Guilty Pleasure Cinema Review

Movies that you love to watch over and over.

Brain Damage

Release Date: May 25, 1988 (France)

Genre: Horror, Comedy

Director: Frank Henenlotter  

Writer: Frank Henenlotter

Starring: Rick Hearst, Gordon MacDonald, Jennifer Lowry, Theo Barnes, Lucille Saint-Peter, John Zacherle (Voice/Uncredited)



I’ve been wanting to do this review for a very long time. This happens to be one of my favorite Horror/Drive In/B Movies of all time. It was done by the great Frank Henelotter, who did the “Basket Case” trilogy (See last year’s Halloween Special for the review of “Basket Case”) and “Frankenhooker!” What’s great about Frank is that he’s only made a half dozen movies, but they’re all creative, original and super fun to watch. I rather have a filmmaker I like make six great movies than a filmmaker like Ridley Scott, who’s made fifty plus movies and thirty-five of them are forgettable. So, without further ado, here is the review for Frank’s 1988 movie about drug addiction in a creepy, funny style titled “Brain Damage!”

The movie is about a guy named Brian who is laying in bed feeling sick. When he gets up, he notices blood on his pillow all the way down to his bed sheet. He feels the back of his neck which is also bleeding. Unsure of what happens, he lays down again. Suddenly, he starts going on a psychedelic trip where he sees bright lights and colors. Knowing that someone or something is causing this, he asks for this person to reveal themselves. From behind his neck appears a long black/bluish phallic looking parasite named Aylmer (pronounced Elmer). Aylmer reveals to Brian that he has a juice in his body when injected directly into the brain will give the person a euphoric feeling. Brian starts to get addicted to Aylmer’s juice which causes him to isolate himself from his girlfriend, Barbara and his brother, Mike. As Brian goes around town dancing and living it up with this aura in his brain, unbeknownst to him Aylmer kills anyone near him and eats their brain. Brian is eventually confronted by an elderly man named Morris, who was Aylmer’s former host and warns Brian that Aylmer is looking to take over him and by continuing to be on his juice, his brain will continue to turn into mush and become dinner for the hungry parasite. Brian must find a way to get control of himself before he becomes Aylmer’s next victim.


As the title suggests, the movie is about drugs, drug addition and the effects it has on the person taking them and their loved ones. According to Frank Henelotter, he came up with this idea after having a bad trip taking cocaine. Henelotter makes a visually compelling monster movie with a strong message. He takes the audience for a ride through the mind and body of a junkie. You go through the highs (pun intended) and the lows of the character. In between the movie you’ll be caked with blood, gore, brains and some dark humor.

Let’s start with the acting. The film is primarily focused on the two characters of Brian and Aylmer. Rick Hearst plays the protagonist, Brian. This was his first movie and does a dang great job of playing Brian. You don’t know much about Brian in terms of what he does for a living, where he came from. Brian gets easily manipulated once he starts getting high which can be common among addicts. When he goes on his trips, he’s very child like as he’s amazed by the colors and lights around him and how he can feel the music. Hearst plays a convincing addict through his physical appearance, his facial expressions and the hallucinations he sees. You’ll laugh, cry and be horrified by what he goes through. Next, you have Aylmer, who is voiced by the great John Zacherle (AKA Zacherle the Ghoul). If you’re not familiar with Zacherle, he was the host of ‘Shock Theater’ back in the late fifties/early sixties when NBC would play the Universal monster movies on television. Zacherle’s voice is soft and sweet which he gives to Aylmer. Aylmer’s voice is soothing to Brian which makes him feel calm around the devious creature. Aylmer is smart in not revealing his intentions to Brian until a crucial scene in the film. He has the characteristics of a snake. He slithers and sneaks around when in hiding but strikes quickly when he is ready to attack. The great use of stop motion animation, puppetry and Zacherle’s voice makes Aylmer one of the best movie monsters I’ve seen in a long time.


Like his first movie “Basket Case,” “Brain Damage” has a similar look and style to it. It’s shot on 35MM film. The atmosphere is gritty as you follow Brian through the various locations in an inner city. Henelotter fills every scene with as much detail to look at. No shot is hollow. You’ll be immersed by the transitional shot of Brian looking up at his ceiling fan which slowly morphs into an eyeball, or the blue colored water which fills up his bedroom as he slowly submerges into it. And like his previous film, there is enough blood and gore to make you squeamish. The most powerful scene in the movie (at least to me) is the confrontation Brian has with Aylmer in the bathroom at a cheap motel. After Aylmer reveals that he needs brains to stay alive, Brian refuses to go along with it and will no longer ask to get high which prompts Aylmer to challenge him that if he doesn’t get a brain, then Brian can’t have his juice. Brian agrees thinking he’ll easily win. There are several dissolve shots of Brian going through severe withdrawal symptoms that are common in addicts who haven’t gotten a fix or are detoxing. Each fade away shot shows Brian in more agony than the previous. On top of that you have Aylmer who gleefully taunts him which doesn’t help the situation. It’s heartbreaking to see Brian struggle, but it shows how powerful drug addiction is.

I’m not certain what the budget was for this movie, but Henelotter has always worked with a very small budget. He squeezes every dollar in his budget and this movie is no exception. The visuals and special effects work are so impressive that you don’t believe this was done on the cheap. I’ve always believed that you don’t need hundreds of millions of dollars to create a great movie. If you have the right story and actors and if the filmmaker can generate a coherent story, then you’ve got a great movie.


