I apologize for not posting reviews lately. I’ve been busy with a lot of things: work, vacation, other personal matters.
I wanted to give you a heads up that I’m going to take a small hiatus from posting reviews. I have some personal events coming up in September that need my attention.
However, I will be returning in October to do a month long review special review in lieu of the Halloween season. I’m going to be reviewing my “Most Guiltiest Pleasure Horror Movies”. I will be dedicating the spare time I have in September to watch and review five horror movies that fit this category. I will post one a week up until Halloween. I’ll be spending the time next month watching, researching, analyzing and of course picking out some hilarious clips.
I want to say Thank you to all you viewers out there. I appreciate all of you who have supported this blog. I hope you have enjoyed reading these blogs as much as I’ve enjoyed writing them.
Writers: Neal Israel, Pat Proft (Story & Screenplay) & Hugh Wilson (Screenplay)
Starring: Steve Guttenberg, G.W. Bailey, Kim Cattral, George Gaynes, Bubba Smith, Donovan Scott, David Graf, Andrew Rubin, Michael Winslow, Marion Ramsey, Leslie Easterbrook
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
The eighties brought us a diverse range of Comedy films. The subjects ranged from Teen Comedies, Raunchy Comedies, Supernatural Comedies and the Parody/Spoof Comedies. Some of the films that came out during this period were so successful that not just sequels were made, but an entire franchise. One of the Comedy series that would be born in this era was the “Police Academy” movies.
The idea to make a film about a bunch of outsiders joining the police force in the pursuit of being an officer of the law came from producer Paul Maslansky. Maslansky was producing “The Right Stuff” at the time. There was a group of police cades that arrived to help with crowd control during the filming of a street scene. When the cadets arrived to take their post, they were of many diversities and physicality. They were terrible at the job Maslansky found it humorous. He approached the Sergeant and asked him, “Are these all going to be future San Francisco’s finest?” The Sergeant explained that a new policy came out where the academy had to accept new applicants regardless of race, gender, education, physical stature, etc. The Sergeant went into further detail that the cadets could flunk the course and not become police officers. That was the moment a light bulb appeared and Maslansky wrote a two page treatment that night. He gave it to Executive Producer Alan Ladd Jr., who loved the idea and agreed to develop the movie. They hired Neal Israel, Pat Proft and the eventual director of the movie, Hugh Wilson to write the screenplay and before you know it “Police Academy” was born.
Exactly as it was versioned, “Police Academy” is a comedic look at everyday people joining the force and hoping to have a fulfilling career. There are a handful of characters that are shown in the film. First you have the super aggressive ex military man, Tackleberry (David Graf), you have the privileged Thompson (Kim Cattral), the quiet but towering Hightower (Bubba Smith), the bumbling Barbara (Donovan Scott), The shy and reserved Hooks (Marion Ramsey), the ladies man Martin (Andrew Rubin), the human beat box Jones (Michael Winslow) and the smart ass Mahoney (Steve Guttenberg). All are joining the force either through volunteer or ultimatums. Against the new policy of the Mayor, the police Chief instructs Commandant Eric Lassard (George Gaynes) and Lieutenant Thaddeus Harris (G.W. Bailey) to push the cadets beyond their limits so they will quit. The cadets go through a rigorous fourteen week period of physical training, self defense, firearm training and understanding the law.
The film focuses primarily on Mahoney. After another arrest regarding an incident at his current job, Captain Reed, a former partner of Mahoney’s father, tired of Mahoney’s antics puts his foot down and gives him an ultimatum. Enroll in the Police Academy and complete it or you will be sent to jail. There is a loophole that Mahoney intends to exploit, which is to be kicked out of the academy and not go to jail. As soon as he arrives, he starts to flirt with Thompson and becomes the ire of Harris. After numerous pranks and episodes of insubordination, Mahoney gets his wish to be kicked out. While Harris is on the phone with Captain Reed, Mahoney looks out the window and sees Thompson flirting with him. He starts to reconsider his request to be kicked out and decides to stay through the course and complete it. During his time, he strikes up a friendship with Martin and helps Hightower succeed in completing the driving course which if he doesn’t pass, he will flunk. Hightower eventually gets kicked out after flipping a car over with a cadet inside after he insulted Hooks with a racial epitaph after she accidentally drove over his feet. Bummed about his friend, Mahoney gets picked on by Blanks (Brant von Hoffman) and Copeland (Scott Thomson), two cadets Harris made Squad Leaders to wither out the bad apples in the group and when one threatens to punch him, he is attacked by Barbara in which a fight ensues. Blanks and Mahoney are in Harris’ office explaining what happened. Mahoney stands up for Barbara and claims he threw the first punch which gets him expelled from the academy. Before he could leave, a riot breaks out downtown which causes the cadets to be mobilized as backup for the rest of the force. Mahoney puts on riot gear and joins the group unbeknownst to Harris. As the riots get worse and the cadets scramble, one of the rioters manages to claim the guns of Blanks and Copeland. He takes Harris hostage on a rooftop and wildly shoots at Thompson. Mahoney races to the top to save Harris, but ends up surrendering his gun as the rioter points his gun at Harris’ head. As Harris and Mahoney are sitting on the roof top, Hightower appears and asks the shooter if he could watch him “kill these pigs!” The shooter agrees and as he is about to squeeze the trigger, Hightower punches him in the face and sends his rolling down a flight of stairs. Hightower saves Mahoney and Harris’ lives. In return for their heroism, Mahoney and Hightower are reinstated to the force with honors.
