Ed Solomon and Chris Matheson being the movie’s scriptwriters.
The mountain, to which Bill and Ted are brought to be killed by the evil robots, is the same mountain Captain Kirk climbs in Star Trek: Arena (1967), which Bill and Ted watched in their apartment.
Joss Ackland said in a Radio Times interview, he only did this project, because of a bet between him and a family member
In a deleted sequence, the Evil Robots use devices to re-create Bill’s and Ted’s’ personal Hells (Granny Preston, the Easter Bunny, and Colonel Oats) and send them after the heroes. Bill and Ted end up having to face their fears to get rid of them. Bill gives Granny her kiss on the cheek, Ted calls his brother and apologizes for stealing his Easter candy, and both boys treat Oats with kindness and friendship rather than terror.
Director Peter Hewitt has a cameo in the film. He plays the smoker in the Builder’s Emporium to whom Death says, “I’ll see you soon.” In the cast credits The Smoker is credited as “Max Magenta”.
Starring: Clint Eastwood, Charlie Sheen, Raul Julia, Tom Skerritt, Lara Flynn Boyle
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
While Buddy Cop movies have been around since the dawn of film, they didn’t start becoming commercially successful until around the seventies. Some of the more memorable duos include Richard Pryor/Gene Wilder, Mel Gibson/Danny Glover and in today’s Buddy films, you could argue Kevin Hart/Ice Cube or Jonah Hill/Channing Tatum. Then there are those that didn’t pair well like Chevy Chase/Jack Palance, Jay Leno/Pat Morita, Burt Reynolds/an eight year old boy. As the nineties began, you saw more offbeat pairings. One of those offbeat pairings included Hollywood legend Clint Eastwood and Hollywood Bad Boy Charlie Sheen (Yeah never in a million years did I think that would be possible). Both appeared in the 1990 film “The Rookie”.
Like all Buddy Cop movies this movie focuses on two cops with very different and conflicting personalities who are forced to work together to solve a major crime. Sheen plays David Ackerman, a rookie cop who is assigned to the LAPD’s Robbery and Auto Theft Division. He is partnered with Eastwood’s Nick Pulovski, a rough wisecracking Sergeant Detective who uses tactics against police procedures to get what he needs to put the bad guys away. David gets thrust into Nick’s case involving a car theft ring that is run by a man named Strom, played by the late great Raul Julia. In addition, Strom is responsible for killing Eastwood’s original partner. Throughout the film, David gets cold feet when it comes to helping Nick. It’s attributed to not only his family background, which he comes from money and power as portrayed in a dinner party scene, but also a post traumatic episode involving the accidental death of his brother when they were children and feeling responsible for it. During a tip from an illegal wiretap, Nick and David head to a local casino where Strom is attempting to steal $2 million dollars to pay his creditors due to Nick constantly disrupting his business. During a search, Strom’s right hand woman slowly walks towards David. David has his gun pointed at her threatening her to stop or he will shoot. He hesitates and allows himself to be shot and Nick being taken hostage by Strom. David is put on leave from the department due to his cowardice and allowing his partner to be taken. Strom demands the money within twenty four hours otherwise he will kill Nick. David, feeling guilt and tired of being afraid hunts down Strom’s associates in order to find where Nick is in time before the police decide to pay up.
I first encountered this movie during a night flipping through channels with my father several years ago. It appeared on one of the major film channels you can get on cable or satellite. The film was already playing, but we decide to check it out. We turned it on and the first scene we see is Eastwood giving a local news interview on a junkyard search and seizure. In typical Eastwood humor, he begins a profanity laced taunt at the criminal he is after. My dad I instantly cracked up and continued to watch the film all the way through. After the movie, we both agreed that it was a fun flick with loads of action and humor. Recently, I shopped at the place where I do all my movie shopping and found “The Rookie” on DVD for a mere two dollars. I instantly picked it up. I watched it in full for the first time over the weekend and I enjoyed it as much as I did the first time around.
Clint Eastwood’s performance in this movie is a carbon copy of Dirty Harry, not like that’s a bad thing. From the physical gruffness and aggressive tactics to the smart ass comments, Eastwood doesn’t skip a beat. When Eastwood gets paired up with Sheen, he’s not amused to the fact that he has to “babysit” this rookie. He keeps his pursuit of Strom close to his chest, not revealing too much information to his new partner.