“Brain Damage” ranks very high on my all-time favorite movies. More than thirty years later, this movie is completely relevant to the issues of drugs and addiction that we face in our world today. This movie gives you a dark, gory and comedic tale of one who succumbs to drugs. While this movie is not kid appropriate, I believe is a good movie to scare straight anyone who thinks drugs are cool. After watching “Brain Damage” it will make them think twice before doing something that will give them a short ride, but a long wreck in the end.



  • During the fellatio scene the crew walked out of the production refusing to work on the scene. A similar incident happened during the shooting of Basket Case (1982).
  • Brian has an unexplained cut on his lip all throughout the film. It was a part of a subplot involving him getting into a fight the night before defending his brother in a bar fight. But due to time restraints the explanation scenes were never filmed.
  • In a 2016 interview, Frank Hennenlotter said one of his favorite things about shooting in 35mm was that he couldn’t misplace the camera as easily as he did with the 16mm camera he used on Basket Case.
  • Film debut of Rick Hearst.




These Are Beautiful

Could We See Your Bathtub?

Start Of Your New Life

Brian’s High

A Bit Underdone

Things Are Really Getting Weird Around Here

Nothing That Simple

Not Elmer, Aylmer!

Forgot Your Buckets

When It Comes To Blood In My Underwear

Aylmer’s Tune

I’d Be Happy To Help You

The Whole World’s Gonna Come To An End

What’s Your Problem, Man?

Yoo-Hoo, Brian!

Put Me On Your Neck


Critters 4

Release Date: October 14, 1992

Genre: Horror, Sci-Fi

Director: Rupert Harvey

Writers: Rupert Harvey & Barry Opper (Story), Joseph Lyle & David J. Schow (Screenplay)

Starring: Don Opper, Terrence Mann, Paul Whitmore, Anders Hove, Angela Bassett, Brad Dourif, Eric DaRe


In the early beginnings of “Guilty Pleasure Cinema Review,” I reviewed the 1986 classic, “Critters” the movie with the aliens that look like hairballs with red eyes and razor teeth and ate everything in sight. The “Critters” franchise is one of my favorite Horror/Sci-Fi franchises. Since the review, the franchise has had a rebirth with a miniseries on Shudder called “Critters: A New Binge” and a new movie coming out (or has been released by the time of this publication) called “Critters Attack!” In celebration of their return, I decided for this review to do one of their sequels. This is considered the worst of the original four movies by many fans, but I’m in the rare minority as it is my personal favorite. Yes, I think it’s even better than it’s predecessor which featured a teenage Leoardo Dicaprio. I’m of course talking about ‘Critters 4!”

“Critters 4” begins with the ending to 3 as bumbling bounty hunter Charlie (Don Opper) does a thorough inspection of the burned down apartment building looking for any remaining Krties. He discovers two eggs in the dryer. Charlie takes them out and gets ready to blast them. He then receives a distress signal from his friend and fellow bounty hunter Ug (Terrence Mann) who tells him it is illegal to destroy those eggs due to a intergalactic mandate. He instructs Charlie to place the eggs in a pod, which crashes down on him to be transported back. Charlie places the eggs as instructed by gets trapped inside the pod when the door closes on him and is gassed. The movie jumps forward to the year 2045. A small group of pirates discover the pod floating in space and acquire it. They are contacted by a galaxy conglomerate called TerraCorp claiming ownership of the pod and instruct the team to head to their station where they will be rewarded. When the team gets to the station, they find that it has been abandoned. As they wait for their payment, the captain of the group, Rick (Anders Hove) decides to rip off the pod after being humiliated by co-pilot Fran (Angela Bassett) in a memorable shower scene. After opening the pod door, Charlie awakens and the eggs have hatched unleashing the Krites which kill Rick. With the two fur-balls on the loose it’s up to Charlie and the rest of the team to either stop them or escape the station alive without their reward.


Like many reviews before “Critters 4” is truly a guilty pleasure movie. It’s another movie that would be played constantly on television and I thoroughly enjoy it. I get the criticisms of the movie for being cheap and having a boring plot. There’s a reasoning behind it which I’ll go into. The unbelievable cast of character actors keep this movie from being a complete waste.

If you’ve managed to check out the Shout Factory release of the entire Blu-Ray collection of the original four movies, they each come with their own little behind the scenes specials. In the documentary for 4 director and producer Rupert Harvey claimed that New Line Cinema gave them a combined budget for 3 and 4. Due to the team on 3 spending the most money out of that budget, there was very little left for 4 hence why they had to reuse scenes, lack of Critter monsters and other dollar store sets.


Regardless of the budget, what made this movie was the acting done by the mixed of new and veteran cast. Don Opper and Terrance Mann reprise their roles from the previous films. I was enthralled by Mann’s performance this time around with Ug as he went from being a bounty hunter to a corporate bureaucrat. His promotion into that ranking corrupts his mind as he is only concerned with his mission rather than what happened to his friend. Guess the old saying goes, “Power can corrupt someone!” Brad Dourif once again steals the spotlight as engineer, Al Bert. He is witty and a smart ass but knows his way of computers as evident when he tricks the computer of the abandoned station to give him full security clearance. He essentially becomes the de facto leader as the movie progresses which suits him well as he is the most experienced actor. My other favorite performance in the movie was Anders Hove as the captain Rick. He is a pain in the ass leader when it comes to the crew members always scheming to get more than what he is offered. The other cast members include Angela Bassett in his film debut as co-pilot Fran, Eric DaRe best known for playing Leo Johnson in “Twin Peaks” as Bernie, who is obsessed with getting access to the station pharmacy and Paul Whitmore as the apprentice, Ethan who sees Al Bert as a friend and mentor and gets the brute of Rick’s temper tantrums. There was a rumor from fans that suggested that Al Bert and Ethan may have had a “more than just friends” relationship. There’s some evidence displayed in the movie, but it’s as big of a mystery as Bigfoot.