“Police Academy” was an instant success grossing $8 million on its opening weekend and finished the year grossing $81 million. Reviews were mixed with Roger Ebert giving it zero stars. It was successful that they made a sequel that came out the very next year. The sequel was also a success which triggered another movie and then another movie. The series ended with seven movies, a short lived TV show and a possible reboot which Steve Guttenberg is spearheading.
To say that “Police Academy” is a cult movie is an understatement. It’s one of the funniest comedies in my opinion. Not only that, but it provides moments of morality, decency and dedication. The characters that are supposed to be likeable in the film are likeable and the characters that are supposed to be the bad guys are the bad guys. That’s credit to the writing. The movie has plenty of physical gags, situations and witty dialogue to keep you laughing to keep you going through the film’s 96 minute run time. It’s completely relatable to the real world. You’ll have average Joes that end up joining the force for reasons that are of their understanding.
As I mentioned all the characters are likeable and the credit goes to the cast. Most of the cast were relatively unknown (not sure if Guttenberg was known during this time) and they played their roles with heart and passion. They had great chemistry on screen. Guttenberg being the top billing and the focal point of the story delivers a funny performance as Mahoney. He is witty, a bit of a smart ass and someone who likes to have fun at the expense of others. As you tag along to Mahoney’s journey you see the character evolve as he goes from wanting desperately to be kicked out of the academy to taking the opportunity of doing something meaningful with his life. It shows through his good deeds towards other cadets to his heroism at the climax of the film. He is equally matched by G.W. Bailey’s Harris, the next great performance. Bailey plays Harris in a manner similar to R. Lee Ermey in “Full Metal Jacket” but with very little vulgarity. He immediately draws a disliking to Mahoney tries to push him past his physical limitations. George Gaynes portrays Commandant Lassard as a buffoon in a manner to Leslie Nielsen. His best scene involves a situation he gets in when making a presentation and his reaction afterwards. It will be implanted in your memory for a long time. David Graf’s portrayal as Tackleberry is another highlight of the film. Tackleberry is aggressive and sometimes unstable as you will see during his training especially around firearms. It’s funny to see him sleep with a revolver in his hand and spends his free time sharpening his hunting knife. Michael Winslow plays Jones who rarely talks, but rather speaks through sound effects. He plays pranks on some of the instructors such as making the sound of leaves crunching when an instructor is walking to acting like he is talking on the PA and telling Harris to report to the Firing Range. He has some memorable scenes including playing a video game shooter when there is no TV or console and shaving with a plastic blade and making effects to sound like it’s an electric razor. Finally, my other favorite performance is Hightower, played by NFL great, Bubba Smith. He is a man who is quiet, but provides brute physical strength such as knocking down a brick wall during a course where cadets have to jump over it to pulling on a rope only to have the ceiling come crashing down. He forms a bond with Mahoney when Mahoney helps him learn how to drive since he hadn’t driven a car since he was twelve years old. When Hightower gets kicked out for coming to Hooks’ defense, you could see the devastation in his eyes and you feel bad for him because you know he did the right thing.
If you’ve never seen “Police Academy” before I highly recommend you watch it and see what you think. A lot of people will say that this is nothing original or not as funny as perhaps some other cop comedies that have come out, but I think you will thoroughly enjoy it. If you like this film, I would recommend watching the next two sequels, maybe three. I would skip the last two sequels as they seem to have run out of ideas. You’ll laugh, you may shed a tear, or you’ll shed a tear while laughing.
Director Hugh Wilson stated that when it came time to film the driving scene with Hightower at 4:30 a.m., the actor originally cast as the angry driver was found passed out drunk in the trailer, so Hugh himself ended up playing the role of the angry driver, into whom Hightower crashes.