Charlie Sheen’s performance was pretty mellow, but I think he nailed the character of David Ackerman, a rookie cop who is getting more than what he bargained for when joining the force. He becomes a burden to Eastwood due to his inexperience and the fact that Eastwood has to bail him out on several occasions. Besides the things I mentioned about Ackerman in the beginning of the review, he also has to deal with his girlfriend (played by Lara Flynn Boyle) who is finishing law school. He feels his job is beneath to what she will become. He does gain Eastwood’s admiration in the film when he helps him fix his motorcycle. You will see in a couple scenes how good Sheen is at fixing things. This is in part to Ackerman’s degrees in Engineering and Economics as mentioned during the party scene. Other than that he struggles to build Eastwood’s trust in him. The botched arrest of Strom along with the kidnapping of Eastwood becomes Sheen’s turning point. When he faces his fears and stops blaming himself for the tragic events of his childhood, he learns from his subordinate and does what he can to find his partner even going as far as breaking up his dad’s meeting to confront him.
The last great performance goes to Raul Julia playing Strom. He is cunning at first when things go as planned. As the movie progresses and Eastwood thwarts his criminal business, Strom becomes angry and determined. When he kidnaps Eastwood, he gains leverage over the cops and devises a way to get his money and take out his enemy at the same time. The only gripe I have about Julia’s character is that he is supposed to be German. Raul Julia is Puerto Rican. It would’ve made more sense to change the character of Strom to a different nationality, but that shouldn’t take away from his performance.
A Buddy Cop film wouldn’t be complete without loads of action. There’s not a lot of shootouts in this film, but there are quite a few chase sequences. There’s one shortly after the beginning of the film, a chase scene involving Sheen and a motorcycle and a chase scene at the climax. The film does a good job of changing the chases so that they’re not repetitive as in car chase after car chase after car chase. All these chases were performed by stuntmen at the physical shooting locations. The explosion effects were also done on location without the use of any blue or green screens which brings a sense of authenticity. One particular scene was done in one take due to the fact they did not have the means to keep doing take after take. It’s incredible what these stuntmen put themselves through to create an entertaining picture. They are the real heroes in the movie industry.
The film does have its flaws. The film doesn’t divulge into Sheen and Boyle’s relationship. She appears in only a handful of shots and one important scene of the film. The same goes with Sheen’s parents. While you know he comes from luxury, you really don’t know much about his dad’s business. One of the more controversial moments in the film is when Strom’s right hand woman is toying with a tied up Eastwood. As she speaks to him and slashes his forehead with a razor, she turns on a video camera and begins to rape him. Was it something she did with all her male victims? Did she see something in Eastwood she found attractive such as his boldness or the fact when she gave him a drink of water he proceeded to spit it at her face? I didn’t think it was necessary especially since you didn’t know anything about her other than she’s a trusted accomplice.
The movie’s run time is two hours on the dot, but it doesn’t feel like a two hour movie. It’s pretty fast paced with everything going on. You get immersed with what is going on in each scene that time doesn’t exist.
Overall “The Rookie” is a good Buddy Cop flick. It may not stand out like the “Lethal Weapon” movies, but it is better than most of the recent movies of this genre that have been released. The pairing of Clint Eastwood and Charlie Sheen is still baffling, but it works in this concept if these two could work great together in a Buddy Cop film, who knows what the next great pairing will be? I could see Tom Hardy and Michael Cera in a Buddy Cop flick……..or maybe not.
According to the book “Clint Eastwood A Cultural Production” by Paul Smith, during the early stages of principal photography, actor Charlie Sheen had substance abuse problems. Eastwood reportedly took on a father-figure role in disciplining Sheen into responsible behavior.
The film featured over twice as many stuntmen as it did actors. Held the world record for the biggest ratio of stuntmen/actors. Reportedly, over eighty stuntmen worked on the movie.
Clint Eastwood agreed to do this movie in exchange for Warner Brothers letting him make his personal film project, White Hunter Black Heart (1990).
The movie was to be directed by Craig R. Baxley starring Matthew Modine and Gene Hackman in 1988 but the production was stopped by the Screen Actors Guild strike
The make and model of the car that Clint Eastwood took a disliking to its color was a lime green Type 85 Lotus Esprit SE. The Lotus Esprit was the car that had become famous for appearing in the James Bond movie The Spy Who Loved Me (1977) and later used again in For Your Eyes Only (1981). In the movie, Eastwood gets to drive the famous James Bond car.
According to the article ‘Slam, Bang, Crash, Boom for The Rookie” published in American Cinematographer in January 1991, the movie’s stunt scenes were mostly shot at night with no use of blue screens and with no use of miniatures.