The Chiodo Brothers return for one final time providing the Critters and the puppetry work. The Critters look just like they’ve always been except they are somewhat bigger in size than what they were in the previous movie. They are still ruthless and won’t let anyone stand in their way of reaching earth. There’s very little special effects in the movie. You’ll see a laser that shows up in a couple scenes. There’s very little blood and gore, but I do enjoy the first kill scene. It’s one of the more creative kills in the franchise. The lighting and the setting are ok as the various corridors would be use for a defensive strategy during the climax of the movie.


There’s plenty of flaws that this movie has including the repetitive computer that’s not up to date that gets on the nerves of the crew. I think it’s a failed attempt at adding comedy to a series that has comedic elements to it. Some of the sound design sounds distorted or frazzled like someone is playing on a broken synthesizer and the overall timeline of the story. I don’t think this movie needed to fast forward fifty years to get to where there at considering the advancement of technology and galactic lifeforms other than the Krites that appeared in the first movie.

I personally enjoy “Critters 4” more than “Critters 3”. It doesn’t stack up to the first two movies, but it’s good enough to satisfy your appetite for more Critters. While “Critters 4” is not the definitive conclusion to the franchise, it does close the chapter on the story line that was started from the first movie.

– All external space scenes and many sets are lifted from one of Don Opper’s earlier films, Android (1992)

– Filmed simultaneously with Critters 3 (1992) from February 1991 until July 1991.

– Critters 4 is the only Critters movie where the Critters are unable to shoot poison darts at their victims.



Too Much Coffee Again

You Got A Date Or Something?

Smells Like A Wet Sock

What’s That Chick’s Name?

Guess Angela Ain’t Going To College

Give It About A Month Before We All Glow In The Dark

Captain Asshole

Station Just Cut A Fart

I’ll Tell You What My Problem Is

I’m In Space Aren’t I?

Of Course I’m From Earth

Says You’re Expired

Man-eating Hairballs That You Do Not Believe In

That’s Not Normal

Stop Shooting The Gun In Here

You’re Not My Father

Where Are They?

Chill Out, Asshole

You Are The Stupidest Machine Ever

“A Crime Drama with A Rippling Effect”

By: Adam Cook

This is another special review where I had the opportunity to view a movie that is being released on Video on Demand tomorrow. I want to once again thank the great people of TriCoast Entertainment for sending me this film to watch and give my take on it. The previous film I reviewed for them was a psychological horror film called Between The Darkness. The film that I’ve finished watching moments ago is a Drama that is inspired by a true event. The movie is called Hate Crime.

Hate Crime tells the story of a teenage boy named Raymond Brown (Jordan Salloum) who is arrested and awaiting trial for the murder of Kevin Demarco (Chasen Joseph Schneider). Kevin is openly gay which makes what Raymond did a hate crime. The film focuses on the parents of both Raymond and Kevin as they deal with the aftermath of the tragedy (John Schneider/Laura Cayouette as John and Marie Demarco and Kevin Bernhardt/Amy Redford as Tom and Ginny Brown). Both of them are trying to figure out how did this happen and deal with the harassment from detractors on both sides of the issue.


Written by first time screenwriter Jonah Tapper and directed by Steven Esteb, Hate Crime is inspired by the tragic death of Matthew Shepard. For those who may be too young to remember, Matthew Shepard was a gay American college student from Wyoming who was beaten and tortured to death by two men because of his sexual preference. Matthew’s death would lead to state and federal legislation of the Matthew Shepard Hate Crimes Prevention Act which added the assaulting or death of a person who is LGBTQI in the category of a hate crime.

The film presents a non linear story about how such a crime has an effect on everyone that is associated with it. In this case, Esteb focuses on how the parents are dealing with this life altering tragedy. The pacing is slow as they all are trying to grasp with what has happened. As the movie progresses so does the emotions. Bernhardt masks his anger and frustration by performing his daily routine trying not to think about what has happened while his wife (Redford) breaks down and ultimately blames him for not being around to talk to their son and deal with the issues that is troubling him. Meanwhile, Schneider and Cayouette are a lost for words and grieve for their son, however Schneider seeks answers from Raymond as to why he killed their son. The reason is revealed around the mid way point which makes perfect sense.


As for the central character of Raymond, Salloum gives a remorseful performance. He quickly realizes the error in judgement as he is confined in his cell and answering questions from John Schneider in order to shed light on what happened and perhaps ask for mercy.

While the location of the film is not revealed, the majority of the film is shot on a farm surrounded by cornfields with a few shots of Raymond in prison and a few flashback shots. The rural setting is once again influenced by the Shepard tragedy since that took place in Wyoming. Most of the scenes are nighttime which gives the film the appropriate tone. Speaking of tone, Hate Crime is not a drama with brutality as other films of this subject matter are. The violence is limited to the opening scene.

I appreciate the subject matter of Hate Crime, but this could’ve been fleshed out more. It felt hollow and needed to be filled with more content. It feels like a movie that was released twenty years ago rather than today. With today’s polarizing society, the filmmakers could’ve shown that hostility on both sides of the issue.

Hate Crime won’t be remembered as an important drama movie, but rather a reminder of how ones actions can lead to life altering situations for them and their loved ones.