When attending his audition, Steve Guttenberg wore an old police shirt belonging to his father Stanley Guttenberg, who was a New York City police officer.
The location used as the Academy campus was known as the Mimico Lunatic Asylum or variations thereof until 1911, and Lakeshore Psychiatric Hospital from 1964 to 1979. It was acquired by Humber College in 1991, after being mainly used as a site for filmmaking between 1979 and 1991. It is now a renovated and active educational institution.
Michael Winslow (Jones), David Graf (Tackleberry), and George Gaynes (Commandant Lassard) are the only actors who appeared in all seven Police Academy movies. Winslow even goes a step beyond this, as he is the only actor who not only appeared in all seven Police Academy movies, but also had a regular role on Police Academy: The Series (1997).
Marion Ramsey was asked to wear a fat suit for her role as Hooks, with the idea that Hooks’ boot camp training would have rendered her slim by the end of the film. Due to time constraints, the scene showing Hooks after her weight loss was removed from the final cut. By the time work on the sequel began, producers changed their minds, opting instead to have Marion remain wearing the fat suit, in order to garner audience sympathy for her character. A brief shot of “slim” Hooks remains in the film, however, as a close-up of Marion without the fat suit is seen during the graduates’ march at the end of the film.
Billy Crystal, Tom Hanks, Michael Keaton, Bill Murray, Judge Reinhold, Jerry Seinfeld, Robin Williams, and Bruce Willis were considered for Mahoney.
The only Police Academy movie that was given an R-rating.
This movie was the most successful film of 1984 in West Germany.
Steve Guttenberg mentions in his biography, “The Guttenberg Bible”, that Donovan Scott filmed home-movies during filming. According to Guttenberg, there is a “very funny, touching, and unreleased documentary that he made of the shoot.”
Robert Conrad was offered the role of Commandant Eric Lassard, but turned down the part, which he regretted later on, to the point that he took the part of the Police Chief in Moving Violations (1985) which was co-written and directed by Neal Israel, who also co-wrote this film.
In the party scene, Tackleberry is seen to play the saxophone. In real-life, David Graf actually was an accomplished saxophone player.
After early test audiences responded the most positively to Hightower, out of all the characters, Bubba Smith was moved to second place billing, just behind Steve Guttenberg.
Was filmed in forty days.
David Graf had to choose between working on this film or Richard Benjamin’s more critically acclaimed Racing with the Moon (1984). When David initially read the Police Academy script, he thought, “What trash”. For three days, he sat and looked at the two scripts. Then, when Warner Brothers made him the offer, Graf said he knew which film was going to make money.
The Blue Oyster bar used in this movie, is actually called the Silver Dollar Room, located on Spadina Avenue in Toronto. Coincidentally, Spadina Avenue is also home to Protocol Entertainment, the company that produced Police Academy: The Series (1997).
Starring: Cortney Palm, Tony Todd, Mark Hamill, Noah Hathaway, James Duvall, Andy Mackenzie Sonny Chiba, Jeff Fahey, Michael Biehn, Danny Trejo
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
Before I go into the review, I would like to take this time to apologize for not posting weekly. I’ve had some personal tragedies in my life that took me away from various projects. In addition, I wanted to take some time off and rethink the concept of “Guilty Pleasure Cinema Review”. When I first started this blog, the concept was to review movies that I particularly liked that perhaps only a small cult would enjoy. I started to find myself digging into movies that have already been done before. I took a seat back and took notes on how to keep this blog going but make it appealing to the viewers. I decided that I would focus on movies that the mainstream movie goer may not have heard of before or movies that may be seen as bad by the general public, but I enjoy. I know there will be people out there (even you the reader) that may have seen the movie I’m reviewing before, but my goal in reviewing these underrated movies is to attempt to capture a new audience. As a diehard movie fan who studied Film Concepts in college, I wanted to get a better appreciation for the art by diversifying the different styles, genres and techniques. I’m tired of the mainstream movies that are out today with its never ending remakes/sequels in order to make money. So with that, I hope you the reader will follow me into the next phase of this blog. Check these movies out for yourself, see what you think and pass it along. If I could get one new viewer to appreciate an underground non mainstream film, I would accomplish what I had hope to accomplish when starting this. With that being said, let me dive into an underground crime thriller that I haven’t seen in a very long time. 2012’s “Sushi Girl”.