Hate Crime will be released on Tuesday, September 24th and will be available on Video on Demand and the following digital streaming platforms (Amazon, InDemand, DIRECTV, FlixFling, FANDANGO, Hoopla, Vimeo on Demand, Vudu, AT&T and Sling/Dish)

*Photos courtesy of TriCoast Entertainment. All rights reserved.

Team America: World Police

Release Date: October 15, 2004

Genre: Action, Comedy

Director: Trey Parker

Writers: Trey Parker, Matt Stone & Pam Brady

Starring: Trey Parker, Matt Stone, Kristen Miller, Masasa Moyo, Daran Norris



 Trey Parker and Matt Stone have been creating a ton of laughs and a ton of controversy for the past twenty years. “South Park” is getting into Simpsons territory as it gears up for its twenty-third season on Comedy Central in September. In addition to their hit cartoon show, they’ve created several movies and a hit Broadway musical. I did a poll last month on my Twitter page (@GPCRMovies) as to which of their movies would readers would like for me to review. It was a close race, but in the end, the movie that came out as the winner was their 2004 pre-election comedy “Team America: World Police!”

I’m sure the majority of you readers have seen this movie before, but for those who never heard of it or slipped by them, “Team America: World Police” is Parker and Stone’s movie consisting of wooden puppets modeled and performed in the same way as the hit British show “Thunderbirds!” Team America is a secret organization that fights terrorism all over the world. After one of their comrades is killed during a bomb plot in France, the team regroups and tries to find a recruit who could perform espionage work. They find a Broadway actor named Gary Johnston and convince him to join the team based on his “great acting skills!”  and gives him the task of disguising himself as a terrorist to obtain information. Eventually they uncover that North Korean leader Kim Jong Il is supplying terrorists with weapons of mass destruction. He creates a fake peace accord with the help of the Film Actors Guild, a group of liberal Hollywood actors led by Alec Baldwin in a conspiracy to take over the world.


When I first saw “Team America” I thought it was a satire of how Americans reacted after the events of 9/11. We all wanted to start going after terrorists and eventually that would lead into two wars (which are the longest wars on record as of this piece). Parker and Stone were able to capture the emotions of the country from both sides of the political spectrum. You have one side who wants to bomb them all to the stone age and you have another side who is protesting military action and want to use appeasement to settle differences. Like a majority of people, Parker and Stone strongly believe that the United States should not be the policemen of the world and Hollywood actors think they’re smarter than everyone else and know how to solve all the world’s problems.

The movie offers a sheer amount of wit and subversive humor.  There’s so much of it but doesn’t wear you down with the vague references and really confusing in-jokes. “South Park” fans will recognize the familiar voices of Parker and Stone as they provide different vocal performances of each of the characters to give them a stand-alone identity. My favorite voice performance is that of Kim Jong Il. Parker uses his “City Wok Owner” voice to portray Kim with the same kind of mispronunciations and anger that it’s “South Park” counterpart offers.


The story is easy to follow and is filled with plenty of action. There are lots of explosions, gunfire and puppet to puppet combat. I was laughing in tears when Team America would go to a location and start killing terrorists and blowing people up that in the end as they are doing their victory pose, you see a city like Paris just smelt into piles of rubble.

And like “South Park” Parker and Stone aren’t afraid to go after those in Hollywood who voice their political opinions to the world as an effort to show they’re smarter than the average person. The most vocal actors/filmmakers are presented in this film. Everyone from Alec Baldwin to Michael Moore are displayed with the familiar amount of hypocrisy presented in the same manner as their real selves.


Of course, what wouldn’t be a review of “Team America: World Police” without talking about the puppetry. As stated in the beginning of the review, this film is an homage to “Thunderbirds!” The look of the puppets and the way they move complete with exposed strings is exactly taken from the cult television series. You’ll be laughing in stitches the way they move, run, blink and fight. I would assume they worked with the same team on “Thunderbirds” to use the same puppets and style them differently or they worked with them to create them exclusively for the film. Obviously, the Kim Jong Un puppet and many of the Hollywood stars were built just for this movie.

“Team America: World Police” is not a movie for everyone. If you’re not a fan of “South Park” or its humor, then you won’t enjoy this at all. If you do enjoy the show, you’ll see this as an extension to it. I’ve seen all of Parker and Stone’s feature films. “Team America” would have to rank in the middle. “Orgazmo” is still my favorite of their short filmography, however it didn’t get the votes to be showcased here on “Guilty Pleasure Cinema Review.”  Congratulations to “Team America: World Police” on winning the first fan poll. Thank you to everyone who participated. I will be doing this again in the mere future. Stay tuned!