The story focuses on a man by the name of Fish (Noah Hathaway) who has just been released from prison after serving a six year sentence for armed robbery. A car is waiting for him outside the prison. Fish gets in and is taken to an undisclosed location. When he enters, he sees his old crew waiting for him as they throw a “Welcome Back” party. Hosted by the leader Duke (Tony Todd) and features the short tempered Max (Andy Mackenzie), the eccentric Crow (Mark Hamill) and the reserved Francis (James Duvall). The crew dines on sushi that is served off the body of a beautiful naked woman lying flat and motionless on the table. Fish realizes that this isn’t just a reunion, but a plot by Duke to demand answers of what happened to the diamonds that they stole from their last heist. Fish tells the group he doesn’t know where they are. The rest of the crew, desperate and determined to get their cut of the diamonds tie Fish up in his chair and start to interrogate him. The interrogation involves methods of torture. The crew will stop at nothing to squeeze the information out of him.
I first heard of this movie back in 2013 when I was listening to a horror movie podcast (can’t remember the name of it). Tony Todd was the guest they were interviewing and he mentioned a movie he was starring in that was about to be released titled “Sushi Girl”. He said it was his favorite movie he’s ever done and the fact he got to work with Luke Skywalker himself was a dream come true. Coincidentally, the movie was available to stream on Netflix. With that being said, I watched it. I really enjoyed it the first time around. I even mentioned this to Mr. Todd when I met him at the Days of the Dead Convention in Indianapolis in 2013. He reiterated to me that he enjoyed the movie and was moved by my appreciation for the film. When I started researching movies to do for this next phase of the blog, I kept thinking about “Sushi Girl”, especially since I had only seen it that one time. I found it on DVD at a local store and watched it again. I didn’t remember much from the first viewing only than the characters. After the second viewing, I noticed it was similar in style and tone to another movie that is one of my favorites. Nevertheless I enjoyed the film the second time around.
The film is pretty much an homage to the Quentin Tarantino flick “Reservoir Dogs”. If you haven’t seen it before it’s about a group of thieves who go on a diamond heist that goes absolutely wrong. The survivors believe there was a mole in their group and try to figure out who it is. The film is known for showing you the before and after the heist, but not the heist itself. It makes the viewer interpret the actual events that took place during. “Sushi Girl” follows that same concept. You see the planning and aftermath. However, they show the actual heist taking place. These scenes are weaved throughout the film. The main setting of the film takes place in this abandoned building that looks like an Asian restaurant, which makes sense since they’re having sushi for dinner. Like “Reservoir Dogs”, this movie has a torture scene, shootouts, plenty of blood, humor and a twist ending. If you’ve never seen the said movie before, you should see it (but that’s for another time).
The performances are very good and each character has their own identity and personality that causes plenty of friction and tension among them. Tony Todd was great in this. He portrays the leader of group as cold, calculating and in control. I love his deep baritone voice and his wielding of power within the group. Everyone listens to him and when he commands something they do it. He’s played many bad guys before, but I think this is my favorite performance of his other than “Candyman” which he is well known for. Cortney Palm, who is the ‘Sushi Girl’ in the movie makes her feature length debut. She is completely motionless and does her best to ignore the conversations and actions that are taking place in the dinner. You do see moments where she flinches or sheds a tear. You don’t know anything about her throughout the film until the very end (That’s all I’ll say about that). Kudos to her for willing to be completely naked covered by sushi for her first film. I’m sure many women would refuse to do that as their first role. The best performance of the film by far is Mark Hamill. He plays the character of ‘Crow’ exactly like Truman Capote complete with long blonde hair, glasses and a business suit. He is very eccentric and flamboyant and beneath that layer is a man who is slimy and sadistic. If you’re familiar with Hamill’s work as the Joker in the Batman Animated Series from the 90s, you’ll hear his famous laugh throughout the movie. It was also nice to see cameo appearances from Michael Biehn (Terminator), Jeff Fahey (The Lawnmower Man) and Danny Trejo (Machete) who play a rival group that holds the diamonds the original group is attempting to steal from.
Clocking in at 98 minutes, “Sushi Girl” may not be an original film, but it has enough going on to keep you intrigued and focused. It’s not a fast paced, high action thriller but rather a suspenseful crime drama mixed with story, dialogue and brutality. You really feel the tension between the characters throughout the movie which grows into paranoia and desperation when their situation becomes a lost cause. It gives you the appreciation of what small independent films are trying to do, even if it’s a redundant concept.
TRIVIA (According to IMDB)
While eating fugu, Duke says “I cannot see her tonight. I have to give her up. So I will eat fugu.” This is, in fact a famous senryu from Japanese poet Yosa Buson, written in the 18th century.
The van that is used for the diamond burglary says Falkore Plumbing on the side. Falkor is the name of the Luck Dragon that Atreyu rides in The Neverending Story. Atreyu was played by Noah Hathaway, who plays Fish in this film.