  • The very first footage screened for Paramount executives was of a poorly crafted puppet in front of a background of a badly drawn Eiffel Tower, prompting one executive in the audience to yell, “Oh God, they fucked us!” This was a prank pulled by the directors and the shot then pulls back to reveal a highly refined marionette manipulating the inferior one, then flies over beautifully detailed Parisian landscape full of believable yet cheesy marionettes. This actually ended up being the opening shot of the movie.
  • All the background foliage in the Panama sequence is cannabis plants.
  • Originally, Matt Damon (who Trey Parker and Matt Stone have admitted is really a “pretty cool guy”) was going to be portrayed as intelligent and articulate, but when they saw the puppet, they noted that it made him “look retarded” and decided to portray him as such.
  • Paramount immediately green lighted the idea of making a puppet movie, in the mistaken belief that it would be cheaper than a live action film.
  • Matt Stone was interviewed by Michael Moore for his film Bowling for Columbine (2002) because he grew up near the infamous school. However, he was very unhappy about the animated section of his film, believing that Moore had intentionally left the impression that he and Parker had made it. For that reason, Michael Moore was portrayed in an amusingly negative fashion in Team America: World Police.
  • George Clooney was a driving force in getting Matt Stone and Trey Parker’s South Park (1997) to air. He also appeared in the show and the subsequent movie. As to their puppetry portrayal in Team America: World Police (2004), both he and Matt Damon are quoted as saying they would have been offended if they weren’t in the film.
  • Despite almost getting an NC-17 rating in the United States, the film was promoted as a “kids and family” movie in several European countries and rated fit for all accordingly.
  • When the camera first shows us the palace in North Korea, several of the smaller buildings are actually Chinese food take-out boxes.
  • The leaves on the palm trees in Hollywood during the F.A.G. meeting are made out of dollar bills.
  • Sean Penn was so insulted by the filmmakers’ suggestion that there was “no shame in not voting” that he wrote an angry letter to Matt Stone and Trey Parker with the closing “a sincere fuck you, Sean Penn.”
  • When the Film Actors Guild decides to go to North Korea, the members all shout “Qapla!” which is Klingon for success.



Terrorize This

Gary’s Acting Secret

Step Into My Car

Now I’ve Seen Everything

9/11 Times 100

Fire His Translator

Cario, That’s in Egypt!

I Like You

Five Terrorists Going Southeast

One Of The Terrorists Is Trying To Tell Us Something

Tim Robbins’ Statement

I Don’t Have Any Weapons Of Mass Destruction

Very Bad Intelligence

There’s No ‘I’ In Team America

You’ll Never Keep The World Leaders Distracted

We Need A Montage

We’re Guards

Actors Help

Johnny Mnemonic

Release Date: May 26, 1995

Genre: Action, Drama, Sci-Fi   

Director: Robert Lungo    

Writer: William Gibson

Starring: Keanu Reeves, Dina Meyer, Takeshi Kitano, Ice-T, Dolph Lundgren, Henry Rollins, Udo Kier



Well readers, today is a milestone for “Guilty Pleasure Cinema Review!” We’ve reached the big 50th Review! I want to take this moment to thank all of you who have continued to support this site. You’re the reason I continue to do this. I hope I’ve had some kind of impact on you checking out these movies and perhaps changing your mind on them if there are some you didn’t like nor care for in the first place. “GPCR” has come a long way since it was started in January 2018. I hope to continue this site for the next 50 reviews and beyond. I’ve been having a blast watching this movie and giving you a perspective on them as much as you have enjoyed reading them and enjoying the audio clips that are provided in each review. There’s not much more I can say except how deeply humbling it is to have a great community of people who enjoy movies no matter how big,, cheap or silly they may be.

If you been following me on Twitter (@GPCRMovies) I conducted a poll for the followers to choose the 50th Review. There was an overwhelming number of people that voted for the 3 day poll. It was a very close poll, but in the end voters chose the 1995 Sci-Fi flick “Johnny Mnemonic” starring Keanu Reeves as the movie that should be featured. With that, let’s dive into the people’s choice!

Based on the novel of the same name by William Gibson, “Johnny Mnemonic” takes place in the year 2021. Johnny (Reeves) is a courier with a data storage device in his brain allowing him to transfer sensitive information to his destination without worry of it being stolen on the net. The cost of this implant results in Johnny not being able to retain memories of his childhood. He wishes to have his implant remove, but does not have the money for an operation. His boss Ralfi (Udo Kier) gives him one final job to perform in which the amount is more than enough to get the operation. Johnny heads to Beijing to collect the data, however is told that the data amount exceeds his memory capacity which is at 80 gigabytes. The data he is retrieving is 320 gigabytes. An overflow of data would cause not only psychological damage but death if it is not removed within a certain time frame. Using a compression unit that would handle the data in his head, Johnny collects the data from his clients, a group of scientists and selects three random images to use at an encryption key. Before the scientists can send the key to the data receiver, they are ambushed and killed by the Yakuza. Johnny escapes with part of the key and heads back to Newark where he is then pursued by a pharmaceutical executive named Takahashi (Takeshi Kitano) who wants the data for himself. Receiving assistance from a bodyguard named Jane (Diana Meyer) and J-Bone (Ice-T) the leader of an anti-government group called the Loteks, Johnny must get the data removed from his brain and delivered to the correct destination before he is killed either by various contractors that Takahashi hires or by the data that is inside his brain.


“Johnny Mnemonic” has been called a precursor to Reeve’s blockbuster hit “The Matrix” which would come out four years later. It does have some elements of the latter film, but they are still two different films. This film has the look and feel of a futuristic cyberpunk movie. It merges technology with a rugged industrial look. The dystopian world that is presented is nothing new in these types of movies but is essential to the overall plot of the movie.

The performance of Keanu Reeves is what you would expect it to be from him. It’s wooden and doesn’t have much heart or emotion. It lacks any kind of energy. You would think with the situation he is in and his life at risk, he would be concerned about making it through the movie alive. The whole time he complains about trying to get this data out of his head. Thankfully the supporting cast of great character actors help keep the movie from becoming a total bore. You’ve got the lovely Dina Meyer as bodyguard Jane who becomes Johnny’s protector, Udo Kier as Johnny’s boss, Ralfie, Ice-T as resistance leader J-Bone, Henry Rollins as Spider, the man who is willing to remove the chip from Johnny’s head and Japanese acting legend Takeshi Kitano in his first American movie appearance as the CEO of the pharmaceutical corporation who is desperate to get the information out of Johnny’s head that he goes to great extremes. All these characters are essential to the story of the film each with their own abilities and traits that Johnny needs to survive.


The best and most surprising performance of the movie goes to Dolph Lundgren as the Street Preacher. Yes, he’s a real preacher who recites biblical verses and refers to himself as the savior or “Jesus”. However, behind his oath is a brutal hunter who stalks Johnny everywhere he goes. He is just like the Terminator as he will not stop until he completes his mission. It was weird at first to see Lundgren in this kind of a role, but he really puts a lot of dedication in his part. He was funny and menacing at the same time.


The world of “Johnny Mnemonic” is dark, cold and metallic. The majority of the film takes place is Newark, NJ which is also called the “Free Zone” as it is occupied by the Lotek. You can relate this to what is going on in the world in many countries between the government forces and the rebels. The bigger cities like Beijing are advanced and high class because they are occupied by the government.  The special effects were reminiscent of the effects seen in “The Lawnmower Man” especially during some of the virtual reality scenes. One thing that sets this movie apart from some of the others is the use of creative gadgets such as a laser whip and other weapons that the resistance members have made. There’s plenty of fighting and other action sequences that breathe some life into the dull plot line. Director Robert Lungo essentially tries to make his own version of “Blade Runner!” Sadly, this would be Lungo’s only movie he directed as he has never been given another opportunity to make another movie which is a shame. I think it was decent with what he was given, but the script doesn’t give Gibson’s novel much justice.

“Johnny Mnemonic” is one of the ultimate “Guilty Pleasure” movies that is out there. It’s a love/hate movie. For those who still enjoy it like I do, it’s a 90s Sci-Fi flick that would become a blueprint for this style of film making that was only a few years away. I don’t think if it weren’t for this movie, we may never have gotten a “Matrix” movie nor would it be of the same caliber and innovative film that it became. This movie is better placed into the B-Movie category alongside some other underappreciated movies of this style and concept.

With that, this concludes the 50th review! Here’s to another 50!



  • The script was rumored to have been dumped on the doorstep of Keanu Reeves’ house, a tactic that piqued his interest, and led to him accepting the role of Johnny.
  • At one point, Johnny’s brain implant is detected by a security scanner and is falsely reported as a device for counteracting dyslexia. Keanu Reeves does in fact suffer from the disorder in real-life.
  • Robert Longo and William Gibson originally intended to make an art film on a small budget, but failed to get financing. Longo commented that the project “started out as an arty $1.5 million movie, and it became a $30 million movie, because we couldn’t get a million and a half.”
  • Dina Meyer’s first feature film.
  • Val Kilmer was originally set to star, but left the project after he was offered the role of Batman in Batman Forever (1995). Kilmer later played Chris Shilerhis in Heat (1995), a role that Keanu Reeves was in early talks for, but ultimately turned down.
  • According to William Gibson, the movie was re-edited by the producers in order to make it more “mainstream”. The Japanese release is said to be closer to the director’s and Gibson’s original vision.
  • The only feature film Robert Lungo directed.




Pick Up, Ralfie

Snatch Back Your Brain, Zombie

Hit Me

Next Time Knock

Where Is He Taking The Data?

What’s Going On Here Ralfie?

We’ve Got All Night Asshole

Say Bye

Not On The Head

Time To Go

I Need A Computer

You Need Someone Brought To Jesus?

Doesn’t Have One Natural Bone In His Body

Just Johnny

Why Did You Have To Do That?

Halt Sinners

I Want Room Service!

Come To Jesus



Desperate Measures

Release Date: January 30, 1998

Genre: Action, Crime, Drama

Director: Barbet Schroeder

Writer: David Klass

Starring: Michael Keaton, Andy Garcia, Brian Cox, Marcia Gay Harden, Erik King, Joseph Cross


Recently I’ve come up with a list of actors/actresses that I love where I haven’t reviewed a movie they starred in for “Guilty Pleasure Cinema Review!” One of the names I had listed was Michael Keaton. I was shocked I haven’t done a movie of his. I’m a huge Michael Keaton fan. I still believe he was the best Batman. Not only that, but he’s an incredible actor who could play any part. He started his career in comedies then moved to dramas and suspense. Keaton’s hard work and determination would be rewarded in 2014 when he appeared in the movie “Birdman” in which he won a Golden Globe Award for Best Actor in a Comedy/Drama and earned him his first Academy Award Nomination for Best Actor (Which he should’ve won. Screw the guy who played Stephen Hawking)! I came across a movie of his that appeared on streaming which I was highly fond of when it came out. It was a role a lot of people haven’t seen him play before. For this review, we’re going to look at the 1998 suspense flick “Desperate Measures!”

“Desperate Measures” stars Andy Garcia as San Francisco police officer Frank Connor who is in search for a bone morrow donor for his young son, Matt who suffers from leukemia and needs a bone marrow transplant in order to live. After breaking into the FBI headquarters, he finds a donor using their database. The only match that is listed is a sociopathic serial killer named Peter McCabe (Keaton) who is serving a life sentence for several murders. Connor heads to the prison where McCabe is incarcerated pleading for him to help his son. McCabe initially refuses but has a change of heart as he sees this as an opportunity to escape. When McCabe is transferred to the hospital and is being prepped for the transplant, McCabe is unable to be sedated as he took a counteracting drug given to him by an inmate. He slips out of his restraints and attempts to escape from the hospital. Connor must track down McCabe and recapture him in time to do the transplant otherwise his son will die from his illness.