This is Noah Hathaway’s first role in a full length film since 1994.
Michael Biehn shot his scenes for free in one day as a favor to his good friend Electra Avellan, one of the producers.
One of the plainclothes policemen in the van outside the place where the “reunion” is being held, tape recording the criminal conversations within, is named “Det. Harry Caul Jr.” “Harry Caul” was the master audio surveillance character played by Gene Hackman in “The Conversation” (1974).
Before he sits down Crow (Hamill) picks up a white rabbit mask off his chair. While non intentional white rabbits are a trademark of Batman villain Mad Hatter (aka Jarvis Tetch) Hamill, who is most famous for voicing the role of Joker on the animated series, Also voices him in the Arkham games
Starring: David Carradine, Richard Dysart, Dennis Farina, Charles Haid, David Morse, Jan Michael Vincent, Howard Hesseman
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
This past Christmas I received a book written by acting great David Carradine. His memoir titled “Endless Highway” talks about his life, his career and his spiritual journey. Many people know Carradine as the main character from the hit 70s show “Kung Fu”. Today’s younger generation would remember him as the titular title character from Quentin Tarantino’s “Kill Bill” movies. After reading his book, I ventured into his film catalogue to watch some movies he was in. One of the films I came across in his resume was a made for TV movie that sparked my interest. The movie was titled “Six Against the Rock”.
Not to be confused with the film “Escape From Alcatraz”starring Clint Eastwood which was about the only successful escape from the prison, this film portrays the 1946 failed escape attempt by six inmates which leads to a hostage standoff that lasted three days. Carradine plays Bernie Coy, who is currently serving a twenty-five year sentence for robbery and the architect of the escape. The other accomplices in the plan include Joseph ‘Dutch’ Cretzer (played by Howard Hesseman), Marvin Hubbard (played by David Morse), Miran ‘Buddy’ Thompson (played by Jan Michael Vincent), Sam Shockley (played by Charles Haid) and Dan Durando (played by Paul Sanchez). The plan was to escape through ‘C Block’, which was the largest unit on the rock by capturing the guards posted there and using the yard key to make their escape where they would head to the shipyard and get on a boat that would take them to San Francisco. The plan fails when the inmates cannot find the yard key among all the keys in their possession. When they try to use other keys as an alternative, the lock jams leaving them stuck in the block with the guards. Coy decides to use the guards as hostages and use them as leverage for a negotiation with the prison’s Warden. Warden James Johnston (played by Richard Dysart) refuses to negotiate and instead tries to find a way to stop the siege and rescue the guards. He calls upon the local military for help. Now surrounded by military rifles and other hardware, the inmates only option is to fight it out. Would they survive the fight?
Direct by Paul Wendkos, who was known in the business as a “prolific specialist in made for television movies, this is indeed a tightly made film that accurately depicts the events that unfolded during those three days at Alcatraz in 1946. The majority of the movie takes place in one location so it gives the movie a claustrophobic feel. When the plan fails, the inmates are left to improvise with little to no help from the other inmates. As the hours and days go by in the siege, the inmates get tired and desperate. They begin to turn on one another.
There are some solid performances in this film. First I’ll discuss the inmates. David Carradine and David Morse work great together as Coy and Hubbard. Coy is very logical with his planning and he is quick to improvise when the original plan fails. He keeps his leadership intact with force and reasoning. Morse adds ferocity and patience to the group. Despite the plan slowly unraveling, he does his best to encourage and motivate the team to not lose hope and keep their minds focus on the objective. Hesseman and Haid portrayed the vicious and unstable characters in the movie, Cretzer and Shockley. They end up being more of a liability to the team rather than an asset. They become paranoid and desperate to the point where they start to take out their frustration on the guards being held hostage against Coy’s orders. They want to show they mean business. Jan Michael Vincent who plays Buddy Thompson in the film is quiet and composed, yet he takes his orders from Cretzer. The moralist of the group is Dan Durando, portrayed by Paul Sanchez. He was convicted of murder at age sixteen and is currently serving a ninety-nine year sentence. He is hesitant about escaping from prison in the beginning of the film and ultimately gets dragged into the situation once Coy releases him from his cell. As the events are unfolding, Durando keeps his distance from the others and prevents Cretzer and Shockley from killing the guards.
Richard Dysart plays Warden Johnston who is grasping with the situation that is unfolding in his prison. His main focus throughout the film is the safety of the guards that are held hostage. The design of the prison works against him and has to rely on the military to come up with a way of diffusing the situation.