Released at the beginning of 1998, “Desperate Measures” was met with mixed reviews. It made $13 million at the box office against a reported $50 million budget making it a flop. The movie did win an ALMA Award for Garcia for the category of “Outstanding Actor in a Feature Film in a Crossover Role.”  Unfortunately, Keaton didn’t receive any award nominations.

“Desperate Measures” isn’t anything groundbreaking or original, but it has enough to keep you focused. I’ve heard people call this movie a long chess game, a cat and mouse game and an old-fashioned car chase movie. It’s all of the above. It’s a predictable movie filled with some light tension, explosions and action sequences. The performances of Keaton and Garcia are the highlights of this film. They are perfectly matched and try to out smart each other to get ahead of the curve.

This isn’t the first time Keaton has played a sinister character. If you saw the movie “Pacific Heights,” you know what kind of a despicable criminal Keaton is in that movie. He’s essentially the same character from that movie but heightened. When you first see him in his prison cell, he is muscular and intimidating. Behind that brawn is a brain. The movie does a good job showing the audience McCabe’s planning of his escape, the methods he goes to for preparing his escape such as taking a drug to counter act sedatives prior to being put in anesthesia and improvising when things in the hospital don’t go as planned.


Andy Garcia is in familiar territory playing an officer of the law. For what its worth his performance was spot on. You can see the emotion and determination play out in the film. He will do everything it takes to save his son at the risk of losing his job and it shows when he chases down McCabe. He doesn’t allow himself to be manipulated by McCabe but sometimes goes along with his demands in order to get one step closer to him.

The supporting cast is small but is enough to advance the story and the events taking place. Brian Cox plays police Captain Jeremiah Cassidy who thinks he has McCabe on a tight leash expect McCabe refuses to heel. He is just as determined to get him as Garcia is however, he is not concerned about keeping McCabe alive. Marcia Gay Harden plays Dr. Samantha Hawkins who is supposed to be doing the bone marrow transplant procedure but seems to become a nuisance for McCabe. Finally, we have Joseph Cross as Matthew Conner, the leukemia-stricken son of Frank Connor. You can’t expect much from child acting, but I thought he was fine in this role.


“Desperate Measures” was directed by Barbet Schroeder, who is best known for directed the movies “Single White Female and “Reversal of Fortune,” in which he received an Academy Award Nomination for Best Director from the latter picture. He’s directed numerous suspense films, so this is familiar territory with him. This movie relies more on style than substance. The movie is supposed to take place in San Francisco, but if you read the trivia, they never shot the movie there. It was shot in Pittsburgh. I have to say I was impressed with that considering we see a few shots that are reminiscent of what you would see in that city so kudos to the location scouts. Working with a script that had a lot of holes and questionable scenarios, Schroeder did his level best to keep the audience engaged.

“Desperate Measures” can be currently streamed on Crackle. It is a free streaming service. Now would be the best time to check out this movie. It’s a movie that’s pretty unrealistic and unfeasible, however the character driven narrative and action help keep it from going off the deep end. If I had to rank this movie in a list of best Michael Keaton movies, it would fall just outside the top ten. In this case, it would be an honorable mention.


  • The film is set in San Francisco, but was filmed in Pittsburgh. They used Grant Street in downtown Pittsburgh, because it is a brick road like many of the roads in San Francisco. Also, the front of the hospital is One Mellon Bank Center located on Grant Street, the same building in the helicopter scene of Sudden Death (1995).
  • In addition to some of the scenes filmed in Pittsburgh, an elaborate set was constructed in a vacant hangar at what is now known as the San Bernardino International Airport, what used to be Norton Air Force Base. The prison and the hospital were three stories high, and were connected by the concourse seen in the movie.
  • Michael Bay was originally set to direct, but pulled out to do The Rock (1996).
  • Michael Keaton and Joseph Cross would appear together again in Jack Frost (1998).



We’re Through Here

I Get The Opportunity To Kill Again


Little Demon

Uncle Pete

These Cigarettes Are Stale

Sorry I Can’t Get Up To Greet You Properly

Freedom From Cigarettes

I Need Some Help

They Told Me What An Asshole You Were

Are You Going To Forget Me?

Do You Have That Long?


My Son Needs Medical Attention

My Official Resignation

Definitely Compatible







Release Date: July 21, 1989

Genre: Comedy, Drama

Director: Jay Levey

Writers: ‘Weird Al’ Yankovic (Credited as Al Yankovic and Jay Levey

Starring: ‘Weird Al’ Yankovic, Victoria Jackson, Michael Richards, Kevin McCarthy, David Bowe


‘Weird Al’ Yankovic is a musical treasure. Throughout nearly forty years he’s entertained us with his hilariously creative parodies of pop songs. He is considered an original talent and is respected by his peers. He’s appeared not only on the small screen, but on the big screen. In 1989, ‘Weird Al;’ starred in his own movie titled “UHF!” Since it’s been thirty years since its release, I wanted to take a trip down memory lane and review this underrated and underappreciated comedy.