There’s not much action in the movie other than the inmates rounding up the guards and defending themselves during the onslaught of the military trying to take back the block There’s an ample amount of violence from the beating of the guards to Carradine shooting the guards in the leg at the Watch Tower. There’s enough going on to keep you on your feet.
“Six Against The Rock” is an intriguing story that tells a historic event that has been overlooked due to the only successful escape from Alcatraz that took place in 1960. It’s a movie where its characters are not just people, but of The Rock itself being a character. The movie reminds us that a plan that looks good on paper, but it may not work in real life. This movie may have been made for the small screen, but it leaves you with the feeling that you just watched a big masterpiece.
Starring: Clint Eastwood, Charlie Sheen, Raul Julia, Tom Skerritt, Lara Flynn Boyle
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
While Buddy Cop movies have been around since the dawn of film, they didn’t start becoming commercially successful until around the seventies. Some of the more memorable duos include Richard Pryor/Gene Wilder, Mel Gibson/Danny Glover and in today’s Buddy films, you could argue Kevin Hart/Ice Cube or Jonah Hill/Channing Tatum. Then there are those that didn’t pair well like Chevy Chase/Jack Palance, Jay Leno/Pat Morita, Burt Reynolds/an eight year old boy. As the nineties began, you saw more offbeat pairings. One of those offbeat pairings included Hollywood legend Clint Eastwood and Hollywood Bad Boy Charlie Sheen (Yeah never in a million years did I think that would be possible). Both appeared in the 1990 film “The Rookie”.
Like all Buddy Cop movies this movie focuses on two cops with very different and conflicting personalities who are forced to work together to solve a major crime. Sheen plays David Ackerman, a rookie cop who is assigned to the LAPD’s Robbery and Auto Theft Division. He is partnered with Eastwood’s Nick Pulovski, a rough wisecracking Sergeant Detective who uses tactics against police procedures to get what he needs to put the bad guys away. David gets thrust into Nick’s case involving a car theft ring that is run by a man named Strom, played by the late great Raul Julia. In addition, Strom is responsible for killing Eastwood’s original partner. Throughout the film, David gets cold feet when it comes to helping Nick. It’s attributed to not only his family background, which he comes from money and power as portrayed in a dinner party scene, but also a post traumatic episode involving the accidental death of his brother when they were children and feeling responsible for it. During a tip from an illegal wiretap, Nick and David head to a local casino where Strom is attempting to steal $2 million dollars to pay his creditors due to Nick constantly disrupting his business. During a search, Strom’s right hand woman slowly walks towards David. David has his gun pointed at her threatening her to stop or he will shoot. He hesitates and allows himself to be shot and Nick being taken hostage by Strom. David is put on leave from the department due to his cowardice and allowing his partner to be taken. Strom demands the money within twenty four hours otherwise he will kill Nick. David, feeling guilt and tired of being afraid hunts down Strom’s associates in order to find where Nick is in time before the police decide to pay up.
I first encountered this movie during a night flipping through channels with my father several years ago. It appeared on one of the major film channels you can get on cable or satellite. The film was already playing, but we decide to check it out. We turned it on and the first scene we see is Eastwood giving a local news interview on a junkyard search and seizure. In typical Eastwood humor, he begins a profanity laced taunt at the criminal he is after. My dad I instantly cracked up and continued to watch the film all the way through. After the movie, we both agreed that it was a fun flick with loads of action and humor. Recently, I shopped at the place where I do all my movie shopping and found “The Rookie” on DVD for a mere two dollars. I instantly picked it up. I watched it in full for the first time over the weekend and I enjoyed it as much as I did the first time around.
Clint Eastwood’s performance in this movie is a carbon copy of Dirty Harry, not like that’s a bad thing. From the physical gruffness and aggressive tactics to the smart ass comments, Eastwood doesn’t skip a beat. When Eastwood gets paired up with Sheen, he’s not amused to the fact that he has to “babysit” this rookie. He keeps his pursuit of Strom close to his chest, not revealing too much information to his new partner.
Charlie Sheen’s performance was pretty mellow, but I think he nailed the character of David Ackerman, a rookie cop who is getting more than what he bargained for when joining the force. He becomes a burden to Eastwood due to his inexperience and the fact that Eastwood has to bail him out on several occasions. Besides the things I mentioned about Ackerman in the beginning of the review, he also has to deal with his girlfriend (played by Lara Flynn Boyle) who is finishing law school. He feels his job is beneath to what she will become. He does gain Eastwood’s admiration in the film when he helps him fix his motorcycle. You will see in a couple scenes how good Sheen is at fixing things. This is in part to Ackerman’s degrees in Engineering and Economics as mentioned during the party scene. Other than that he struggles to build Eastwood’s trust in him. The botched arrest of Strom along with the kidnapping of Eastwood becomes Sheen’s turning point. When he faces his fears and stops blaming himself for the tragic events of his childhood, he learns from his subordinate and does what he can to find his partner even going as far as breaking up his dad’s meeting to confront him.
The last great performance goes to Raul Julia playing Strom. He is cunning at first when things go as planned. As the movie progresses and Eastwood thwarts his criminal business, Strom becomes angry and determined. When he kidnaps Eastwood, he gains leverage over the cops and devises a way to get his money and take out his enemy at the same time. The only gripe I have about Julia’s character is that he is supposed to be German. Raul Julia is Puerto Rican. It would’ve made more sense to change the character of Strom to a different nationality, but that shouldn’t take away from his performance.
A Buddy Cop film wouldn’t be complete without loads of action. There’s not a lot of shootouts in this film, but there are quite a few chase sequences. There’s one shortly after the beginning of the film, a chase scene involving Sheen and a motorcycle and a chase scene at the climax. The film does a good job of changing the chases so that they’re not repetitive as in car chase after car chase after car chase. All these chases were performed by stuntmen at the physical shooting locations. The explosion effects were also done on location without the use of any blue or green screens which brings a sense of authenticity. One particular scene was done in one take due to the fact they did not have the means to keep doing take after take. It’s incredible what these stuntmen put themselves through to create an entertaining picture. They are the real heroes in the movie industry.
The film does have its flaws. The film doesn’t divulge into Sheen and Boyle’s relationship. She appears in only a handful of shots and one important scene of the film. The same goes with Sheen’s parents. While you know he comes from luxury, you really don’t know much about his dad’s business. One of the more controversial moments in the film is when Strom’s right hand woman is toying with a tied up Eastwood. As she speaks to him and slashes his forehead with a razor, she turns on a video camera and begins to rape him. Was it something she did with all her male victims? Did she see something in Eastwood she found attractive such as his boldness or the fact when she gave him a drink of water he proceeded to spit it at her face? I didn’t think it was necessary especially since you didn’t know anything about her other than she’s a trusted accomplice.
The movie’s run time is two hours on the dot, but it doesn’t feel like a two hour movie. It’s pretty fast paced with everything going on. You get immersed with what is going on in each scene that time doesn’t exist.
Overall “The Rookie” is a good Buddy Cop flick. It may not stand out like the “Lethal Weapon” movies, but it is better than most of the recent movies of this genre that have been released. The pairing of Clint Eastwood and Charlie Sheen is still baffling, but it works in this concept if these two could work great together in a Buddy Cop film, who knows what the next great pairing will be? I could see Tom Hardy and Michael Cera in a Buddy Cop flick……..or maybe not.
According to the book “Clint Eastwood A Cultural Production” by Paul Smith, during the early stages of principal photography, actor Charlie Sheen had substance abuse problems. Eastwood reportedly took on a father-figure role in disciplining Sheen into responsible behavior.
The film featured over twice as many stuntmen as it did actors. Held the world record for the biggest ratio of stuntmen/actors. Reportedly, over eighty stuntmen worked on the movie.
Clint Eastwood agreed to do this movie in exchange for Warner Brothers letting him make his personal film project, White Hunter Black Heart (1990).
The movie was to be directed by Craig R. Baxley starring Matthew Modine and Gene Hackman in 1988 but the production was stopped by the Screen Actors Guild strike
The make and model of the car that Clint Eastwood took a disliking to its color was a lime green Type 85 Lotus Esprit SE. The Lotus Esprit was the car that had become famous for appearing in the James Bond movie The Spy Who Loved Me (1977) and later used again in For Your Eyes Only (1981). In the movie, Eastwood gets to drive the famous James Bond car.
According to the article ‘Slam, Bang, Crash, Boom for The Rookie” published in American Cinematographer in January 1991, the movie’s stunt scenes were mostly shot at night with no use of blue screens and with no use of miniatures.
Release Date: January 10, 2010 (Sundance Premiere)
Genre: Comedy, Crime, Thriller
Director: Nick Tom nay
Writers: Nick Tomnay, Krishna Jones
Starring: David Hyde Pierce, Cloyne Crawford, Nathaniel Parker, Megahn Perry
WARNING: POSSIBLE SPOILERS IN THIS REVIEW
Do you ever flip around the movie titles on Netflix and find a movie that you’ve never heard of? Does the title and the cover give you a curious interest as to what the movie is about? While Netflix has devoted the majority of its programming to original series, they do turn out a bunch of independent movies that were only screened at film festivals and other small venues. One movie I recently came across looked appealing and therefore I was enticed to watch. The movie was titled, “The Perfect Host”.