In “UHF” Al stars as George Newman, a fast food worker who constantly has imaginative dreams about movies with him in as the titular hero. After he and his friend Bob (David Bowe) are fired from their job, he is given the keys to a low budget television station that was won by his uncle Harvey, who won it in a poker game. George introduces himself to the head of the VHF station Channel 8 named RJ Fletcher (Kevin McCarthy) who immediately threatens to call security on him. George and Bob get to work on original programming. The low viewership and lack of funds jeopardize the station being shut down. On top of that George is depressed over missing a birthday dinner with his girlfriend Terri (Victoria Jackson) whom breaks up with him over the phone. During a segment of “Uncle Nutzy’s Clubhouse,” George walks out of the show and asks his janitor, Stanley Spadowski  (Michael Richards) to take over. When Bob are George are at the bar, they see Stanley’s slapstick antics which makes the patrons and the kids in the audience laugh. Soon “Stanley Spadowski’s Clubhouse” becomes a hit children’s television show which not only produces high ratings but loads of dollars from sponsors. They eventually topple Channel 8 as the number one channel in town. However, their station becomes in jeopardy once again. After George’s Uncle Harvey loses a bet and owes his bookie $75,000, RJ offers to buy the station effectively putting Channel 62 out of business. George is given two days to match the offer. The race begins.


“UHF” was released during a busy summer in 1989. Due to numerous blockbusters being released, it didn’t get much attention. Reviews were mixed to negative. However, since it’s released more people have given the movie a second chance and like it on the merits. This in turn has made “UHF” a cult classic.

I’m a huge ‘Weird Al’ fan and I admit; I couldn’t get into “UHF” the first time around which was back in the late 90s. I revisited the movie a few years back and it turns out I liked it the second time around. After a few more viewings it is a film full of wackiness, originality and humor only the weird one could provide.


While ‘Weird Al’ may be the star and writer of this film, the supporting cast and writer/director Jay Levey, a longtime friend and collaborator of Al’s deserve as much credit for this entertaining picture. Each actor brings so much emotion and love to their characters. “UHF” has a great supporting cast led by Michael Richards as Stanley. Despite his passion as a janitor, he fills the role of a children’s television character with confidence and ease. He is instantly loved by parents and children with his funny antics and creating a safe playful environment. He had just started his role as Kramer on “Seinfeld” and wouldn’t not surprise me if he incorporated elements of Stanley into his most iconic character. Kevin McCarthy is a great bad guy as RJ Fletcher. As a big shot TV executive, all he cares about is staying on top and squashing the completion. When George becomes a threat to him, he pulls out all kind of dastardly tricks to slip him up. McCarthy is loathsome yet hilarious when some of his plans backfire. Victoria Jackson is the sweet wholeheartedly Terri. She puts up with George through his earlier failings and despite being separated doing a portion of the movie, she still has feelings for him and comes to his rescue.


The jokes throughout the movie are clean and hilarious. Of course ‘Weird Al’ movie wouldn’t be complete without some parodies. There’s parodies are short, but don’t feel like filler. They are appropriately placed throughout the plot. The sequence where Al dreams of being in the Dire Straits music video “Money For Nothing” in the form of “The Beverly Hillbillies” complete with the same computer generated graphics as the original video would become the lead song off the soundtrack as well as music video played on MTV.

“UHF” is a rare gem of a movie. It continues to showcase ‘Weird Al’ as a great talent. It doesn’t need sexual jokes or foul language to be funny. It’s all in the concept, story and performances. It’s a piece of pop culture that will live on with each generation. And that’s something to get you to put on some polka shoes and rock out.



  • The Spatula City billboard was purchased by the production and it was placed for the one shot it appears in, for ease of filming it was a billboard on a highway not frequented by many travelers. For this exact reason the billboard was not purchased after the rental period ran out, and the company did not remove the phony advertisement, it is reported that for months after the film finished shooting many travelers turned on the indicated exit and inquired about Spatula City, the ad was removed shortly afterwards when the company began receiving complaints.
  • According to ‘Weird Al’ Yankovic, Kevin McCarthy thoroughly enjoyed himself during this film and would often break out in laughter after finishing a take where his character was being especially nasty.
  • The Academy of Motion Picture Arts and Sciences would not allow use of an exact likeness of the Academy Award statuette (“Oscar”) for filming, so a *similar* statuette was created which has Oscar’s hands covering his crotch.
  • According to ‘Weird Al’ Yankovic, his line “Redrum! Redrum!” (an homage to the horror classic The Shining (1980) was not scripted and David Proval’s look of confusion was genuine.
  • Michael Richards improvised two scenes: where he tells the kids about his dream of being a bird and the Corn Flakes commercial where he finds a toy man.
  • In one scene, George Newman and Bob Speck discuss television lineups. One of the shows mentioned is “Volcano Worshipers Hour”. In high school, ‘Weird Al’ Yankovic started a “Volcano Worshipers” club just to get in the yearbook.
  • During a VH-1 “Behind the Music” episode about ‘Weird Al’ Yankovic, Emo Philips shows an actual Screen Actors Guild residual check he earned for this film. It was for 30 cents. He stated proudly the check represented what being in this film did for his career.
  • Jennifer Tilly and Ellen DeGeneres both auditioned for the role of Teri Campbell, ultimately played by Victoria Jackson. DeGeneres was the first choice but never happened, for reasons unknown to ‘Weird Al’ Yankovic.



Are You Daydreaming Again?

Grab Life By The Lips

It’s A Friendly Place

Like Working In A Fish Market

This Is A Business

Hey RJ

Look At Mr. Frying Pan

If You Were Traveling Through Outer Space

One Of My Favorite Cartoons

Life Is Like A Mop

Do I Still Get To Be Janitor?

George Leaves A Message For Terri


New Friday Night Lineup

Town Talk Commercial

I Own This Place

I Love Anchovies