Released at the Sundance Film Festival in 2010, the movie is about a man named John Taylor who is on the run after pulling off a bank heist and collecting over $300,000. His car breaks down in a plush Los Angeles neighborhood. After a failed attempt to convince a neighbor to let him use the phone, he is able to use some cunning skills to convince a man named Warwick Wilson to let him in. Warwick is in the middle of cooking dinner as he is throwing a dinner party and has invited several of his friends to join. Warwick offers John some red wine and helps him trying to get into contact with his cousin so they could meet up (which is a ruse). A news bulletin goes off on the radio describing John and the heist. John grabs Warwick’s butcher knife and holds him hostage. His plan is to lay low until the next morning and leave. However, John begins to feel dizzy and collapses on the floor. Unbeknownst to John, Warwick drugged the wine. The tables turn as John is tied up in a chair and is sitting at the head of the dinner table. He is now the guest of honor in what is to be a very bizarre party.
Written and Directed by Nick Tom nay, which is his first feature film according to records, “The Perfect Host” is reminiscent of an Albert Hitchcock film. It’s filled with tension, suspense, surprises and shocks. The reversal of roles between predator and prey slither slow and steady transition. It’s almost like watching a Chess game where each player is strategically plan their moves. Ironically, the two main characters engage in a game of Chess where each has their own stake in the winnings.
The film is shot on digital video. I’m not a huge fan of digital video for numerous reasons, but it works within the context of the film. There’s a lot of bright lighting throughout the film. I also enjoy the constant back and forth first person views of the two main characters as you see what they’re interpreting in their own mind of the scenario that is playing around them.
This is the first starring role for David Hyde Pierce. If you’re not familiar with his work, he is best known as his portrayal of Niles Crane in the sitcom “Frasier”. His portrayal of Warwick is not much different from his portrayal of Niles. He’s articulate, eccentric, excited and knowledgeable. Warwick comes off as a gracious generous host. He plays the victim role early in the film. When he is in control of the situation, his deep desires and fantasies come out while having fun and entertaining his “guest”. He slowly morphs into a character that is a combination of Norman Bates, Hannibal Lecter and Patrick Bateman. From there comes the final phase of his character where he is grounded and determined (I’ll get to that later in the review). Pierce provides plenty of laughs while at the same time provides creepy and unsettled moments that make you anxious as to what is he planning with John.
Speaking of John Taylor, he is portrayed by Cloyne Crawford. I’m not familiar with any of his other film roles, so this was an introductory role for me. John is determined to get out of Los Angeles with the money he steals. He is cunning and manipulative at first and then becomes aggressive and violent especially when he tells Warwick to “shut up” when a radio bulletin comes on the air regarding his robbery. He holds Warwick hostage in his own home while he lays low. His control over the situation is short lived as he collapses from drinking red wine that was drugged by Warwick. He becomes the hostage and is powerless to regain control. He is at the mercy of Warwick and does his best to resist compliance from Warwick. Throughout the film there are flashbacks involving John and an unidentified woman. These pieces would reveal who the woman is and what is her relation to John.
While the film focuses primarily on John and Warwick, there are a few minor characters. As I’ve stated there is a woman who is involved with John and then there are two police detectives who are looking into the heist and John’s background and there is a concerned neighbor when she sees John floating in a pool and yell. While these characters add to the layer of the story, they are used minimally. You don’t see the woman or the police detectives until the climax of the film.
The only thing I didn’t like about this film was the climax. It felt rushed and didn’t flow with the rest of the film. You find out what Warwick does for a living and this triggers another personality trait in him. It’s strange since the film doesn’t give clues about who he really is. It does have a somewhat comical ending to it as it would set up another event that I’m sure we’ll never see unless they decide to make a sequel.
While “The Perfect Host” cant’ be described as a perfect film, but it’s a clever spin on a classic genre of films. As I mentioned early in the review, it’s got the look and feel of an Alfred Hitchcock movie. It’s about as close of a Hitchcockian film you’re going to see in recent years. It makes you appreciate independent films and what they’re trying to make. If I found this film on Netflix, there’s no telling where other sleeper indie hits may be out there. I’ll just have to find them.
First starring film role for David Hyde Pierce.
Shot in seventeen days with a budget just under $500,000
The tattoo on John’s hand contains 3 Hebrew letters, which are the initials for “Uri Riva Yariv” – a kabbalah term that means absolute certainty and is supposed to enhance confidence and belief.